Susie Figgis Movies

In 1985, two adventurous young mountaineers, Joe Simpson and Simon Yates, set off to climb the treacherous west face of the Siula Grande in the Peruvian Andes. They were experienced climbers, and climbed "Alpine-style," climbing the mountain in "one great push," without setting up ropes or base camps ahead of time. After dealing with a snowstorm and some dangerous climbing over powder formations, they reached the summit (about 21,000 feet) on the third day. The climb down proved to be far more difficult. Simpson fell and broke his leg badly. Yates decided to try to lower Simpson down the mountain, one 300-foot section of rope at a time. The climbers had run out of gas to melt snow, so they couldn't risk stopping as night came, and a violent snowstorm began. Their plodding, painful journey hit a snag when Yates inadvertently lowered Simpson over the edge of a cliff. In the storm, the men couldn't hear each other's cries, and, Yates, uncertain as to Simpson's position, and gradually sliding down the slope himself, decided to cut the rope that connected them, sending Simpson plummeting to certain death. Miraculously, Simpson survived the fall, and was faced with the prospect of getting off the mountain alone with no food, no water, and a broken leg. In Touching the Void, filmmaker Kevin Macdonald (One Day in September) tells their story, based on Simpson's book, using contemporary interviews with the two men, and a reenactment of their climb and descent, featuring Brendan Mackey as Simpson and Nicholas Aaron as Yates. Touching the Void was shown at the 2003 Toronto Film Festival. ~ Josh Ralske, All Movie Guide

Director of award-winning short films Ben Hopkins embarked on this ambitious feature project with Robert Jones, the producer of The Usual Suspects. The screenplay is inspired by Central European folklore, spaghetti Westerns and industrial history. But the film, which runs like a fable, has its roots in folktales rather than history. It is the end of the 19th century and progress has arrived in Silesia. Travelers do not stop at the town anymore because the railway track is laid past the small settlement. Incomes have dropped, and so has the number of inhabitants. Noah Taylor plays Simon, a 'holy fool' of sorts, persecuted by fellow villagers who hold him responsible for everything from the failure of the crops to the milk going sour. Simon, who resembles a scarecrow, lives in a hut outside the village. He earns his living emptying the sewers, existing on dry bread and the occasional herring or pickle given by the wife of a rabbi. He knows how to entertain the village children with his magic tricks and devilish masks. At the same time, he feels he actually is pursued by the devil, which makes him do all kinds of evil things, only increasing his isolation. There is also the poor but good-looking Jew, Dovid, who keeps proposing to the beautiful widow Leah, who rejects him. Dovid devises a plan to build the village economy, and in the process gain her affection. He pays a visit to the eccentric poet esquire and agrees to a business deal which entails the esquire allowing a new railway station to be built on his property in return for Dovid reading his newly published anthology. Unfortunately, Hase Sean McGinley, a wealthy Christian merchant with more money and little respect for the Jewish villagers, is also interested in the railway project. Simon Magus is the story of a village caught between two worlds -- the new industrial order and the old, rural world of tradition and superstition. The camera work of Nic Knowland is outstanding, as is the confident performance by Noah Taylor, the teenage David Helfgott of Shine. The rest of the cast is quite international as well -- Irishman Stuart Townsend as Dovid, the merchant; South African-born Embeth Davidtz as Leah, the widow and Dutch star Rutger Hauer cast against type as the gentle poet squire. Various subplots, however, often carry the story in directions which distracts audience attention. Simon Magus competed at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Featuring neat special effects, this romantic fantasy is loosely based on the story of the Cottingley Fairies, a tale of two cousins who, in 1917, swore that they had photographed the magical wee folk dancing in their garden. The story the girls told captured the war-weary imagination of Britishers everywhere. That the girls later admitted it was all a hoax, didn't matter much to "true believers" of fairy and magic books. This tale, like the original story, is set in the British countryside but centers on a jaded WW I photographer who makes a living in 1918 London debunking phony pictures of ghosts and other supernatural phenomenon -- that is until one day a woman brings him a picture of a fairy that defies explanation.

