Howard Feuer Movies

Veteran Italian filmmaker Bernardo Bertolucci directs the erotic drama The Dreamers, adapted from the novel The Holy Innocents: A Romance by Gilbert Adair. American student Matthew (Michael Pitt) is studying in Paris during the politically turbulent late '60s. The story begins in 1968 with the firing of Henri Langlois, the founder of the French Cinémathèque. At a protest demonstration, Matthew meets cinema-obsessed Isabelle (Eva Green) and her twin brother, Theo (Louis Garrel). When their Bohemian parents (Robin Renucci and Anna Chancellor) leave for the summer, the twins invite Matthew to live with them. While the revolution rages on outside, the three young people stay in the comfortable flat playing decadent sexual games. Bertolucci incorporates clips from classic films like Queen Christina, Band of Outsiders, and Breathless. After showing at several European film festivals, The Dreamers made its U.S. premiere at the Sundance Film Festival in 2004. ~ Andrea LeVasseur, Rovi

A man finds himself getting an unexpected crash course in the psychology of contemporary women in this romantic comedy. Nick Marshall (Mel Gibson) is a successful advertising executive living in Chicago who has long fancied himself a ladies' man, though he has precious little understanding of women beyond figuring out how to seduce them. One day, Nick receives a substantial electric shock in an accident in his bathroom; while he's not seriously injured, when he comes to, he discovers something remarkable has happened -- he can suddenly hear what women are thinking. At first, Nick finds himself learning all sorts of things he didn't want to know, but he also realizes how this can be used to his advantage -- especially after his old boss, Dan Wanamaker (Alan Alda) is replaced by a woman, Darcy Maguire (Helen Hunt). But Nick begins to feel differently about his unusual gift when he discovers Darcy is infatuated with him, and he finds himself falling for her. What Women Want also features Bette Midler as Nick's analyst, Delta Burke and Valerie Perrine as two of his co-workers, and Marisa Tomei as one of Nick's significant others. ~ Mark Deming, Rovi

An authority on rare books is drawn into a confrontation with the forces of darkness in this thriller directed by Roman Polanski. Dean Corso (Johnny Depp) is a rare book broker who makes his living tracking down valuable items for rich bibliophiles. Corso is hired by Boris Balkan (Frank Langella), a millionaire New Yorker with a vast collection of occult literature and a keen interest in "The Nine Gates to the Kingdom of Shadows." Legend has it that the book was co-written by Satan in the 17th century, and only three copies are known to exist; the owner of one recently sold the book to Balkan a few days before killing himself. Balkan wants Corso to find the other two copies (one owned by a Mr. Fargas in Portugal and the other by a French collector named Kessler) and examine them to determine if they are forgeries. Corso is told to be thorough and spare no expense. He begins by visiting Liana Telfer (Lena Olin), the widow of the man who once owned Balkan's copy of the book, who has an unusually strong desire to get the book back, and confers with his friend Bernie (James Russo), who soon turns up dead, in a manner much like an illustration from the book. Corso learns that the book contains clues to a puzzle that will allow people to call up the devil, and certain people will stop at nothing to find the missing parts of the formula. ~ Mark Deming, Rovi

Peter Weir directed this comedy-drama, a commentary on all-pervasive media manipulation. Scripted by Andrew M. Niccol (Gattaca), the film plays like a combination of the British TV series The Prisoner and Paul Bartel's The Secret Cinema. Truman Burbank (Jim Carrey) is unaware that his entire life is a hugely popular 24-hour-a-day TV series. In this real-time documentary, every moment of Truman's existence is captured by concealed cameras and telecast to a giant global audience. His friends and family are actors who smile pleasantly at Truman's familiar catchphrase greeting, "In case I don't see you later, good afternoon, good evening, and good night!" Employed at an insurance company, Truman is married to merry Meryl (Laura Linney), and they live in the cheerful community of Seahaven, an island "paradise" where the weather is always mild and no unpleasantness intrudes. This is the basic situation of the series, which has grown over the years into a billion-dollar franchise for the TV network. As an unwanted pregnancy, Truman was adopted by the network and raised in the zoolike environment of a TV soundstage. Thus, the TV audience became hooked when Truman was very young. Now, at age 30, he still doesn't know he's a prisoner on an immense domed city-size soundstage, simulating Seahaven. Both the illusion and the ratings will collapse if Truman ever leaves Seahaven. In addition to elaborate events staged to make sure he stays put, Truman is given constant reminders of how wonderful Seahaven is compared to dangers in other parts of the world. However, his growing suspicions make him curious enough to try to leave, and the show's director and master manipulator Christof (Ed Harris) must constantly devise ways to thwart Truman's escape attempts. To enter the harbor, Truman must overcome his fear of water, intentionally instilled in him when his father "died" in a boating accident and was written out of the script. Exteriors were filmed in the Victorian-styled upscale community of Seaside, Florida. In addition to the Burkhard Dallwitz score, original music by Philip Glass and classical excerpts are also featured. ~ Bhob Stewart, Rovi

In this zany comedy, Michael Keaton is Doug Kinney, a man with too many tasks and not enough time to complete them. When he feels too much pressure, his temper explodes with disastrous results. So when researcher Dr. Owen Leeds (Harris Yulin) offers him a somewhat unusual remedy for his problem, he gives it a try. Soon, a fully grown clone of Doug is delivered, complete with his memories up to the time of its "birth." Being in two places at once offers some advantages, but problems arise when Doug #2 can't handle the stress of overwork any better than the original. Perhaps Doug #2 could benefit from having his own helper. Versions of Doug multiply, each of them emphasizing some facet of his character, and complications multiply. For instance, having more of him around doesn't make life simpler for Doug's wife Laura (Andie MacDowell). ~ Clarke Fountain, Rovi

