Mary Anderson Movies
Sixteen-year-old Alabaman Mary Anderson made her first screen appearance as Maybelle Meriweather in Gone With the Wind (1939). As a 20th Century-Fox contractee in the mid-1940s, she was seen in Hitchcock's Lifeboat (1943) and in the lavish biopic Wilson (1944). She ended her film career in 1953, occasionally reemerging on television, notably in the role of Catherine Harrington on the prime-time soaper Peyton Place. Mary Anderson was married to cinematographer Leon Shamroy, whom she met on the set of Wilson. ~ Hal Erickson, All Movie Guide
Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide
- 1940
'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, George Brent, (more)
In the 1580s, the Sea Hawks -- the name given to the bold privateers who prowl the oceans taking ships and treasure on behalf the British crown -- are the most dedicated defenders of British interests in the face of the expanding power of Philip of Spain. And Captain Geoffrey Thorpe (Errol Flynn) is the boldest of the Sea Hawks, responsible for capturing and destroying more than 50 Spanish ships and ten Spanish cities. His capture of a Spanish galleon, however, leads to more than he bargained for, in a romance with the ambassador's niece (Brenda Marshall) and the first whiff of a plan to put Spanish spies into the court of Elizabeth I (Flora Robson). Thorpe's boldness leads him to a daring raid on a treasure caravan in Panama which, thanks to treachery within Elizabeth's court, gets him captured and, with his crew, sentenced to the life of a slave aboard a Spanish ship. Meanwhile, Philip of Spain decides to wipe the threat posed by Elizabeth's independence from the sea by conquering the island nation with his armada. Thorpe, though chained to an oar, knows who the traitor at court is and plans to expose him and Philip's plans, but can he and his men break their bonds and get back to England alive in time to thwart the plans for conquest?
The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide
The Sea Hawk was the last and most mature of Flynn's swashbuckling adventure films, played with brilliant stylistic flourishes by the star at his most charismatic, and most serious and studied when working with Flora Robson, whom he apparently genuinely respected. Boasting the handsomest, most opulent production values of a Warner Bros. period film to date, The Sea Hawk was made possible in part by a huge new floodable soundstage. Another highlight was the best adventure film score ever written by Erich Wolfgang Korngold; and the script's seriousness was nailed down by various not-so-veiled references not to 16th century Spain but 20th century Nazi Germany. The movie was cut by over 20 minutes for a reissue with The Sea Wolf, and the complete version was lost until a preservation-quality source was found at the British Film Institute. Since then, that 128-minute version -- which actually contains a one-minute patriotic speech by Robson as Elizabeth that was originally left out of U.S. prints, as well as amber tinting in all of the Panamanian sequences -- has become standard. ~ Bruce Eder, All Movie Guide
- Starring:
- Errol Flynn, Brenda Marshall, (more)
- 1940
As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Edna Best, (more)
- 1940
An incredibly long but never dull adaptation of the Rachel Field best-seller, All This and Heaven Too was based on a once-notorious European scandal. Star Bette Davis, playing Henriette Deluzy-Desportes, is first seen as a French schoolteacher in a 19th century American seminary. When her supervisor, Reverend Henry Mortyn Field (Jeffrey Lynn), has questions to ask about her tainted past, Henriette relates her story in flashback. She had been hired by French duke De Praslin (Charles Boyer) to be the governess for his children. De Praslin's wife (Barbara O'Neil) was insanely jealous, so much so she inadvertently threw De Praslin and Henriette together. Henriette was willing to leave rather than cause more discord, but the influential wife vengefully refused to write a letter of recommendation (a bravura scene). Later, the impoverished Henriette was arrested as an accomplice in the murder of De Praslin's wife. The latter's position in French society stirred up volatile political ramifications, with Henriette innocently in the center of the storm. De Praslin committed suicide, exonerating Henriette on his deathbed, but she had already been condemned in the court of public opinion. Disgraced, she left for America to start life anew, which brings the story back to the present. Unable to continue running away from herself, Henriette confesses her past indiscretions to her students -- who promptly forgive her. Casey Robinson had a hell of a job adapting Rachel Field's cumbersome novel, but, by golly, he pulled it off. The performances in All This and Heaven Too are enhanced immeasurably by the lush Max Steiner musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Charles Boyer, (more)
