John Ross Bush Movies

Not so much a sequel to the John Sayles-scripted Alligator as a shoddy remake, this sophomoric low-budget effort plays like a bad TV movie about a swamp-dwelling alligator mutated to monstrous size by toxic waste, munching on the screaming residents of a lakefront community. The naughty polluter who caused this mutation is the property developer himself (Steve Railsback, playing such a cookie-cutter villain that he might as well have a "BAD GUY" sign around his neck). An embarrassed Joseph Bologna plays the cop investigating the mutilation murders; an equally-ashamed Dee Wallace Stone plays the scientist assisting him, who is conveniently married to him as well. In an attempt to remedy the situation, a big-game hunter (Richard Lynch) is called in to bag the beast. When his efforts fail, it's left to Bologna to pick up the pieces -- literally -- and take charge of the situation when the big reptile decides to take in the grand opening of the local amusement park. From a nonsensical script to cheesy special effects that make the beast look like a pool toy, this film shows none of the cynical charm and sly wit that made Alligator so enjoyable. ~ Cavett Binion, All Movie Guide

This plodding, derivative slasher opus -- a surprise box-office hit -- stars Exorcist vet Linda Blair as one of a quartet of sorority and fraternity pledges required to spend the title evening of their initiation inside the spooky Garth Manor. The mansion was the site of a gruesome multiple murder, wherein the owner killed his wife and three of his four deformed children before taking his own life. After the four pledges bed down for the night (mainly with each other, though Blair is called upon for the standard "virginal heroine" role here), mischievous upperclassmen descend into the house, intending to scare them out of their wits...but something even more repulsive than a pack of drunken frat-boys beats them to it. It comes as no surprise that Garth's fourth child -- apparently the most monstrous of the bunch -- is still roaming the premises, and doesn't take kindly to strangers. An early foray onto exploitation turf for director Tom de Simone, this film has a fairly stylish look, though mired by underlit photography and silly performances. Blair is appealing, but her role is sadly underwritten. ~ Cavett Binion, All Movie Guide