Susie Figgis Movies

Based on the novel by Graham Greene, this romantic drama stars Ralph Fiennes as Maurice Bendrix, a novelist who, during World War II, had an affair with Sarah Miles (Julianne Moore), the wife of his best friend Henry (Stephen Rea). Sarah abruptly broke off the romance in 1944, but two years later, after Maurice runs into Henry, he becomes obsessed with the affair and hires a man to investigate Sarah. He reads her diary of their forbidden romance in the midst of the London Blitz and discovers that, overwhelmed with fear and guilt, she pledged to God that she would end the affair if Maurice's life were spared. Maurice is determined to reintroduce himself into Sarah's life, but she fears that being near him would be too great a temptation. The End of the Affair was previously brought to the screen in 1955 by Edward Dmytryk; this version was written for the screen and directed by Academy Award-winner Neil Jordan. ~ Mark Deming, All Movie Guide

Jeremiah Chechick directed this $60 million adaptation of the whimsical 1961 British TV spy series, imported to the United States five years later for ABC airing (beginning 3/28/66), followed by The New Avengers (CBS, 1978-79). In the feature-length version, secret agent John Steed (Ralph Fiennes) and Emma Peel (Uma Thurman) face a meteorological menace as they track sinister super-villain Sir August de Wynter (Sean Connery), threatening to blitz Britain with blizzards and other extreme weather. Vocal cameo by Patrick Macnee (the original TV Steed). ~ Bhob Stewart, All Movie Guide

Director of award-winning short films Ben Hopkins embarked on this ambitious feature project with Robert Jones, the producer of The Usual Suspects. The screenplay is inspired by Central European folklore, spaghetti Westerns and industrial history. But the film, which runs like a fable, has its roots in folktales rather than history. It is the end of the 19th century and progress has arrived in Silesia. Travelers do not stop at the town anymore because the railway track is laid past the small settlement. Incomes have dropped, and so has the number of inhabitants. Noah Taylor plays Simon, a 'holy fool' of sorts, persecuted by fellow villagers who hold him responsible for everything from the failure of the crops to the milk going sour. Simon, who resembles a scarecrow, lives in a hut outside the village. He earns his living emptying the sewers, existing on dry bread and the occasional herring or pickle given by the wife of a rabbi. He knows how to entertain the village children with his magic tricks and devilish masks. At the same time, he feels he actually is pursued by the devil, which makes him do all kinds of evil things, only increasing his isolation. There is also the poor but good-looking Jew, Dovid, who keeps proposing to the beautiful widow Leah, who rejects him. Dovid devises a plan to build the village economy, and in the process gain her affection. He pays a visit to the eccentric poet esquire and agrees to a business deal which entails the esquire allowing a new railway station to be built on his property in return for Dovid reading his newly published anthology. Unfortunately, Hase Sean McGinley, a wealthy Christian merchant with more money and little respect for the Jewish villagers, is also interested in the railway project. Simon Magus is the story of a village caught between two worlds -- the new industrial order and the old, rural world of tradition and superstition. The camera work of Nic Knowland is outstanding, as is the confident performance by Noah Taylor, the teenage David Helfgott of Shine. The rest of the cast is quite international as well -- Irishman Stuart Townsend as Dovid, the merchant; South African-born Embeth Davidtz as Leah, the widow and Dutch star Rutger Hauer cast against type as the gentle poet squire. Various subplots, however, often carry the story in directions which distracts audience attention. Simon Magus competed at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Gregory Underwood is an idealistic teacher whose head is full of the columns of the liberal magazines he religiously reads. He feels he is a citizen of the world, but he does most of his living inside his head. Voluptuous music teacher Belle is crazy about him and determined to engage him in an adult relationship. But Gregory is infatuated with one of his brighter students, Frances. Inspired by Gregory's teaching, Frances gets involved in a campaign against global injustice and in particular against a suspected arms dealer and local businessman, Fraser Rowan. When she tries to get Gregory involved, his moral pomposity is put to the test. ~ Gönül Dönmez-Colin, All Movie Guide