- 1940
A barely disguised rip-off of 20th Century-Fox's all-female Tail Spin (39), Warner Bros.' Flight Angels is an inexpensive "tribute" to airline stewardesses. Among the angels of the title are haughty Virginia Bruce and hoydenish Jane Wyman, who in one scene actually come to blows over their long-simmering rivalry. Dennis Morgan, Wayne Morris and Ralph Bellamy are among the men who do the "real" work above the clouds. The climax involves a pilot who loses his sight, compelling the stewardess on board to perform "above and beyond " etc. Keep an eye out for Flight Angels bit players Jan Clayton, later Tommy Rettig's mother on the TV series Lassie; and DeWolfe Hopper Jr., who changed his name to William Hopper and played Paul Drake on Perry Mason. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Bruce, Dennis Morgan, (more)
- 1941
Bahama Passage is a leisurely bit of Technicolor exotica starring Madeleine Carroll and her future husband Sterling Hayden. Based on Nolson Hayes' novel Dildo Cay, the story takes place on a remote Bahaman island where the principal commodity-in fact, the only--is salt. The owner of the island is young Adrian (Sterling Hayden), who inherited Dildo Cay from his family. The stultifying dullness of life on the island has caused all the wives of Adrian's forebears to eventually descend into insanity, and it looks as though the same thing might happen to Adrian's sweetheart Carol (Madeleine Carroll), despite her uncanny ability to look after herself. While Carol does not go crazy, her presence on the island proves to be something of a jinx, resulting in dissension amongst the native population. The most striking aspect of Bahama Passage is the extremely casual clothing worn by the stars: Why, one would think that Paramount was trying to get the audience's mind off the film's slower passages by showing off as much cheesecake and beefcake as possible. ~ Hal Erickson, All Movie Guide
- Starring:
- Madeleine Carroll, Sterling Hayden, (more)
Something of a distaff Mr. Chips, schoolteacher Ella Bishop (Martha Scott) devotes her life to her work, ageing 50 years (from 19 to 69) in the course of the film. At a testimonial dinner on the occasion of her retirement, Miss Bishop's former students wonder why their beloved teacher never married. In flashback, the audience learns that town grocer Sam (William Gargan) has carried a torch for her for five decades, while she obliviously pursued unfortunate romantic relationships with weak-willed Delbert Thompson (Donald Douglas) and unhappily married John Stevens (Sidney Blackmer). Adapted by Stephen Vincent Benet from the melancholy novel by Bess Streeter Aldrich, Cheers for Miss Bishop was not only a tour de force for Scott, but also represented the screen debut of another young character actress, Rosemary De Camp. ~ Hal Erickson, All Movie Guide
- Starring:
- Martha Scott, William Gargan, (more)
- 1941
Columbia Pictures put a goodly number of its contract starlets to work in the mild exploitationer Under Age. Fresh out of reform school, a bunch of delinquent girls fall in with a gang of crooks and are put to work as "hostesses" in a number of mob-controlled bars and cafes. The girls are expected to string along male customers so that the latter will squander their money on watered-down drinks and fixed poker games. When one gullible New Yorker is clipped to the tune of $18,000 worth of diamonds, the Law closes in. Nan Grey plays Jane Baird, who goes along with the B-girl racket until her sister (Mary Anderson) is bumped off by the minions of Big Boss Tap Manson (Alan Baxter). When first released, Under Age incurred the wrath of the Hays Office because of the film's preponderence of "sweater girls"-a 1941 euphemism for starlets with inordinately large breasts. ~ Hal Erickson, All Movie Guide
- 1941
