Risa Bramon Garcia Movies

A petite New Jersey housewife finds self-fulfillment through amnesia in this new wave comedy of errors set in New York's hip '80s downtown scene. Rosanna Arquette stars as Roberta, who turns to the personals for vicarious thrills after her four-year marriage to staid hot tub salesman Gary (Mark Blum) grows stale. Her favorite classified ads trace the romance of Jim (Robert Joy), a struggling musician, and Susan (Madonna), a SoHo vamp who's just narrowly escaped being murdered alongside one of her other boyfriends -- a gangster who recently stole some Egyptian jewelry. Through a series of complicated missteps, Roberta ends up losing her memory and convincing both herself and a broodingly handsome young man named Dez (Aiden Quinn) that she's the elusive, adventurous Susan. Soon, Roberta finds herself being romanced by Dez and pursued separately by her husband, Jim, Susan, and by a murderous mobster who's looking for the stolen jewels. For her second feature outing, which was partially inspired by Jacques Rivette's Celine and Julie Go Boating, director Susan Seidelman filled her cast with hipster extras, downtown personalities, and New York thespians. Notable faces include comedian Steven Wright; future indie mainstay John Turturro; future TV stars Michael Badalucco and Laurie Metcalf; punk singer Richard Hell, who also starred in Seidelman's Smithereens; and performance artist Ann Magnunson, who would star in the director's Making Mr. Right. The big dance-club sequence was filmed at Danceteria, the disco that helped launch Madonna's career. The scene, and the film, helped propel "Into the Groove," one of the singer's all-time club classics, into the charts even though it was actually a b-side to the single "Angel." ~ Brian J. Dillard, All Movie Guide

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, All Movie Guide

Johnny Depp was nominated for a Golden Globe for his astonishing performance in Benny & Joon, though the entire cast is equally impressive. Benny (Aidan Quinn) runs a small car repair shop. He must also take care of his mentally ill sister Juniper, better known as Joon (Mary Stuart Masterson). After losing a bet, Benny is forced to bring another eccentric into his house: Sam (Johnny Depp), the cousin of a friend. Not inclined to conversation, Sam expresses himself by performing Charlie Chaplin and Buster Keaton routines (and brilliantly!) Not surprisingly, he immediately hits it off with Joon. As Sam and Joon fall deeper in love, Benny for the first time in life experiences the pangs of jealousy. As can be gathered by this synopsis, Benny and Joon may not strike responsive chord with everyone; those who like the film, however, are almost militant in their devotion. ~ Hal Erickson, All Movie Guide

With Heaven and Earth -- cobbled together from two autobiographical reminiscences (When Heaven and Earth Changed Places and Child of War, Woman of Peace by Le Ly Hayslip -- Oliver Stone completes his self-declared "Vietnam Trilogy" (the other films being Platoon and Born On the Fourth of July) of films examining the Vietnam War from different perspectives. Heaven and Earth begins in the central Vietnamese village of Ky La during the 1950s. Phung Le Ly (Hiep Thi Le) is an innocent peasant girl, helping her mother (Joan Chen) to tend the rice paddies while being lectured in the ways of life by her father (Haing Ngor). The idyllic peace of the village is disrupted when a jet bomber crosses the skies. Soon the village is decimated as the American-backed South Vietnamese government troops and the Viet Cong engage in brutal warfare in which the victims are the innocent villagers. Le Ly is both tortured and raped. She leaves Ky La for Danang for a life as a prostitute. There she meets the tall and craggy American soldier Steve Butler (Tommy Lee Jones), a kind but lonely man who isn't looking for sex but for someone to settle down with -- as he says, "I want an Oriental wife." They marry, and Steve takes her back to the United States, where her in-laws look at her not as a wife but as a pet. In the harsh glare of 1970s U.S. culture, Le Ly has trouble adjusting to the American way of life. But not as hard a time as her husband, who, after twenty years in Vietnam, discovers he cannot adapt to civilian life. ~ Paul Brenner, All Movie Guide

