Mary Anderson Movies

'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide

An incredibly long but never dull adaptation of the Rachel Field best-seller, All This and Heaven Too was based on a once-notorious European scandal. Star Bette Davis, playing Henriette Deluzy-Desportes, is first seen as a French schoolteacher in a 19th century American seminary. When her supervisor, Reverend Henry Mortyn Field (Jeffrey Lynn), has questions to ask about her tainted past, Henriette relates her story in flashback. She had been hired by French duke De Praslin (Charles Boyer) to be the governess for his children. De Praslin's wife (Barbara O'Neil) was insanely jealous, so much so she inadvertently threw De Praslin and Henriette together. Henriette was willing to leave rather than cause more discord, but the influential wife vengefully refused to write a letter of recommendation (a bravura scene). Later, the impoverished Henriette was arrested as an accomplice in the murder of De Praslin's wife. The latter's position in French society stirred up volatile political ramifications, with Henriette innocently in the center of the storm. De Praslin committed suicide, exonerating Henriette on his deathbed, but she had already been condemned in the court of public opinion. Disgraced, she left for America to start life anew, which brings the story back to the present. Unable to continue running away from herself, Henriette confesses her past indiscretions to her students -- who promptly forgive her. Casey Robinson had a hell of a job adapting Rachel Field's cumbersome novel, but, by golly, he pulled it off. The performances in All This and Heaven Too are enhanced immeasurably by the lush Max Steiner musical score. ~ Hal Erickson, All Movie Guide

In this police drama, a busy precinct is thrown into chaos when the murdered corpse of a local detective is found in an abandoned car. Now the press is demanding to learn details. Meanwhile, an ambitious officer finds himself sorely tempted to use dishonest means to advance his political career. Things get even more muddled up when he falls in love with a female murder suspect. ~ Sandra Brennan, All Movie Guide

Alcoholic Bill Cannon's (Dan Duryea) past sins catch up with him in Chicago Calling. Cannon's daughter Nancy (Melinda Plowman) is seriously injured in an accident while out of town, and his wife Mary (Mary Anderson) has promised to call him back as soon as she learns the result of Nancy's operation. Unfortunately, Cannon's phone service is cut off for nonpayment, forcing him to go begging for the $50 necessary to square his phone bill. Only through the kindness of waitress Peggy (Marsha Jones) and telephone engineer Jim (Ross Elliot) is Cannon able to make the crucial call to his wife. Alas, the operation has proved unsuccessful. Will the impact of this tragedy push Cannon over the brink, or will it inspire him to seek out a new lease on life? ~ Hal Erickson, All Movie Guide

A barely disguised rip-off of 20th Century-Fox's all-female Tail Spin (39), Warner Bros.' Flight Angels is an inexpensive "tribute" to airline stewardesses. Among the angels of the title are haughty Virginia Bruce and hoydenish Jane Wyman, who in one scene actually come to blows over their long-simmering rivalry. Dennis Morgan, Wayne Morris and Ralph Bellamy are among the men who do the "real" work above the clouds. The climax involves a pilot who loses his sight, compelling the stewardess on board to perform "above and beyond " etc. Keep an eye out for Flight Angels bit players Jan Clayton, later Tommy Rettig's mother on the TV series Lassie; and DeWolfe Hopper Jr., who changed his name to William Hopper and played Paul Drake on Perry Mason. ~ Hal Erickson, All Movie Guide

Henry Aldrich for President was the second of Paramount's "Henry Aldrich" series to star Jimmy Lydon in the teenaged title role. This time Henry is pitted against an arrogant jock for the presidency of the Centerville High School student council. Henry's chances don't seem bright, especially since a pompous teacher (Lucien Littlefield) is writing the opponent's speeches for him. As often happens in these films, a misunderstanding threatens not only to lose Henry the election but to get him expelled from school as well. Somehow the plot is resolved by a wild climactic airplane ride, with hapless Henry at the controls. ~ Hal Erickson, All Movie Guide

