Jane Jenkins Movies

Cross What's up Doc with Bring Me the Head of Alfredo Garcia and you get this dark screwball comedy of murder and lost luggage. Mafia hitman Tommy Spinelli (Joe Pesci) is flying to San Diego with a bag that holds eight severed heads, which he's bringing to his superiors to prove that some troublesome rival mobsters are permanently out of the picture. Medical student Charlie Pritchett (Andy Comeau) is headed to Mexico with his fiancée Laurie Bennett (Kristy Swanson) to meet her parents. Charlie's suitcase is identical to Tommy's, and it's not until Tommy arrives in San Diego that he discovers that there are no heads in his bag, while Charlie realizes his duffel most certainly does not contain his vacation wardrobe. Tommy finds Charlie's address in the bag and heads to the fraternity house he calls home, where he drafts Charlie's friends Ernie (David Spade) and Steve (Todd Louiso) into finding him some replacement heads post-haste. Meanwhile, Laurie's parents (Dyan Cannon and George Hamilton) are a bit miffed to discover that their future son-in-law is travelling with a bag full of rotting heads, while Laurie is ready to give Charlie his walking papers. Eight Heads in a Duffel Bag was the directorial debut of screenwriter Tom Schulman, who won an Academy Award for his script for the movie Dead Poets Society. ~ Mark Deming, All Movie Guide

In this military courtroom drama based on the play by Aaron Sorkin, Navy lawyer Lt. Daniel Kaffee (Tom Cruise) is assigned to defend two Marines, Pfc. Louden Downey (James Marshall) and Lance Cpl. Harold Dawson (Wolfgang Bodison), who are accused of the murder of fellow leatherneck Pfc. William Santiago (Michael de Lorenzo) at the U.S. Navy base at Guantanamo Bay, Cuba. Kaffee generally plea bargains for his clients rather than bring them to trial, which is probably why he was assigned this potentially embarassing case, but when Lt. Commander JoAnne Galloway (Demi Moore) is assigned to assist Kaffee, she is convinced that there's more to the matter than they've been led to believe and convinces her colleague that the case should go to court. Under questioning, Downey and Dawson reveal that Santiago died in the midst of a hazing ritual known as "Code Red" after he threatened to inform higher authorities that Dawson opened fire on a Cuban watchtower. They also state that the "Code Red" was performed under the orders of Lt. Jonathan Kendrick (Kiefer Sutherland). Kendrick's superior, tough-as-nails Col. Nathan Jessup (Jack Nicholson), denies any knowledge of the order to torture Santiago, but when Lt. Col. Matthew Markinson (J.T. Walsh) confides to Kaffee that Jessup demanded the "Code Red" for violating his order of silence, Kaffee and Galloway have to find a way to prove this in court. A Few Good Men also features Kevin Bacon as prosecuting attorney Capt. Jack Ross and Kevin Pollak as Kaffee and Galloway's research assistant, Lt. Sam Weinberg. ~ Mark Deming, All Movie Guide

Teenager Chris Parker (Elisabeth Shue) would rather party with her boyfriend, but when her beau breaks their date she reluctantly accepts a babysitting job. It isn't all TV and icebox-raiding when Chris' best friend Brenda (Penelope Ann Miller) calls her to announce that she's stranded at the bus station. With her youthful charges in tow (one of whom, 15-year-old Brad (Keith Coogan), has a hopeless crush on the babysitter), Chris heads into downtown Chicago to go to Brenda's rescue. Thus begins a roller coaster ride of comic mishaps, unexpected perils and hairbreadth escapes. IN one bit, blues singer Albert Collins refuses to allow Chris and company to leave the nightclub they've wandered into until they agree to sing along with a song borrowed from, of all things the 1939 B-picture Nancy Drew, Reporter! . Screenwriter and Steven Spielberg protégé Chris Columbus made his directorial debut with Adventures in Babysitting. ~ Hal Erickson, All Movie Guide

In this action drama, Harrison Ford plays James Marshall, a onetime combat hero in the Vietnam War who is now President of the United States. While visiting the former Soviet Union, Marshall gives a speech in which he supports a get-tough attitude against both terrorists and a right-wing general and war criminal from Kazakhstan imprisoned in Moscow, earning him few friends in the Eastern Bloc. While flying back to the United States aboard Air Force One, Marshall and his staff discover that one of the journalists returning with them is actually Ivan Korshunov (Gary Oldman), a Kazakhstani terrorist, who hijacks the plane with three associates and holds the president hostage -- with his wife and daughter on board. Marshall must use his strength and intelligence to keep the terrorists at bay and devise a plan to allow his family to escape to safety, while on the ground the vice-president (Glenn Close), the secretary of defense (Dean Stockwell), and the attorney general (Philip Baker Hall) grapple over what to do and how much control to take in this crisis. Slam-bang action sequences and plot twists fly fast and furious in this nail-biter from director Wolfgang Petersen, who previously generated suspense under water (rather than in the air) with Das Boot. ~ Mark Deming, All Movie Guide