Charles Castle didn't set out to be a hard case towards humanity, It just happened. Shortly after his wedding day, his new bride Anne-Marie died after falling down a suddenly appearing ice fissure on a Swiss Alp. He has never gotten over his grief and desperately wants to see and speak to her again. Charles spends the war on battlefields photographing the dead. The photo that changes his life is given to him by the enigmatic Bea Templeton who claims that her daughters took the picture outside their country home. Unable to restrain his curiosity, Charles visits the area. Soon after, Bea dies mysteriously, and Charles becomes obsessed with the idea that talking to the fairies will somehow allow him the chance to contact his late wife. A magic white flower provides the key to his happiness and helps lead into the story's beautifully done climax. Parents may want to know that some of the fairies appear in various states of undress. This is one of two 1997 films based on the same true story. The other film is titled Fairy Tale: A True Story. ~ Sandra Brennan, All Movie Guide

Saigon: Year of the Cat is a low-budget drama about the fall of Saigon. The film was made for the BBC in 1983. It was one of many television projects that director Stephen Frears (High Fidelity) worked on in the early part of his career. Playwright David Hare (Plenty) wrote the script. Judi Dench plays Barbara Dean, a depressed loan officer working for a British bank in Saigon in 1974. Barbara politely wards off the advances of her Scottish co-worker, Donald (Roger Rees), who does not share her respect for the Vietnamese people. She also avoids getting involved with Frank (Wallace Shawn), an American embassy employee with whom she plays bridge. When she meets Bob (Frederic Forrest), however, she's immediately attracted to him. She soon learns that while Bob poses as a cultural attaché, he actually works for the CIA. When Bob belatedly recognizes her attraction, he opens up to her, and they become lovers. Bob hears from a reliable intelligence source that the North Vietnamese are stepping up their aggression and plan to take Saigon soon. He tries to convince his boss, Jack Ockham (Josef Sommer), and the U.S. ambassador (E.G. Marshall) to prepare for the fall of the city by evacuating the South Vietnamese citizens who have worked most closely with the U.S. government. The ambassador does not want to appear to be abandoning President Thieu's regime. He refuses to credit Bob's report. Meanwhile, as the crisis looms, Barbara is growing despondent because Bob is not spending time with her, and because there's little she can do to help her South Vietnamese friends get out of the country. ~ Josh Ralske, All Movie Guide

Based on Nobel Prize-winning author Gabriel García Márquez's novel of the same name, director Mike Newell's Love in the Time of Cholera details a passionate love triangle that unfolds in turn-of-the-century South America. Oscar-winning Pianist scribe Ronald Harwood adapts the story of two young lovers who bide their time for years while anxiously awaiting the day they can finally be together. Through marriages, affairs, careers, and deaths, the couple never loses hope that destiny will unite them in the end. ~ Jason Buchanan, All Movie Guide

Francois Girard's adaptation of Alessandro Baricco's novel Silk stars Michael Pitt as a young Frenchman who travels to Japan at the request of a wealthy silkworm magnate who asks him to smuggle back some new worms. The mission succeeds, and this allows the man to live in great comfort with his wife (Keira Knightley). After a few years, they are unable to conceive a child, a situation that leads to the man taking on a lover during his subsequent visits to Japan. ~ Perry Seibert, All Movie Guide

An Irish boy becomes an emotional and sexual outcast as the 1960s fade into the 1970s in this period drama from director Neil Jordan. When he was just a baby in the early '60s, Patrick Braden (Conor McEvoy) was abandoned by his mother and left on the doorstep of a church overseen by Father Bernard (Liam Neeson). Placed in a foster home, sensitive Patrick doesn't much care for the emotionally chilly attitude of his new "family," and psychologically buffers himself against the world by writing stories that make fun of Father Bernard and the other authority figures in his life. As he grows into adulthood, Patrick (played as an adult by Cillian Murphy) also discovers that he enjoys dressing in women's clothes and prefers the company of men, and as a teenager he falls into an affair with Billy Hatchet (Gavin Friday), a nightclub performer who also runs guns for the Irish Republican Army. In the early '70s, Patrick -- who has since taken on the drag name "Kitten" -- makes his way to London, where he becomes involved with Bertie (Stephen Rea), a small-time nightclub magician who gives the young man a place to say, a sense of security, and a job as his on-stage assistant. However, Patrick's idyllic life with Bertie proves short-lived when his old friends come to town on IRA "business." Breakfast on Pluto also features a supporting performance from former Roxy Music frontman Bryan Ferry. ~ Mark Deming, All Movie Guide

