Jennifer Shull Movies
Lawrence Kasdan wrote and directed this comedy about a young psychologist named Mumford (Loren Dean), who arrives in a small town and sets up a practice. Mumford's style is short on analytic mumbo-jumbo and long on practical advice, and he soon finds that he has a long list of satisfied clients in his new home town, including many of the city's most prominent citizens. Mumford's advice also helps love bloom among the city's single residents. However, the city already had a psychologist, Ernest Delbanco (David Paymer), who is quickly losing business to Mumford. So Ernest starts asking questions: who is this Mumford, and just what are his qualifications? Mumford's supporting cast includes Ted Danson, Martin Short, Alfre Woodard, Hope Davis, Jason Lee, and Pruitt Taylor Vince. ~ Mark Deming, All Movie Guide
- Starring:
- Loren Dean, Hope Davis, (more)
Shirley MacLaine reprises her award-winning performance as Aurora Greenway in this sequel to Terms of Endearment. Fifteen years after the death of her daughter Emma, Aurora is still keeping an eye on her three grandchildren and not having very good luck with it. Tommy (George Newbern) is currently doing time on drug charges; Teddy (MacKenzie Astin) has a job with no future and an ill-mannered child whose mother, Jane (China Kantner), doesn't believe in traditional discipline; and Melanie (Juliette Lewis) is bound and determined to put Aurora through as much grief as Emma did. Aurora has a number of other adversarial relationships to contend with; she often spars with Patsy (Miranda Richardson), a friend of Emma's dead mother, and her housekeeper Rosie (Marion Ross), who is having a tentative late-term romance with the next-door neighbor, Arthur (Ben Johnson). Aurora's own love life is not doing so well. Her affair with The General (Donald Moffat) is on its last legs, she ends up sleeping with her analyst Jerry (Bill Paxton), and she confesses to her former flame Garrett (Jack Nicholson) that she has yet to meet the love of her life. Like Terms of Endearment, The Evening Star was based on a novel by Texas author Larry McMurtry; this was the final film for actor Ben Johnson, who died before it was released and who received an Academy Award and made a major comeback for his work in another film based on a McMurtry novel, The Last Picture Show. ~ Mark Deming, All Movie Guide
- Starring:
- Shirley MacLaine, Bill Paxton, (more)
A rousing Disney dog-sled adventure based on a real life event -- a 522-mile dog-sled race between Winnipeg, Canada and St. Paul, Minnesota that occurred in 1917. When his father is accidentally killed, South Dakota farmboy Will Stoneman (Mackenzie Astin) decides to enter the dog-sled race in order to save his family from financial ruin. His mother (Penelope Windust) wants Will to use part of the prospective $10,000 race winnings for college, but Will just wants to save the farm. With the help of Indian handyman Ned Dodd (August Schellenberg), Will begins to train for the race. But the rich mogul underwriting the race, J.P. Harper (David Ogden Stiers), doesn't want Will to enter, thinking the competition too arduous and too dangerous for such a young boy. To Will's aid comes yellow journalist Harry Kingsley (Kevin Spacey), who convinces Harper to permit Will to enter the race. But Harry also has his own agenda -- he sees a great story in Will and thinks it will sell newspapers and advance his journalistic career. With his father's best dog Gus at the head of his dog team, Will is ready and determined to win the race. But Will discovers that winning the race is only half his battle. Dealing with the petty and malevolent human beings involved in the race -- in particular, the egotistical Scandinavian champion Borg Guillarson (George Gerdes) and the wealthy gambler Angus McTeague (Brian Cox) -- prove to be as much of a challenge to his mettle than any natural obstacles Will might encounter. ~ Paul Brenner, All Movie Guide
- Starring:
- MacKenzie Astin, Kevin Spacey, (more)