Six guys with nothing left to lose try losing their clothing for fun and profit in this international hit comedy. Gaz (Robert Carlyle) and Dave (Mark Addy) are two former steelworkers in the British industrial town of Sheffield who have been devastated by the economic downturn in their community. Gaz is threatened with losing visitation rights with his son if he can't pay his child support, while Dave feels emasculated by his inability to support his wife. One day, Gaz stops by a local pub for a drink and is told it's women only tonight -- the Chippendales male exotic dancing troupe is playing, and they are demanding a hefty cover charge. Gaz decides there's nothing a bunch of pantywaists from America can do that he and his pals can't do better, and decides to form his own crew of male strippers, called "Hard Steel." However, the local talent pool leaves a bit to be desired. Gaz isn't bad looking, but Dave is a bit heavy and very self conscious about it. Horse (Paul Barber) was probably hot stuff at Soul Night in the mid-70's, but his joints don't move like they used to. Guy (Hugo Speer) can't dance to save his life, but makes the troupe because ... well, let's say he and Dirk Diggler would have a lot to say to each other. Lomper (Steve Huison) is sometimes too busy attempting suicide to practice. And Gerald (Tom Wilkinson), their choreographer, isn't much on male exotic dancing -- ballroom dancing is more his speed. While "Hard Steel"'s performances are more amusing then enticing, for the first time since they lost their jobs the men have a reason to get up in the morning; joining the group has given them a circle of friendship, and a renewed sense of purpose. Combining broad comedy with believable and well-drawn characters, The Full Monty was a major box-office hit both in England and the United States and was nominated for Academy Awards as Best Picture, Best Director, and Best Original Screenplay. ~ Mark Deming, All Movie Guide

Neil Jordan directed this adaptation of Patrick McCabe's novel about a boy's struggles with violence and mental illness. Francie Brady (Eamonn Owens) is a young boy growing up in Dublin in the early 1960s, where his life is dominated by his active imagination and his best friend Joe (Alan Boyle). But beneath this benign surface lurks a troubled soul; his father (Stephen Rea) is an embittered alcoholic, his mother (Aisling O'Sullivan) is emotionally unstable and periodically ends up in the local mental hospital (or as she calls it, "the garage," because it's where they take you when you break down), and their next-door neighbor, Mrs. Nugent (Fiona Shaw) often rants that the Bradys are "pigs" not fit to live with. For all their troubles, Francie fiercely loves his parents, and he can't abide Mrs. Nugent's insults. But his playful childhood pranks begin to advance into more destructive and menacing behavior, which leads him to his own stay in "the garage." Branded a lunatic by the community and shorn of his only close friendship when Joe takes up with Mrs. Nugent's son, Francie soon reaches the point of collapse. With nowhere to go, Francie takes an especially awful job as a butcher's assistant, and his overactive imagination goes into overdrive, flooding his mind with images of alien takeover, atomic apocalypse, and the Virgin Mary (Sinead O'Connor) that lead him further down the path toward shocking acts of violence. ~ Mark Deming, All Movie Guide

In this visually striking saga of one woman's search for personal and sexual freedom in 16th century India, Maya (Indira Varma) is a servant girl who is a handmaid to Tara (Sarita Choudhury), a princess. Maya and Tara have been close friends since childhood, and when Rasa Devi (Rekha), an elegant courtesan, is brought in to instruct Tara in the lessons of the Kama Sutra, the handbook of the art of physical love, Maya is allowed to observe. Rasa teaches Tara the Dance of Enticement as a prelude to her upcoming marriage to the King, Raj Singh (Naveen Andrews), but the beautiful Maya turns out to be the more capable student, and when Raj invites Maya to his bedchamber, he proves to be no match for her seductive powers. Needless to say, Tara is furious when she learns that Maya has stolen Raj's heart, and Maya is banished from the palace. On the road, Maya soon meets a handsome sculptor, Jai Kumar (Ramon Tikaram), who is entranced by Maya's beauty and sexual prowess; she soon becomes his lover and favorite model. However, King Raj is still obsessed with Maya, and while Tara has won his hand in marriage, he has taken to drowning himself in opium and mindless sex with his mistresses when not trying to win Maya back. Several of the erotic scenes in Kama Sutra: A Tale of Love were trimmed so the film could receive an "R" rating for its American theatrical release, but it appeared uncut on home video; the film had to be trimmed more extensively to gain a theatrical release in India, where it was filmed. ~ Mark Deming, All Movie Guide

The 18th century Scottish legend of Robert Roy MacGregor comes to life in this stylish adaptation of the swashbuckling novel by Sir Walter Scott. Liam Neeson stars as the title character, a cattle drover and proud head of a Highlands clan who takes a one thousand pound loan from the royal Marquis of Montrose (John Hurt) in order to make a profit on some livestock that will keep his struggling people alive through the coming winter. One of the Marquis' henchmen, wily expert swordsman Archibald Cunningham (Tim Roth) learns of the loan from the nobleman's factor, Killearn (Brian Cox), and steals the money by murdering Rob Roy's best friend MacDonald (Eric Stoltz). Unable to repay the loan and unwilling to give up his land, Rob Roy becomes a fugitive, hunted by none other than Cunningham, who rapes Rob Roy's wife Mary (Jessica Lange). Scotch-British politics come to a boil over the Rob Roy affair, leading to an officially sanctioned showdown between the stoic farmer and Cunningham. ~ Karl Williams, All Movie Guide

