Juliet Taylor Movies

Woody Allen writes and directs this "blackish comedy" about an eccentric upper-class New Yorker (Larry David) who abandons his comfortable lifestyle in favor of leading a more bohemian existence. After meeting a young Southern girl (Evan Rachel Wood) and her family, he discovers that life among the nonconformists isn't quite as carefree as he'd envisioned it to be. ~ Jason Buchanan, All Movie Guide

Director Woody Allen continued to work in the dark mold of his 2005 thriller Match Point with this suspenseful tale of two brothers (Colin Farrell and Ewan McGregor) transformed into mortal enemies after scheming to alleviate their financial difficulties by turning to crime. Ian (McGregor) and Terry Blaine (Farrell) are two Cockney siblings whose lives seem to have simply fallen apart. While hard-drinking auto mechanic Terry lives with his girlfriend, Kate (Sally Hawkins), and suffers all the financial hardships that go with being a chronic gambler, his slightly more respectable sibling Ian helps their father maintain the family restaurant. Thanks to the steady income that the restaurant provides and the occasional help of their wealthy uncle Howard (Tom Wilkinson) the family has always managed to scrape by, but when Ian learns of a potentially lucrative California real estate deal, he can't help but dream about moving on to bigger and better things. One day, Terry wins big at the tracks by betting on a speedy greyhound named "Cassandra's Dream," and promptly uses his winnings to purchase a small yacht that he names after the winning dog. Right around the same time, things also start looking up for Ian -- who falls under the seductive spell of ambitious actress Angela (Hayley Atwell). But the brothers' good-luck spell doesn't last long, because when Terry winds up owing a tidy sum to some violent local loan sharks, he's given the option of promptly paying up or suffering some particularly painful consequences. Just then, Uncle Howard shows up in London looking to settle the score with a whistle-blowing business associate. While agreeing to take part in Uncle Howard's diabolical revenge scheme could easily earn Terry the cash needed to pay off his substantial debt, the consequences -- should he get caught -- will be far greater than those of any small-time scam he has ever resorted to in the past. ~ Jason Buchanan, All Movie Guide

A clandestine love affair sends one man's charmed life into a tailspin in this dark, disturbing drama written and directed by Woody Allen, his first film set and shot in Great Britain and one his few films sans any humor. Chris Wilton (Jonathan Rhys-Meyers) is an Irish tennis player with an impoverished background. Just accomplished enough to make his way onto the professional circuit, but not skilled enough to be a consistent winner, he now works as an instructor at a London tennis club. The wealthy Tom Hewett (Matthew Goode), who is as impressed by Chris's charm and good looks as he is by his game, takes a tennis lesson from the young man. Chris's intelligence and wit also make a strong impression on Tom's pretty sister, Chloe (Emily Mortimer), who soon falls for him. It isn't long before Chris and Chloe are engaged to be married, a match that pleases both Tom and his father, Alec (Brian Cox), a successful businessman who believes Chris has a bright future in his firm. However, Chris also feels an overwhelming attraction to Nola Rice (Scarlett Johansson), a sexy blonde from the United States who is dating Tom. Though Nola initially puts up some resistance, Chris gently nudges her in the direction of an affair. Passion soon ignites between the two, and they have a one-time sexual encounter, even as Chris and Chloe plan their wedding. Nola resists, however, when Chris makes additional attempts to wheedle her into bed. Nola drops out of Chris's life shortly before his wedding, but a chance meeting a few months later resurrects the relationship as Chris and Chloe try to start a family. Match Point received its world premiere in an enthusiastically received presentation at the 2005 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Tom Cairns directs the psychological comedy drama Marie and Bruce, adapted from the play by Wallace Shawn. Set over a period of 24 hours, the black comedy involves the troubled marriage of neurotic New Yorkers Marie (Julianne Moore) and Bruce (Matthew Broderick). What follows is a bleak psychological study of the breakdown of a modern relationship. Also starring Griffin Dunne and Campbell Scott. Musical score by Mark de Gli Antoni of Soul Coughing. Marie and Bruce was shown at the Sundance Film Festival in 2004. ~ Andrea LeVasseur, All Movie Guide