Henry Aldrich for President was the second of Paramount's "Henry Aldrich" series to star Jimmy Lydon in the teenaged title role. This time Henry is pitted against an arrogant jock for the presidency of the Centerville High School student council. Henry's chances don't seem bright, especially since a pompous teacher (Lucien Littlefield) is writing the opponent's speeches for him. As often happens in these films, a misunderstanding threatens not only to lose Henry the election but to get him expelled from school as well. Somehow the plot is resolved by a wild climactic airplane ride, with hapless Henry at the controls. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Smith, June Preisser, (more)
- 1942
James Lydon makes his second screen appearance as "typical" teenager Henry Aldrich in Henry and Dizzy. The plot complications begin insuinating themselves when Henry and his pal Dizzy Stevens (Charles Smith) inadvertently wreck an outboard motor. Our heroes spend the rest of the picture trying to raise the necessary 120 bucks to repair the damage before Henry's dad (John Litel) finds out. As a result, they wreak plenty more damage before the film's slapstick denoument at beautiful Lake Wopacotapotalong. As always, Henry and Dizzy scores its biggest points with its stellar supporting cast, including Maude Eburne as a snooty dowager, Warren Hymer as a cheeful bum, former "Our Gang" kid Carl "Alfalfa" Switzer as an obnoxious brat and future "Lois Lane" Noel Neill as Dizzy's waterlogged girl friend. ~ Hal Erickson, All Movie Guide
- Starring:
- Jimmy Lydon, Mary Anderson, (more)
The Song of Bernadette is a reverent recounting of the life of St. Bernadette of Lourdes. As a teen-aged peasant girl growing up in the tiny French village of Lourdes in the 19th century, Bernadette (Jennifer Jones) experiences a vision of the Virgin Mary in a nearby grotto. At least, she believes that she did. The religious and political "experts" of the region cannot accept the word of a silly little girl, and do their best to get her to renounce her claims. Bernadette's vision becomes a political hot potato for many years, with the authorities alternately permitting and denying the true believers' access to the grotto. No matter what the higher-ups may think of Bernadette, there is little denying that the springs of Lourdes hold some sort of recuperative powers for the sick and lame. Eventually, Bernadette dies, never faltering in her conviction that she saw the Blessed Virgin; years later, she is canonized as a saint, and the Grotto of Lourdes remains standing as a permanent shrine. The 20th Century-Fox people knew that The Song of Bernadette would whip up controversy from both the religious and the agnostic. The company took some of the "curse" off the project with a now-famous opening title: "To those who believe in God, no explanation is necessary. To those who do not believe in God, no explanation is possible." Jennifer Jones' performance in The Song of Bernadette won her the Best Actress Oscar in 1943. ~ Hal Erickson, All Movie Guide
- Starring:
- Jennifer Jones, Charles Bickford, (more)
Seeking a creative challenge after several years' worth of fairly elaborate melodramas, director Alfred Hitchcock stages all of the action in Lifeboat in one tiny boat, adrift in the North Atlantic. The boat holds eight survivors of a Nazi torpedo attack: sophisticated magazine writer/photographer Constance Porter (Tallulah Bankhead), Communist seaman John Kovac (John Hodiak), nurse Alice MacKenzie (Mary Anderson), mild-mannered radio-operator Stan (Hume Cronyn), seriously wounded Brooklynese stoker Gus Smith (William Bendix), insufferable-capitalist Charles Rittenhouse (Henry Hull), black-steward George Spencer (Canada Lee) and half-mad passenger Mrs. Higgins (Heather Angel), who carries the body of her dead baby. This adroitly calculated cross-section of humanity is reduced by one when Mrs. Higgins kills herself. After a day or so of floating aimlessly about, the castaways pick up another passenger, Willy (Walter Slezak), who is a survivor from the German U-boat. At first everyone assumes that Willy cannot speak English, but when the necessity arises he reveals himself to be conversant in several languages and highly intelligent; in fact, he was the U-boat's captain. As the only one on board with any sense of seamanship, Willy steers a course to his mother ship, while the others resign themselves to being prisoners of war. After it becomes necessary to amputate Gus's leg, Willy decides that the burly stoker is excess weight; while the others sleep, he tosses Gus overboard, watching dispassionately as the poor man drowns. When the rest of the passengers discover what he's done, all of them (with one significant exception) violently gang up on Gus, and once more, the lifeboat drifts about sans navigation. ~ Hal Erickson, All Movie Guide
