Phillip Goldfarb Movies

The fearless bookworm who searched for King Solomon's Mines and sought out some of the world's most priceless relics returns to investigate a mystery that could reveal the truth about one of history's most feared villains in this made for television adventure directed by Jonathan Frakes (Star Trek: The Next Generation, and starring Noah Wylie, Bob Newhart, and Jane Curtain. Flynn Carson (Wylie) is on a mission to recover the historic Judas Chalice when French beauty Simone rescues him from certain death. Despite her radiant gorgeousness, however, Simone possesses a dark secret. That doesn't stop Flynn from falling madly in love with Simone, though when he's betrayed by a respected professor (Bruce Davidson) and attacked by a relentless street gang, her secret finally comes out. Realizing his true mission, Flynn ventures into a decrepit New Orleans crypt rumored to house the remains of none other than Prince Vlad Dracul, the 15th Century Romanian prince whose notorious cruelty still holds the power to frighten over 500 years after his demise in 1476. ~ Jason Buchanan, All Movie Guide

Season Four of Monk offers 16 new episodes (and a bonus) delineating the adventures of obsessive-compulsive detective Adrian Monk (Tony Shalhoub). Functioning as Monk's erstwhile caregiver and assistant this season is Traylor Howard as Valerie Teeger, who had taken over from our hero's previous nurse Sharona Fleming in the middle of Season Three, due to the defection of supporting actress Bitty Schram. In the season opener, Monk meets his match--or so it seems--in the form of know-it-all detective Marty Eels (played by ex-Seinfeld costar Jason Alexander). Next up, John Turturo returns as Monk's agoraphobic brother Ambrose in a Halloween story that also involves the siblings' long-lost father. Then, Natalie takes over for a bedridden Monk to tackle the case of a murdered pizza deliveryman. To solve a subsequent homicide, Monk goes undercover at a business office--and finds he enjoys the work so much he almost loses sight of why he's there. Later on, Monk goes off on an unexpected bender in wine country, sobering up long enough to crack the case of a murder with a "nonexistent" victim. A dash of poignancy is added to the mixture when Monk finds out that his late wife Trudy may still be alive--and that she might have committed murder. And the episode "Mr. Monk and the Big Reward" introduces three brand-new, markedly eccentric detective characters, suggesting that the episode may have been intended as the pilot for a spinoff series. Other cases this season include the attempted murder of Monk's police buddy Lt. Disher (Jason Gray-Stanford) at the wedding of Natalie's brother, and a less-than-sentimental journey to the past when Monk comes to the rescue of his childhood crush. Also: the death of a model whisks Monk off to the world of high-fashion (and bulimia!); an amnesiac Monk is led to believe that he is the husband of a small-town woman named Cora (Roseanne's Laurie Metcalf); Monk's police colleague Captain Stottlemeyer (Ted Levine) can't keep his mind on his work when he suspects that his "hippie" wife Karen (Glenne Headly) is having an affair; Monk sets out to prove an astronaut committed a murder that took place when the suspect was orbiting the earth; and a visit to the dentist's office leaves Monk at the mercy of a robber-murderer who seems to be a big fan of Marathon Man. In the season finale, Monk is summoned to jury duty for a minor robbery trial--and ends up solving yet another murder, not to mention foiling a scheme to spring a big-time criminal. In addition to the above-mentioned episodes, Season Four of Monk yields a special Christmas edition, "Monk and the Secret Santa", wherein murder rears its ugly head at the height of the SFPD's annual Holiday party--with Captain Stottlemeyer as the apparent target! ~ Hal Erickson, All Movie Guide

This two-hour TV movie served as a reunion for the cast of L.A. Law, a popular NBC legal series which originally aired from 1987 to 1994. Virtually all of the series' regulars were back on the job, with the noteworthy exception of Jimmy Smits. Most of the story takes place within the walls of the high-powered McKenzie-Brackman legal firm, which since the retirement of Leland McKenzie (Richard A. Dysart) had been controlled by the rule-bound Douglas Brackman (Alan Rachins). The main plot strand zeroes in on lawyer Michael Kuzak (Harry Hamlin), who in his efforts to save a former client from execution is pitted against his former partner -- and lover -- Judge Grace Van Owen (Susan Dey). Meanwhile, legal eagle Arnie Becker (Corbin Bernsen) is in the throes of a divorce action brought about by his wife (and ex-colleague) Abby Perkins (Michelle Greene); attorneys Stuart Markowitz (Michael Tucker) and Ann Kelsey (Jill Eikenberry) are being defrauded out of their life savings; and Roxanne Melman (Susan Ruttan) copes with the imminent death of her ailing ex-husband. Known variously as L.A. Law: The Movie and L.A. Law: Return to Justice, the film was telecast by NBC on May 12, 2002. ~ Hal Erickson, All Movie Guide

