Laurie Borg Movies

Adapted from poet Blake Morrison's best-selling memoir by screenwriter David Nicholls and directed for the screen by Anand Tucker, And When Did You Last See Your Father? explores -- like its source material -- the complex, manifold emotional layers of a father-and-son relationship as it shifts and evolves over the passing decades. At the film's center is Blake Morrison himself, who for as long as he can remember has lived in the overarching shadow of his physician father, Arthur (Jim Broadbent) -- falling prey to feelings of embarrassment from the old man, as well as occasional awe. In the 1950s, when Blake (Bradley Johnson) was a child, the boy watched as Arthur partook in socially uncouth behavior such as wheedling his way into clubs to which he didn't belong, and carrying on an extramarital affair with the full knowledge of his wife, Kim (Juliet Stevenson). As the years passed, teenage Blake's (Matthew Beard) discomfort around his father hardened into resentment -- particularly when the adolescent boy expressed interest in a girl, Rachel (Carey Mulligan), who clearly preferred his father; compounding the situation, Blake then had to suffer through Arthur's decision to publicly humiliate his son in front of everyone. The central dynamic has changed for the two, however, by the late '80s, when Blake -- now married to Kathy (Gina McKee) and freshly established as a successful novelist and poet -- learns that Arthur has contracted terminal cancer. Now, the junior Morrison takes a headfirst plunge into the memories and recollections of his youth -- and grapples with the dynamic of his relationship with Arthur for the first time in his life as he comes face to face with the need to provide loving care for the old man. ~ Nathan Southern, All Movie Guide

A recently widowed eccentric with money to burn and no intentions of settling down enlists the aide of a showbiz professional to transform a run-down theater in Soho into London's most innovative entertainment hot spot in director Stephen Frears' cinematic account of the groundbreaking Windmill Theater. The year is 1937 and, despite having recently lost her husband, 69-year-old Laura Henderson (Judy Dench) remains as ambitious and vital as ever. Aghast at her friend Lady Conway's (Thelma Barlow) suggestion that she take up a mundane hobby such as diamond collecting to pass the time, Mrs. Henderson instead shocks her well-to-do social circle by purchasing the ramshackle Windmill Theater in the heart of downtown Soho. Unafraid to take a risk in the venture, yet lacking the experience needed to run the theater, Mrs. Henderson brings in showbiz veteran Vivian Van Damm (Bob Hoskins) to line up an opening act that will set the stage ablaze. When the ever-curious Mrs. Henderson's intrusive spying begins to impede on Mr. Van Damm's creative progress, the frustrated theater manager has her banished from rehearsals. Though Van Damm's innovative idea to stage an unending stream of entertainment dubbed "Revudeville" proves a wild and profitable success, the Windmill begins to suffer when other local theaters quickly follow suit. Now faced with the prospect of seeing her once-lucrative endeavor fall by the wayside due to the unoriginality of the copycats who surround her, Mrs. Henderson decides to show audiences something they've never seen before by making the Windmill the first theater to feature nude female entertainers live on-stage. ~ Jason Buchanan, All Movie Guide

A woman who wants to get rid of her husband has second thoughts when he's suddenly not the man he once was in this romantic comedy shot in Ireland. Harry McKee (Brendan Gleeson) is the host of a long-running television series called "What's Cooking?" in which he shares recipes with celebrity guests. Harry is also an alcoholic, and chronically unfaithful to his wife Ruth (Amanda Donohoe), which has earned him a certain amount of bad publicity over the years. Ruth decides she's had enough of Harry's unreliability and demands a divorce, which Harry is in no position to contest. But the day before their divorce is to be declared final, Harry is attacked by muggers; his injuries leave him severely disoriented, and as a result he humiliates a powerful politician (James Nesbitt) on the air before passing out and falling into a coma. A week later, Harry regains consciousness, but something has happened to his memory -- he can't recall anything that has happened in the past 25 years, and he's convinced that he is only 18 years old. Ruth discovers her husband is now literally a different person, and with a little prodding she's able to re-educate Harry into a sweet-tempered and monogamous teetotaler. Harry isn't able to leave his past entirely behind, however; even if he can't remember it, the politician he embarrassed is eager to get revenge. Wild About Harry also features George Wendt and Adrian Dunbar. ~ Mark Deming, All Movie Guide

Based on Jim Cartright's play The Rise and Fall of Little Voice, this screen adaptation directed by Mark Herman is an underdog film about an underdog girl named Little Voice (or LV for short). LV (Jane Horrocks from Mike Leigh's Life Is Sweet who does all her own singing) is a shy, mousy woman living with her mom Mari (Secrets and Lies' Brenda Blethyn). Little Voice doesn't leave her house. Instead she sings along to her record collection of Shirley Bassey, Judy Garland, and Marilyn Monroe. Her mother Mari, however, is an outspoken woman who is convinced her sex appeal (which is little) will land her a man, especially when she's drunk. One night while bar-hopping, Mari meets the suave yet sleazy talent agent Ray Say (Michael Caine), whom she takes home for a nightcap. There Ray hears the beautiful Little Voice singing a perfect rendition of Judy Garland's "Somewhere Over the Rainbow" from The Wizard of Oz. He's stunned by its beauty and thinks he can make her a star. From there the story heads in complicated, romantic, and sweet-hearted directions that should not be given away. Also starring in this small independent film is Ewan McGregor. ~ Arthur Borman, All Movie Guide