Director Wayne Wang and screenwriter Ronald Bass effectively interweave sixteen mother-daughter tales in their silken film version of Amy Tan's best-selling novel about the clash between generations. The film takes place in present-day San Francisco, concentrating on a group of late-middle-aged Chinese women. Ever since arriving in the United States after World War II, the women have gathered weekly to play mah-jongg and to tell stories, regaling each other with tales of their children and grandchildren, giving each other a sense of hope and renewal in the midst of poverty and hardship. The Joy Luck Club is made up of four women -- Suyuan (Kieu Chinh), Lindo (Tsai Chin), Ying Ying (France Nuyen), and An Mei (Lisa Lu). But when Suyuan dies, the three surviving members invite Suyuan's daughter June (Ming-Na Wen) to take her place. Along with the daughters of the other members -- Waverly (Tamlyn Tomita), Lena (Lauren Tom), and Rose (Rosalind Chao) -- June is a Chinese-American with only a passing interest in her rich cultural heritage. But through vignettes that switch back and forth in time, the daughters begin to appreciate the struggles of their mothers to start their families in the optimistic promise of the United States. ~ Paul Brenner, All Movie Guide

Playwright David Henry Hwang (M. Butterfly) wrote this ambitious epic that attempts to examine the communist witch hunts of the 1950s, racial prejudice, abuse of governmental powers, guilt, and suicide. The film begins in 1952 as an eager young FBI recruit, Kevin Walker (Matt Dillon), finds himself assigned to root out communist subversives in San Francisco's Chinese community. Unable to find evidence of communist influence anywhere, Kevin is pressured by the FBI office to get indictments anyway. As a result, Kevin drags innocent Chinese laundry man and labor organizer Chen Jung Song (Tzi Ma) into court on trumped up charges and Song is sent to prison. The film then shifts to 1962, and in the intervening years, Kevin's guilt at what he has done has grown into an obsession. But when Song is newly released from prison, he finds himself once again tracked by Kevin. Song, emotionally unable to deal with his new freedom, kills himself by jumping from the Golden Gate Bridge. Kevin, shattered, now decides to look after and protect Song's daughter, Marilyn (Joan Chen). Gradually, from his role as Marilyn's protector, Kevin's feelings of concern turn into love. ~ Paul Brenner, All Movie Guide

A young woman at a crossroads in her life finds herself receiving plenty of advice from her older and wiser counterparts in this drama. Finn Dodd (Winona Ryder) is a graduate student trying to finish up her doctoral thesis on women's folk art while deciding if she should marry her fiancé Sam (Dermot Mulroney); she's not sure if she's ready to settle down, and suspects that Sam is unfaithful to her. Needing time to sort things out, Finn chooses to spend the summer with her grandmother Hy (Ellen Burstyn) and great aunt Gladys Jo (Anne Bancroft). Hy and Gladys Jo are avid quilters, and with a group of their friends, they work on a special quilt for Finn's wedding; as the women work together, they share stories of their lives, and Finn finds herself learning as much from hearing them talk as she does from her schoolwork. Finn also receives a visit from her free-spirited mom Sally (Kate Capshaw) and finds herself infatuated with a good looking young man who lives nearby. Maya Angelou plays one of the quilters, as do Kate Nelligan, Jean Simmons, and Alfre Woodard. How to Make an American Quilt was the directorial debut of Jocelyn Moorhouse, and was based on a novel by Whitney Otto that itself began as a doctoral thesis. ~ Mark Deming, All Movie Guide

