Robert Cummings Movies
American actor Robert Cummings studied for an engineer's degree at several colleges before concentrating his energies at the American School of Dramatic Arts. After returning from a trip to England, he became possessed with the notion that he could best conquer Hollywood if he passed himself off as a British actor, so for a brief uncomfortable period he called himself Blade Stanhope Conway. The best he could get was an extra part in Laurel and Hardy's Sons of the Desert (1933); after that, he renamed himself Brice Hutchens, under which name he played on Broadway with a magic act in Ziegfeld Follies of 1934. As plain old Robert Cummings, the actor made his film debut in Paramount's So Red the Rose (1935), in which he was killed off in the Civil War before the first reel was over. He finally got a meaty hysteria scene as a condemned prisoner in The Accusing Finger (1936) -- but thereafter played almost nothing but comedy at Paramount. Stronger dramatic roles came Cummings' way in Kings Row (1941) and Hitchcock's Saboteur (1942). By the early 1950s, the formerly callow Cummings had matured enough to be convincing as the "other man" in the Hitchcock thriller Dial M for Murder (1954), and in the difficult role of the compassionate Juror Number 8 in the original 1955 TV production of Twelve Angry Men. He also gained valuable off-camera prestige as an officer in the Air Force Reserves (he'd been a licensed pilot since age 17). Still, Cummings' main reputation in this decade rested on two lighthearted TV situation comedies: My Hero, which lasted 39 episodes in 1952, and the more famous Bob Cummings Show, a.k.a. Love That Bob, which ran from 1955 through 1958. Playing glamour photographer Bob Collins in the latter series, Cummings perpetuated public TV reputation as an eternally youthful ladies' man (though the biggest laughs went to supporting actress Ann B. Davis (as Schultzy). Newspaper and magazine articles of the period made much of Cummings' seeming agelessness, which the actor chalked up to careful dieting, plenty of vitamins and exercise. That anyone would find it unusual that a 50-year-old man could retain his looks and sex appeal is astonishing in these days of such over-50 movie idols as Harrison Ford and Sean Connery, but such was the state of press agentry in the Love That Bob days. Two later TV series didn't do so well for Cummings, nor did his performances in such 1960s films as The Carpetbaggers (1963); still, critics would marvel at how well the now sixtyish actor was "holding up." Unfortunately, Cummings fell victim to Parkinson's disease in the 1980s, and the once-virile actor deteriorated rapidly both in mind and body before his death at age 82. In his prime, however, Cummings was one of those rare film actors who managed to retain his fame and popularity even though he made relatively few films of importance. ~ Hal Erickson, All Movie Guide- 1936
Hollywood Boulevard is a trenchant look at the underside of Tinseltown. Though the nominal hero is a disillusioned screenwriter played by Robert Cummings (whose dialogue anticipates the lines spoken by William Holden in 1950's Sunset Boulevard), the focus of the story is John Halliday as a washed-up film star. Desperately, Halliday accepts the offer from a sleazy "tell all" magazine to write his memoirs. The actor's estranged family is devastated by the resultant scandal, and out love for his daughter (Marsha Hunt), Halliday tries to break his contract. But the publisher (C. Henry Gordon) threatens to ruin Halliday's comeback attempt if he refuses to write the rest of his memoirs. In a scuffle, the publisher kills Halliday, and the blame falls on the actor's daughter. But wise guy screenwriter Cummings gets to the truth of the mystery. A slick B-plus crime melodrama, Hollywood Boulevard has the added bonus of several well-known silent film personalities (Charles Ray, Francis X. Bushman, Maurice Costello, Mae Marsh etc.) in cameo roles, as well as a guest appearance by Gary Cooper. ~ Hal Erickson, All Movie Guide
- Starring:
- John Halliday, Marsha Hunt, (more)
- 1936
Border Flight devotes most of its running time to the exploits of the U.S. Coast Guard's airborne division. Flight lieutenants Dan Conlan (John Howard) and Pat Tornell (Grant Withers) find it impossible to get along, especially when battling over the affections of heroine Ann Blane (Frances Farmer). Hoping to get the goods on a gang of flying smugglers, Pat arranges to get thrown out of the coast guard and joins the villains. He is forced to reveal his true intentions when the villains kidnap Ann but is able to secure her rescue before dying the obligatory hero's death, leaving the romantic path clear for his former adversary Dan. Though billed third, Robert Cummings is knocked off halfway through the picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Frances Farmer, John Howard, (more)