"Houston, we have a problem." Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis, and the suspense, fear, and excitement of those days are captured in Ron Howard's epic recreation of the 1970 crisis. When the commander of the original mission Ken Mattingly (Gary Sinise), bows out due to possible exposure to measles, astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. Even though the outcome, in which all three astronauts miraculously survived, is historical fact, the film derives suspense from the situation itself and from the actions of the heroic astronauts and the men on the ground. Howard's taut direction, a solid ensemble of players, and eye-opening special effects all add to the overall impact of the film, which has been hailed as one of Hollywood's best historical dramas. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, All Movie Guide

John Hughes sticks to his seemingly fool-proof formula for success in Baby's Day Out, a cross-pollination of Home Alone and a Swee' Pea cartoon. The plot seems all-too familiar: posing as baby photographers, a group of three would-be kidnappers (led by the usually outstanding character actor Joe Pantoliano) enter an unsuspecting wealthy Chicago couple's home and make off with Baby Bink after leaving a ransom note. However, while waiting for the delivery of the ransom money, Baby Bink manages to escape and subsequently embarks on a series of cutesy-poo adventures in downtown Chicago (including a crawl through a skyscraper construction site), leaving the hapless crooks in hot pursuit. ~ Jeremy Beday, All Movie Guide

The sons of a Chicago fireman who gave his life in the performance of his duties, firefighting brothers Kurt Russell and William Baldwin carry their lifelong sibling rivalry into their work. Russell is convinced that Baldwin hasn't got what it takes to remain in the fire department. Baldwin is transferred to a "safe" assignment, assisting arson investigator Robert DeNiro, who is trying to make sense of a series of fires involving an oxygen-induced ball of fire called a backdraft. The investigation reveals a link between corrupt alderman J. T. Walsh and imprisoned pyromaniac Donald Sutherland. The trail of evidence leads Baldwin to suspect that his brother Russell, a much-decorated hero, may be the "inside" man setting up the arsons. ~ Hal Erickson, All Movie Guide

Director/screenwriter Robert Collector adapts Newberry Award-winning author Harold Keith's fact-based tale about a 1960s-era girl's basketball coach who inspired his athletes to believe in themselves and always strive to reach their greatest potential. Clayton Driscoll was an assistant boy's basketball coach when he accepted his first official coaching assignment in the tiny, backwater Oklahoma town of Middleton. An urbanite whose devoted wife Jean is wholly supportive of the move, Clayton hopes that the peace of the country will give the couple the opportunity to start a family. Upon discovering that the team he is set to coach is a girl's team, however, Clayton's enthusiasm immediately sours. In the mid 1960s, in the middle of nowhere, girl's athletics could barely qualify as an afterthought to sports fans. The Middleton Lady Cyclones in particular, were an unmitigated laughing stock. Though Clayton is at first flushed by the ineptitude of his young players, his dubiety is soon tempered by the remarkable character displayed by the girls who want nothing more than to shine in the eyes of their coach. Upon recognizing the decency and resiliency displayed by his tough-minded team, Clayton gives the girls permission to become as passionate about the game as any boy would be. But not everyone in Middleton is so eager to see these young women behaving as aggressively and competitively as their male counterparts, and as Clayton liberates the girls in an attempt to take the state championships and in the process finds himself emancipated by his love for the team, town rainmaker Ellis Brawley launches a bitter campaign to bring about the progressive-minded coach's downfall. ~ Jason Buchanan, All Movie Guide

In Body Double, director Brian DePalma pays homage to the Alfred Hitchcock movies Vertigo and Rear Window, adding a few grotesque touches all his own. Craig Wasson plays Jake, a struggling actor who keeps losing jobs because of his claustrophobia. To make matters worse, his girlfriend has walked out on him, so he has no place to sleep. His pal offers him the use of his apartment for the evening. The apartment happens to be equipped with a huge picture window and telescope, enabling him to spy on his beautiful neighbor Gloria (Deborah Shelton) while she undresses. He also bears witness to her brutal murder. And then he meets a porn star (Melanie Griffith), who has just taken a job posing as the late Gloria. ~ Hal Erickson, All Movie Guide

