Ted Hope Movies

After his 1995 breakthrough, Welcome to the Dollhouse, director Todd Solondz was courted by a number of studios to make a big-budget film with top stars. Instead, he chose to make this aggressively dark comedy-drama of perversions and twisted lives. Andy Kornbluth (Jon Lovitz) explodes with anger after rejection in a restaurant from Joy Jordan (Jane Adams), one of a trio of middle-class New Jersey sisters. Joy's sister Trish (Cynthia Stevenson), a housewife with three kids, is married to psychiatrist Bill (Dylan Baker), who counsels the lonely, overweight Allen (Philip Seymour Hoffman). Allen is obsessed with Joy's other sister, the successful poet Helen (Lara Flynn Boyle), all the while ignoring the attentions of his seemingly sweet yet overweight neighbor Kristina (Camryn Manheim). Bill has fantasies of turning an assault rifle on families in a park, masturbates to teen magazine photos, and develops an unhealthy interest in a classmate of his 11-year-old son, Billy (Rufus Read). After a telephone sales job, Joy moves on to substitute teach at an adult education class, where she falls prey to the advances of an insensitive cabdriver, Vlad (Jared Harris). Allen's series of obscene phone calls to Helen come to an end when she challenges him to come next door and carry out his sexual threats. Meanwhile, the sisters' parents, Lenny and Mona Jordan (Ben Gazzara and Louise Lasser), find their marriage collapsing after 40 years. Lenny has sparked the interest of divorcée Diane Freed (Elizabeth Ashley), but he actually would prefer to be alone. The path to happiness, it seems, is littered with dreams, despair, and abnormalities. Winner of the International Critics' prize at the 1998 Cannes Film Festival, Happiness met with much controversy both in pre-production and upon its release, as chronicled in producer Christine Vachon's book Shooting to Kill. ~ Bhob Stewart, All Movie Guide

A family is torn between their need to air out their dirty laundry and their habit of sweeping things under the rug in this emotional drama. Hal (Roy Scheider) and Lena (Blythe Danner) are a successful but emotionally frosty New England couple whose four adult children are coming home for Thanksgiving. Strapping Jake (Michael Vartan) brings along his new girlfriend Margaret (Hope Davis), but while her affection for him is obvious, he's not sure how he feels about her. Mia (Julianne Moore), an alternately reserved and sexually ravenous art gallery worker, also brings her current lover, the nervous and unstable Elliot (Brian Kerwin). Leigh (Laurel Holloman) seems happier and better adjusted than her siblings, but she still hasn't resolved her long-standing rivalry with Mia. And Warren (Noah Wyle), who hasn't seen his parents for three years, has a bitter grudge against his father and hasn't been able to get his former girlfriend Daphne (Arija Bareikis) out of his mind. Co-star Noah Wyle also served as associate producer. ~ Mark Deming, All Movie Guide

Gena (Aesha Waks) is a 16-year-old girl whose mother has fallen into a coma; with her immediate family unable to watch over her, it's decided that she'll spend the summer with her Uncle John (Paul Lazar). Gena takes a part-time job at a beauty parlor and makes friends with a girl named Jane (Summer Phoenix). Jane, however, is not an especially good influence; she's a recent runaway from a halfway house and is looking for her missing brother Sonny (Sam Rockwell), a convicted felon. When Jane disappears, Gena searches for her and is led into a netherworld of drugs, crime, gang violence, and sexual initiation. This independent drama was screened at the 1997 Sundance Film Festival; Heather Matarazzo of Welcome to the Dollhouse appears in a supporting role. ~ Mark Deming, All Movie Guide

This is the second film by actor/director Ed Burns, his first being The Brothers McMullen. The two Fitzpatrick brothers, Mickey (Ed Burns) and Francis (Mike McGlone), would appear to have little in common, as the older is a rather volatile cab driver, the younger is a very settled stockbroker. Just prior to the time of the film, Mickey, after a whirlwind romance, married Hope (Maxine Bahns), one of his passengers. Francis has been married to his lifelong sweetheart (Jennifer Aniston) for some time. However, they are both very competitive about Heather (Cameron Diaz), an old flame of Mickey's. Mickey, who was once her fiance, left her when he found out she was sleeping with someone else. At the time of the story, Heather just happens to become a passenger in Mickey's cab, and they decide to finish exchanging belongings left over from their break-up. When Heather gives Francis (her current lover) the watch Mickey just returned to her, complications multiply. ~ Clarke Fountain, All Movie Guide

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love. ~ Michael Hastings, All Movie Guide

