John Lyons Movies

In a clever, gender-bending twist on the classic Robert Louis Stevenson tale, the research done by Dr. Henry Jekyll (Ralph Bates) in the field of artificially-induced human longevity involves experimentation with female hormones. When he partakes of his own formula and the inevitable Jekyll-into-Hyde transformation takes place, he changes into a ravishing female version of himself (famed "B"-movie siren Martine Beswick). Claiming to be Jekyll's sister, Ms. Hyde is lovely but lethal: she uses her alluring charms to seduce men then kills them and absconds with their bodies for use in further experiments. A much more interesting twist comes when Jekyll finds himself falling in love with the girl next door (Susan Brodrick), while simultaneously lusting after the girl's brother (Lewis Fiander) as Hyde. Although Brian Clemens' script manages to exploit this unique premise for shock value, the story fumbles where it counts, failing to fully explore the implicit questions of sexual identity which haunt Jekyll's psyche and burst to the surface when Hyde is on the prowl. ~ Cavett Binion, All Movie Guide

James Lapine directed this television adaptation of his acclaimed musical, which he created in collaboration with the great composer Stephen Sondheim. In the first act, artist Georges Seurat (Mandy Patinkin) is working on his latest painting with the woman he loves, Dot (Bernadette Peters), posing for him. The work is to become the impressionist masterpiece Sunday Afternoon on the Isle of La Grande Jatte, and along with Dot, Georges interacts with the various people who happen through the park and become characters in his painting. In act two, Seurat's great grandson George (also played by Patinkin) and his grandmother Marie (also played by Peters) return to the place where Seurat had created his masterpiece 100 years earlier. George, a sculptor, is in dire need of inspiration, and the visit leads both him and Marie to ponder their ideas of what is art, and what is life. This performance of Sunday in the Park with George also features Charles Kimbrough, Barbara Byrne, and Brent Spiner (the latter before he gained fame as Data on Star Trek: The Next Generation). ~ Mark Deming, All Movie Guide

Writer Susan Isaacs and director Frank Perry of Compromising Positions re-team for this unsuccessful resurrection fantasy comedy. Shelley Long plays Lucy Chadman, the accident-prone wife of plastic surgeon Jason Chadman (Corbin Bernsen). When she chokes to death after eating a South Korean chicken ball, a funeral is held and she is mourned, but then everyone goes on with their lives and forgets about her. Everyone, that is, except her sister Zelda (Judith Ivey). Zelda runs an occult bookstore and as she peruses one of her books of incantations, she discovers a magical chant that can raise the dead. Obeying the rules of the incantation -- it has to be performed a year after the person dies and the resurrected person must find love within 30 days or the person will die again -- she brings back Lucy to life. Lucy immediately proceeds to her husband's home and finds that he is married to her best friend Kim (Sela Ward). She now has to deal with the changed circumstances of her husband, along with a burgeoning love affair with Kevin Scanlon (Gabriel Byrne), the emergency-room doctor who had tried to save her life. ~ Paul Brenner, All Movie Guide

Dirty Rotten Scoundrels is a remake of the 1964 film farce Bedtime Story. Steve Martin and Michael Caine take over the roles originally played by Marlon Brando and David Niven: two international con artists, plying their trade on gullible wealthy women up and down the Riviera. Martin and Caine vie over the honor of fleecing ingenuous heiress Glenne Headly (in a role originated by Shirley Jones). ~ Hal Erickson, All Movie Guide

On the occasion of wealthy patriarch Burt Lancaster's 77th birthday, his Long Island home is invaded by well-meaning family members. Lancaster is bored by the well-meaning interference of his grown children, but he thrives on the company of his grandchildren, especially 5-year-old Macaulay Culkin (in a terrific pre-star performance). To the kids, Lancaster reveals what he really wants as a birthday present: an old-fashioned Viking funeral! From this point on, the ending of Rocket Gibraltar is a "done deal", but getting there is all the fun. A superb, hand-picked cast--including Suzy Amis, Sinead Cusack, John Glover, Bill Pullman and Kevin Spacey -does full justice to Amos Poe's whimsical, often deeply touching script. ~ Hal Erickson, All Movie Guide

In this tuneful teen drama, two disparate high school students, he a street-wise Italian rebel and she a sweet naive Jewish girl, fall in love while preparing for the annual "Sing," a competition between seniors and the other grades attending Brooklyn schools. It is the caring school music teacher who involves the street-tough, for he sees tremendous talent in the youth. With the help of the teacher and the affection of the young woman, the angry youngster, mends his self-destructive ways and makes the annual musical a smashing success. ~ Sandra Brennan, All Movie Guide

In this suspenseful drama, a bereaved bricklayer vows to avenge the brutal murder of his parents. The killer is brought in, but is not given the death penalty. The young man then decides to take matters into his own hands. He oversteps the law and eventually begins to question his actions. ~ Sandra Brennan, All Movie Guide