- 1936
Forgotten Faces is the third of four versions of the old chestnut Heliotrope Harry. Herbert Marshall stars as Harry Ashton, a gambler-turned-jailbird saddled with a vindictive ex-wife named Cleo (Gertrude Michael). Seventeen years after the break-up, an impoverished Cleo, now a cheap burlesque performer, searches for her daughter Sally (Jane Rhodes), whom she gave up for adoption. She blackmails Sally's foster parents, threatening to tell the girl that her real mother is a tramp and her real father has just served a long prison term. But Harry, recently paroled, stops Cleo in her tracks by killing her. This grand gesture also costs him his own life, but at least he can shuffle off his mortal coil secure in the knowledge that his daughter will be spared the truth. Director E. A. Dupont is at his Germanic best in Forgotten Faces, which is altogether suitable to the melodramatic nature of the storyline. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, Gertrude Michael, (more)
Generous stock footage from Paramount's silent Zane Grey series enhances the production values of the entertaining "pocket" western Desert Gold. Though most of the storyline is taken up the romance between young pioneers Dick Gale (Tom Keene) and Jane Belding (Marsha Hunt), the most compelling character is young Indian chief Maya, played by Buster Crabbe. Faithfully guarding the gold deposits which rightfully belong to his people, Maya finds his hands full fending off the villainous incursions of claim-jumping Chetley Kasedon (Monte Blue) and his gang. Dick Gale casts his lot with Maya, forming a united front against the villains. Featured among the supporting cast are new Paramount contractees Robert Cummings as an eastern tenderfoot, and Glenn (later Leif) Erikson as Kasedon's brother. ~ Hal Erickson, All Movie Guide
- Starring:
- Larry "Buster" Crabbe, Robert Cummings, (more)
- 1936
Dynamic district attorney Douglas Goodwin (Paul Kelly) has no patience with murderers: his philosophy is "burn them all," and never mind the mitigating circumstances. But Goodwin finds himself on the other end of the spectrum when he is framed on a murder charge and sent to Death Row. During his long and agonizing incarceration, in which he comes face to face with several of the men he'd sentenced to the chair, Goodwin comes to realize that sometimes legalities must be tempered with compassion -- but he may never get a chance to exercise his newfound understanding on "the outside." The film's best scene finds Goodwin trying to persuade a terror-stricken condemned prisoner (Robert Cummings) not to attempt a last-minute escape. Ironically, leading man Paul Kelly actually served a prison sentence for manslaughter back in the 1920s. ~ Hal Erickson, All Movie Guide
- Starring:
- Marsha Hunt, Robert Cummings, (more)
- 1936
In this musical, a young lady is sent to an East coast finishing school. She doesn't realize that it is a bogus school run by an unemployed stage troupe, her fellow students are chorus girls, and the faculty is comprised of the troupe's star act. The truth is soon revealed. Fortunately, it all turns out well when the girl's father, a prominent Hollywood-producer pays the school a call and sees their performance. He is so impressed that he offers them all contracts. Songs include: "Where Is My Heart?" "The Swing Tap," "Tap Your Feet," "Long Ago and Far Away" (Ralph Rainger, Leo Robin), "Learn to Be Lovely." ~ Sandra Brennan, All Movie Guide
- Starring:
- Eleanore Whitney, Robert Cummings, (more)
- 1935
The title doesn't refer to mosquitoes but to the amount of money that could be earned in the radio business of the 1930s. Samuel S. Hinds plays a Major Bowes-type entrepreneur who sponsors a weekly radio amateur contest. Hinds' daughter Wendy Barrie has show-biz aspirations, but dad won't hear of it. She enters his contest under an assumed name, winning not only the prize but the heart of a the program's emcee (John Howard). Millions in the Air is one of the few feature films costarring Broadway comedian Willie Howard, whose Jewish characterization and "blue" humor made him difficult to cast in most Hollywood productions. ~ Hal Erickson, All Movie Guide
- Starring:
- John Howard, Willie Howard, (more)
- 1935
So Red the Rose is a Civil War drama that plays like a warm-up for Gone With the Wind--and, unlike Wind, has two genuine Southerners in the leading roles. Margaret Sullavan is the aristocratic mistress of a sprawling Southern plantation, whose sheltered lifestyle is rent asunder by the War. All that sustains her during the conflict's darkest days is her love for her distant cousin, a Confederate officer played by Randolph Scott. Despite the incursions of Yankee troops (most of whom are portrayed as one step above gorillas), Sullavan holds her family together even after her mansion is burned to the ground. She even manages to talk her slaves out of rebelling, in a scene that must have caused embarrassment for everyone concerned in later years. The fact that So Red the Rose died at the box office (industryites dubbed the picture "So Red the Ink") was the principal reason why so many producers turned down Gone with the Wind a few years later. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Sullavan, Walter Connolly, (more)