The mystery of one man's guilt or innocence literally becomes a matter of life and death in this drama. David Gale (Kevin Spacey) was the head of the philosophy department at Austin University and the author of several well-regarded books; he was also an active and visible member of Deathwatch, an anti-capital punishment activist group. One of Gale's best friends was Constance Harraway (Laura Linney), a fellow Deathwatch activist with whom he became especially close, particularly since Gale's wife, Sharon (Elizabeth Gast), who had taken a lover in Spain, was usually absent. One night, Gale was seduced by an attractive student from his class, Berlin (Rhona Mitra), who had too much to drink; later, the remorseful student accused Gale of rape. While Gale was eventually cleared of the charges, the negative publicity cost him his career as an educator, and with no job and no wife, Gale turned to drink. When Harraway was found raped and murdered a few years later, Gale was charged with the crime, and convicted despite the best efforts of his well-meaning but ineffectual lawyer Braxton Belyeu (Leon Rippy). Now Gale awaits execution, and less than a week before his date with the fatal injection, Gale agrees to tell his story to Bitsey Bloom (Kate Winslet), a nervy journalist from a major newsmagazine, who arrives with her assistant, Zack Stemmons (Gabriel Mann). As Bloom discusses the facts of the Harraway murder with Gale, it occurs to her that the details simply don't add up, and soon a mysterious stranger slips evidence to her that suggests Gale has been framed -- leaving Bloom and Stemmons only a few days to solve the mystery and save Gale from the executioner. The Life of David Gale was co-produced by actor Nicolas Cage, who originally commissioned the script and intended to star in the film before prior commitments led him to hand the project over to director Alan Parker. ~ Mark Deming, All Movie Guide

The epic HBO miniseries Angels in America is directed by Mike Nichols and written by the play's author, Tony Kushner. This six-part drama is adapted from the two full-length award-winning plays (Part I: The Millennium Approaches and Part II: Perestroika) originally performed on Broadway in 1993. Set in New York City during the mid-'80s, the story follows the interconnected lives of several people affected by the AIDS crisis, intense spiritual experiences, and the Reagan Administration. Newcomer Justin Kirk plays Prior Walter, a young man dying of AIDS. Things are made worse when he's abandoned by his lover, Jewish court clerk Louis Ironson (Ben Shenkman). Then he's visited by an Angel (Emma Thompson), who keeps crashing through his roof and insisting that he's a prophet.
Meanwhile, conservative power monger Roy Cohn (Al Pacino) is also dying of AIDS, but he's in serious denial about it. While in the hospital, he's continually visited by the ghost of Ethel Rosenberg (Meryl Streep), a woman he had sent to the electric chair. Roy's protégé is Mormon lawyer Joe Pitt (Patrick Wilson), who also tries to deny his own homosexuality. Joe's estranged wife Harper (Mary-Louise Parker) suffers from a Valium addiction and has an acute sensitivity to the world around her. Joe leaves her to start up a relationship with Louis, who works in his building. Jeffrey Wright reprises his stage role of the trusty friend and nurse Belize. Angels in America first aired in two parts on HBO during December of 2003. ~ Andrea LeVasseur, All Movie Guide

A down-on-his luck auteur gets one more chance at the big time -- provided his neuroses don't swallow him whole -- in Woody Allen's 33rd feature release, Hollywood Ending. Allen plays Val Waxman, a one-time cinematic genius who's resorted to taking advertisement work to pay the bills for himself and his airhead live-in girlfriend, Lori (Debra Messing). Val finds his luck is about to change, however, when he receives the script for The City Never Sleeps, a period noir set against the backdrop of 1940s New York City. It seems his ex-wife, Ellie (Tea Leoni), now an executive at Galaxy Pictures, has been pulling for him to direct the picture, claiming he's the only man who can do justice to the script. She even manages to convince her boyfriend, Hal (Treat Williams), Galaxy's high-powered studio head, to take a chance on Val's "unique vision." Just when the cameras are ready to roll, however, Val finds that unique vision in jeopardy -- literally -- as he's struck with a psychosomatic case of blindness. When physicians and psychiatrists fail to cure him, Val contrives a scheme to forge ahead with the picture, for fear of blowing his one last chance at greatness. Hollywood Ending co-stars George Hamilton and Mark Rydell. ~ Michael Hastings, All Movie Guide

