Joyce Nettles Movies

A family facing myriad disasters is forced to confront one on the form of their own son in this harrowing psychological drama from British filmmaker Simon Rumley. Donald Brocklebank (Roger Lloyd Pack) is a former British nobleman who has lost his peerage, and with it his fortune. The Brocklebank estate has fallen into disrepair, Donald's wife Nancy (Kate Fahy) is suffering from an advanced case of cancer that makes nearly any effort an agony, and their son James (Leo Bill) is a manic depressive with violent tendencies and the mind of a child. Only an operation that Donald cannot afford will save Nancy's life, so he has made plans to sell the estate in order to pay for the surgery and her subsequent care. However, Donald has to travel out of town for several days in order to complete the details of the sale. Donald has arranged for Mary (Sarah Ball), a nurse who has worked for the family before, to care for his wife while he's away, but Donald is forced to leave before Mary arrives. Determined to show his father that he's a responsible adult, James announces he'll be "looking after Mummy," locks Mary out of the house, disconnects the telephone, and stages a minor siege as Mary is determined to save Nancy's life. Nancy slowly slips into a panic as her brutal and incompetent son nearly claims her life, and matters become uglier when Mary contacts the police about the situation at the Brocklebank mansion. The Living and the Dead won the Jury Award in five categories (including Best Picture, Best Director and Best Actor) at the 2006 Austin Fantastic Fest. ~ Mark Deming, All Movie Guide

An estranged couple are brought back together as they run for their lives in a future world where science as well as emotions have gone haywire in this sci-fi drama from director Thomas Vinterberg. In the year 2021, the world seems to have become a very strange place; an unexplained ailment is causing children to drop dead on the streets of New York, ice storms and floods strike major cities without notice, summer is marked by periodic snowfalls, and a strange hole has appeared in the Ugandan sky that causes people to loose the grip of gravity and drift off into space. In the midst of all this, internationally known figure skater Elena (Claire Danes) is getting divorced from her husband John (Joaquin Phoenix) after an 18-month separation. John has arrived in New York City to have Elena sign the divorce papers, but after finally making his way through her entourage, he discovers her to be unhappy and out of sorts, and she asks him to stay. John soon learns that Elena and her staff have a secret -- David (Alun Armstrong), her manager, has had Elena cloned, and now there are three duplicates of her to stand in if she should be killed or injured. John's discovery puts both him and Elena in grave danger, and they are soon on the run from David and his underlings. Meanwhile, Marciello (Sean Penn) ponders the unstable state of the world as he flies from one place to another after a heroic dose of pills designed to combat the fear of flying. It's All About Love received its North American premier at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

A girl finds that both love and tragedy are a short walk from her house in this intimate drama. Jessica (Jenna Harrison) is a teenaged girl from a wealthy family living in a small community in the British countryside. Jessica enjoys exploring in the woods and sometimes rescues wounded animals; another youngster who spends a lot of time in the woods is Tom (Ben Whishlaw), a troubled soul who is obviously attracted to Jessica. Jack (Adrian Rawlins), a teacher at Jessica's school, lives in her neighborhood, and one night he rapes her; emotionally shattered, Jessica retreats to the woods, where she meets up with Tom. Unable to talk with anyone about the incident, Jessica finds herself bonding with Tom, and a tentative romance begins to grow between them. One day, Jessica stops by Tom's house to find him being molested by his father (Jonathan Hackett), who has hated his son ever since his wife died while giving birth to him. Tom avoids Jessica after he realizes she knows his secret, but when she's finally able to speak with him, she tells Tom about Jack's attack upon her, hoping to share their common shame and humiliation; to her surprise, Tom reacts with a startling and unexpected vehemence. My Brother Tom was shot on digital video equipment by cinematographer Robby Muller, well known for his camerawork for Wim Wenders and his ground-breaking work on DV with Lars Von Trier. ~ Mark Deming, All Movie Guide

Nine-year-old Tony (Jerry Maguire's Jonathan Lipnicki) has just moved with his parents (Tommy Hinkley and Pamela Gidley) to a small town in the Scottish Highlands, where his father is overseeing the building of a golf course for old squire Lord McAshton (John Wood). Tony is picked on by his new classmates and starts dreaming about vampires at night, until one fine evening his dreams seem to summon Rudolph (Rollo Weeks), an aristocratic, wee vampire. Rudolph is among the vegetarian variety of vampires, but tells Tony that his diet has weakened his flying powers. After Tony guides Rudolph to some unsuspecting cows, on whose blood his new friend feasts, a friendship is born. Rudolph introduces Tony to his father (Richard E. Grant), mother (Alice Krige), and siblings, all of whom have been in hiding for three centuries as they wait for a comet to pass by that will make them human if they possess a magic amulet. Rudolph's dad, however, is missing part of the amulet, which turns out to have been stolen by Rudolph's uncle centuries ago and is now in the possession of none other than Lord McAshton. To further complicate matters, a vampire hunter (Jim Carter) is skulking around and causing no end of trouble. ~ Rebecca Flint Marx, All Movie Guide

