Ted Hope Movies

America's leading titan of bad taste, John Waters, returns to X-rated territory (well, actually NC-17-rated territory, but you get the idea) for this wildly over-the-top comedy. Sylvia Stickles (Tracey Ullman) is a wife and mother living in Baltimore who, along with her husband Vaughn (Chris Isaak) and mother Big Ethel (Suzanne Shepherd), operates a local convenience store. One day, Sylvia receives a sharp blow to the head, which leaves her with a concussion. However, the concussion comes with an unexpected side effect -- Sylvia has suddenly become a sex addict, and is soon attended to by the perverse and lascivious sexual evangelist Ray-Ray (Johnny Knoxville). When it becomes evident that Vaughn can't keep up with her sensual appetites, Sylvia throws herself into the strange netherworld of Baltimore's community of erotic overachievers, which includes her daughter Caprice (Selma Blair), who is living a double life as über-buxom exotic entertainer Ursula Udders. A Dirty Shame also features supporting performances from Waters regulars Patricia Hearst, Mink Stole, Mary Vivian Pearce, Channing Wilroy, and Jean Hill. ~ Mark Deming, All Movie Guide

Hal Hartley's fourth feature is a significant break from the quirky romantic comedy territory of his previous work -- though all of the deadpan idiosyncracies which make him such a singular filmmaker remain intact, here he tries his hand at the thriller genre, a move yielding typically unconventional and innovative results. Amateur stars Hartley mainstay Martin Donovan as Thomas, an amnesiac who, in the first scenes, wakes up in an alley, badly injured; he stumbles to a nearby coffeeshop where he meets Isabelle (Isabelle Huppert), a former nun and would-be nymphomaniac who now makes her living writing pornographic fiction. She takes him back to her apartment, where in time his past slowly begins to emerge -- a sharp contrast to the sweet, even naive soul that Huppert has befriended, it appears that the old Thomas was in fact a vicious pornographer whose attempted murder was at the hands of his wife, adult film star wife Sofia (Elina Lowensohn). Thomas is also the target of a nefarious European arms merchant whose hired guns are hot on his trail. ~ Jason Ankeny, All Movie Guide

Gena (Aesha Waks) is a 16-year-old girl whose mother has fallen into a coma; with her immediate family unable to watch over her, it's decided that she'll spend the summer with her Uncle John (Paul Lazar). Gena takes a part-time job at a beauty parlor and makes friends with a girl named Jane (Summer Phoenix). Jane, however, is not an especially good influence; she's a recent runaway from a halfway house and is looking for her missing brother Sonny (Sam Rockwell), a convicted felon. When Jane disappears, Gena searches for her and is led into a netherworld of drugs, crime, gang violence, and sexual initiation. This independent drama was screened at the 1997 Sundance Film Festival; Heather Matarazzo of Welcome to the Dollhouse appears in a supporting role. ~ Mark Deming, All Movie Guide

Director Ang Lee's follow-up to his surprise box-office hit The Wedding Banquet is another look at ethnic and sexual conflicts in a Chinese family, with meals as a centerpiece of the film. Master chef Chu (Sihung Lung) is a long-time widower who lovingly cooks large Sunday dinners for his three daughters, who view the meals as too traditional. Secretly, however, successful airline executive Jia-Chien (Chien-Lien Wu) loves traditional cooking and would like to be a chef like her father, if women were permitted to do so. Her older sister Jia-Jen (Kuei-Mei Yang) is unmarried and cynical about men, but she becomes attracted to a volleyball coach and eventually pursues him vigorously. The youngest daughter, Jia-Ning (Yu-Wen Wang), is a college student who becomes pregnant from her frequent sexual escapades. As the film progresses, the personal relationships between the daughters and their significant others change unexpectedly. ~ Michael Betzold, All Movie Guide

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

Johnny Knoxville and Parker Posey star in John Waters' new comedy Fruitcake, a This Is That and Killer Films production about a runaway boy's adventures during the holidays. ~ Jeremy Wheeler, All Movie Guide