Bill Paxton, Helen Hunt and Carey Elwes may be billed as the stars of Twister, but the film's real attractions are the cyclones themselves. Best experienced in a theater, the nail-biting, blow-the-audience-out-of-their-seats computer generated graphics, cutting edge sound and other special effects are designed to take viewers straight into the roaring funnel of a gigantic tornado. In order to focus on special effects and action, the story is simple and the characters are drawn in broad strokes with little depth. Jo Harding (Hunt) became a storm chaser (a meteorologist who photographs and scientifically studies tornadoes in the field) after a large twister sucked her hapless daddy into oblivion when she was a girl. Bill (Paxton) was a storm chaser too, but left to become a successful weatherman. His change of profession ruined his marriage to Jo. Before separating, the Hardings invented DOROTHY, a gizmo designed to release thousands of tiny sensors when a tornado passes over it. The Hardings hope the information transmitted by the sensors will provide insight into the nature of the whirling windstorms. Backed by a large corporation, the villainous Dr. Jonas Miller (Elwes) has created a similar machine. Neither gadget has been field tested and both groups of storm chasers are anxious to find tornadoes. At the peak of the worst twister season in decades, Bill shows up at Jo's truck with his prissy fiancee Melissa (Jami Gertz) so Jo can sign divorce papers. Suddenly a twister is spotted. With little hesitation, Bill rejoins the mad rush to reach it in time to activate DOROTHY. Jonas and his team are right behind them. Throughout the day the storms become worse and the rivalrous race becomes more intense. As they continue facing incredible dangers together Jo and Bill find renewed love while poor Melissa finds only an intense desire to get away from these storm-obsessed lunatics. ~ Sandra Brennan, All Movie Guide

Indications were that this action sequel was in trouble before production began, when the male lead from the first film, Keanu Reeves, declined a role in the follow-up. Sandra Bullock returns as Annie Porter, an accident-prone ditz who is thrilled when her boyfriend Alex (Jason Patric) presents her with two tickets for a cruise ship vacation to the Bahamas. The trip is a peace offering presented because Annie has just learned that Alex is a police officer who's been lying to her about his choice of profession. Little does the happy couple know that the disgruntled John Geiger (Willem Dafoe), designer of the ship's computer system, has plotted a violent takeover of the vessel and a diamond hijacking that puts everyone on board in mortal danger. Being the dashing police officer he is, Alex leaps into action and tries to stop Geiger, but not before the ship crashes at top velocity into a Caribbean port town. Sandra Bullock agreed to star in this flop of a sequel in order to get financial backing for a pet project, Hope Floats (1998), a low-budget drama that turned a healthy profit. ~ Karl Williams, All Movie Guide

A natural disaster breeds man-made treachery in this suspense thriller. Severe flooding threatens an Indiana town after a massive rainstorm taxes dams to the breaking point. As part of an emergency evacuation effort, armored car driver Tom (Christian Slater) and his uncle Charlie (Edward Asner) are recruited to collect cash from the town's banks and drive it to safety. However, a gang of thieves led by Jim (Morgan Freeman) plan to lay siege to the truck and steal the $3 million on board. After Jim attempts to ambush the truck, Tom hides the cash and reports the attempted theft to the local sheriff (Randy Quaid). However, the sheriff's lack of honesty soon becomes apparent; he puts Tom in a lockup and sets out to take the money for himself. As the flood waters rise, Tom has to escape from jail if he is to save both the townspeople's savings and his own life. Meanwhile, Jim and the sheriff are locked in a race to see who can find the $3 million first. Minnie Driver, Richard A. Dysart, and Betty White highlight Hard Rain's supporting cast. ~ Mark Deming, All Movie Guide