Tom Hanks made his directorial debut in this bright comedy set in the mid-1960's about a rock group and their brief fling with fame. Guy Patterson (Tom Everett Scott) works as a salesman at his father's appliance store and plays the drums in his spare time, fancying himself a jazz musician. One day, a buddy of Guy's tells him a local rock band, The One-Ders (it's pronounced "wonders"), are in need of a drummer -- they have Battle of the Bands coming up and their usual timekeeper has broken his arm. Guy agrees to sit in, but when it's time to play their best original, a love ballad called "That Thing You Do," Guy lays in a sharp, driving beat that turns the tune into an uptempo pop-rocker. Lead singer Jimmy (Johnathon Schaech) isn't happy at first, but guitarist Lenny (Steve Zahn) and the nameless Bass Player (Ethan Embry) think the song sounds better that way -- and they notice the girls like it just fine. Soon people are actually requesting the song at their shows, and the One-Ders scrape together some money to press a single of "That Thing You Do" to sell between sets. A DJ puts the song on the radio, and opportunity knocks in the form of Mr. White (Tom Hanks), who works for the very major Play-Tone Records label. Play-Tone buys the rights to "That Thing You Do" and puts the band on the road as their song makes it way to the top of the national charts. But what can The Wonders (as Play-Tone have re-named them) do for an encore? And what should Guy do about his infatuation with Jimmy's girlfriend, Faye (Liv Tyler)? Real-life 60's obsessed rocker Chris Isaak has a small part as a recording engineer, and fans of real 60's garage bands will appreciate the wealth of small, accurately observed details (for example, halfway through the film, when a few "That Thing You Do" royalty checks have presumably kicked in, the band's inexpensive Danelectro guitars disappear and the Wonders are suddenly playing on brand new Fender gear -- the height of rock style in 1965). ~ Mark Deming, Rovi

This beautiful if ponderous soufflé of a film from director Bernardo Bertolucci serves more as an Italian travelogue than a drama. Liv Tyler stars as Lucy Harmon, an American teenager arriving in the lush Tuscan countryside to visit family friends residing there. Lucy visited four years earlier and exchanged a kiss with a handsome boy with whom she hopes to become reacquainted. Lucy's mother has committed suicide since then, and the teenager also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, Lucy meets a variety of eccentric visitors, including a dying gay playwright (Jeremy Irons), a sculptor (Donal McCann), an entertainment lawyer (D.W. Moffet), and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing parallel between actress Tyler's role and her real life. The daughter of a famed rock and roll star, she was brought up believing that her father was someone else, a fact that Bertolucci may have had in mind when writing the story. ~ Karl Williams, Rovi

A woman throws caution to the wind in the pursuit of the man of her dreams -- whom she's never met -- in this romantic comedy. Eleven-year-old Faith (Tammy Minoff) and her cousin Kate (Jessica Hertel) are playing with a Ouiji Board when Faith asks who she will marry -- the magic oracle answers "DAMON BRADLEY," and Faith is convinced that she will one day meet this ideal love. Fifteen years later, Faith (Marisa Tomei) has yet to meet her perfect man and has settled for Dwayne (John Benjamin Hickey), a sweet but boring foot doctor whom she's engaged to marry, with Kate (Bonnie Hunt) helping her plan the festivities. The day before the ceremony, Faith gets a call from one of the groom's friends, who won't be able to attend because he's travelling to Italy instead -- and his name is Damon Bradley. Convinced that fate is trying to tell her something, Faith hops on the next flight to Venice, where she searches for the elusive Damon, and along the way meets the charming Peter Wright (Robert Downey, Jr.). This was Tomei and Downey's second romantic pairing, following their roles in the biopic Chaplin. ~ Mark Deming, Rovi

Caroline and Lloyd (Judy Davis and Kevin Spacey) are a married couple constantly at each other's throats, masters at crafting acid-tongued barbs at the other's expense. Indeed, they are so obsessed with belittling each other that they never stop -- not even at gunpoint. Such is the premise of the acerbic comedy The Ref, which shows what happens when this quarrelsome duo is taken hostage. The gunman is Gus (Denis Leary), a thief on the run from the police, who kidnaps the couple as an insurance policy, planning to use their home as a hideout. But their incessant bickering proves more than Gus bargained for, forcing him -- for the sake of his own sanity -- into the unenviable role of peacemaker. To make things even worse for Gus, he discovers that he has taken the couple hostage the night of their big Christmas party, and the guests are already on the way. Not wanting to leave Lloyd and Caroline unattended, Gus opts to attend the party, pretending to be the couple's marriage counselor. This naturally leads to a series of comic confusions, as the hostage crisis and marital tensions head towards their inevitable conclusion. ~ Judd Blaise, Rovi

At the time of its release, Jonathan Demme's Philadelphia was the first big-budget Hollywood film to tackle the medical, political, and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. The homosexual Andrew has contracted AIDS but fears informing his firm about the disease. The firm's senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm's reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm's key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. The cast also includes Antonio Banderas as Andrew's partner, Joanne Woodward as Andrew's mother, and Stephanie Roth as Joe's wife. ~ Paul Brenner, Rovi

This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film's appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979's marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas -- who was paid $3 million for the script -- keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film's most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star. ~ Robert Firsching, Rovi