Video director Michel Gondry and scriptwriter Charles Kaufman -- who shot to fame after penning Being John Malkovich -- collaborate on this bizarre fable about human behavior in and out of society. The film opens by quickly introducing the three leads -- Lila (Patricia Arquette) who is locked away in prison; Puff (Rhys Ifans) who is testifying before Congress; and Nathan Bronfman (Tim Robbins) who is sitting in a glowing white afterlife waiting room with a bullet hole in his head. Rewinding to the beginning of the story, the film shows Lila as a girl about to enter womanhood. Unfortunately, puberty goes horribly awry and she starts to grow thick hair all over her body. After performing as Queen Kong in a circus freak show, she chucks it all and goes to live in the forest, where she becomes the best-selling author of a misanthropic hard-line ecological tome. At age 30, her itch for male companionship becomes overwhelming and she ventures back into the city. She is helped by electrolysis guru Louise (Rosie Perez), who not only makes Lila presentable to society, but introduces her to Nathan, a 35-year-old virgin who, as a scientist, has devoted his life to teaching table etiquette to lab mice. While showing Nathan the joys of the wild outdoors, Lila and her new beau discover an extremely hirsute feral man whom they dub Puff. Placing him a cage in his lab, Nathan sets out to teach Puff the ways of polite society while dreaming of fame and fortune. The first task is to curb Puff's enormous sexual appetite -- any time he catches sight of a female, Puff either tries to hump her or masturbates vigorously. Nathan yokes him with an electric collar that shocks him any time he acts unseemly. Unfortunately, the humans on the other side of the cage can't quite control their libidos either: Nathan succumbs to the incessant double entendres of his saucy French assistant Gabrielle (Miranda Otto) while Lila finds an animalistic lust for Nathan's science experiment. This film was screened at the 2001 Cannes Film Festival. ~ Jonathan Crow, All Movie Guide

Character actor and noted photographer Todd Field made his directorial debut with this emotionally powerful drama, which earned enthusiastic reviews at the 2001 Sundance Film Festival. Frank Fowler (Nick Stahl) is a handsome and amiable young man who has recently graduated from high school and is spending the summer working as a lobster fisherman before heading off to college in the fall. Frank is also involved with Natalie (Marisa Tomei), an attractive woman ten years his senior who is separated from her husband Richard (William Mapother), though their divorce has not yet been finalized. Frank's parents, Matt (Tom Wilkinson) and Ruth (Sissy Spacek) wonder if it's wise for their son to be pursuing a romance that he won't be able to continue in a few months; Matt trusts Frank and leaves him to make his own decisions, while Ruth quietly but firmly registers her objections. One day, Richard snaps, and breaks into Natalie's home; when he discovers Frank is there, he viciously kills him. The wheels of justice turn in an unexpected direction, and Richard is released on bail, free to go his own way as he awaits his trial. Matt and Ruth are both deeply traumatized by the event; while Matt tries to deal with his hurt by retreating into his work and avoiding his feelings, Ruth instead becomes increasingly withdrawn, losing interest in her job as a music teacher and spending her nights chain smoking in front of the television. In the Bedroom was adapted from the short story Killings by Andre Dubus. ~ Mark Deming, All Movie Guide

Nicole Holofcener, writer/director of the critically acclaimed Walking and Talking, shifts her focus from New York to Los Angeles for her second feature, Lovely & Amazing. Jane Marks (Brenda Blethyn of Secrets and Lies) is a middle-aged woman who's about to undergo liposuction. She has three daughters. Michelle (Catherine Keener) is a cynical, self-involved, would-be artist in an unhappy marriage. Elizabeth is a struggling actress who constantly takes in stray dogs. Her insecurities about her attractiveness come to the fore when she blows a screen test with a big movie star, Kevin (Dermot Mulroney). The youngest of the Marks sisters, Annie (Raven Goodwin), is an overweight eight-year-old African-American girl whose birth mother was an addict. Jane has adopted Annie, and is determined to provide her with a better life. Jane has a crush on her suave surgeon (Michael Nouri of Flashdance), but her family is thrown into chaos when complications arise during her outpatient procedure, and she's forced to stay in the hospital. Michelle, pressured by her husband (Clark Gregg) to take some financial responsibility for raising their young daughter, eventually gets a part-time job working in a one-hour photo booth, where she meets Jordan (Jake Gyllenhaal), a misfit teen who awkwardly flirts with her. Elizabeth's boyfriend, Paul (James LeGros), who seems to disapprove of the entertainment industry, leaves her. Annie eats compulsively and misbehaves. When the family is faced with a series of crises, relationship patterns that had solidified over the years subtly begin to change. A festival favorite, Lovely & Amazing has been shown at the 2001 Telluride Film Festival, the 2001 Toronto International Film Festival, and the 2002 Tribeca Film Festival. ~ Josh Ralske, All Movie Guide

