Juliet Taylor Movies

Woody Allen's character study of a well-kept, upscale Manhattan woman (Mia Farrow) takes the title character on a journey through a Wonderland of her own making, in which she learns some truths about herself, her relationships, and the universe in general. Alice leads a comfortable life, except for some nagging aches and pains, but when she visits the mysterious Dr. Yang (Keye Luke), he discovers that what really ails Alice is her own lack of true human experience. Alice has been married for sixteen years to Doug (William Hurt), an emotionally detached stockbroker, and she lives a perfectly maintained life in a perfectly maintained apartment, with a pair of children and the requisite support staff. All that changes when a chance meeting with a neighbor (Joe Mantegna) leads Alice to consider an affair. Dr. Yang, seizing the opportunity, gives Alice herbal potions that make her both invisible and seductive, allowing her to free herself from her inhibitions. Plunging into her new fantasy world, Alice ultimately comes to terms with her family, her husband, and her life. ~ Don Kaye, All Movie Guide

The epic HBO miniseries Angels in America is directed by Mike Nichols and written by the play's author, Tony Kushner. This six-part drama is adapted from the two full-length award-winning plays (Part I: The Millennium Approaches and Part II: Perestroika) originally performed on Broadway in 1993. Set in New York City during the mid-'80s, the story follows the interconnected lives of several people affected by the AIDS crisis, intense spiritual experiences, and the Reagan Administration. Newcomer Justin Kirk plays Prior Walter, a young man dying of AIDS. Things are made worse when he's abandoned by his lover, Jewish court clerk Louis Ironson (Ben Shenkman). Then he's visited by an Angel (Emma Thompson), who keeps crashing through his roof and insisting that he's a prophet.
Meanwhile, conservative power monger Roy Cohn (Al Pacino) is also dying of AIDS, but he's in serious denial about it. While in the hospital, he's continually visited by the ghost of Ethel Rosenberg (Meryl Streep), a woman he had sent to the electric chair. Roy's protégé is Mormon lawyer Joe Pitt (Patrick Wilson), who also tries to deny his own homosexuality. Joe's estranged wife Harper (Mary-Louise Parker) suffers from a Valium addiction and has an acute sensitivity to the world around her. Joe leaves her to start up a relationship with Louis, who works in his building. Jeffrey Wright reprises his stage role of the trusty friend and nurse Belize. Angels in America first aired in two parts on HBO during December of 2003. ~ Andrea LeVasseur, All Movie Guide

Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide

A young artist struggling with his career and his muse is getting more than a little aggravation from Cupid in this romantic comedy written and directed by Woody Allen. Jerry Falk (Jason Biggs) is a promising 21-year-old comedy writer living in New York City. While Jerry has talent, he's having a hard time getting his career off the ground, which might have something to do with the fact his agent Harvey (Danny DeVito) is a well-meaning, but ineffectual, blowhard, and his mentor David Dobel (Allen) is an increasingly paranoid eccentric whose twin careers as a teacher and standup comic are both floundering. Poised at the top of Jerry's mountain of anxieties is his relationship with his girlfriend Amanda (Christina Ricci); from the first moment he saw her, Jerry has been in love with her, but Amanda's multiple neuroses, fear of commitment, and frustrating intimacy issues make her all but impossible to be around. Jerry is approaching his breaking point when the small flat he shares with Amanda becomes home to a third roommate -- Amanda's mother Paula (Stockard Channing), who has decided to come to New York to chase her dream of becoming a cabaret singer. Anything Else also features supporting performances from Jimmy Fallon, William Hill, and jazz vocalist Diana Krall. ~ Mark Deming, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

