Mike Post Movies

With the eighth-season departure of series regular Carey Lowell as ADA Jamie Ross, Angie Harmon joined the cast of Law & Order at the beginning of its ninth season. Harmon, of course, played Ross' replacement, ADA Abbie Carmichael, who, if anything, was even more zealous in her pursuit of justice than her new partner Jack McCoy (Sam Waterston). Having racked up a 95 percent conviction rate while working in Special Narcotics, Carmichael tackled her new job with a zeal and ferocity that shocked even the ruthless McCoy -- to say nothing of her sanguine boss, DA Adam Schiff (Steven Hill). There were no ninth-season changes amongst the series' detectives, with Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) continuing to track down clues and collar perps under the supervision of Lt. Van Buren (S. Epatha Merkerson). However, actor Bratt was anxious to pursue other professional vistas, and thus it was arranged to write Rey Curtis out of the series during the final episode, explaining that he had requested a desk job so that he could devote more time to his wife, who was suffering from multiple sclerosis. But before his character's departure, Bratt managed to persuade his then-girlfriend, cinema superstar Julia Roberts, to appear in a guest role in the episode "Empire." The result was one of Roberts' finest performances, which earned the actress an Emmy. Of the many headline-inspired episodes in season nine, one was a standout: "Sideshow," the series' third and final crossover with the NBC crime drama Homicide: Life on the Street. Clearly inspired by the ongoing efforts to impeach President Bill Clinton, the episode featured a somewhat sinister independent counsel named William Dell, who, as played by George Hearn, bore a striking resemblance to the much-maligned Kenneth Starr. Law & Order closed its ninth season with a powerful two-parter involving the Russian mafia. On this occasion, Carolyn McCormick made a return visit to the series as former police psychologist Dr. Elizabeth Olivet, a recurring character who had been more or less supplanted during the previous two seasons by J.K. Simmons as Dr. Emil Skoda. ~ Hal Erickson, All Movie Guide

Fans of Law & Order -- and there were many, many more than there had been in previous years -- were somewhat surprised that the series entered its eighth season with no changes in the regular cast. detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) were still upholding the "Law" at the behest of their NYPD boss Lt. Van Buren (S. Epatha Merkerson), while ADAs McCoy (Sam Waterston) and Ross (Carey Lowell) continued to maintain "Order" on behalf of their superior, DA Adam Schiff (Steven Hill). In other carryovers from past seasons, the series staged its second crossover with the NBC crime drama Homicide: Life on the Street with the episode "Baby, It's You;" as before, selected Homicide cast members appeared on Law & Order, and vice versa. Also keeping in the tradition of its past, the series took home its third Emmy award for Outstanding Cinematography. In addition, the series continued tackling issues that were very much in the news. For example, the episode "Castoff" addressed the culpability of TV violence in fomenting real-life violence. Much more so than in previous seasons, the series boasted a number of narrative throughlines that enhanced its sense of reality and continuity. McCoy's questionable tactics in prosecuting a drunk driver in "Under the Influence" came back to haunt him in the season finale. Likewise, in that same episode, Cliff Gorman was introduced as a politically ambitious judge named Gary Feldman, who hoped to win the DA's office from Schiff in the upcoming election. Feldman received unexpected support in the form of powerful (and paranoiac) millionaire Carl Anderton (Robert Vaughn), who would not forget being "betrayed" by Schiff in the episode "Burned." Both Feldman and Anderton would converge upon the DA in the aforementioned series finale, which also boasted a subplot involving ADA Jamie Ross. To accommodate the fact that actress Carey Lowell planned to leave the series, Ross decided to retire to private practice so that she could devote her spare time to her second husband -- and to an ongoing child-custody battle with husband number one. And in more glimpses of the characters' private lives, Jennifer Bill appeared in a brace of episodes as Cathy Briscoe, the troubled, estranged daughter of detective Lennie Briscoe. The brevity of Bill's contribution to Law & Order was due to a devastating plot twist which threatened to push Briscoe over the edge and back into the bottle he'd successfully abandoned years earlier. ~ Hal Erickson, All Movie Guide

The fourth season of NYPD Blue saw the introduction of two important new cast members: Andrea Thompson as Detective Jill Kirkendall, fearless crime-fighter, single mother, and potential threat to the burgeoning romance between Det. Bobby Simone (Jimmy Smits) and Det. Diane Russell (Kim Delaney); and Lourdes Benedicto as Gina Colon, one of several novice 15th precinct administrative assistants, and the new love interest for Det. James Martinez (Nicholas Turturro). While Andrea Thompson would ultimately be promoted to series regular, Lourdes Benedicto remained among the recurring-character ranks, albeit a prominent one. In other developments, Det. Greg Medavoy (Gordon Clapp) went on a crash diet and somewhat reluctantly volunteered to be the father of gay cop Abby Sullivan's (Paige Turco) baby; Bobby Simone inherited a shabby Brooklyn apartment building, involving him in a whole new crop of oddball characters, chief among them surly building super Henry Coffield (Willie Garson); combustible Det. Andy Sipowicz (Dennis Franz) continued to behave in an unpredictable fashion from one day to the next, though he was considerably humanized by his newborn son Theo (the mother, of course, was Assistant DA Sylvia Costas [Sharon Lawrence]); and recovering alcoholic Diane Russell, beset by professional and personal woes, suffered a nervous breakdown.