David Dobkin made his feature directorial debut with this comedy thriller about an ordinary guy mistakenly viewed as a serial killer by the FBI. In small-town Mercer, Montana (population 1,536), easy-going gas station attendant Clay Bidwell (Joaquin Phoenix) endures a comical nightmare that gets underway when Clay's best buddy Earl (Gregory Sporleder) learns Clay slept with Earl's wife Amanda (Georgina Cates). Earl commits suicide as a horrified Clay watches. Amanda would rather see Clay in prison than have the local gossipers chatting about their affair, so to cover-up, Clay puts Earl's body into a faked auto accident. Clay then finds comfort with waitress Gloria (Nikki Arlyn), but Amanda kills Gloria, leaving Clay to dispose of another body. At the local bar, Clay is befriended by trucker Lester Long (Vince Vaughn), and they go fishing, hooking a corpse. Lester asks Clay to tell the cops he found it alone. The next victim is Amanda, stabbed 40 times. Clay tries to explain what's going on to the law -- Sheriff Mooney (Scott Wilson) and FBI agents Dale Shelby (Janeane Garofalo) and Reynard (Phil Morris) -- but he becomes the main suspect and is arrested, while serial killer Lester is on the loose. Clay manages an escape from jail and goes in search of Lester. David Dobkin, a Ridley Scott protégé, is an award-winning director of music videos (including the Coolio clips that won MTV's "Best Dance Video of 1996") and commercials, many helmed under the auspices of Ridley and Tony Scott's production companies. Shown at the 1998 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

On New Year's Eve, no one wants to be alone. On this night in 1981, several different groups of young desperate people begin a journey from around New York City to a big party hosted by Monica (Martha Plimpton) and new friend Hillary (Catherine Kellner). As the hours pass and no one shows, Monica begins to unravel. She must bribe Hilary to stay with the promise of a clear shot at Monica's old boyfriend, Eric (Brian McCardie). Eric, at that moment is drinking in a nightclub with his new girlfriend, Bridget (Nicole Parker) and her friend Caitlyn (Angela Featherstone). When Bridget learns the host of the party is Eric's ex-girlfriend, she moves in on the bartender (Ben Affleck). Another group consists of two teenagers from Long Island, Monica's cousin Val (Christina Ricci) and Stephie (Gaby Hoffmann). The two get lost on the way when they run into a pair of punk rockers, Tom (Casey Affleck) and Dave (Guillermo Diaz). In a nearby diner, Lucy (Courtney Love) commiserates with her best friend Kevin (Paul Rudd) who has just been dumped by performance artist Ellie (Janeane Garofalo) so she could move in with her therapist. As they bar hop it slowly dawns upon the two that they could be more than friends. Elsewhere, new acquaintances Jack (Jay Mohr) and Cindy (Kate Hudson) are celebrating more than the new year. Cindy lost her virginity to Jack the night before, though is afraid Jack is with her out of sense of obligation. Now if only everyone can get to the party by midnight. Linking the different stories is the disco cabbie (Dave Chappelle) in whose cab the party never stops. ~ Ron Wells, All Movie Guide

Following their television series Home Improvement and the features The Santa Clause (1994) and Jungle 2 Jungle (1997), the actor/director team of Tim Allen and John Pasquin collaborate once again on this high-concept comedy. Allen stars as Joe Scheffer, a nice guy video specialist for a Minneapolis pharmaceutical company who's plodding through both his thankless job and an unhappy divorce from his ex-wife Callie (Kelly Lynch). When Joe brings his daughter Natalie (Hayden Panettiere) to the office with him on Take Our Kids to Work Day, he's humiliated in a spat with company bully Mark McKinney (Patrick Warburton) over a parking space. It's the last straw for the mild-mannered Joe, who challenges McKinney to a rematch, hires a has-been action movie star (Jim Belushi) to instruct him in martial arts, and pays a stylist to make over his wardrobe and hair. As Joe's image improves and the big day approaches, he finds his new self-respecting stance has positive effects in both the workplace, as he lands a long-overdue promotion, and in his romantic life, as both Callie and a cute "wellness coordinator" (Julie Bowen) start warming up to him. The levelheaded Natalie, however, seems to prefer the previously non-confrontational dad she already loved. Joe Somebody (2001) is the feature debut of screenwriter John Scott Shepherd, who actually worked as a corporate filmmaker in Minneapolis. ~ Karl Williams, All Movie Guide