Actor William Hurt delivers one of his most acclaimed performances in this drama from Oscar-winning cinematographer-turned-director Chris Menges. Hurt stars as Graham Holt, a repressed Welsh postmaster who lives a reclusive bachelor's existence with his suicidal father (Alfred Lynch), who is in failing health and is still grieving from the recent death of Graham's mother. Knowing that he'll soon be alone, Graham applies to adopt a troubled ten-year-old boy, James (Chris Cleary Miles), whose own painful history mirrors Graham's. Throughout the long adoption process, supervised by wisecracking social worker Debbie (Jane Horrocks), Graham struggles to win James' affection and respect during weekend visits, while the boy dreams of reconciliation with his father, John (Keith Allen), who is currently serving prison time. Graham's father dies, drawing Graham and James closer, and Graham begins to feel like a real father to James. But when John is released, he appears in town with the shocking news that he is afflicted with AIDS -- and cannot care for his son. ~ Karl Williams, All Movie Guide

A misleading title and a different type of performance from Hugh Grant are two of the offbeat features of An Awfully Big Adventure. Virginal theatre fanatic Stella (Georgina Cates), who speaks with her dead mother by phone, joins a theatrical troupe in 1947 England headed by manipulative director Meredith Potter (Grant). Stella quickly falls for Potter, but he doesn't return her affections, driving her into the arms of the troupe's arrogant star, P.L. O'Hara (Alan Rickman). O'Hara eventually takes Stella's virginity, although she secretly remains devoted to Potter. More secrets of the troupe are revealed at the story's climax, although nothing is really resolved to any of the characters' satisfaction. Not quite a satire and not quite a drama, An Awfully Big Adventure is occasionally mean-spirited and frequently dour, which may just be a result of its subject matter. ~ Don Kaye, All Movie Guide

Martin Sherman adapted Alice Thomas Ellis' novel for this comedy about a suburban Englishwoman who's about to settle on marriage with her mother-dominated next door neighbor until everyone's comfortable life is disrupted by a visit from her exotic and flamboyant friend Lili (Jeanne Moreau, in a scene-stealing performance). ~ Nicole Gagne, All Movie Guide

In this successful psychological thriller, a reluctant agent of the Irish Republican Army discovers that some people just aren't who you expect them to be. Fergus (Stephen Rea) is an IRA "volunteer" who, despite personal misgivings, takes part in the kidnapping of a black British soldier, Jody (Forest Whitaker), stationed in Northern Ireland. The IRA hopes to use Jody as a bargaining chip to win the release of IRA operatives behind bars, but, while guarding Jody, Fergus becomes fast friends with his prisoner. Jody makes Fergus promise him that if he dies, Fegus will look in on his girlfriend, Dil (Jaye Davidson), and see if she's all right. Jody escapes, and Fergus doesn't have the heart to shoot him; as fate would have it, Jody runs from the woods into a street only to be run over by a British police vehicle, which then flushes out the IRA compound. Fergus escapes to London, where he's wanted by the law for Jody's kidnapping and also by his former girlfriend, IRA operative Jude (Miranda Richardson), who thinks he knows too much to fall into the hands of the British authorities. Good to his word, Fergus tracks down Dil, and soon the two outcasts find themselves entering into a love affair, although Fergus discovers that Dil is not the sort of woman he thought she was. Writer/director Neil Jordan won an Academy Award for his screenplay; the title song, which was a U.K. hit for Dave Berry in 1965, was re-recorded for the film by one-time Culture Club vocalist Boy George with backing by the Pet Shop Boys. ~ Mark Deming, All Movie Guide

Filmmaker David Leland handled the directing chores on this British drama that stars Liam Neeson as an unemployed Scotsman whose inability to find a job threatens his family's wellbeing. Against his better judgement, Neeson is coerced into a bare-knuckle boxing match. Crossing the Line's supporting cast includes Hugh Grant, Joanne Whaley-Kilmer, Cameron Mitchell, and Billy Connolly. Adapted from a novel by William McIvanney, the film has also been released under the title The Big Man. ~ Hal Erickson, All Movie Guide