Jane Feinberg Movies

Ernest Thompson, the playwright responsible for the Pulitzer Prize winning On Golden Pond, makes his directorial debut with 1969. Kiefer Sutherland plays a draft-age youth who undergoes an epiphany when one of his friends is killed in Vietnam. Sutherland's subsequent antiwar stance causes a great deal of tension within his own family, though his mother, Mariette Hartley, tries her best to understand. ~ Hal Erickson, All Movie Guide

In this sequel to the 1981 hit comedy Arthur, the story picks up where it left off with the bibulous millionaire hero (Dudley Moore) marrying poverty-stricken Linda Marolla (Liza Minnelli) instead of going through with a prearranged wealthy marriage. The vengeful father (Stephen Elliott) of the justifiably jilted bride begins pulling a few crooked strings, and before long, Arthur is broke. Worse still, Linda is pregnant. Will Arthur crawl back into a bottle, or will he save the day? John Gielgud makes a cameo appearance as the ghost of the family-retainer character he played in the first Arthur, while Dudley Moore's real-life wife Brogan Lane shows up in a minor role. ~ Hal Erickson, All Movie Guide

Buck McGriff (Willem Dafoe) and Albaby Perkins (Gregory Hines) are military police from the army's Criminal Investigation Department assigned to find a serial killer in 1968 war-torn Saigon. Hookers have been ritualistically murdered, and the two cops spend their final days of active duty in the sleazy back alleys of Saigon tracking down the killer in this military mystery. One by one, possible witnesses who can shed light on the case are systematically murdered. ~ Dan Pavlides, All Movie Guide

Wealthy-but-troubled Vietnam vet Jeff Fahey, his trailer-trash wife Karen Allen, and drifter Keith Carradine are the characters essential to the action in Backfire. Fahey's horrific flashbacks to his days in Nam plunge him into a catatonic state. Though he has previously drawn up a document granting his wife power of attorney in case this should happen, Fahey's protective sister Dinah Manoff keeps this fact secret, hoping to cut off the mercenary Allen--and her lover Dean Paul Martin--without a penny. Drowning her problems at a local bar, Allen makes the acquaintance of Carradine, who shortly afterwards moves into the family mansion, bag and baggage. Fed up with being treated like garbage, and equally fed up with her noncommunicative husband, Allen enmeshes Carradine in an insidious plan that will regain her the riches she feels she deserves. ~ Hal Erickson, All Movie Guide

Though John Badham's Stakeout doesn't flinch in the violence department, the film concentrates primarily on characterization. Richard Dreyfuss and Emilio Estevez play a pair of Seattle detectives, assigned to capture escaped hood Aidan Quinn. The twosome spends much of the film on stakeout in a lonely, deserted house; the object of their scrutiny is Madeline Stowe, Quinn's former girlfriend. Pretending to be a telephone repairman, Dreyfuss plants a bug in Stowe's apartment--thereby inaugurating a romance that compromises the detective's objectivity. In the climax, Quinn gets the upper hand--at least until the fists start flying. Perfect as it stood, Stakeout didn't need to be elaborated upon with a sequel, but Another Stakeout was produced all the same. ~ Hal Erickson, All Movie Guide

While vacationing in the Pacific Northwest, the Henderson clan's dad George (John Lithgow), mom Nancy (Melinda Dillon), daughter Sarah (Margaret Langrick) and son Ernie (Joshua Rudroy) accidently run over a strange animal with their car, and when they get out to see what it is, they find the seemingly dead body of a hairy Bigfoot-type monster (Kevin Peter Hall). Believing that the creature is a grizzly bear, the Hendersons take it home, planning to stuff the beast and put it on display in their living room. Predictably, the hirsute monster revives and is adopted by the family as a pet. Originally conceived as a TV series by comedian Brad Garrett, Harry and the Hendersons ultimately did make it to the small screen as a weekly syndicated sitcom in 1990, with Kevin Peter Hall repeating the title role during the series' first 24 episodes. ~ Hal Erickson, All Movie Guide

Struck by lightning, an endearing little robot known only as "Number 5" escapes from an experimental electronics firm. Technician Newton Crosby (Steve Guttenberg) and his indecipherable East Indian assistant, Ben Jabituya (Fisher Stevens), set out to locate Number 5 before the military can go through with its plans to destroy the robot. Number 5 takes refuge with loopy Stephanie Speck (Ally Sheedy), who is convinced that the mechanical man is an extraterrestrial. Hoping to teach the "alien" all about Earth, she fills Number 5's memory banks with reams of pop culture -- and then the real fun begins. ~ Hal Erickson, All Movie Guide

The year is 1978: 12-year-old Joey Cramer, playing in the woods near his home, is knocked unconscious. He awakens and heads home, only to find strangers living there. He also finds that the year is 1986, and that he's been officially missing for eight years. NASA officials determine that Cramer was abducted by aliens during his blackout, and hope to scan the boy's brain in order to unlock a few secrets of the universe. Answering the call of a strange, unseen force, Cramer boards a well-hidden spaceship and takes off, guided by the jocular voice of a computer named MAX (voiced by none other than Paul Reubens, aka Pee-wee Herman). Realizing that he can't fit into 1986 so long as he's a child of the seventies, Cramer hopes to retrace the steps of his alien abductors and get back to his own time. ~ Hal Erickson, All Movie Guide

This is an eerily prescient family adventure starring Kate Capshaw as Andie, a frustrated NASA astronaut who's never actually been into outer space. Her husband, flight controller Zach (Tom Skerritt), is sympathetic, but he can't influence her place in the rotation. Andie is assigned to train a group of intelligent high school students at the summer science camp called Space Camp, which is run by NASA and supervised by her husband. There she meets her campers: Kevin (Tate Donovan), a blasé, horny teenager; Tish (Kelly Preston), an airhead with a photographic memory; Kathryn (Lea Thompson), an arrogant pilot; obnoxious youngster Max (Joaquin Phoenix); and scientist-in-training Rudy (Larry B. Scott). While testing the solid booster rockets aboard a real shuttle, the team is blasted into space accidentally. Without enough air, the discordant team pulls together, each discovering hidden talents. The "Challenger" space shuttle disaster in January 1986 was bizarrely similar to the events depicted in Spacecamp, with far more horrific results. Its release date pushed back several months because of the tragedy, the film was still a painful reminder to the public of the national calamity, and it consequently grossed only about $10 million at the box office. ~ Karl Williams, All Movie Guide

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, All Movie Guide

Love means never having to say that you're ugly in the extravagant fantasy film Enemy Mine. Earthling Dennis Quaid is Davidge, one of many space warriors engaged in a bloody extraterrestrial battle against the Draconians. Crash-landing on a faraway planet, Davidge is forced into an "up close and personal" with the Drac (Lou Gossett Jr.), a repellant, reptilian creature. Evidently a bivalve, the Drac gives birth to a baby Drac just before expiring. Now a reluctant foster father, Davidge tries to keep himself and the baby alive while the war continues to rage all around them. The special effects (courtesy Industrial Light and Magic) are serviceable if not brilliant, and the acting is okay so far as it goes. What socks over Enemy Mine is Rolf Zehetbauer's awe-inspiring production design and Chris Walas' superb makeup work. Though a favorite on home video, the film deserves to be seen on a wide theatre screen. ~ Hal Erickson, All Movie Guide

Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper. ~ Hal Erickson, All Movie Guide