- Starring:
- Tallulah Bankhead, William Bendix, (more)
- 1944
Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1912, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, All Movie Guide
- Starring:
- Alexander Knox, Charles Coburn, (more)
- 1945
In this prison drama, a stern hanging judge is assigned to take over a chaotic prison. There he imposes an almost inhumanly strict regimen of discipline on the inmates. He is similarly rigid and harsh with his own two children. Later his compassionate daughter befriends a wrongfully convicted model prisoner who works as the warden's chauffeur. His son becomes a hardened criminal and ends up incarcerated in his father's prison. There he and several other inmates conspire to bust out. Later he sees inmates threatening his father and sacrifices his life to save him. The enraged judge then shoots the convict who killed his son. In the end, the experience changes the judge who becomes a more humane warden in favor of prison reform. ~ Sandra Brennan, All Movie Guide
- Starring:
- Thomas Mitchell, Mary Anderson, (more)
- 1946
In this police drama, a busy precinct is thrown into chaos when the murdered corpse of a local detective is found in an abandoned car. Now the press is demanding to learn details. Meanwhile, an ambitious officer finds himself sorely tempted to use dishonest means to advance his political career. Things get even more muddled up when he falls in love with a female murder suspect. ~ Sandra Brennan, All Movie Guide
- Starring:
- Carole Landis, William Gargan, (more)
- 1946
Olivia De Havilland won the first of her two Academy Awards for To Each His Own. During World War I, De Havilland falls in love with a young soldier (John Lund). He is killed in battle before they can marry, leaving De Havilland to raise their child alone. She gives the baby up for adoption, then goes to work in the cosmetic business, working her way up to an executive post. While in London on business during World War II, Olivia comes face to face with her grown son (John Lund again), now a military officer himself. Though she resists revealing her true identity, mother and son are brought together by a wise old British peer (Roland Culver). Olivia De Havilland's Oscar win was doubly sweet in that To Each His Own was her first film after an enforced two-year absence, brought about when she sued Warner Bros. to get out of her restrictive contract. Long available only in washed-out TV prints, To Each His Own was eventually restored to its pristine 35-millimeter glory by the American Film Institute. ~ Hal Erickson, All Movie Guide
- Starring:
- Olivia de Havilland, Mary Anderson, (more)
In an on-the-run investigation, a female reporter is in a race against time to capture a prominent attorney who has been implicated in a murder committed years before when she receives an inside tip. As she collects evidence, she must stay one step ahead of him so that she doesn't become his latest victim. Good scripting and direction makes this a suspense-filled movie. ~ Tana Hobart, All Movie Guide
- Starring:
- Helmut Dantine, Mary Anderson, (more)
- 1950
Written by murder-mystery specialist Craig Rice, The Underworld Story concerns a corrupt newspaperman (Dan Duryea), who is in the pocket of a gangster (Howard da Silva). When he's fired by a big-city paper, the newsman buys an interest in a small-town weekly. It is while thus occupying that man reforms, devoting himself to clearing a black woman falsely accused of murder. Gale Storm co-stars as Duryea's assistant, who helps him expose an intricate and insidious conspiracy of silence. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Duryea, Herbert Marshall, (more)
- 1950