An IRA volunteer tries to leave his life of violence behind -- only to discover it's waiting for him in America -- in this drama based on a story by leading man Stephen Rea. Dowd (Rea) is a convicted terrorist with the Irish Republican Army who is serving a sentence in a prison in Northern Ireland. While his girlfriend Roisin (Maria Doyle Kennedy) patiently waits for his release, Dowd feels that he has no real future to offer her; the path he's chosen in life is not an easy one to move away from. After a visit from Roisin, Dowd is returning to his cell when he finds himself in the middle of a group of prisoners attempting an escape; Dowd impulsively joins them and turns out to be one of only two convicts to make it out alive. With forged papers, Dowd sneaks into the United States, where he takes a job as a dishwasher and lives in a dingy welfare hotel in Manhattan. While trying to mediate a domestic dispute among his neighbors, Dowd is stabbed in the back; a group of Guatemalan exiles who share an apartment in the building, led by Tulio (Alfred Molina), come to Dowd's rescue and treat his wounds. Dowd becomes friends with Tulio, his friend Paco (Jorge Sanz), and his daughter Monica (Rosana Pastor), and in time, he learns why they've come to the United States. The CIA operative who tortured and killed Tulio's father now lives in New York City, and they have come to assassinate him. However, Tulio and Paco have no experience in political violence, and no talent for it; Dowd soon finds himself drawn into their plan as he helps them organize a serious attempt on the CIA man's life, a situation that becomes all the more complicated when he finds himself falling in love with the beautiful Monica. The supporting cast includes Pruitt Taylor Vince, Paul Giamatti, Brendan Gleeson, and Coati Mundi, a former member of the adventurous R&B group Kid Creole & the Coconuts. ~ Mark Deming, All Movie Guide

The recipient of seven Oscar® nominations, this film version of Jane Austen's classic 1811 novel stars Emma Thompson as Elinor Dashwood. With her mother and sisters, Elinor struggles financially after the death of her father, who bequeathed the Dashwood estate to his oafish son by an earlier marriage. While sorting out the family's affairs, the shy, self-sacrificing Elinor secretly falls for her stepbrother-in-law, Edward Ferrars (Hugh Grant), a sensitive, well-educated bachelor who cannot court her because of his foolhardy youthful engagement to the greedy Lucy Steele (Imogen Stubbs). The grateful Dashwoods are offered a modest country home by family friends, which they accept. Once relocated, Elinor's brash, spirited sister Marianne (Kate Winslet) falls for a dashing local, John Willoughby (Greg Wise), a womanizer who nevertheless seems to share her affections. A prominent neighbor, Colonel Brandon (Alan Rickman), also falls in love with Marianne, but she is oblivious to the older man's affections. Eventually, Willoughby fails Marianne, breaking her heart, until she realizes Brandon's feelings. When Edward's family disowns him, Lucy marries his brother instead, leaving him free to pursue an exultant Elinor. Thompson won the film's sole Oscar® for her screenplay adaptation of Austen's novel. ~ Karl Williams, All Movie Guide

A performer becomes trapped in a pair of magic shoes that won't stop dancing in this 45-minute short that marks the directorial debut of British musician Kate Bush. Bush plays a singer/dancer who finds her rock band's rehearsals interrupted by the arrival of a mysterious woman who appears magically from the other side of the studio mirror. Offering Bush's character a pair of magic shoes, the gaudy diva (Miranda Richardson) quickly escapes back through the mirror just as Bush realizes that the shoes won't stop dancing and won't come off. Following the enchantress through the mirror, Bush travels through a fantastical landscape of prancing devils, sinister crones, icy cities, and endless movement, finally confronting her foe in a battle that shatters the mirror separating fantasy from reality. Six songs from Bush's 1993 album The Red Shoes provide the soundtrack for The Line, the Cross and the Curve; individual scenes were later edited into separate videos for the album's singles. Lindsay Kemp, the legendary mime and London stage performer who trained both Bush and David Bowie in movement techniques, appears alongside several other longtime Bush collaborators, including her brother. ~ Brian J. Dillard, All Movie Guide

"The Irish are the blacks of Europe, Dubliners are the blacks of Ireland, and the North Siders are the blacks of Dublin ... so say it loud -- I'm black and I'm proud!" Or so Jimmy Rabbitte (Robert Arkins) tells his slightly puzzled friends as he tries to assemble a rhythm & blues show band in a working class community in Dublin in Alan Parker's film The Commitments. Jimmy is a would-be music business wheeler and dealer, and he's decided what Dublin needs is a top-shelf soul band. However, top-shelf soul musicians are hard to find in Dublin, so he has to make do with what he can find. However, after a long round of auditions, Jimmy makes two inspired discoveries: Deco (Andrew Strong), an abrasive and alcoholic streetcar conductor who nevertheless has a voice like the risen ghost of Otis Redding, and Joey "The Lips" Fagan (Johnny Murphy), a horn player who knows soul music backwards and forwards and claims to have played with everyone from Wilson Pickett to Elvis Presley. Before long, the band -- called the Commitments -- is packing them in at local clubs. But do they have what it takes to make the big time? Based on the novel by Roddy Doyle, who also co-wrote the screenplay, The Commitments is sparked by fine performances by its young cast and enthusiastic performances of a number of '60s soul classics; the cast, who play their own instruments, reassembled the band for a concert tour after the film became a hit. ~ Mark Deming, All Movie Guide