Directed by Lawrence Kasdan, this epic version of the legendary western sheriff-gunslinger's life story stars Kevin Costner as Earp, who lived from 1848 to 1929. Growing up on a farm in Iowa, Earp tries to run away to join the Union Army in the Civil War, but he is turned away because of his youth. Instead, he studies law and marries Urilla Sutherland (Annabeth Gish). But Urilla dies of typhoid fever before they can have children. Earp grows despondent and descends into drinking and petty thievery, but his father Nicholas (Gene Hackman) finds him, sobers him up, and sets him straight. Earp becomes a buffalo hunter and a close companion of Bat Masterson (Tom Sizemore) and his brother Ed (Bill Pullman). With his brothers, Virgil (Michael Madsen) and Morgan (Linden Ashby), Earp sets out to clean up the violence-plagued towns of the old West -- by using his own guns to settle scores. Earp takes up with Mattie Blaylock (Mare Winningham), a drug addict and prostitute, then discards her for actress Josie Marcus (Joanna Going). In Tombstone, Arizona, the Earp brothers and their comrade Doc Holliday (Dennis Quaid), who is plagued by tuberculosis and a compulsion for gambling, meet their match in a ruthless gang led by Ike Clanton (Jeff Fahey). ~ Michael Betzold, All Movie Guide
- Starring:
- Kevin Costner, Dennis Quaid, (more)
An adaptation of the Pulitzer Prize-winning, semi-autobiographical stage play by popular dramatist Neil Simon, this comedy-drama focuses on the difficulties faced by two young brothers forced to live with a group of eccentric relatives. Arty (Mike Damus) and Jay (Brad Stoll) are young teenagers when their their widower father heads South to seek work, leaving the boys with their stern, intimidating grandmother (Irene Worth). Also part of the household is the more likable Aunt Bella (Mercedes Ruehl), an odd duck with a scattered personality and childlike enthusiasm that make her seem more like a fellow kid than an adult. Bella is kept under close watch by Grandma, who reacts strongly when she attempts to show her independence, leaving Arty and Jay as witnesses to a conflict that could tear the family apart. Lost in Yonkers offers much of Simon's trademark humor with a more bittersweet feel than in most of the playwright's other work, thanks in large part to the performance by Ruehl, who reprises her Tony Award-winning role as the troubled but cheerful Bella. ~ Judd Blaise, All Movie Guide
- Starring:
- Richard Dreyfuss, Mercedes Ruehl, (more)
The owner of an aircraft salvage company (Viggo Mortensen) is reported killed in a crash. However, his wife (Andie MacDowell) knows better, and she decides to find him and his secret bank accounts. She travels around the world, and winding up in Cairo, she meets Liam Neeson, who helps her uncover her husband's smuggling scheme. ~ All Movie Guide
- Starring:
- Andie MacDowell, Liam Neeson, (more)
Post-collegiate angst, '80s style, is the subject of this coming-of-age ensemble piece, which traces the fortunes of a group of Georgetown grads as they enter the real world and grapple with work, infidelity, and adulthood. The most outwardly upscale member of the gang, Jules (Demi Moore), hides a plethora of emotional baggage behind a chic wardrobe, an expensive apartment, a fashionable drug habit, and lots of meaningless casual sex. Her friend Wendy (Mare Winningham) has the opposite problem; a trust-fund baby with body-image issues and little sexual experience, she's hung up on Billy (Rob Lowe), a no-good, sax-playing drunkard who can't face up to his responsibilities in the job market or at home with his wife and young child. Such open infidelity is anathema to Alex (Judd Nelson), who must maintain a sense of propriety even while engaging in compulsive womanizing; after all, the Democrat-turned-Republican's nascent political career requires the sort of picture-perfect relationship he shares with girlfriend Leslie (Ally Sheedy). That doesn't sit too well with tortured writer Kevin (Andrew McCarthy), who toils away at a newspaper job and pines away for the unattainable Leslie. Unrequited love also dogs Kirby (Emilio Estevez), a law-school student whose greatest wish is to romance classy doctor Dale Biberman (Andie MacDowell), who is, alas, way out of his league. Co-written by director Joel Schumacher and his studio intern, Carl Kurlander, St. Elmo's Fire spawned the number one pop hit "St. Elmo's Fire (Man in Motion)," which was credited to John Parr but co-written by music producer David Foster. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Rob Lowe, Demi Moore, (more)
