Max Cullen Movies

This patchy, uneven combination of fantasy and musical comedy is hilarious in parts and embarrassing in others, though the premise has great potential in itself -- a screwball Captain Invincible is out to save the world from his nemesis, Mr. Midnight, the white supremacist. Captain Invincible (Alan Arkin) is wallowing in his cups in the Australian outback when he receives an unusual call from the American President asking for his help. Unusual because the Captain had no choice but to go into exile after Joseph McCarthy's Un-American Activities Committee became suspicious of his red cape, and he has never been sober enough to recover from the shock. This history is given in a mock newsreel at the beginning of the film. But now Mr. Midnight is threatening to dismember New York City by convincing all the ethnic groups to live along the seashore. Once they are situated on beachfront property, he will blast out a crack in the earth behind them, cut their connection to the mainland, and send them drifting off into the Atlantic. It seems the dastardly Midnight has stolen the ultra-secret hypno-ray and can slice off New Jersey whenever he wants. Weakened by depression and alcohol, Captain Invincible is nursed back to full throttle by Patty Patria (Kate Fitzpatrick) and is soon ready to zoom over Sydney to the far side of the globe -- after practicing in harness in front of rear-projected scenes. Meanwhile, Mr. Midnight and his sidekick are all set to defend their turf, and their ability to slice it up -- though the (American) patriotic sentimentality that prevails in the end, after several other songs have come and gone, is summarized in a rendition of "God Bless America" that conflicts with the opening scenes and may leave foreign audiences cold. ~ Eleanor Mannikka, Rovi

Ron (Jon Blake), a young man in his late teens or early 20s, but emotionally younger, has no visible, employable assets, including the ability to articulate, yet he rails at his status in life -- blaming everyone for the fact that his dreams are not coming true. Actually, his main dream is driving down the highway in a Porsche with a sophisticated woman in the passenger seat -- and in this dream, an ominous-looking black limousine just ahead of him starts swerving back and forth and finally dives off the edge of a cliff. In order to fulfill his fantasy, he steals a Porsche and takes off down the road. While on his joy ride, he stops at a roadside eatery and meets the errant Sally, who is on her way to retrieve her baby from a pair of foster parents. The two set off together, and nothing at all goes their way -- Sally fails in her mission, Ron runs down a policeman then has to get rid of Sally and devise some way to escape the law -- now after him in force. ~ Eleanor Mannikka, Rovi

Mike (Terry Serio) is an attractive, sexually appealing factory worker and Fox (Richard Moir) is his racing nemesis. Both are after the same woman, Julie (Debbie Conway), dueling it out on the road and in personal encounters. Julie and Mike (whom she favors) go to an odd blind man named Rebel to get some help in winning the races -- blind or not, he still seems to know the most about cars -- and maybe he will make the difference in the competition with Fox. ~ Eleanor Mannikka, Rovi

As this gritty drama about a young teen's fight to overcome her past begins to unfold, flashbacks are interspersed with the present-tense story. This technique keeps viewers wondering exactly where Sam (Tracey Mann) is going: in the direction that led her to jail, or towards a normal life? After she gets out of prison, her old friends and a corrupt cop named Brady (Bill Hunter) provide formidable obstacles. They all see her as a rebellious delinquent in spite of her efforts to change. Faced with nearly insurmountable odds, Sam's struggle for her future is not going to be easily won. Mann won a 1980 Best Actress Award from the Australian Film Institute for her performance. ~ Eleanor Mannikka, Rovi

Both actress Judy Davis and director Gillian Armstrong made a big splash on the international scene with this charming Australian film that examines late 19th century Australian society from the perspective of a headstrong woman who refuses to follow convention. The film charts the developing self-awareness of Sybylla Melvyn (Judy Davis) as she grows from an insecure tomboy to a self-assured woman. Sybylla wants to be a writer and stuns her family and friends by her insistence on following her dream. Despite the objections of her family acquaintances, she rejects the marriage proposal from the rich Harry Beecham (Sam Neill) to continue going her own way, in spite of the odds stacked against her in a repressive Victorian environment. ~ Paul Brenner, Rovi

Based on a novel by Colin Theile, the Australian Blue Fin stars Hardy Kruger as a taciturn tuna boat captain. Kruger's son, played by Greg Rowe, can't do anything to please his demanding dad. Hoping to prove his worth, Rowe puts his life-and sometimes other lives-on the line. A big box-office hit in Australia, Blue Fin failed to make a dent in the US. Perhaps it would have fared better had it been released after the internationally popular Aussie film Man From Snowy River. ~ Hal Erickson, Rovi

In this Australian comedy-drama, ennui stricken employees of the Public Service Department go to their annual picnic and let it all hang out. ~ Sandra Brennan, Rovi