Loosely based on Jean-Pierre Melville's French film noir Bob le Flambeur, this heist film from director Neil Jordan (Interview With the Vampire, The Crying Game) stars Nick Nolte as Bob, an aging American thief living in the French city of Nice. Addicted to both heroin and gambling, Bob is in the midst of an extended personal losing streak when he rescues a new girl in town named Anne (Nutsa Kukhianidze) from her pimp. When the opportunity to steal a fortune in rare paintings from a Monte Carlo casino comes along, Bob hopes for a score big enough to let him retire from his life of crime. His only hindrances are Anne's man troubles and his nemesis, local police chief Roger (Tchéky Karyo). The Good Thief also features acting performances by Emir Kusturica (director of Underground and Arizona Dream) and Ralph Fiennes. ~ Tom Vick, All Movie Guide

Washington Irving's tale of Ichabod Crane and the Headless Horseman gets a few new twists in a screen adaptation directed by Tim Burton. In this version, Ichabod (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. He is sent to the remote town of Sleepy Hollow to investigate a series of bizarre murders, in which a number of people have been found dead in the woods, with their heads cut off. Local legend has it that a Hessian ghost rides through the woods on horseback, lopping off the heads of the unsuspecting and unbelieving. Ichabod refuses to believe in this legend, convinced that there must be a logical explanation for the murders. In time, Ichabod becomes smitten with a local lass, Katrina Van Tassel (Christina Ricci), who is the sweetheart of the burly Brom Bones (Casper Van Dien), and he becomes determined to capture the murderer to prove his bravery and win her heart. Christopher Walken, Jeffrey Jones, and Christopher Lee highlight the supporting cast; Lee's appearance is particularly apt, since Burton has cited the Hammer films of the 1960s as a major influence in making this film. Andrew Kevin Walker and Tom Stoppard contributed to the screenplay. ~ Mark Deming, All Movie Guide

At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein. ~ Bhob Stewart, All Movie Guide

Six guys with nothing left to lose try losing their clothing for fun and profit in this international hit comedy. Gaz (Robert Carlyle) and Dave (Mark Addy) are two former steelworkers in the British industrial town of Sheffield who have been devastated by the economic downturn in their community. Gaz is threatened with losing visitation rights with his son if he can't pay his child support, while Dave feels emasculated by his inability to support his wife. One day, Gaz stops by a local pub for a drink and is told it's women only tonight -- the Chippendales male exotic dancing troupe is playing, and they are demanding a hefty cover charge. Gaz decides there's nothing a bunch of pantywaists from America can do that he and his pals can't do better, and decides to form his own crew of male strippers, called "Hard Steel." However, the local talent pool leaves a bit to be desired. Gaz isn't bad looking, but Dave is a bit heavy and very self conscious about it. Horse (Paul Barber) was probably hot stuff at Soul Night in the mid-70's, but his joints don't move like they used to. Guy (Hugo Speer) can't dance to save his life, but makes the troupe because ... well, let's say he and Dirk Diggler would have a lot to say to each other. Lomper (Steve Huison) is sometimes too busy attempting suicide to practice. And Gerald (Tom Wilkinson), their choreographer, isn't much on male exotic dancing -- ballroom dancing is more his speed. While "Hard Steel"'s performances are more amusing then enticing, for the first time since they lost their jobs the men have a reason to get up in the morning; joining the group has given them a circle of friendship, and a renewed sense of purpose. Combining broad comedy with believable and well-drawn characters, The Full Monty was a major box-office hit both in England and the United States and was nominated for Academy Awards as Best Picture, Best Director, and Best Original Screenplay. ~ Mark Deming, All Movie Guide