Howard Feuer Movies

In this 1980 sci-fi horror film, William Hurt plays Eddie Jessup, a scientist obsessed with discovering mankind's true role in the universe. To this end, he submits himself to a series of mind-expanding experiments. By enclosing himself in a sensory-deprivation chamber and taking hallucinogenic drugs, Jessup hopes to explore different levels of human consciousness, but instead is devolved into an apelike monster. Director Ken Russell helmed Altered States from a script by Paddy Chayefsky, who adapted his own novel of the same name. Unhappy with the finished product, Chayefsky had his name replaced with his pseudonym Sydney Aaron. ~ Matthew Tobey, All Movie Guide

The ads for Arthur suggested that this was an obnoxious film about an obnoxious man, an eternally drunken millionaire indulging his every whim. Instead, Arthur (Dudley Moore) is a sweet, somewhat pathetic character whose millions have left him lonely and with no motivation in life. When the film opens, Arthur is on the threshold of an arranged marriage with simpering socialite Susan (Jill Eikenberry), whom he does not love. Everyone expects Arthur to behave himself, but nobody truly cares for his well-being, with the exception of father-figure butler Mr. Hobson (John Gielgud, who won an Oscar for his performance) and blue-collar shoplifter Linda (Liza Minnelli). Arthur would prefer to marry the lowly Linda, but his iron-willed grandmother (Geraldine Fitzgerald) threatens to pull the plug on his huge inheritance if he doesn't honor his position in life and go through with his marriage to Susan. A sequel, Arthur 2: On the Rocks, followed in 1988. ~ Hal Erickson, All Movie Guide

Following magnetic performances in Taps (1981) and Fast Times at Ridgemont High (1982), young actor Sean Penn sealed his reputation as one of his generation's most gifted performers with his gritty star turn in Bad Boys (1983), an entertaining tale of teen hoodlums in juvenile lock-up. Penn plays Mick O'Brien, a Chicago street tough who's planning on ripping off drug dealer Paco Moreno (Esai Morales). When the scam goes bad and his partner Carl (Alan Ruck) is slain, Mick flees from the cops in his car and accidentally runs over Paco's little brother, killing the boy. Sent to juvenile hall, Mick encounters a violent prison society run by the murderous trustees Viking (Clancy Brown) and Tweety (Robert Lee Rush). After Mick defends himself by savagely beating Viking, he becomes the facility's new top dog. On the outside, however, Paco seeks revenge by raping Mick's girlfriend J.C. (Ally Sheedy). Enraged, Mick escapes with the help of his brainy roommate Horowitz (Eric Gurry), but Mick is captured by compassionate guard Ramon (Reni Santoni). When Paco is arrested and unwisely sent to the same jail holding Mick, a showdown between the two old rivals is inevitable. ~ Karl Williams, All Movie Guide

Based on a series of Rolling Stone articles by Aaron Latham, this romance was set in the world of L.A.'s hip fitness scene. Rolling Stone reporter Adam Lawrence (John Travolta) comes to L.A. to write a story about a prominent businessman who's been arrested for drug dealing (shades of the John DeLorean scandal). He's also decided to research a piece on the exercise fad and how health clubs have become the "singles bars of the '80s." His boss (real-life Rolling Stone editor Jann Wenner as himself) OK's the project. At a club called The Sports Connection, an incognito Adam meets the regulars, including promiscuous Linda (Laraine Newman), airhead Sally (Marilu Henner) and aerobics instructor Jessie (Jamie Lee Curtis), a former Olympic swimmer. Adam and Jessie begin a romance, but it ends when she discovers that he's there to trash her and the club in print. Conflicted, Adam wrestles with publishing the story, but the final decision isn't his. A director of sincere, sober dramas, James Bridges was an odd choice to helm the romantic Perfect (1985), widely considered one of the decade's notorious cinematic misfires. Bridges had enjoyed much greater success with his previous collaboration with Travolta, Urban Cowboy (1980). ~ Karl Williams, All Movie Guide

The TV prints of this entertaining melange whittled down the film's original self-serving title (Motown king Berry Gordy was the producer), and settled on merely The Last Dragon. Taimak stars as an African American martial-arts whiz, so devoted to his hobby that he dresses and behaves in what he thinks is true Chinese fashion. Taimak falls in love with sexy veejay Vanity. Gangsters intrude on both their lives when crook Julius J. Carry III tries to promote his talentless protegee into rock stardom. ~ Hal Erickson, All Movie Guide

Director Frank Perry brings Susan Issacs' comedic whodunit novel to the screen with Susan Sarandon as a Long Island housewife who tries to escape her deadening suburban life by trying to solve the murder of a philandering local dentist. The dentist, Bruce Fleckstein (Joe Mantegna), is the kind of swinging ladies' man who wears gold chains and jazzy clothing. He also arranges to meet his lonely housewife patients in hotel rooms for afternoon quickies. When he is found murdered in his office, the suspects are as numerous as the names in the Nyack telephone directory, especially since Fleckstein had the habit of taking incriminating Polaroid snapshots during his one-on-one sessions. Judith Singer (Sarandon) is an ex-Newsday reporter and bored wife of Bob Singer (Edward Herrmann), a stuffy business executive, and she was one of the last people to see Fleckstein alive. Considered a suspect by police detective David Suarez (Raul Julia), she determines to solve the case herself, interviewing suspects and searching for evidence. If she solves the crime, Judith hopes to write an article about it and get her old job back at the newspaper. ~ Paul Brenner, All Movie Guide