In this period drama laced with music and romance, Keith Carradine plays Dan "Magic Legs" Scott, a tap dancer who has enjoyed great success on the vaudeville circuit and the Broadway stage. However, Scott's tremendous ego, coupled with his compulsive skirt-chasing and bottomless thirst for alcohol, cripple his career, and by the late 1930s, he's convinced that his career as a hoofer is over. However, Scott's mother was originally from Estonia, and his manager Axelrod (Judd Hirsch) discovers that Scott is considered a hero in his mother's homeland. Axelrod arranges a tour of Estonia, where Scott is a tremendous success. Scott also finds romance overseas when he meets Deborah (Mia Kirschner), the daughter of a prosperous Jewish businessman; Deborah asks for private dancing lessons, and Scott, more than happy to oblige, soon begins instructing her in the ways of love, much to the chagrin of Deborah's fiancé, Max (Bronson Pinchot). But Scott is ignorant of Hitler's rise to power in Europe, and his new career in Estonia comes to a halt when he offends a Nazi official. The country is soon occupied by Russian forces, and Deborah, now carrying Scott's child, escapes to the United States. However, when Scott's passport is destroyed, he's unable to prove his identity or American citizenship; he's sent to a labor camp in Siberia, and while he's able to escape to Moscow, by the late 1950s he's still looking for a way to get back to America. This film debut of noted Russian stage director Sasha Buravsky also features Brian Dennehy, Kim Hunter, and Mercedes Ruehl. ~ Mark Deming, All Movie Guide

When RKO Pictures began work on production number 281, no one could have imagined that they were making perhaps the greatest American film of all time. But the moment Orson Welles (played by Liev Schreiber) announced that he intended to make a film based on the life of tyranical multi-millionaire publisher William Randolph Hearst (James Cromwell), they knew that they had trouble on their hands. Welles, the enfant terrible of American theater and a household name thanks to his infamous radio adaptation of H.G. Wells's "The War Of The Worlds," was signed to direct films for RKO, and he was given an unusually free hand to make whatever sort of film he wanted. But what Welles didn't count on was the power of Hearst to keep his film from being seen. RKO 281 is based on the true story of the making of Citizen Kane and the war of words between Welles and Hearst. It also stars Melanie Griffith as Hearst's mistress Marion Davies, John Malkovich as screenwriter Herman Mankiewicz, Brenda Blethyn as Hearst's movie columnist Louella Parsons, and Roy Scheider as George Schaefer. ~ Mark Deming, All Movie Guide

The first feature by Bill Brookfield, Milk is an offbeat British comedy about a family in mourning. The death of an 81-year-old woman sets the scene for this tale about family funerals and the difficulty of burying one's mother. Adrian is an unmarried, unworldly, and unstable dairy farmer dissatisfied with his life. He has had his share of youthful ambitions, but now all he is capable of doing is sloping after dairy cows. Between his filial duty to his bed-ridden cosmopolitan mother Lucy and his obligation to the dairy farm, he has never had a chance in life until his mother suddenly dies. Set in the Wiltshire countryside, the action begins when Adrian discovers her body and ends with its offbeat disposal 48 hours later. His first reaction is to execute his mother's pet parrot and confiscate her precious painting before his extended family swarms the dilapidated farmhouse to pillage her loot. They all want a piece of Lucy and they all have conflicting plans for the funeral. But Adrian intends to surprise them on both counts. The idea that a family member's death brings out the true nature of family dynamics is not a novelty in cinema, but Brookfield dabs the subject with local color, gently poking fun at the quarrels of people whose blood ties do not guarantee similarities of character. ~ Gönül Dönmez-Colin, All Movie Guide