- 1935
Vaudeville humorist Walter C. Kelley, who toured for years as "The Virginia Judge," repeated the characterization in this 1935 Paramount film. When not busy dispensing pearls of bucolic wisdom in the courtroom, Judge Davis (Kelly) of Tidewater, Virginia, tries to straighten out his hotheaded stepson Jim Preston (Robert Cummings, in one of his first major roles). The story reaches a dramatic peak when Jim is arrested for shooting his best friend Bob (Johnny Downs) during a quarrel over pretty Mary Lee Calvert (Marsha Hunt). Things look bad for a while, but Judge Davis is able to solve everyone's problems in record time. The presence of Stepin Fetchit in the cast of Virginia Judge indicates that Paramount hoped to build up Walter C. Kelly as a replacement for the late, beloved Will Rogers, who'd co-starred with Fetchit in the remarkably similar Judge Priest (1934). ~ Hal Erickson, All Movie Guide
- Starring:
- Walter "Judge" Kelly, Marsha Hunt, (more)
- 1933
Lodge members Stan Laurel and Oliver Hardy take a solemn oath to attend the 80th-annual Sons of the Desert Convention (read: annual binge) in Chicago. That is, Ollie takes the oath, but Stanley balks. When asked why, Stanley answers that he's afraid his wife won't let him go. Ollie is appalled: "Every man must be king in his own castle." But when Ollie meekly brings up the subject of the convention with his wife Lollie (Mae Busch), she soon dethrones the "king." Lollie wants to take a vacation in the mountains, and is dead-set against her husband going around "with a pack of hooligans." But Ollie is determined to attend the convention, and to that end cooks up a scheme with Stanley. Ollie will pretend to be deathly ill; Stan will fix it so the doctor will prescribe a trip to Honolulu. Knowing that his wife can't stand going on sea voyages, Ollie will request that Stan accompany him to Hawaii--then, both men will sneak off to Chicago. A few hitches notwithstanding (Stan hires a veterinarian instead of a doctor, explaining that he didn't think the man's religion would make any difference), the boys go to the convention, where they cut up royally with practical joker Charley Chase. Alas, the Honolulu-bound boat on which Stan and Ollie are supposed to be travelling is sunk in a typhoon. While the grief-stricken wives are at the steamship company attempting to find out if their husbands survived the sea disaster, Stan and Ollie arrive home, wearing leis and carrying pineapples as "evidence" of their Honolulu vacation. When the boys find out about the shipwreck, they desperately try to escape to a hotel, but the wives arrive home prematurely, forcing Stan and Ollie to camp out in the attic. It looks as though the boys might just get away with their new plan of coming home at the same time that the rescue boats arrive....until Lollie Hardy and Betty Laurel (Dorothy Christie), attending a picture show, are treated to the spectacle of their husbands cavorting merrily before the newsreel cameras covering the Sons of the Desert conclave in Chicago. The film's final ten minutes are priceless--especially that bit about "ship-hiking." Considered the best of Laurel and Hardy's feature films, One of the top ten moneymaking pictures of 1934, it was released in Europe as Fraternally Yours and Sons of the Legion, and is also available in a crudely edited 20-minute TV version, Fun on the Run. ~ Hal Erickson, All Movie Guide
- Starring:
- Stan Laurel, Oliver Hardy, (more)
- 1930
In this crime drama a convicted killer faces the chair for killing a woman. His lover goes to the governor to beg a stay of execution. She tells him the convicts story, which is told in flashback. The trouble begins when the hussy he purportedly killed invited him up to her apartment. There she throws herself at him, but the loyal man denies her. She is then killed when two other men come into the apartment. The hapless man gets blamed for her death. Unfortunately, the story doesn't convince the governor. The convict is sent to the chair. At the very moment the executioners are to throw the switch a prison break begins. One of the real killers, who was also convicted, escapes but is seriously wounded. Just before he dies, he confesses to murdering the hussy. The condemned convict is finally freed and returns to his loyal lover. ~ Sandra Brennan, All Movie Guide