Generous amounts of stock footage from 1950's Fortunes of Captain Blood made its way into the Sam Katzman production Last of the Buccaneers. Paul Henreid plays famed buccaneer Jean Lafitte, who, after being chased out of Louisiana following the Battle of New Orleans, sets up shop on the island of Galveston. The American authorities leave Lafitte alone, so long as he confines his raids to Spanish vessels. But when one of Lafitte's lieutenants attacks an American ship, it's open season on the handsome pirate. Though Karin Booth is the nominal leading lady, second billing in The Last of the Buccaneers is bestowed upon Jack Oakie, who makes the most of the few comic opportunities he is given. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Henreid, Jack Oakie, (more)
- 1950
Gig Young was just beginning to toughen up his previously lightweight screen image when he starred in Hunt the Man Down. In a tense, tight, 68 minutes, public defender Paul Bennett (Young) dedicates himself to freeing an innocent man who has already spent 12 years in jail. Accused of murder, transient Richard Kinkaid (James Anderson) had been unable to afford proper legal representation at his first trial. With no new evidence, Bennett is obliged to solve the murder himself, and to do that he must track down the original witnesses to the crime. The cast is a film buff's paradise, ranging from leading ladies Lynne Roberts and Carla Balenda to featured players Harry Shannon, Iris Adrian, Mary Anderson, Gerald Mohr, Cleo Moore and prolific voiceover artist Paul Frees. ~ Hal Erickson, All Movie Guide
- Starring:
- Gig Young, Lynne Roberts, (more)
- 1951
Somewhat similar to John Ford's Wagon Master (1950), Passage West deals with a band of religious pioneers, led by a peace-loving minister (Dennis O'Keefe), heading across the desert. Along the trail, the travellers are forced to accompany with six escaped convicts who join the wagon train. The criminals range from basically decent to homicidal, resulting in fluctuating tensions throughout the westward trek. John Payne, one of the more compassionate convicts, is further humanized by his affection for leading lady Arleen Whelan. Passage West was a B-plus production from Paramount's prolific Pine-Thomas unit. The screenplay was cowritten by Nedrick Young, just before his career was retarded by the Hollywood Blacklist. ~ Hal Erickson, All Movie Guide
- Starring:
- John Payne, Dennis O'Keefe, (more)
- 1951
Alcoholic Bill Cannon's (Dan Duryea) past sins catch up with him in Chicago Calling. Cannon's daughter Nancy (Melinda Plowman) is seriously injured in an accident while out of town, and his wife Mary (Mary Anderson) has promised to call him back as soon as she learns the result of Nancy's operation. Unfortunately, Cannon's phone service is cut off for nonpayment, forcing him to go begging for the $50 necessary to square his phone bill. Only through the kindness of waitress Peggy (Marsha Jones) and telephone engineer Jim (Ross Elliot) is Cannon able to make the crucial call to his wife. Alas, the operation has proved unsuccessful. Will the impact of this tragedy push Cannon over the brink, or will it inspire him to seek out a new lease on life? ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Duryea, Mary Anderson, (more)
- 1952
Filmed on location in Mexico (one of several Hollywood-financed films of the 1950s to take advantage of the lower production and labor costs south of the border), One Big Affair stars Evelyn Keyes as Jean Harper, a scatter-brained American schoolteacher and Dennis O'Keefe as Jimmy Donovan, a stateside lawyer. When Jean is separated from her tour group, it is assumed that she's been kidnapped. In fact, she has fallen in love with fellow tourist Donovan, and has joined him in his journey to Acapulco. The local constabulary refuse to believe that Donovan isn't a kidnapper, and a zany chase across Mexico ensues. One Big Affair was produced by the estimable Benedict Bogaeus, on the verge of his lucrative association with RKO Radio, and director Allan Dwan. ~ Hal Erickson, All Movie Guide
- Starring:
- Evelyn Keyes, Dennis O'Keefe, (more)
In this suspenseful drama, based on a John Dickson Carr novel, blissfully happy newlywed Ruth Bowman (Jeanne Crain) boards a transatlantic ocean liner with her new husband John (Carl Betz). A few days later, however, John suddenly disappears. Ruth quickly discovers that her cruise ticket was made out under her maiden name, and that her "husband" never even bought one. To make matters worse, no one on board admits to ever having seen them together. Only the ship's doctor (Michael Rennie) believes the distraught bride's story. Together they discover the truth about her husband's disappearance. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Michael Rennie, (more)