Adapted from a stage play by Sharman McDonald, this film marks the directorial debut of British character actor Alan Rickman. Set against a bleak winter landscape of rural Scotland, the story centers around the recently widowed Frances (Emma Thompson) and a visit from her mother, Elspeth (Phyllida Law, Thompson's real-life mother). Elspeth seeks to console Frances, but Frances resists. The mother and daughter have a prickly relationship. While they thrust and parry emotionally, Frances' son Alex (Gary Hollywood) longs for the tomboy Nita (Arlene Cockburn). Two young boys, Tom (Sean Biggerstaff) and Sam (Douglas Murphy), are in the neighborhood looking for adventure. Two older women, Chloe (Sandra Voe) and Lily (Sheila Reed), go to funerals of strangers. The epidosic film eventually ties together all these characters in a surprising way, but the core of the drama is the evolution of the difficult mother-daughter relationship. ~ Michael Betzold, All Movie Guide

With Breaking The Waves, director Lars von Trier fashions an often disturbing tale of the singular power of love. Bess (the Oscar-nominated Emily Watson) is a naïve, borderline simple young woman who lives in a Scottish coastal town ruled by the religious doctrine of its council of elders. Recovering from a mental breakdown caused by the death of her brother, Bess marries a rough yet compassionate and attentive oil rig worker named Jan (Stellan Skarsgård). For a brief time, the couple enjoys peaceful wedded bliss, with the worldly Jan introducing Bess to the mysteries of sex. Jan must soon return to his job on the rig, however, where he is paralyzed from the neck down in a freak accident. Bess' emotional trauma over Jan's injury turns into obsession as she prays to God for his recovery and offers to do anything to have her husband back whole. Jan, constantly medicated and profoundly depressed, asks Bess to have sex with other men and tell him about it, thinking this will allow her to return to a normal life. Bess, on the other hand, sees it as an expression of her devotion to Jan that even God won't be able to ignore. Bess' resultant downward spiral leads to a finale of both tragedy and spirituality. Breaking the Waves is widely regarded as one of the most distinctive European movies of the 1990s, marking von Trier's movement toward his influential Dogma 95 school of filmmaking, which emphasizes realistic situations of contemporary life, filmed without background music and with a hand-held, restlessly moving camera. ~ Don Kaye, All Movie Guide

Adapted from the novel by James Herbert, this subtle, melancholy British chiller owes a great deal to Henry James's The Turn of the Screw. The story opens with a chilling prologue in 1905 England, in which a young boy fails to prevent the accidental drowning of his sister. As a young man, David (Aidan Quinn) is still tormented by guilt and remorse. After several years in the United States, David returns to England to continue his work researching and debunking claims of the supernatural. His latest investigation into the alleged haunting of Edbrook Manor -- at the behest of the Marriell's family nanny, Tess (Anna Massey) -- introduces him to the eccentric company of the lovely Christina Mariell (Kate Beckinsale) and her brothers Robert and Simon (Anthony Andrews and Alex Lowe). Despite repeated warnings from Tess that mischievous spirits are at work, David refuses to concede that the house is haunted -- until the angelic vision of his drowned sister reveals the true nature of his strange hosts. The rich period setting lends a classy Merchant Ivory touch to the film, and the high production values indicate the guiding hand of executive producer Francis Ford Coppola, but the performances are a bit too cold and detached to provide any legitimate tension. Fans of the classic 1961 film The Innocents will not find the central mystery particularly challenging. ~ Cavett Binion, All Movie Guide

In France in 1452, the dark superstition of the Medieval era was beginning to give way to the more enlightened attitudes of the Renaissance. But the changes were slow in coming, as Richard Courtois (Colin Firth) learns when he moves to the country village of Abbeville, owned and ruled by the Seigneur (Nicol Williamson). Courtois is a lawyer, or an "advocate" as they were called in those days, and the Seigneur has hired him to act as a public defender for those who cannot provide their own legal counsel. One odd remnant of the dark ages that Abbeville has not purged from its legal system is the practice of prosecuting animals as well as humans for crimes; as Courtois arrives, he nearly witnesses the execution of both a man and a donkey who were found guilty of bestiality (the donkey was spared at the last minute because it could not be proved that she consented to the act). So Courtois is not exactly surprised when one of his first cases finds him defending a pig against charges of murdering a small child. Courtois soon discovers that the pig belongs to Samira (Amina Annabi), a beautiful gypsy woman he finds himself falling in love with. Losing the pig would mean losing many meals down the road, so to win Samira's good tidings, Courtois must prove the pig innocent -- which means finding the real killer. However, since the Seigneur is eager to see Courtois (or anyone, for that matter) marry his daughter Filette (Lysette Anthony), his affection for Samira may not be good for his future employment prospects. This period comedy/drama also features Donald Pleasance, Ian Holm, and Michael Gough. ~ Mark Deming, All Movie Guide