Roland Culver Movies

This dark comedy charts the chaos that results when the panicked staff of a major English hospital attempts to prepare for a visit by the Queen Mother, only to face every problem imaginable. Britannia Hospital clearly attempts to recapture the anarchic bite of director Lindsay Anderson's previous satires If... and O Lucky Man, but fails to achieve the same combination of intelligent political critique, comic lunacy, and skillful filmmaking. (Indeed, the three films are often considered a loosely linked trilogy, largely due to the presence in all three of lead Malcolm McDowell). The film does make a valiant effort, but its commentary on the poor, labor disputes, and the inhumanity of bureaucratic institutions mixes uneasily with the film's broader elements, like the experiments of a cartoonish mad scientist. The result is often quite entertaining on a scene-by-scene basis, but the film never reaches the level of delirious, farcical energy or satirical sharpness to which it clearly aspires. ~ Judd Blaise, Rovi

While most people are familiar only with the Lon Chaney Sr. and Charles Laughton versions of Victor Hugo's The Hunchback of Notre Dame, this 1982 TV adaptation was the fourteenth filmization of the Hugo novel. Anthony Hopkins, barely recognizable under mounds of disfiguring body makeup, plays Quasimodo, the deformed 15th-century bellringer of Notre Dame cathedral in Paris. Leslie-Anne Down plays Esmerelda, the gypsy girl who wins Quasimodo's unswerving loyalty when she offers him water after he is publicly flogged. And Derek Jacobi plays Dom Claude Frollo, the hypocritically pious archdeacon of Notre Dame, who'll do anything to claim Esmerelda for himself. Produced by Norman Rosemont, The Hunchback of Notre Dame originally aired February 4, 1982, as a Hallmark Hall of Fame presentation. ~ Hal Erickson, Rovi

Notorious international jewel thief Jack Rhodes (Burt Reynolds) is out to steal $30 million in uncut diamonds in this visually opulent, uneven comedy. Chief Inspector Cyril Willis (David Niven) is Rhodes' nemesis. He wants to retire from Scotland Yard but would like to capture Rhodes as a final, dramatic cap to his career. In order to achieve his ambition, he sets up lissome Gillian Bromley (Lesley-Anne Down) as Rhodes' erstwhile partner in crime. The unpredictable happens when Rhodes and Bromley fall for each other, leaving the best-laid plans open to unexpected amendments. Three different directors had a hand in this film though their imprints are remarkably homogenous up to but not including the ending. ~ Eleanor Mannikka, Rovi

The religious conversion of British actress Joan Winmill is chronicled in this bio-pic. Told via flashback her life up until that moment is chronicled from her miserable childhood, her mother's death, and a cousins death. Her bout with clinical depression resulting in suicidal tendencies is also chronicled. Apparently the problem was genetic as her grandmother also suffered a nervous breakdown related to the problem. Also depicted is her affair with Robert Kennedy. ~ Sandra Brennan, Rovi

This historical dramatic series, produced by the BBC, explores political and social intrigue among England's privileged classes during the Victorian era. Plantagenet Palliser (Philip Latham) weds Lady Glencora (Susan Hampshire) in a match that has more to do with power than love as Palliser enters into a career as a member of Parliament. The supporting cast includes Anna Massey, Barbara Murray, Roland Culver, and Caroline Mortimer. ~ Mark Deming, Rovi

John Huston directed this cold war spy thriller (from a script by Walter Hill) concerning a British agent trying infiltrate the organization of a nefarious communist spy. Paul Newman is Joseph Reardon, a British secret agent commissioned by Mackintosh (Harry Andrews) to impersonate a jewel thief. When the police are tipped off about his diamond robbery, Reardon is arrested and shipped off to a high-security prison. At the prison, he meets a convicted Russian spy and the two are involved in a prison break, arranged by a mysterious group called the Scarperers. After the successful breakout, Reardon finds himself drugged and sent to Ireland. It turns out that the escapade was organized by Mackintosh in the hopes Reardon could infiltrate the Scarperers and gather information on the group's leader, Sir George Wheeler (James Mason), and prove him to be a Russian spy. ~ Paul Brenner, Rovi