Director Alan Parker tackles this adapation of William Wharton's novel, which retains much of the source material's texture and complexity. Matthew Modine is Birdy, who comes back from Vietnam mentally shattered and deludes himself into thinking that he is a bird, an animal that has obsessed him since childhood. Birdy is confined to a military hospital, where he spends his time sitting naked in his room, not acknowleding anyone, moving and acting like a parakeet. His best friend Al (Nicolas Cage), also a wounded Vietnam vet, visits Birdy every day, determined to bring him back to reality. Birdy is occasionally disjointed but enriched by strong performances from Modine and Cage and a number of hard-to-forget moments. ~ Don Kaye, All Movie Guide

Director Woody Allen continued to work in the dark mold of his 2005 thriller Match Point with this suspenseful tale of two brothers (Colin Farrell and Ewan McGregor) transformed into mortal enemies after scheming to alleviate their financial difficulties by turning to crime. Ian (McGregor) and Terry Blaine (Farrell) are two Cockney siblings whose lives seem to have simply fallen apart. While hard-drinking auto mechanic Terry lives with his girlfriend, Kate (Sally Hawkins), and suffers all the financial hardships that go with being a chronic gambler, his slightly more respectable sibling Ian helps their father maintain the family restaurant. Thanks to the steady income that the restaurant provides and the occasional help of their wealthy uncle Howard (Tom Wilkinson) the family has always managed to scrape by, but when Ian learns of a potentially lucrative California real estate deal, he can't help but dream about moving on to bigger and better things. One day, Terry wins big at the tracks by betting on a speedy greyhound named "Cassandra's Dream," and promptly uses his winnings to purchase a small yacht that he names after the winning dog. Right around the same time, things also start looking up for Ian -- who falls under the seductive spell of ambitious actress Angela (Hayley Atwell). But the brothers' good-luck spell doesn't last long, because when Terry winds up owing a tidy sum to some violent local loan sharks, he's given the option of promptly paying up or suffering some particularly painful consequences. Just then, Uncle Howard shows up in London looking to settle the score with a whistle-blowing business associate. While agreeing to take part in Uncle Howard's diabolical revenge scheme could easily earn Terry the cash needed to pay off his substantial debt, the consequences -- should he get caught -- will be far greater than those of any small-time scam he has ever resorted to in the past. ~ Jason Buchanan, All Movie Guide

Woody Allen spent most of the 1980s and '90s veering between comedy and drama, and he rarely combined the two with greater success than in Crimes and Misdemeanors, in which he weaved together two stories, one deadly serious, one often funny, both ending in sadness. Martin Landau plays Dr. Judah Rosenthal, a prominent ophthalmologist with a successful practice, a loving family, and a reputation for generous charity work. But Rosenthal also has a secret: his mistress, Dolores (Anjelica Huston). What began as a casual fling has become uncomfortably intimate, and as he tries to break off the relationship, Dolores threatens to expose his infidelity to his wife and some unorthodox financial arrangements to his colleagues. Fearful that Dolores will make good on her threats, Judah confesses his secret to his brother Jack (Jerry Orbach), who has ties to organized crime and offers to "make the problem go away." Meanwhile, Cliff Stern (Woody Allen) is a filmmaker working on his pet project, a documentary about philosopher Prof. Louis Levy (Martin Bergmann). However, films about philosophers don't pay the rent, so Cliff's wife Wendy (Joanna Gleason) arranges for him to make a documentary for public television about her brother Lester (Alan Alda), a famous TV comedian whose vapidity is exceeded only by his arrogance. While Cliff tries to bite the bullet and finish the film, he finds himself falling in love with PBS producer Halley Reed (Mia Farrow). ~ Mark Deming, All Movie Guide