Thirty-one years after Take the Money and Run, Woody Allen returns to a life of crime in this broad comedy. Allen plays Ray Winkler, a low-brow con man who is married to Frenchy (Tracy Ullman), a former stripper. Ray and his buddies concoct a scheme to rob a bank by digging a tunnel from a defunct pizza place next door; as a cover, Frenchy opens a cookie shop in the storefront while Ray and company dig in the back. Ray's burglary is a failure, but Frenchy's cookies are a rousing success, and within a year the store has spawned a nationwide franchise that makes the Winklers rich. However, while Ray wants to move to Miami and bask in the sun, nouveau riche Frenchy now aspires to join high society, with posh art dealer David (Hugh Grant) as her guide. Written and directed by Allen and shot in New York City, Small Time Crooks features one of Allen's trademark strong supporting casts, including Michael Rapaport, Elaine Stritch, Jon Lovitz, and Elaine May. ~ Mark Deming, All Movie Guide

Based on the Pulitzer Prize-winning memoir by Frank McCourt, Angela's Ashes is an alternately funny and heartbreaking look at growing up in Ireland. Born in Brooklyn, NY, young Frank (Joe Breen) moves at an early age to Limerick, Ireland, with his parents Angela (Emily Watson) and Malachy (Robert Carlyle), who have been unable to support their family in America and are hoping for better prospects in their home country. But things hardly improve once they settle in Limerick; as McCourt puts it, "Worse than the ordinary miserable childhood is the miserable Irish childhood. Worse yet is the miserable Irish Catholic childhood." Illness and death are commonplace in Limerick, and Malachy's drinking and inability to hold a job make matters worse. Angela's Ashes was directed by Alan Parker, who previously looked at Irish life in The Commitments (1991); Laura Jones wrote the screenplay. ~ Mark Deming, All Movie Guide

The cycle of life on Earth hangs in the balance when Death becomes emotionally involved in this romantic fantasy. William Parrish (Anthony Hopkins) is a tremendously wealthy and powerful man who oversees a worldwide multi-media empire. Despite the loss of his wife, whom he dearly loved, William is content with his life, and he's very close to his two daughters, Allison (Marcia Gay Harden) and Susan (Claire Forlaini). One night, as William is fighting a hostile takeover of his company and Allison is planning an elaborate party to celebrate her dad's 65th birthday, William begins displaying the symptoms of a severe heart attack, and he is visited by a mysterious stranger, Joe Black (Brad Pitt). Joe is actually the angel of death, who has taken the form of a man who recently passed on to pay William a call. It seems that William is due to move on to the next world, but (no great surprise) he doesn't want to go. Joe, on the other hand, is curious to know what life is like for mere mortals, so the two men strike a deal -- William will have some time to get his affairs in order, and Joe will wait and see what it's like to be a human being. Joe decides that he likes it very much when he falls in love with Susan, but negotiating the slippery slopes of romance is no easier for Joe than for any ordinary man. Meet Joe Black is an updated version of Alberto Casella's play Death Takes a Holiday, which was adapted for the screen in 1934. ~ Mark Deming, All Movie Guide

Black-and-white Sven Nykvist cinematography highlights this Woody Allen comedy about fame and obscurity among Manhattan celebs. Journalist Lee Simon (Kenneth Branagh), makes a play for actress Nicole Oliver (Melanie Griffith), subject of his current story. Lee is separated from his wife Robin (Judy Davis), a schoolteacher who's totally lost and insecure -- until TV producer Tony Gardella (Joe Mantegna) becomes fascinated with her. Concerned about her possible sexual inadequacies, Robin recruits a prostitute (Bebe Neuwirth) to instruct her on oral sex techniques. On the town, Lee becomes transfixed by a blond supermodel (Charlize Theron), who teases him throughout the night, eventually dropping him before they get home. Lee's relationship with book editor Bonnie (Famke Janssen) is solid, and she's due to move into his place. However, he suddenly becomes romantically involved with waitress-actress Nola (Winona Ryder), complicating his agreement with Bonnie. Lee's efforts to sell his screenplay take him to the Stanhope Hotel, where he arrives just as spoiled young movie star Brandon Darrow (Leonardo DiCaprio) is fighting with his girlfriend (Gretchen Mol), trashing his hotel room, and insulting hotel staffers. When Darrow and his entourage head off to Atlantic City, Lee tags along, but as life swirls about him, a dismal dawn awaits. In addition to the Stanhope, locations included Barbetta's Restaurant, Ziegfeld Theatre, Soho's Serge Soroko Gallery, Flamingo Club, Jean-Georges Restaurant, and the Trump Marina Hotel and Casino (donated by Donald Trump, who portrays himself in a cameo at the Jean-Georges). Shown at the 1998 Venice Film Festival, this was the opening night selection of the 1998 New York Film Festival. ~ Bhob Stewart, All Movie Guide

