Susie Figgis Movies

Based on a novel by William Boyd (who also wrote the film's screenplay), this darkly witty drama explores the political, social, and sexual gamesmanship of a group of British and African politicians. Morgan Leafy (Colin Friels) is a British diplomat who, for the past three years, has been assigned to the British High Commission of Ninjana, an African nation slowly divesting itself of colonial rule. Leafy is an arrogant and frequently confused alcoholic romantically involved with an African woman named Hazel (Jackie Mofokeng). Arthur Fanshawe (John Lithgow), a new High Commission appointee who wants nothing more than to be promoted and moved out of Africa, brings some interesting news to Leafy: massive reserves of oil have been discovered in Ninjana, and if the British want to reap the full profits of this windfall, they will want to stay on the good side of Sam Adekunle (Louis Gossett Jr.), who in all likelihood will be the next president of Ninjana. However, something of a diplomatic crisis has come up; a native woman was struck by lightning in the courtyard of the High Commission's compound, and the locals insist that she cannot be moved until certain time-honored rituals have been performed. At a loss for advice, Leafy turns to Dr. Alex Murray (Sean Connery), a Scottish doctor who has been in Africa for 23 years and is one of the few people equally at ease with both the British colonials and the natives. However, Leafy doesn't seem so eager to seek out assistance in his romantic problems; while he's involved with Hazel, Leafy also finds himself dallying with Adekunle's wife Celia (Joanne Whalley-Kilmer) and Fanshawe's wife Chloe (Diana Rigg). By the way, don't bother looking for Ninjana on a map -- it doesn't really exist. ~ Mark Deming, All Movie Guide

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, All Movie Guide

Five fables, each set in a different historical era, make up this quirky comedy from director Bill Forsyth. Each tale features Robin Williams as a basically decent but troubled average man named Hector. Beginning with the Bronze Age, where Hector struggles for survival against barbarians, the film proceeds through Roman times, the Middle Ages, and the 16th century, concluding in the present day, where Hector is a divorced father attempting to reconcile with his children. The film clearly intends to draw parallels between these stories in order to illustrate the universal nature of human experience, though the segments themselves vary widely in tone, from broadly comic to philosophically reflective. Additionally, some may find the film's attempts at creating a fantasy atmosphere rather cloying, while others may be charmed by the project's determined oddness and whimsicality. ~ Judd Blaise, All Movie Guide

An Irish boy becomes an emotional and sexual outcast as the 1960s fade into the 1970s in this period drama from director Neil Jordan. When he was just a baby in the early '60s, Patrick Braden (Conor McEvoy) was abandoned by his mother and left on the doorstep of a church overseen by Father Bernard (Liam Neeson). Placed in a foster home, sensitive Patrick doesn't much care for the emotionally chilly attitude of his new "family," and psychologically buffers himself against the world by writing stories that make fun of Father Bernard and the other authority figures in his life. As he grows into adulthood, Patrick (played as an adult by Cillian Murphy) also discovers that he enjoys dressing in women's clothes and prefers the company of men, and as a teenager he falls into an affair with Billy Hatchet (Gavin Friday), a nightclub performer who also runs guns for the Irish Republican Army. In the early '70s, Patrick -- who has since taken on the drag name "Kitten" -- makes his way to London, where he becomes involved with Bertie (Stephen Rea), a small-time nightclub magician who gives the young man a place to say, a sense of security, and a job as his on-stage assistant. However, Patrick's idyllic life with Bertie proves short-lived when his old friends come to town on IRA "business." Breakfast on Pluto also features a supporting performance from former Roxy Music frontman Bryan Ferry. ~ Mark Deming, All Movie Guide

An apolitical South African oil-refinery worker and soccer coach is forced into terrorism as a means of fighting back against the brutality of the apartheid regime in director Phillip Noyce's dramatic look at the life of one-time political prisoner and freedom fighter Patrick Chamusso. In the 1980s, Patrick (Derek Luke) and his wife Precious (Bonnie Henna) lived a peaceful life until one fateful day, when on an overnight trip with his team, Patrick is singled out as the prime suspect in a bombing at the refinery. Placed in solitary confinement, with his wife and family brutalized by government agent Nic Vos (Tim Robbins), the young family man is eventually cleared of charges, but his life is in shambles. Devastated and distraught, Patrick soon begins working as a rebel fighter and political operative for Nelson Mandela's African National Congress. As the oppressed country's powerful apartheid regime continues to torture and torment its citizens, the now-radicalized Patrick must disappear from his family without a trace and go undercover if he is to aid in toppling the system that destroyed his family, and forever changed his outlook on the world. ~ Jason Buchanan, All Movie Guide