Woody Allen wrote, directed, and stars in this very dark comedy about a novelist, Harry Block, who says with admirable honesty, "I'm a guy who can't function well in life, but I can in art." So far, Harry has made his way through six psychiatrists and three marriages (one, conveniently enough, with one of his psychiatrists), and he has precious few friends whom he hasn't alienated or betrayed. Harry uses the chaos of his life as fodder for his writing, angering his friends, lovers, and family, who find thinly veiled (and rarely flattering) portraits of themselves in his work. Drowning his growing misery in pills and sex, Harry finds himself invited to receive an award at a college in upstate New York which he attended, but never graduated from. However, he has a hard time finding anyone who will attend the weekend-long symposium with him: his girlfriend Fay (Elisabeth Shue) has just left him to marry his friend Larry (Billy Crystal); his best friend Richard (Bob Balaban) is afraid he's about to have a heart attack; his former wife/analyst Joan (Kirstie Alley) refuses to let him take their son, and his one-time sister-in-law Lucy (Judy Davis) is literally ready to kill him. Undaunted, Harry hires a hooker, Cookie (Hazelle Goodman), kidnaps his son, forces Richard to come along, and heads upstate, where disaster awaits. A stellar cast appears in small roles and episodes from Harry's stories, including Robin Williams, Demi Moore, Julia Louis-Dreyfus, Eric Bogosian, Amy Irving, Richard Benjamin, Mariel Hemingway, and Julie Kavner. ~ Mark Deming, All Movie Guide

Falling in Love can be described as an urban American Brief Encounter. Reteamed for the first time since The Deer Hunter, Robert De Niro and Meryl Streep star as a married couple. Thing of it is, they're not married to each other. While Christmas shopping for their respective families, architect Frank Raftis (DeNiro) and graphic artist Molly Gilmore (Streep) "meet cute," their holiday packages becoming mixed up. What starts as a pleasant chance acquaintance blossoms into romance. Inevitably, however, both parties realize that what they're doing is wrong--a shade too late to save their marriages, as it turns out. The film ends with a bittersweet "one year later" coda. The natural charisma of its stars lends distinction to the otherwise so-so Falling in Love. ~ Hal Erickson, All Movie Guide

Mickey Rourke and Don Johnson star in this buddy-buddy futuristic action movie. Rourke is Harley Davidson, a biker with the Halloween-costume garb of a leather jacket, short haircut, earring, and a scar. Johnson joins Rourke in the trick-or-treating as Marlboro, an ex-rodeo rider wearing a cowboy hat, vest, and dilapidated boots. They hang out at a neighborhood bar. When they find that a collection of greedy bankers want to increase the bar's payments so it will be forced to close, the two decide to help the bar out of its financial straits by robbing the bank of $2.5 million in order to pay the inflated tab and keep the bar in business. Unfortunately for the boys, the bank deals in an illicit drug called "the dream," and when they rob the armored car, they steal the drugs and not the cash. Of course, the boys become the targets for the bank's sadistic squad of hit men, led by a pleasant chap by the name of Alexander (Daniel Baldwin). ~ Paul Brenner, All Movie Guide

A down-on-his luck auteur gets one more chance at the big time -- provided his neuroses don't swallow him whole -- in Woody Allen's 33rd feature release, Hollywood Ending. Allen plays Val Waxman, a one-time cinematic genius who's resorted to taking advertisement work to pay the bills for himself and his airhead live-in girlfriend, Lori (Debra Messing). Val finds his luck is about to change, however, when he receives the script for The City Never Sleeps, a period noir set against the backdrop of 1940s New York City. It seems his ex-wife, Ellie (Tea Leoni), now an executive at Galaxy Pictures, has been pulling for him to direct the picture, claiming he's the only man who can do justice to the script. She even manages to convince her boyfriend, Hal (Treat Williams), Galaxy's high-powered studio head, to take a chance on Val's "unique vision." Just when the cameras are ready to roll, however, Val finds that unique vision in jeopardy -- literally -- as he's struck with a psychosomatic case of blindness. When physicians and psychiatrists fail to cure him, Val contrives a scheme to forge ahead with the picture, for fear of blowing his one last chance at greatness. Hollywood Ending co-stars George Hamilton and Mark Rydell. ~ Michael Hastings, All Movie Guide