Having crashed to Earth, an extraterrestrial space traveller must assume a human identity lest he be captured by the authorities. The alien (Jeff Bridges) chooses the likeness of the recently deceased husband of Jenny Hayden (Karen Allen). At first dumbstruck, Jenny becomes both hostile toward and frightened of her guest. He gradually wins her confidence, learning a few vital English-language phrases so that he can explain his presence. The "starman" has come to Earth with a message of peace, in response to the similar message sent out on Voyager One. He asks for Jenny's help in transporting him to the Nevada desert, where his fellow aliens are to pick him up and take him to his home planet. Soon he and Jenny form a united front against a mean-spirited National Security Council agent (Richard Jaeckel), who intends to seize the starman and turn him over for scientific scrutiny (and possible extermination). While en route to Nevada, Jenny grows closer to the gentle-natured Starman, eventually making love with him. By the time he is poised to leave, she is carrying his child, leaving the field wide open for a sequel--which was never produced, though a weekly TV version surfaced in 1986. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeff Bridges, Karen Allen, (more)
In this Bill Murray-driven remake of the 1946 Tyrone Power film, Murray plays the lead, Larry Darrel, a World War I survivor who takes off on a foreign trek to discover the meaning of his life. Apparently Murray said he'd film Ghostbusters only if Columbia would let him do Razor's Edge. ~ All Movie Guide
- Starring:
- Bill Murray, Theresa Russell, (more)
- 1982
- PG
Neil Simon based his screenplay for I Ought to Be in Pictures on one of his more serious theatrical pieces. Walter Matthau is top-billed as Herbert Tucker, a struggling screenwriter who suddenly finds his 19-year-old daughter, Libby(Dinah Manoff), on his Hollywood doorstep. Having deserted his family years earlier, Herbert isn't keen on having his daughter around to cramp his lifestyle, which at this point consists of drinking his meals and telling lies to his faithful girlfriend, Stephanie (Ann-Margret). Libby takes it upon herself to put Herbert's life in order. There are plenty of angry outbursts and recriminations between father and daughter before the tearful, upbeat conclusion. Incidentally, Dinah Manoff is the daughter of actress Lee Grant, who'd previously co-starred with Walter Matthau in Neil Simon's Plaza Suite -- which, like I Ought to be in Pictures, was directed by Herbert Ross. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Matthau, Ann-Margret, (more)
- 1979
- R
Neil Simon's bright, autobiographical romantic comedy, a big Broadway success, has been adapted to the screen in a screenplay by Simon, directed by Robert Moore, that subtly shifts the emphasis from the play. In the stage version, recently widowed writer George Schneider (James Caan) and his efforts to form a new relationship after years of marriage, was the crux of the story. The film, however, reduces George's role and, instead, emphasizes the character of Jennie MacLaine (Marsha Mason), the actress being wooed by George. ~ Paul Brenner, All Movie Guide
- Starring:
- James Caan, Marsha Mason, (more)
Cajun quarter-horse trainer Lloyd Bourdelle (Walter Matthau) struggles to eke out a decent living for himself and his three sons Buddy, Randy and Casey (Andrew A. Rubin, Stephen Burns and Michael Hershewe). Their prize horse is thoroughbred foal Casey's Shadow, named after the youngest son (Hershewe). The question is whether or not Lloyd, a life-long loser, can take advantage of the opportunity for bettering his lot afforded by Casey's Shadow. Alexis Smith co-stars as Sarah Blue, a wealthy woman who becomes Matthau's strongest ally when she offers to buy the horse rather than allow the vindictive Mike Marsh (Robert Webber) to destroy it. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Matthau, Alexis Smith, (more)
"Smokey," aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times. Already in danger of arrest from redneck lawmen like Buford T. Justice, Bandit furthers his chances at a stiff jail term when he offers a ride to Carrie, who hopes to escape her unwanted wedding to Justice's boy. The rest of the film is one long chase; not quite as subtle as a Road Runner/Coyote cartoon, not quite as restrained as a Three Stooges comedy. Universally panned by critics upon its first release, Smokey and the Bandit reportedly pulled in just under $126 million and led to two sequels. ~ Hal Erickson, All Movie Guide
- Starring:
- Burt Reynolds, Sally Field, (more)
Adapted from a lesser-known novel from SF/Horror author Dean R. Koontz, this claustrophobic thriller presents a computerized nemesis incorporating the murderous elements of 2001's HAL with the world-domination goal of the title villain in Colossus: The Forbin Project. Brilliant cybernetics expert Dr. Alex Harris (Fritz Weaver) develops a revolutionary new supercomputer dubbed Proteus IV (voice of Robert Vaughn, uncredited) which is capable of almost human self-awareness and capacity for intellectual growth. Unfortunately for Alex and his wife Susan (Julie Christie), Proteus is also imbued with a very human desire to grow beyond the limitations of his own knowledge -- as well as to escape the isolation of the laboratory -- and taps into the home terminals of the Harris' high-tech dream house, in which he makes Susan a virtual prisoner. As she is put through a tortuous series of physical and mental tests, the Proteus mainframe takes severe steps to prevent any interference -- even resorting to the murder of Harris' assistant (Gerrit Graham). Susan's confusion eventually turns to dread when she begins to realize Proteus' true intentions... to evolve beyond mere circuitry and assume a human form by impregnating her with his "seed." Despite the lurid premise, this is probably the most conventional effort from controversial director Donald Cammell (Performance, Wild Side), and the film's theme of the computer's ominously pervasive role in human affairs -- in this case forcing its way into our bodies as well as our lives -- seems oddly prescient today. Christie's convincing performance makes the most of a role which has her shouting at the walls and ceiling for two-thirds of the movie. ~ Cavett Binion, All Movie Guide
- Starring:
- Julie Christie, Fritz Weaver, (more)
As penned by Neil Simon, this satire of movie mysteries is set in motion when several prominent detectives are invited to the mansion of the reclusive Lionel Twain (Truman Capote). In Ten Little Indians fashion, the gathered sleuths are locked into the forbidding mansion, and subject to various death-dealing devices. While struggling for their lives, the vainglorious gumshoes continue to try to one-up one another. Each character is broadly based on a famous literary detective: Sidney Wang (Peter Sellers) is an aphorism-spouting Charlie Chan clone: Dick and Dora Charleston (David Niven and Maggie Smith) are patterned on the protagonists of the Thin Man flicks; Milo Perrier (James Coco), a Hercule Poirot takeoff, stalks through the proceedings declaring "I'm a Belgie, not a Frenchie!"; Sam Diamond (Peter Falk) is Raymond Chandler's Philip Marlowe and Dashiell Hammett's Sam Spade rolled in one; and Jessica Marbles (Elsa Lanchester) is a dottier variation of Agatha Christie's Miss Marple. Best bit: a "conversation" between blind butler Jamessir Bensonmum (Alec Guinness) and deaf-mute maid Yetta (Nancy Walker). The fade-out gag of Sherlock Holmes and Dr. Watson showing up late for Lionel Twain's party was edited from the theatrical version of Murder by Death, but was restored for TV. The film marked the big-screen directorial debut of Robert Moore, who'd previously directed several of Neil Simon's Broadway productions. Moore went on to direct another Simon spoof, The Cheap Detective (1978), before his untimely death. ~ Hal Erickson, All Movie Guide
- Starring:
- Eileen Brennan, Truman Capote, (more)
Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Gene Hackman, John Cazale, (more)
With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him. Shot on location in Stockton by Conrad Hall, the film maintains a realistic, slice-of-life view of Tully's and Ernie's struggles, eschewing theatrical boxing victories for psychological and social details. As Huston avowed at the Cannes Film Festival that Fat City's virtue was its "modesty," critics agreed that he had made his best film in two decades; and Tyrrell was nominated for a Best Supporting Actress Oscar. However, despite the praise and the efforts of producer Ray Stark, Fat City failed at the box office. Even so, its unromanticized depiction of modest wins and personal losses revealed that old Hollywood pro Huston had adapted well to the late '60s-early '70s New Hollywood grit, and the film revived his artistic standing. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Stacy Keach, Jeff Bridges, (more)
