Howard Feuer Movies

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, All Movie Guide

Norman Jewison directed Alvin Sargent's adaptation of Jerry Sterner's off-Broadway satire of the excess of the '80s, with Danny DeVito as corporate raider Lawrence Garfield -- or, as he is better known, Larry the Liquidator. Larry spends his waking hours searching for companies to take over. One morning he comes across New England Wire & Cable, a company that has seen better days but is not debt-ridden and contains plenty of cash. Licking his chops, Larry hopes to raid the company and strip its assets. But the company's president, Andrew Jorgenson (Gregory Peck), wants to continue in the wire and cable business. For help, Andrew seeks out his daughter-in-law, Kate Sullivan (Penelope Ann Miller), a New York attorney who is as obsessive about saving Andrew's company as Larry is about destroying it. When she walks into Larry's office, Larry immediately falls in love. But they are adversaries, and they have to decide if love or corporate buyouts come first. This all comes to a head during a shareholder's meeting inside the factory, where both Andrew and Larry state their cases regarding Andrew's beloved company. ~ Paul Brenner, All Movie Guide

Based on the late Charles Willeford's series of hard-boiled crime novels featuring Miami cop Hoke Moseley, the Jonathan Demme-produced Miami Blues opens with the prison release of Frederick Frenger Jr. (Alec Baldwin), a deranged killer who has barely de-boarded his plane before he's killed a Hare Krishna in the airport. Checking into his hotel, Frenger meets up with Susie Waggoner (Jennifer Jason Leigh), a young prostitute with dreams of domestic life, and the two quickly become romantically involved. Meanwhile, the Hare Krishna murder case is given to Moseley (Fred Ward), a grizzled vet who vows to hunt down Frenger, but may be getting too long in the tooth for the demands of his job. ~ Matthew Tobey, All Movie Guide

The crew of an experimental, high-tech submersible is called into action to investigate a mysterious nuclear submarine crash. A series of strange encounters leads the crew to suspect the accident was caused by an extraterrestrial craft, and that they may be participating in an encounter with an alien species. However, in order to make contact, they must not only brave the abyss, an exceedingly deep underwater canyon, but also deal with the violent actions of one of their own crew members, an increasingly paranoid Navy SEAL officer. Approved by director James Cameron, The Abyss: Special Edition is an extended director's cut of the 1989 underwater science fiction epic, reinstating nearly a half hour of footage removed from the original release under studio pressure. Much of the restored footage places the film's events in a grander political context, as the crew's mission becomes a factor in the dangerous escalation of nuclear tension between the U.S. and the Soviet Union. The largest change involves the film's ending, which provides further information on the aliens' mission on Earth, bringing the film to closer to Cameron's intention: a modern remake of Robert Wise's The Day the Earth Stood Still. ~ Judd Blaise, All Movie Guide

In Peter Yates' crime drama An Innocent Man, Tom Selleck plays Jimmie Rainwood, a stock figure airline maintenance supervisor with a perfect family. Then, one day, Jimmie decides to take a shower. While scrubbing himself clean, two crooked cops are getting themselves dirtier. Mike Parnell (David Rasche) and Danny Scalise (Richard Young) are the kind of bad cops who bust the drug dealers, steal their supply, and sell it back to the local drug lords. On this day, unfortunately for Jimmie, they get the wrong address and bash down his door. When Jimmie comes out of the bathroom wielding his hair dryer, Parnell and Scalise think it is a gun and shoot him. Realizing their mistake, they cover themselves and frame him as a drug dealer. Jimmie refuses to take a plea and he is sentenced to six years in the slammer. In the brutal prison environment, he is taken aside by long-timer Virgil Kane (F. Murray Abraham), who gives him a bleak collection of options to chose from in order to survive prison. After seeing a prison gang rape, Jimmie chooses the kill-or-be-killed selection and stabs to death the nasty black convict who has been bothering him. After three years, Jimmie is released on parole, and he tries to pick up his life again. But Parnell and Scalise return to threaten Jimmie and his family. Realizing that his prison lessons must be carried over into civilian life, he sets up a situation in which the bad cops' drug dealings are revealed, and Jimmie prepares for a final reckoning between the cops and himself. ~ Paul Brenner, All Movie Guide

Adapted for stage and screen several times over the past century, French author Francois Choderlos de Laclos' 1782 novel Les Liasons Dangeureuses was the basis for this Academy Award-winning Stephen Frears film. The plot is motivated by a cruel wager between the beautiful but debauched Marquise de Merteuil (Glenn Close) and her misogynistic former lover, the Vicomte de Valmont (John Malkovitch). The Marquise challenges Valmont to seduce the virginal Cecile de Volanges (Uma Thurman) before the girl can be wed. Valmont offers a more difficult counter-challenge: He bets the Marquise that he will be able to bed the very moral and very married Madame de Tourvel (Michelle Pfeiffer). In the course of carrying out his plan, Valmont is stricken with a sudden case of honor and remorse, while the Marquise becomes all the more vicious. ~ Hal Erickson, All Movie Guide

Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. ~ Hal Erickson, All Movie Guide

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, All Movie Guide

With this rote but well-cast romantic comedy, writer-director James Toback began his long association with actor Robert Downey, Jr. The latter stars as Jack Jericho, a grade school teacher and smooth operator who zealously polishes his cliched pick-up lines in front of a mirror. Jack's come-ons even work on Randy Jensen (Molly Ringwald), a redheaded museum tour guide who dishes up a stream of retorts, matching Jack's verbal banter. After quickly trysting in the back of Jack's car, Randy flatly thanks him and walks off. Realizing that Randy is his soul mate, Jack gets his pal Phil (Danny Aiello) to find her. She's in Atlantic City, desperately trying to win $25,000 with her paycheck. Her father, Flash (Dennis Hopper), is an inveterate alcoholic who owes the money to a mobster, Alonzo (Harvey Keitel). Alonzo is willing to erase the debt if Randy will sleep with a South American kingpin, so she's trying to hit a jackpot that will get her and Flash off the hook. With a deadline of tomorrow, Jack sets out to get Randy's money and convince her that he's Mr. Right. The Pick-Up Artist was the final film appearance of actress Mildred Dunnock, who played Jack's grandmother. ~ Karl Williams, All Movie Guide

A woman trying to keep a momentary indiscretion quiet finds herself in more trouble than she ever imagined in this comedy written and directed by Robert Benton. Nadine Hightower (Kim Basinger), who is significantly more beautiful than intelligent, is fast-talked into posing for some cheesecake pictures by sleazy photographer Raymond Escobar (Jerry Stiller). When Nadine learns that Escobar plans to use the pictures for a set of racy playing cards, Nadine decides to steal the photos back, and she enlists the help of her soon-to-be-former husband Vernon (Jeff Bridges), who is already engaged to the winner of a local beauty pageant. In the midst of the robbery, intruders shoot and kill Escobar in the next room; Nadine and Vernon grab an envelope marked "Nadine" and make tracks. But the envelope doesn't contain any photos; instead, there are plans for a road to be built in town that reveal dirty dealings by local politicians, and now Nadine and Vernon are on the run from both Escobar's killers and land baron Buford Pope (Rip Torn). Popular country and western group Sweethearts of the Rodeo perform several tunes for the film's soundtrack. ~ Mark Deming, All Movie Guide

Ivan Reitman directed this film, starring Robert Redford, Debra Winger, and Daryl Hannah, that is an amalgam of a thriller, courtroom drama, mystery and Tracy-Hepburn romantic comedy, with a little Mark Rothko-type scandal thrown in. The film revolves around troubled Chelsea Deardon (Daryl Hannah) who as an eight-year-old girl witnessed her father, a famous artist, perishing in a blaze along with his valuable art works. Twenty years later, Chelsea is arrested for stealing one of her father's paintings from an unscrupulous New York art dealer. She claims many more of her father's paintings survived the fire long ago. Defending Chelsea is lawyer Laura Kelly (Debra Winger). Pitted against her is suave district attorney Tom Logan (Robert Redford). Laura thinks if Tom knew the facts behind the case, he would reconsider and exonerate Chelsea. He doesn't, but one night when Chelsea appears at his doorstep, he does permit her to seduce him. The next morning, one of the art dealers involved in the case is found dead, and Chelsea is found in Tom's apartment. Chelsea becomes the prime suspect in the murder and Tom's career is ruined. Inexplicably, Laura hires Tom to help her defend Chelsea. The two lawyers, in researching their defense, not only uncover a scandal involving art dealership, but also fall in love. ~ Paul Brenner, All Movie Guide

High-powered gangsters move this crime drama along at a fast pace. When two cops, Eddie Jillette (Richard Gere) and Joe Collins (Gary Basaraba), hear about a contract out on local crime boss Losado (Jeroen Krabbe), they go undercover posing as hitmen, and the result is murder. Collins and the man who hired them, Paul Deveneux (Terry Kinney) are killed, and Jillette goes looking for the assassin. He ends up in New Orleans where he locates Michel Duval (Kim Basinger), the girlfriend of Deveneux now virtually held a prisoner by Losado. Jillette has his work cut out for him. ~ Eleanor Mannikka, All Movie Guide