In this charming comedy that lives up to its title, Judge Reinhold stars as Joe Gower, a librarian's assistant posing as a police officer and trying to win the heart of a beautiful police officer, Rachel Wareham (Meg Tilly). A complex chain of events is put in place when Joe agrees to help out a good friend who's a policeman by taking his place at an audition for the cop's annual benefit show. Once at the auditions, Joe falls for Rachel, who will be dancing in the benefit. Joe starts hanging out with the choreographer in order to spend more time with Rachel. Unfortunately, this gets him into his borrowed police uniform more than he would like, and soon he's carrying out the duties of a beat cop while wearing his disguise. ~ Eleanor Mannikka, All Movie Guide

Adapting the themes of the 1948 film Mr. Blandings Builds his Dream House, this comedy stars Tom Hanks as Walter Fielding, who with his love Anna (Shelley Long) decides to buy a suburban New York home for next-to-nothing. Both Anna and Walter are willing to fix what ails the house and since they are both successful professionals, that should not be too difficult. Unfortunately, what ails the house might be terminal as the rest of the film chronicles the battle between the couple and the disintegrating structure. Construction workers come in to make matters either worse or better -- or both. ~ Eleanor Mannikka, All Movie Guide

With this rote but well-cast romantic comedy, writer-director James Toback began his long association with actor Robert Downey, Jr. The latter stars as Jack Jericho, a grade school teacher and smooth operator who zealously polishes his cliched pick-up lines in front of a mirror. Jack's come-ons even work on Randy Jensen (Molly Ringwald), a redheaded museum tour guide who dishes up a stream of retorts, matching Jack's verbal banter. After quickly trysting in the back of Jack's car, Randy flatly thanks him and walks off. Realizing that Randy is his soul mate, Jack gets his pal Phil (Danny Aiello) to find her. She's in Atlantic City, desperately trying to win $25,000 with her paycheck. Her father, Flash (Dennis Hopper), is an inveterate alcoholic who owes the money to a mobster, Alonzo (Harvey Keitel). Alonzo is willing to erase the debt if Randy will sleep with a South American kingpin, so she's trying to hit a jackpot that will get her and Flash off the hook. With a deadline of tomorrow, Jack sets out to get Randy's money and convince her that he's Mr. Right. The Pick-Up Artist was the final film appearance of actress Mildred Dunnock, who played Jack's grandmother. ~ Karl Williams, All Movie Guide

A woman trying to keep a momentary indiscretion quiet finds herself in more trouble than she ever imagined in this comedy written and directed by Robert Benton. Nadine Hightower (Kim Basinger), who is significantly more beautiful than intelligent, is fast-talked into posing for some cheesecake pictures by sleazy photographer Raymond Escobar (Jerry Stiller). When Nadine learns that Escobar plans to use the pictures for a set of racy playing cards, Nadine decides to steal the photos back, and she enlists the help of her soon-to-be-former husband Vernon (Jeff Bridges), who is already engaged to the winner of a local beauty pageant. In the midst of the robbery, intruders shoot and kill Escobar in the next room; Nadine and Vernon grab an envelope marked "Nadine" and make tracks. But the envelope doesn't contain any photos; instead, there are plans for a road to be built in town that reveal dirty dealings by local politicians, and now Nadine and Vernon are on the run from both Escobar's killers and land baron Buford Pope (Rip Torn). Popular country and western group Sweethearts of the Rodeo perform several tunes for the film's soundtrack. ~ Mark Deming, All Movie Guide

Adapted for stage and screen several times over the past century, French author Francois Choderlos de Laclos' 1782 novel Les Liasons Dangeureuses was the basis for this Academy Award-winning Stephen Frears film. The plot is motivated by a cruel wager between the beautiful but debauched Marquise de Merteuil (Glenn Close) and her misogynistic former lover, the Vicomte de Valmont (John Malkovitch). The Marquise challenges Valmont to seduce the virginal Cecile de Volanges (Uma Thurman) before the girl can be wed. Valmont offers a more difficult counter-challenge: He bets the Marquise that he will be able to bed the very moral and very married Madame de Tourvel (Michelle Pfeiffer). In the course of carrying out his plan, Valmont is stricken with a sudden case of honor and remorse, while the Marquise becomes all the more vicious. ~ Hal Erickson, All Movie Guide

Mississippi Burning is an all-names-changed dramatization of the Ku Klux Klan's murders of three civil rights workers in 1964. Investigating the mysterious disappearances of the three activists are FBI agents Gene Hackman (older, wiser) and Willem Dafoe (younger, idealistic). A Southerner himself, Hackman charms and cajoles his way through the tight-lipped residents of a dusty Mississippi town while Dafoe acts upon the evidence gleaned by his partner. Hackman solves the case by exerting his influence upon beauty-parlor worker Frances McDormand, who wishes to exact revenge for the beatings inflicted upon her by her Klan-connected husband Brad Dourif. Many critics took the film to task for its implication that the Civil Rights movement might never have gained momentum without its white participants; nor were the critics happy that the FBI was shown to utilize tactics as brutal as the Klan's. The title Mississippi Burning is certainly appropriate: nearly half the film is taken up with scenes of smoke and flame. ~ Hal Erickson, All Movie Guide

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, All Movie Guide