Writer-director-actor Edward Burns (The Brothers McMullen, She's the One) looks at small-town ex-lovers in this low-key, blue-collar drama with atmospheric, muted-color cinematography by Emmy-winner Frank Prinzi (Northern Exposure). To the tune of Sheryl Crow's "Home", Charlie (Burns) returns to his quiet seaboard hometown to win back his ex-girlfriend Claudia (Lauren Holly), whom he abandoned three years earlier. He quickly learns that she's now engaged to Michael (Jon Bon Jovi), his best buddy since elementary school. Claudia has a dull job as a waitress at a slow-paced diner, while Michael repairs autos at a local garage. Michael loves her, but Charlie's return forces her to re-examine her life. Burns commented, "I wanted to do a drama about a working-class community, about the kind of people I grew up with, and take a look at what their lives are like as they hit their 30s and start to put their adolescent dreams aside. Their old hopes and dreams get rekindled, so they try and go for it one more time. And in the end they discover that you can't relive your past." Songs relate literally to the onscreen action, with tunes by Lynryd Skynryd, Glen Campbell, Pete Yorn, Georges Gasguy & Saveur Mallia, Macy Gray, Patti Scialfa, Bruce Springsteen, Local H, Sponge, and the Allman Brothers. Filmed on location during the off-season at Rockaway Beach, Queens, not far from New York's JFK Airport. ~ Bhob Stewart, All Movie Guide

Acclaimed Taiwanese filmmaker Ang Lee made his directorial debut with this drama, leavened with gentle comedy, about a household turned upside down by a man who could not be much more out of place. Mr. Chu (Sihung Lung) is an elderly gentleman who has devoted much of his life to studying and teaching tai chi; growing old and wanting to be closer to his family, he decides to move in with his son. However, Mr. Chu has lived all his life in Beijing, and his son Alex (Bo Z. Wang) lives in New York City. Chu arrives at Alex's doorstep not knowing a single word of English, and he soon finds himself out of sorts in the home of his very Americanized son. Alex's wife Martha (Deb Snyder) is a writer who is dealing with the stress of publishing her first novel, in addition to watching over her six-year-old son. Mr. Chu is very much at odds with American customs and technology, and he even gets lost when he tries to take a walk; Martha soon feels as if she's watching over two children rather than one, while Mr. Chu resents his loss of dignity and independence. Eventually, he tries to strike out on his own and get a job, but the harder he tries to feel at home in New York, the more alien he seems. Ang Lee and Sihung Lung would team up again on Lee's next two films, The Wedding Banquet and Eat Drink Man Woman. ~ Mark Deming, All Movie Guide

Based on a popular one-man play and filmed in a single day at the theatrical space the Kitchen in 1993, this avant-garde drama contrasts the lives of two famous homosexuals, both of whom died of AIDS in the 1980s. Both men are played by original castmember Ron Vawter. Roy Cohn was a gay-bashing right-wing lawyer and a steadfast protector of the "American Family." He was also a closet homosexual. Jack Smith was an openly gay experimental filmmaker who was credited as one of the fathers of performance art. In this film version of the play, the opposing lives of the two men are woven together, whereas on stage, they were profiled in two separate acts. ~ Sandra Brennan, All Movie Guide