Debuting September 29, 1999, the weekly, hour-long WB series Popular was frequently described as a "satire" or "send-up" of the heavy-breathing teen angst genre. This, of course, did not prevent many fans from taking the series' incredible plot twists and turns with the utmost seriousness. The show's basic conflict boiled down to the age-old struggle between the cool and the uncool. The scene was Jacqueline Kennedy High School (where the school paper was called the "Zapruder Reporter"!), where the acknowledged social arbiter was the disgustingly popular Brooke McQueen (Leslie Bibb), captain of the school's "Glamazon" cheerleading squad. Brooke, of course, was also the leader of the school's coolest clique, numbering among its members her football-star boyfriend, Josh Ford (Bryce Johnson), and her two best friends, über-bitch Nicole Julian (Tammy Lynn Michaels) and shallow, borderline-psychotic Mary Cherry (Leslie Grossman). Annoyed by Brooke's smug supremacy, Samantha "Sam" McPherson (Carly Pope), resident intellectual, crusading journalist-in-training, and tireless campaigner for social equality, formed her own "anti-clique," including nerdy, self-conscious Harrison John (Christopher Gorham), plain and portly Carmen Ferrara (Sara Rue), and firebrand activist Lily Esposito (Tamara Mello). Alas, the battle lines between the two factions were blurred when Sam's widowed mother, Jane (Lisa Darr), fell in love with Brooke's divorced dad, Mike (Scott Bryce), forcing the two bitter rivals to live under the same roof. Even after Jane and Mike broke up, Sam and Brooke found themselves bound together by family ties when Jane gave birth to Mike's baby. This unholy and undesired alliance served also to break down the barriers between the other members of the two cliques, resulting in some truly surprising romantic couplings and unpredictable alliances. Its title and its fan following notwithstanding, Popular was not popular enough to warrant any more than two seasons on the WB schedule. Even so, the producers obviously hoped that there'd be a last-minute reprieve for the series, as witness its final episode on May 18, 2001, which concluded with a tense cliffhanger, leaving the fates of four principal characters hanging perilously in the balance. ~ Hal Erickson, All Movie Guide

High school athlete Tom Cruise would do anything to escape the dull provincialism of his home town. Cruise's bullying coach Craig T. Nelson cajoles Cruise into seeking an athletic scholarship to a major university. Inevitably, the boy begins to question his goals in life, and soon his soul is the object of a tug of war between Nelson and Cruise's girlfriend Lea Thompson. The first directorial effort for cinematographer Michael Chapman, All the Right Moves was photographed by Jan DeBont, who'd later direct such box-office bonanzas as Speed and Twister. ~ Hal Erickson, All Movie Guide

This quietly compelling film explores the hardships and anxieties of high school with intelligence, sensitivity, warmth and humor. Chris Makepeace stars as a shy, bookish student who has recently moved to Chicago and begun a new school. There he finds himself the target of a group of punks led by Matt Dillon (ideally cast as the weasel-like bully), who threaten him each day to turn over his lunch money for protection...or else. When he stands up to them, he nearly loses his dental work before being saved by Ricky Lindemann (Adam Baldwin), a hulking loner rumored to have murdered his own brother. Makepeace offers the boy a job as his bodyguard, and the two become unlikely friends -- that is, until the ousted bullies find a champion of their own who challenges Lindemann. When Lindemann refuses to fight back, he disappears into reclusion, and the bullying begins anew, worse than ever. Makepeace then learns the truth about Lindemann's past: he did indeed kill his brother, but the death was an accident while the two young boys were playing with a gun, and Lindemann lives tortured by guilt as a result. Just when things seem at their worst, the bodyguard returns to face his nemesis as Makepeace and Dillon square off in the final showdown of good versus evil. The real strength of the film is its handling of the relationships between its characters, particularly between Makepeace and Baldwin, and Makepeace and his family (Martin Mull and Ruth Gordon). My Bodyguard is light but thoughtful entertainment with a Rocky theme that's suitable for the entire family. ~ Jeremy Beday, All Movie Guide

"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind?

Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. ~ Lucia Bozzola, All Movie Guide

Czech filmmaker Milos Forman's first American production stars Linnea Heacock as Jeannie Tyne, a runaway teenager. While she wanders aimlessly around New York, her suburban parents, Lynn (Lynn Carlin) and Larry (Buck Henry), desperately search for their "missing" daughter. Larry and his best friend, Tony (Tony Harvey), inaugurate a search, but their expedition is sidetracked by a drinking binge at a local bar. Meanwhile, Lynn and Tony's wife, Margot (Georgia Engel), begin discussing their sex lives. Jeannie does finally return home, to constant questioning by her parents about which drugs she has taken; later, after Lynn and Larry join a support group for the parents of runaway children, they turn around and get stoned on marijuana themselves during one of the group meetings, then lapse into a randy game of strip poker -- little realizing that their daughter is close at hand and within earshot. As a critically revered lampoon of late-'60s sensibilities, Taking Off is full of "unknown" Manhattan-based performers who became famous during the '70s and '80s, including Paul Benedict, Vincent Schiavelli, Allen Garfield, Audra Lindley, and, in fleeting roles as auditioning singers, Carly Simon, who performs "Long Time Physical Effects," and Kathy Bates (billed as Bobo Bates), who performs "Even the Horses Had Wings." ~ Hal Erickson, All Movie Guide