Writer/director Bill Forsyth's follow-up to his best film, Local Hero, is another comic exploration of a man undergoing a personal crisis. In Local Hero, the American played by Peter Riegert finds himself enchanted by the people and ambience of a Scottish village he has been dispatched to purchase for an oil company. In Comfort and Joy, Alan (Bill Paterson) is a Glasgow radio disc jockey whose air name is the chirpy Dickey Bird. After Maddy, his girlfriend (Eleanor David), walks out on him at Christmas, he's spurred to re-evaluate his life. Looking for more meaningful work than spinning pop tunes and offering inane chatter to his geriatric listeners, Alan decides to make a radio documentary. He chances upon a local rivalry between two ice cream companies, who are sabotaging each other's trucks in an effort to monopolize the market. Attracted to Charlotte (C.P. Grogan), the daughter of one of the company owners, Alan finds himself playing peacemaker rather than documentarian. That this cold war takes place in the dead of a bitter Scottish winter is only one of Forsyth's many sly touches. ~ Tom Wiener, All Movie Guide

Master cinematographer Caleb Deschanel is, not unexpectedly, stronger on visuals than substance in his direction of Crusoe (though the camerawork is officially credited to Tom Pinter). The protagonist, played by Aidan Quinn, is a shipwreck victim, just as novelist Daniel Defoe proscribed over two hundred years ago. But this Robinson Crusoe is a child of the late 19th century; moreover, he is no ordinary sailor but an insensitive slave trader. The "Friday" character is divided up amongst several black natives of the island where Crusoe is stranded. Ultimately, Crusoe profits by their example, rather than the other way around. Director Deschanel busies himself with gorgeous scenery (mostly lensed in the Seychelles) and languid sunsets, permitting screenwriters Christopher Logue and Walson Green to pursue the politically correct message of Crusoe without interference. ~ Hal Erickson, All Movie Guide

Adapted from author Gail Carson Levine's award-winning children's book of the same name, the Miramax-financed modern fantasy Ella Enchanted is directed by Tommy O'Haver and stars The Princess Diaries alumna Anne Hathaway. Ella (Hathaway) lives in a magical world in which each child, at the moment of their birth, is given a virtuous "gift" from a fairy godmother. Ella's so-called gift, however, is obedience. This birthright proves itself to be quite the curse once Ella finds herself in the hands of several unscrupulous characters whom she quite literally cannot disobey. Determined to gain control of her life and decisions, Ella sets off on a journey she hopes will end with the lifting of the curse in question. The path, however, isn't easy -- Ella must outwit a slew of unpleasant magical creatures ranging from ogres to talking books with evil plots. Though perilous, Ella's adventures turn out to be necessary obstacles in the path toward finding herself, and maybe even true love along the way. Ella Enchanted also features Cary Elwes, who has starred in a fantasy feature himself (the widely acclaimed The Princess Bride), Hugh Dancy, and Patrick Bergin, among others. ~ Tracie Cooper, All Movie Guide

The best-selling novel by J.K. Rowling (titled Harry Potter and the Philosopher's Stone in England, as was this film adaptation) becomes this hotly anticipated fantasy adventure from Chris Columbus, the winner of a high-stakes search for a director to bring the first in a hoped-for franchise of Potter films to the screen by Warner Bros. Upon his 11th birthday, Harry Potter (Daniel Radcliffe), who lives in misery with an aunt and uncle that don't want him, learns from a giant named Hagrid (Robbie Coltrane) that he is the orphaned son of powerful wizards. Harry is offered a place at prestigious Hogwarts, a boarding school for wizards that exists in a realm of magic and fantasy outside the dreary existence of normal humans or "Muggles." At Hogwarts, Harry quickly makes new friends and begins piecing together the mystery of his parents' deaths, which appear not to have been accidental after all. The film features alternate-version scenes for every mention of the titular rock. Richard Harris, Alan Rickman, Maggie Smith, John Cleese, and Fiona Shaw co-star. ~ Karl Williams, All Movie Guide