Of the major story arcs, two involved delicate and potentially deadly undercover operations. Diane Russell was assigned to get "close" to handsome, hair-triggered mob functionary Jimmy Liery (Christopher Meloni); it was the grim outcome of this case that nearly pushed Diane over the edge and back into a bottle. And, prodded by the Feds, who were anxious to build a case against hoodlum Joey Salvo (Peter Onorati), Bobby Simone infiltrated Salvo's circle of friends and performed a few conspicuous "favors" for Joey. The fact that Bobby's covert activities aroused the suspicions of Internal Affairs very nearly lost Simone his badge -- and also set the stage for season four's cliffhanger finale. As was the case in the three previous years, NYPD Blue collected quite a few statuettes at the annual Emmy awards presentation. Dennis Franz copped his third Emmy as Outstanding Lead Actor; Kim Delaney was honored as Outstanding Supporting Actress; and David Milch, Stephen Gaghan, and Michael R. Perry shared an award for their scripting of the episode "Where's 'Swaldo?" ~ Hal Erickson, All Movie Guide

Like all good Steven Bochco projects, NYPD Blue continued to grow, evolve, and push the envelope throughout its third season. The year was a mixed one for the 15th precinct's most mercurial detective, Andy Sipowicz (Dennis Franz). Though he had found a measure of domestic tranquility with his new significant other, Sylvia Costas (Sharon Lawrence, one of three series actors promoted this season from recurring to regular-character status), Andy suffered a professional setback of his own making by sparking a racial crisis which required every diplomatic resource that his superior Lt. Fancy (James McDaniel) could conjure up to keep from getting completely out of hand. More tragically, Andy suffered the loss of his 18-year-old son from a previous marriage, rookie cop Andy Sipowicz Jr. (Michael DeLuise), who was mowed down in a street shooting. But after almost relapsing into alcoholism and losing his capacity to continue functioning on his job, Andy found renewed hope and strength in the love of Theo, his new son by Sylvia. As for the other main characters, Det. James Martinez (Nicholas Turturro) was, like Andy Jr., shot down in a street ambush, but despite a brief period of paralysis, he managed to return to active duty. Martinez also continued in his efforts to woo and win Det. Adrianne Lesniak (Justine Miceli, the second of three NYPD Blue actors promoted this season from recurring to regular status), but she remained hesitant to start up another romance with a fellow officer, and by the end of the third season, Lesniak would be gone -- but not before a curious relationship developed between her and gay cop John Irvin (Bill Brochtrup). And unhappily married Det. Greg Medavoy (Gordon Clapp) couldn't quite make a full commitment to his interdepartmental sweetheart, PAA Donna Abandando (Gail O'Grady), who like Adrianne would exit the 15th precinct this year, moving to California for a better-paying job with a computer firm. Kim Delaney, who as undercover detective Diane Russell also graduated to regular status after serving her recurring-character apprencticeship during the previous season, emerged as the most fascinating of the NYPD Blue regulars during season three. Struggling to overcome her alcoholism with the help of AA sponsor Andy Sipowicz, Diane experienced some rough sledding when her abusive father was shot to death and her long-suffering mother stood trial for murder. On a more positive note, it was obvious that Diane and Detective Bobby Simone (Jimmy Smits) were strongly and passionately attracted to one another -- a plot development that would carry far more weight in the seasons to come. Series star Dennis Franz won his second Emmy award for his continuing performance as Andy Sipowicz during NYPD Blue's 1995-1996 season. ~ Hal Erickson, All Movie Guide