Director Mike Nichols teams up with his former partner/screenwriter Elaine May for the first time in many years and for the first time together in films to create this sophisticated, remake of the phenomenally popular French musical farce La Cage aux Folles that stars Robin Williams, Nathan Lane, Gene Hackman and Diane Wiest as two dramatically disparate couples who manage to reconcile their vast differences for the sake of their children who are getting married. Williams plays Armand Goldman, the owner of a popular South Beach drag club known for putting on elaborate showcases starring his long-time lover/wife Albert (Lane) who appears as "Starina." Lately poor flamboyant, flighty Albert has been in crisis over the inexorable onset of middle age. He has been moody, paranoid and unbearably. When he gets too inconsolably distraught, handsome but clumsy houseboy Agador quietly slips Albert "Pirin" tablets (which he explains to Armand are simply Aspirin tablets with the "as" scraped off). Still though Albert can be a royal pain, Armand dearly loves him and the two live happily in their splendiferous apartment above the club. One day Armand's son Val (the result of Armand's single foray into straight sex) comes visiting with joyous news: he has found his dreamgirl and is getting married. The only trouble is, Barbara Keeley's father is the blustery ultra-religious right-wing Senator Keeley (Hackman), the founder of the Coalition for Moral Order. Senator Keeley and his colleagues are not as upright as they seem and when his closest associate is found dead beside a black, underage prostitute, Keeley finds his house surrounded by ravenous newshounds, hungry for dirt. Knowing that they are poised to ruin him, Keeley and his proper but slightly addled-wife (Wiest) decide that a big, elaborate, church wedding will be just the ticket to save his reputation. Barbara has neglected to tell them that Val's parents are gay, preferring to claim that they are members of the South Beach social elite. In a panic, she panics and calls Val who breaks the bad news to Armand and begs him to make the apartment less flamboyant and worst of all to hide Albert (who functioned as Val's mother while the youth grew up) during the visit. Armand is angry, but loving his son, finally, reluctantly agrees, knowing that he will deeply wound his companion. Unfortunately, Albert finds out and as a compromise tries to learn how to be macho so he can pretend to be Val's uncle, he is too much the Great Dame to ever pass as one of the guys and so is banned from the party. Armand then locates Catherine and asks her to masquerade as his wife. She agrees to show up later that evening. Meanwhile their friends busily redecorate the apartment until it looks as if it were done in "Early Inquisition." During the fateful dinner party, Catherine is late and Albert gets uproarious revenge. Achingly comic chaos ensues as Armand tries to hold the increasingly tenuous evening together while outside the newshounds bay and threaten to make even more trouble for Senator Keely. ~ Sandra Brennan, All Movie Guide

Featuring a soundtrack filled with beloved "standard" songs such as "Just You, Just Me" and "My Baby Just Cares for Me," this musical comedy by Woody Allen concerns a polite and comfortably well-off group of people and their romantic difficulties. DJ (Natasha Lyonne), who narrates the picture, is the daughter of divorced couple Steffi (Goldie Hawn) and Joe (Woody Allen). Since the break-up, Steffi has married Bob (Alan Alda); their children, DJ's half-sister and half-brother, are Skyler (Drew Barrymore) and Scott (Lukas Haas). Skyler is about to be married to a likeable chap named Holden (Edward Norton). However, her mother Steffi, a wealthy liberal, cultivates people as "projects." Her latest project is ex-con Charles (Tim Roth), an extremely rude and crude customer. At family gatherings, everyone politely ignores his lapses in manners and good taste until Skyler postpones her wedding to have an affair with him. In a parallel storyline, we see that DJ is convinced that her unremarried dad would find a perfect mate in Von (Julia Roberts), and she contrives an elaborate (and successful) scheme to bring them together. In a fashion typical of '30s musicals, this movie completely transcends its fluffy story, using a cavalcade of ballads to send the characters on a chaotic, romantic merry-go-round from New York to Paris. ~ Clarke Fountain, All Movie Guide