Gig Young was just beginning to toughen up his previously lightweight screen image when he starred in Hunt the Man Down. In a tense, tight, 68 minutes, public defender Paul Bennett (Young) dedicates himself to freeing an innocent man who has already spent 12 years in jail. Accused of murder, transient Richard Kinkaid (James Anderson) had been unable to afford proper legal representation at his first trial. With no new evidence, Bennett is obliged to solve the murder himself, and to do that he must track down the original witnesses to the crime. The cast is a film buff's paradise, ranging from leading ladies Lynne Roberts and Carla Balenda to featured players Harry Shannon, Iris Adrian, Mary Anderson, Gerald Mohr, Cleo Moore and prolific voiceover artist Paul Frees. ~ Hal Erickson, All Movie Guide

A onetime pilot, now a convicted killer in the custody of the FBI, is the only hope of an overseas flight carrying a bomb. ~ Jason Ankeny, All Movie Guide

Seeking a creative challenge after several years' worth of fairly elaborate melodramas, director Alfred Hitchcock stages all of the action in Lifeboat in one tiny boat, adrift in the North Atlantic. The boat holds eight survivors of a Nazi torpedo attack: sophisticated magazine writer/photographer Constance Porter (Tallulah Bankhead), Communist seaman John Kovac (John Hodiak), nurse Alice MacKenzie (Mary Anderson), mild-mannered radio-operator Stan (Hume Cronyn), seriously wounded Brooklynese stoker Gus Smith (William Bendix), insufferable-capitalist Charles Rittenhouse (Henry Hull), black-steward George Spencer (Canada Lee) and half-mad passenger Mrs. Higgins (Heather Angel), who carries the body of her dead baby. This adroitly calculated cross-section of humanity is reduced by one when Mrs. Higgins kills herself. After a day or so of floating aimlessly about, the castaways pick up another passenger, Willy (Walter Slezak), who is a survivor from the German U-boat. At first everyone assumes that Willy cannot speak English, but when the necessity arises he reveals himself to be conversant in several languages and highly intelligent; in fact, he was the U-boat's captain. As the only one on board with any sense of seamanship, Willy steers a course to his mother ship, while the others resign themselves to being prisoners of war. After it becomes necessary to amputate Gus's leg, Willy decides that the burly stoker is excess weight; while the others sleep, he tosses Gus overboard, watching dispassionately as the poor man drowns. When the rest of the passengers discover what he's done, all of them (with one significant exception) violently gang up on Gus, and once more, the lifeboat drifts about sans navigation. ~ Hal Erickson, All Movie Guide

Somewhat similar to John Ford's Wagon Master (1950), Passage West deals with a band of religious pioneers, led by a peace-loving minister (Dennis O'Keefe), heading across the desert. Along the trail, the travellers are forced to accompany with six escaped convicts who join the wagon train. The criminals range from basically decent to homicidal, resulting in fluctuating tensions throughout the westward trek. John Payne, one of the more compassionate convicts, is further humanized by his affection for leading lady Arleen Whelan. Passage West was a B-plus production from Paramount's prolific Pine-Thomas unit. The screenplay was cowritten by Nedrick Young, just before his career was retarded by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide

In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?

The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide

Written by murder-mystery specialist Craig Rice, The Underworld Story concerns a corrupt newspaperman (Dan Duryea), who is in the pocket of a gangster (Howard da Silva). When he's fired by a big-city paper, the newsman buys an interest in a small-town weekly. It is while thus occupying that man reforms, devoting himself to clearing a black woman falsely accused of murder. Gale Storm co-stars as Duryea's assistant, who helps him expose an intricate and insidious conspiracy of silence. ~ Hal Erickson, All Movie Guide

Columbia Pictures put a goodly number of its contract starlets to work in the mild exploitationer Under Age. Fresh out of reform school, a bunch of delinquent girls fall in with a gang of crooks and are put to work as "hostesses" in a number of mob-controlled bars and cafes. The girls are expected to string along male customers so that the latter will squander their money on watered-down drinks and fixed poker games. When one gullible New Yorker is clipped to the tune of $18,000 worth of diamonds, the Law closes in. Nan Grey plays Jane Baird, who goes along with the B-girl racket until her sister (Mary Anderson) is bumped off by the minions of Big Boss Tap Manson (Alan Baxter). When first released, Under Age incurred the wrath of the Hays Office because of the film's preponderence of "sweater girls"-a 1941 euphemism for starlets with inordinately large breasts. ~ Hal Erickson, All Movie Guide