Like Socrates of ancient Athens, Michael Rimmer (Peter Cook) of modern England believes the key to success is to ask the right questions. Lots of questions. So he gets a job with an advertising agency that conducts polls, rises swiftly through the ranks, and eventually runs the agency. Then he bombards England with questions. His ingenious system enables him to predict the outcome of a general election. (Every voter in England had received a questionnaire.) So accomplished is Rimmer at asking questions that he finds his future wife through market research. To insure that he gets the right answers, Rimmer is not above manipulating the polls. For example, when he asks residents of Coventry their religion, 95 percent identify themselves as Buddhists, thanks to an influx of Rimmer stooges. Then he enters politics. In a short time, he gets himself elected to Parliament, becomes a cabinet minister and eventually moves into Ten Downing Street as prime minister after pushing the incumbent prime minister off an oil platform. By this time, every eligible voter in Britain can cast ballots with a television remote control. Alas, the electorate tires of the endless referendum questions that they must answer as part of their daily routine. This development serves only to catapult Rimmer to further success, for the people decide to place all decisions in his hands as dictator of England. So Rimmer keeps rising and rising and rising. And asking questions. ~ Mike Cummings, Rovi

A sneezing epidemic claims the lives of several prominent ear-nose-throat specialists. The only clue tying the deaths together is an empty envelope, found at the scene of each tragedy. Steed and Tara manage to trace this slim lead to a sinister nursing school. Written by Jeremy Burnham (a frequent guest actor on the series), "You'll Catch Your Death" was first shown in America on October 7, 1968, and was seen in England on October 16; the episode is also known as "Atishoo, Atishoo, All Fall Down." ~ Hal Erickson, Rovi

Thunderball finds James Bond matching wits with the sinister espionage organization S.P.E.C.T.R.E, (which stands for Special Executive for Counterintelligence, Terrorism, Revenge and Extortion). This time, S.P.E.C.T.R.E. hijacks a NATO nuclear bomber, hiding the bombs under the ocean depths and threatening to detonate the weapons unless a ransom of 100,000,000 pounds is paid. The mastermind behind this scheme is international business executive Emilio Largo (Adolfo Celi), who maintains a pool full of sharks for the purpose of eliminating enemies and those henchmen who fail to come up to standard. Dispatched to the Bahamas, lucky Mr. Bond enjoys the attentions of three nubile ladies: Largo's mistress Domino Derval (Claudine Auger), British spy Paula Caplan (Martine Beswick, previously seen as a gypsy girl in the 1962 Bond epic From Russia With Love) and enemy agent Fiona Volpe (Luciana Paluzzi). ~ Hal Erickson, Rovi

Based on James Barlow's novel The Burden of Proof, this is a thoughtful drama revolving around the relationship between a schoolteacher and his students, in particular a fifteen year old girl (played by the debuting Sarah Miles, although she was in fact 21 at the time), who has become infatuated with him. But when he rejects her advances during a school trip to France, out of spite she accuses him of rape. The resulting court-case dominates the latter stages of the film.
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, Rovi

In comfortable dotage, baronet Humphery Tavistock (Laurence Harvey) recalls a lifetime of romantic entanglements to his wide-eyed son-in-law. Tavistock has come to the conclusion that women are a riddle wrapped in a mystery surrounded by an enigma, and his reminiscences bear this out. Among the baronet's many amours are a suffragette, a harem girl, the wife of a diplomat who "demands satisfaction", an American heiress, a bohemian artist and an army nurse. After all this, Tavistock finds lasting happiness with the first women he ever loved. The female cast of The Truth About Women features the illustrious likes of Julie Harris, Diane Cilento, Mai Zetterling and Eva Gabor, so it's little wonder that the hero has so many vivid memories to fall back on. ~ Hal Erickson, Rovi