Hal Hartley's fourth feature is a significant break from the quirky romantic comedy territory of his previous work -- though all of the deadpan idiosyncracies which make him such a singular filmmaker remain intact, here he tries his hand at the thriller genre, a move yielding typically unconventional and innovative results. Amateur stars Hartley mainstay Martin Donovan as Thomas, an amnesiac who, in the first scenes, wakes up in an alley, badly injured; he stumbles to a nearby coffeeshop where he meets Isabelle (Isabelle Huppert), a former nun and would-be nymphomaniac who now makes her living writing pornographic fiction. She takes him back to her apartment, where in time his past slowly begins to emerge -- a sharp contrast to the sweet, even naive soul that Huppert has befriended, it appears that the old Thomas was in fact a vicious pornographer whose attempted murder was at the hands of his wife, adult film star wife Sofia (Elina Lowensohn). Thomas is also the target of a nefarious European arms merchant whose hired guns are hot on his trail. ~ Jason Ankeny, All Movie Guide

A gay New Yorker stages a marriage of convenience with a young woman to satisfy his traditional Taiwanese family, but the wedding becomes a major inconvenience when his parents fly in for the ceremony. Director Ang Lee came to international prominence with this warm-hearted comedy, which centers on the farcical confusion that emerges from this deception. Gao Wai Tung (Winston Chao) has never shared the truth about his sexuality with his family, and hopes to disguise his long-term relationship with his lover Simon by marrying Wei-Wei, a young artist who's only it for the green card. But Wai Tung's parents refuse to let him off the hook easily, showing up to plan a massive wedding banquet. Indeed, much of the film's comedy springs from the contrast between the sheer lavishness of the parents' plans and the sham nature of the wedding. Naturally, the titular party spins out of control, leading to a series of events that threatens all of Wai Tung's relationships. ~ Judd Blaise, All Movie Guide

Consumed by visions of prosperity and clean, attractive cities, Silva travels to New York City from Poland with all the cash she can scrape together in her purse, speaking not one word of English. Once there, she swiftly falls prey to an aggressive con artist, and sees nothing but the dingy crime-filled streets which represent New York at its worst. Refusing to be ignored by the man who took her money, she hounds him until he takes her to bed with him, and then her relationships expand to include the creep's cousin. At no point is a good time had by anyone. ~ Clarke Fountain, All Movie Guide

Made for PBS' American Playhouse, Surviving Desire is a very short romantic comedy starring Martin Donovan and Mary Ward. He's an uninspired college literature professor. She's a kooky student, and the only member of Donovan's class who doesn't doze off during his lectures. The comedy relies upon the inevitable pairing of two vague, aimless, but very recognizable campus types. The videocassette version of Surving Desire is filled out with two other short subjects directed by Hal Hartley. ~ Hal Erickson, All Movie Guide

The unlikely relationship between a pregnant high school student and a brooding electronics repairman lies at the center of this droll comedy from writer-director Hal Hartley. Intelligent but unconventional, Maria (Adrienne Shelly) has more to worry about than her pregnancy, as her expectant state drives away her boyfriend and triggers a fatal heart attack in her father. Meanwhile, Matthew (Martin Donovan) has his own problems: an abusive father, a heightened sense of morality that prevents him from taking semi-lucrative television repair jobs, and a suicidal streak that causes him to carry around a potentially deadly grenade. The meeting of these troubled minds at first promises to be beneficial for both, but sours as they are forced to interact with each other's dysfunctional families. As in all of Hartley's pictures, the narrative is filtered through an amusingly detached sensibility that some may consider an acquired taste. ~ Judd Blaise, All Movie Guide

Chuck "Tiger" Warsaw (Patrick Swayze) returns to the steel town of Sharon, Pennsylvania hoping to be reunited with his estranged family after 15 years. He spent his time away from home in Miami in a perpetual fog of drugs and alcohol and is struggling to remember what prompted his departure. Tiger eventually remembers seeing his sister Paula (Mary McDonnell) naked. Her premature and hysterical cries of attempted incest prompted an argument with his father Mitchell (Lee Richardson), and in the melee Tiger shot Mitchell and fled. Upon his return home, Tiger finds that as a result of the shooting, his dad's injuries are such that he can't remember anything except his love for high-school sports. Frances (Piper Laurie) is Tiger's sympathetic mother who along with his former high-school sweetheart Karen (Barbara Williams) and buddy Tony (Bobby DiCicco) readily accepts him. His spiteful sister and her yuppie fiancee Roger (James Patrick Gillis) join with other irate relatives to ruin the happy family reunion for Tiger. ~ Dan Pavlides, All Movie Guide