The owner of an Irish castle decides to attract visitors by falsely claiming that the building is haunted, only to have a pair of real ancestral spirits start causing trouble in this uneven attempt at fantasy-comedy. The story centers on Jack and Sharon (played by Steve Guttenberg and Beverly D'Angelo), naive American tourists who are initially unimpressed by the owner's attempts at fraud but become more interested in the real ghosts, Mary and Martin (played by Daryl Hannah and Liam Neeson). This is especially true for Jack, who falls in love with the beautiful Mary, despite several centuries' difference in their ages. After the film's initial unsuccessful release, people involved with the production blamed studio interference for damaging director Neil Jordan's original vision, although Jordan is better known as a director of quirky, dark dramas (Mona Lisa, The Crying Game, Interview With a Vampire, The Company of Wolves). For whatever reason, the end result was an awkward, forced comedy that more often than not falls flat, squandering a strong collection of talent. ~ Judd Blaise, All Movie Guide

Anne Rice's best-selling romantic horror tale about the origins of a centuries-old vampire inspired this popular, atmospheric chiller. One of director Neil Jordan's major Hollywood productions, the film stays close to its source material, retaining the frame of a young reporter (Christian Slater) interviewing a man who claims to be a 200-year-old vampire. The man, Louis (Brad Pitt), shares his story, beginning in 18th-century New Orleans with his first encounters with the charismatic and decadent vampire Lestat (Tom Cruise). Lestat converts Louis to blood-sucking and immortality, but Louis fails to adopt Lestat's cavalier attitude, instead tormenting himself with guilt over his new nature. The two vampires remain deeply, if reluctantly, connected over the years, while becoming intimately involved with others of their kind, including Claudia (Kirsten Dunst), a mature immortal in a young child's body. Fans of the novel raised numerous objections, particularly after Rice initially spoke out against the casting of Cruise as Lestat; further casting difficulties followed the death of River Phoenix, whose role as the interviewer was assumed by Christian Slater. Rice later recanted her objections, and the combination of thrills and gothic romance proved popular with audiences. ~ Judd Blaise, All Movie Guide

The year is 1914, and as World War I continues to rage across the European countryside, four individuals stuck on the front lines find themselves faced with the unthinkable in director Christian Carion's Academy Award-nominated account of the true-life wartime event that would offer hope for peace in mankind's darkest hour. When the war machines began rolling in the summer of 1914, the devastation that it waged upon German, British, and French troops was palpable. As the winter winds began to blow and the soldiers sat huddled in their trenches awaiting the generous Christmas care packages sent by the families, the sounds of warfare took a momentary backseat to the yearning for brotherhood among all of mankind. It is here that the fate of a French lieutenant, a Scottish priest, a German tenor, and a Danish soprano's lives were about to be changed forever. On Christmas Eve of that year, the lonely souls of the front lines abandoned their arms to reach out to their enemies on the battlefield and greet them with not anger or hostility, but with the simple, kindly gesture of a much needed cigarette or a treasured piece of chocolate, and to put their differences aside long enough to wish their brothers a sincere "Merry Christmas!" ~ Jason Buchanan, All Movie Guide

The director of such highly regarded films as Yellow Earth (1984) and Farewell, My Concubine (1993), Chinese filmmaker Chen Kaige makes his English-language debut with this erotic thriller adapted from the novel by Nicci French. Alice (Heather Graham) is an American Web designer living in Illinois who falls for a ruggedly handsome mountain climber named Adam (Joseph Fiennes). Bored with her dull love live, sparks begin to fly when Alice and Adam have a chance meeting at a stoplight, and it isn't long before the couple are living together and Adam proposes. With their heated romance taking on hints of mild S & M following their wedding, Alice's realization that she knows very little about her new spouse begins to take on ominous undertones when she discovers that his former fiancée died under mysterious circumstances. Allegations of rape and more missing lovers soon prompt Alice to continue her increasingly disturbing investigation toward answers she may not be ready to accept. ~ Jason Buchanan, All Movie Guide