Actor Daniel Craig assumes the role formerly occupied by such screen greats as Sean Connery, Roger Moore, and Timothy Dalton to set out on the character's very first 007 mission. James Bond has earned his "00" status by masterfully executing a pair of death-defying professional assassinations. Now assigned the task of traveling to Madagascar to spy on notorious terrorist Mollaka (Sebastien Foucan) for his maiden voyage as a 007 agent, Bond boldly goes against MI6 policy to launch an independent investigation that finds him traversing the Bahamas in search of Mollaka's notoriously elusive terror cell. Subsequently led into the company of the mysterious Dimitrios (Simon Abkarian) and his exotic girlfriend, Solange (Caterina Murino), Bond soon realizes that he is closer than ever to locating well-guarded terrorist financier Le Chiffre (Mads Mikkelsen), the man who has personally bankrolled some of the most prevalent terrorist organizations on the planet. When Bond learns that Le Chiffre is planning to partake in an upcoming high-stakes poker game to be played at Montenegro's Le Casino Royale and use the winnings to establish his financial grip on the globe, M (Judi Dench) assigns beguiling agent Vesper (Eva Green) the task of watching over the fledgling agent as he plays against Le Chiffre in a covert attempt to destroy the nefarious gambler's well-established monetary stronghold in the underworld once and for all. Bond will need more than his legendary gambling skills in order to win this dangerous game, though, and after allying himself with local MI6 field agent Mathis (Giancarlo Giannini) and CIA operative Felix Leiter (Jeffrey Wright), the endlessly suave super-spy puts on his poker face for a high-stakes game of cards in which the stakes are not measured in dollars, but human lives. ~ Jason Buchanan, All Movie Guide

The true story of an athlete who achieved his greatest success against the most daunting odds of his life is brought to the screen in this historical drama. In the 1920s, James Braddock (Russell Crowe) from Bergen, NJ, was a promising contender in professional boxing; he had strength, spirit, and tenacity, but the combination of a serious hand injury and a 1929 defeat in a bout with light heavyweight champ Tommy Loughran sent his career into a serious tailspin. As Braddock's career in the ring dried up, the Great Depression put a stake through the heart of America's economy, and Braddock found himself working at the New York docks for pitiful wages as he tried to support his wife, Mae (Renée Zellweger), and three children. Desperate for money, Braddock turned to his former trainer and manager Joe Gould (Paul Giamatti), who was unexpectedly able to scare up a bout for him, battling John Griffin at Madison Square Garden. While conventional wisdom had it that Braddock was too old, out of shape, and out of practice to have any chance of winning, he defeated Griffin, and continued beating his opponents with a powerful left hook that had been intensified by years of punishing dock work. In a nation desperate for good news, Braddock's surprising comeback became a tonic to struggling workers and unemployed people, and all eyes were on Braddock when in 1935 he took on powerful heavyweight champion Max Baer (Craig Bierko) in what was both literally and figuratively the fight of his life. ~ Mark Deming, All Movie Guide

John Hughes dishes out the sentiment by the ladle-full in Curly Sue. The film stars James Belushi as Bill Dancer, a down-on-his-luck drifter who lives by his wits on the highways and byways of the United States, stealing free meals, slipping into movie theaters, and sleeping in welfare hotels. Bill is also the guardian of cute pint-size moppet Curly Sue (Alisan Porter), a cutey pie cross between Little Orphan Annie and Tatum O'Neal's Addie Loggins character from Paper Moon. Bill and Curly Sue are a perfect con team, and they practice their scams when they need money for food. Pulling a knockdown car-accident scam, Bill makes hard-bitten Chicago lawyer Grey Ellison (Kelly Lynch) think that she slammed into him with her car. She buys dinner for the two mountebanks before being taken away by her snotty boyfriend Walter McCormick (John Getz). But the next morning, Grey actually does hit Bill with her car, and she takes the two back home with her. At first, Grey can't seem to get Curly Sue out of her mind, but then she finds herself falling in love with Bill. They begin to form a perfect family until Walter puts in a call to the Department of Children and Family Services. ~ Paul Brenner, All Movie Guide

Much attention was given to the Robert Mapplethorpe photographs that became the center of controversy when they were exhibited at the Cincinnati Contemporary Arts Center in 1990, but less was known about Dennis Barrie, the museum director responsible for the exhibit. Barrie's obscenity trial and condemnation by right-wing conservatives are the focus of this Showtime telepic. Played by James Woods, Barrie is shown standing up for his museum's right to display controversial art and coping with the toxic windfall that surrounded his actions. Diana Scarwid gives plenty of support as Dianne, Barrie's wife, and interviews with personalities ranging from Susan Sarandon to Salman Rushdie are interspersed with the film's narrative. Thanks to the cooperation of the Robert Mapplethorpe Foundation, a number of the actual photographs that were at the heart of the controversy were used in the production. ~ Rebecca Flint Marx, All Movie Guide