Director Bernard Rose and screenwriter David Yallop were inspired by the real-life Hulten/Jones murder case of 1944, famously known as The Cleft Chin Murder Case, after a London cabbie was found murdered. It was a sensation in England, where American soldier Karl Hulten and British showgirl Elizabeth Maud Jones became household names -- even beating out news of the war. In the film, Karl Hulten (Kiefer Sutherland), is an American GI who is stalking the black market of London after stealing an army truck and going AWOL. There he meets up with Betty Jones (Emily Lloyd), a stripper with a deluded fantasy world view formed by watching a steady stream of Hollywood film noir and gangster pictures. Seeing Karl, who claims he is Chicago Joe doing advance work in London for encroaching Chicago gangsters, Betty takes the opportunity to set her fantasies to life as she connives Karl into a crime spree of petty crimes. With luck on their side, the spree keeps escalating, until Betty urges Karl to commit the ultimate crime -- murder. ~ Paul Brenner, All Movie Guide

Amandine Aurore Lucie Dupin, better known in the literary world as George Sand, not only took a man's name, but trotted around wearing pants and smoking cigars in public. No great shakes today, but in the 1800s she was perhaps the most famous (or infamous) woman in the world. One of the first original celebrities, aside from her garb and literary output, she was known to inspire many duels and broken hearts among other famous hedonist artists. One character describes her in Impromptu, as "that graveyard." The film engages in a sexual roundelay among Sand's (Judy Davis) many friends -- Eugene Delacroix (Ralph Brown), Alfred DeMusset (Mandy Patinkin), Franz Liszt (Julian Sands), and Frederick Chopin (Hugh Grant). The entire crew heads off to the summer estate of the Duke and Duchess d'Antan (Anton Rodgers and Emma Thompson), invited there by the culture-vulture hosts. Sand takes a bead on the sickly Chopin and spends her time throwing herself at him. Also on hand is Liszt's mistress Marie d'Agoult (Bernadette Peters) and Felicien Mallefille (Georges Corraface), Sand's recently jilted lover. Mallefille is jealous of any of the other guests who glance in Sand's direction and continually challenges them to duels. Marie, on the other hand, is enlisted by Sand to deliver a note to Chopin. But Marie, jealous of Sand, delivers the note substituting her name for Sand's. And as the weekend continues, the sexual merry-go-round continues at full tilt. ~ Paul Brenner, All Movie Guide

The title character, played by John Turturro, is a Broadway playwright, based on Clifford Odets, lured to Hollywood with the promise of untold riches by a boorish studio chieftain (played by Michael Lerner as a combination of Louis B. Mayer and Harry Cohn). Despising the film capital and everything it stands for, Barton Fink comes down with an acute case of writer's block. He is looked after by a secretary (Judy Davis) who has been acting as a ghost writer for an alcoholic screenwriter (John Mahoney, playing a character based on William Faulkner). Also keeping tabs on Fink is a garrulous traveling salesman (John Goodman), the most likeable, stable character in the picture. And then comes the plot twist to end all plot twists, plunging Barton Fink into a surreal nightmare that would make Hieronymus Bosch look like a house painter. Once more, Ethan and Joel Coen serve up a smorgasbord of quirkiness and kinkiness, where nothing is what it seems and nothing turns out as planned. ~ Hal Erickson, All Movie Guide

In this romantic comedy from director Frank Oz, Steve Martin plays Boston architect Newton Davis, an impulsive dreamer who builds a bucolic dream home for his girlfriend (Dana Delany) as a means of proposing to her -- only she turns him down. Three months later, the depressed Davis meets a waitress who calls herself Gwen (Goldie Hawn), though pretending to be Hungarian proves to be only the first of her many deceptions. Davis has a one-night stand with Gwen during which he tells her the sad story of the house, which remains unoccupied just outside the city in his hometown of Dobbs Mills, because he can't bear to sell it. Following what seems to be a familiar path for this con artist, Gwen locates the house, figuring she can take up residence without anyone noticing. During a trip to the local grocery, she ends up telling the proprietor she's Davis' wife while trying to charge her purchases to his account. When she offers the same story to a local furniture dealer (Donald Moffat), unaware he's Davis' father, it triggers a string of fabrications in which the shocked Davis unwittingly becomes a co-conspirator. Seeing an opportunity of his own, Davis allows Gwen to stay in the house and agrees to go along with her story in hopes of winning back his jealous ex. Of course, this also necessitates outlandish lie upon outlandish lie, leaving the whole enterprise forever on the verge of collapse. ~ Derek Armstrong, All Movie Guide

Michael J. Fox stars as Doug Ireland in this romantic comedy about a brash concierge at a swanky New York hotel who always makes it a point to go out of his way for the hotel guests. But Doug doesn't want to be a concierge forever. What he would really like to do is build a swanky hotel of his own, and all he needs is $3 million to do it. When haughty and patronizing tycoon Christian Hanover (Anthony Higgins) comes to the hotel for a rendezvous with his mistress Andy Hart (Gabrielle Anwar), Doug sees the opportunity to convince Christian to invest the $3 million in his dream of a hotel. So, Doug willingly agrees to baby-sit Andy when Christian has to leave her to see his wife. But the more time he spends with Andy, the more affectionate he feels toward her, until finally he has fallen in love with her. Now Doug must make a choice concerning what he really wants -- his dream of a hotel or the love of Andy. ~ Paul Brenner, All Movie Guide