Having all but defined the "police precinct" TV-series genre of the 1980s with his Hill Street Blues, Steven Bochco did the same for the 1990s with NYPD Blue, which joined the ABC Tuesday-night lineup on September 21, 1993. The setting was New York's fictional 15th Precinct, originally presided over by Lieutenant (and later Captain) Arthur Fancy (James McDaniel). Most of the stories revolved around the cases handled by a team of veteran cops, with one-half of that team represented by the thuggish, moody, emotionally unstable, but occasionally sensitive and sentimental Detective Andy Sipowicz (Dennis Franz). Andy's first partner was Det. John Kelly (David Caruso), who was just as tough as Andy but more compassionate. After all but ruining his career by trying to cover up a murder committed by his lover, mob-connected uniformed officer Janice Licalsi (Amy Brenneman), Kelly retired from the force. Also exiting the 15th around that same time was Kelly's ex-wife, attorney Laura Michaels (Sherry Stringfield), who'd been an eyewitness to the murder of the mob boss who nearly bumped off Sipowicz in the very first episode. Kelly's replacement was Detective Bobby Simone (Jimmy Smits), who devoted himself to his work to overcome the recent death of his wife. Like his predecessor, Bobby was the polar opposite of his partner Sipowicz, but the two managed to become friends. Eventually, Bobby would marry again, taking co-worker Det. Diane Russell (Kim Delaney) as his bride, but their happiness was tragically brief; by the end of NYPD Blue's 1997-1998 season, Bobby Simone was dead of heart failure. The grieving Diane found brief consolation in the arms of Simone's replacement, Det. Danny Sorenson (Rick Schroder), but eventually transferred out of the 15th. The demise of Bobby was also a crushing blow to Sipowicz, who had already lost his 18-year-old son, Andy Jr. (Michael DeLuise) in a shoot-out. Within the next few years, Andy would endure the death of his erstwhile sweetheart, Assistant DA Sylvia Costas (Sharon Lawrence), and also the passing of Bobby's replacement, Dan Sorenson, who was killed in a botched undercover operation. On a more upbeat note, Andy doted on Theo (Austin Majors), his son by Sylvia Costas; he enjoyed a December-May romance with Det. Connie McDowell (Charlotte Ross); and, surprisingly, in light of Andy's homophobia, he developed a close friendship with openly gay administrative aide John Irvin (Bill Brochtrup). Sipowicz also managed to get along with his new partner John Clark Jr. (Mark-Paul Gosselaar), even though Andy and John Clark Sr. despised each other.
Among the other prominent NYPD Blue characters over the years were Barrio-born Det. James Martinez (Nicholas Turturro), who had a short but torrid affair with Det. Adriene Lesniak (Justine Miceli) before being promoted to sergeant and transferred to another precinct; Martinez's replacement, Det. Baldwin Jones (Henry Simmons), who was romantically involved with new Assistant DA Valerie Heywood (Garcelle Beauvais-Nilon); unhappily married Det. James Medavoy (Gordon Clapp), whose main squeeze was voluptuous administrative assistant Donna Abandando (Gail O'Grady) -- at least until Donna quit police work to sign on with a major computer firm; Lt. Tony Rodriguez (Esai Morales), who replaced Lt. Fancy as "skipper" of the 15th precinct; and Det. Rita Ortiz (Jacqueline Obradors), who transferred to the 15th because her husband wanted to get her out of the vice squad. Beyond the above-catalogued intramural relationships and requisite excessive violence, NYPD Blue is best known for breaking down such network-TV taboos as profanity and nudity, though what seemed to be scandalous when the series originally signed on was virtually kid stuff in the early years of the 21st century. Consummately produced, directed, written, and acted, the series had not only ridden high in the ratings ever since its inception, but as of 2003, the program had garnered 15 Emmy awards. ~ Hal Erickson, All Movie Guide

NYPD Blue seemed destined to end before it began, with leading character Det. Andy Sipowicz (Dennis Franz) being gunned down in the very first episode. Andy would recover, but the person responsible for his wounds, mob boss Alfornse Giardella (Robert Costanzo), would prove to be the catalyst of many of the series' initial plot lines and subplots. Attorney Laura Michaels (Sherry Stringfield), ex-wife of Andy's partner, Det. John Kelly (David Caruso), turned out to be the sole eyewitness when Giardella was himself slain by his enemies. And, rather than do the bidding of Giardella crony Angelo Marino (Joe Santos), uniformed officer Janice Licalsi (Amy Brenneman), who had been forced into collusion with the Mob because of her on-the-take policeman father, cold-bloodedly murdered Marino -- a fact that would lead to grief and professional disgrace for Janice's erstwhile lover John Kelly. Other first-season NYPD Blue developments: The contentious Sipowicz almost begrudgingly entered into a romance with Assistant DA Sylvia Costas (Sharon Lawrence), who like Andy, had a serious problem with booze; the drug-addicted brother of Det. James Martinez (Nicholas Turturro) died of a drug overdose; precinct skipper Arthur Fancy (James McDaniel) had problems at home due to a custody battle over a foster child and Mrs. Fancy's difficult pregnancy; and unhappily married Det. Medavoy (Gordon Clapp) began an affair with sexy new administrative assistant Donna Abandando (Gail O'Grady). (Clapp and O'Grady were merely recurring characters this season, but would graduate to full "regular" status for season two). NYPD Blue closed out the 1993-1994 season by winning five Emmy awards, for best lead actor (Dennis Franz), best writer (Ann Biderman), best director (Daniel Sackheim), best art direction (Paul Eads, Mary Ann Biddle) and best casting (Junie Lowry-Johnson, Alexa L. Fogel). The series also endured the first of many cast defections, when Sherry Stringfield relinquished the role of Laura Michaels in order to accept a job on the new medical drama series ER. ~ Hal Erickson, All Movie Guide

In this drama, also titled "Great Pretender," an award-winning reporter, who has been demoted to nowhere position at his paper, reveals a government backed and highly corrupt land deal. ~ Sandra Brennan, All Movie Guide

100 Lives of Black Jack Savage was the pilot film for the very brief 1991 TV series of the same name. The ball begins rolling when Barry Tarberry (Daniel Hugh Kelly), a fugitive Wall Street raider, skips the country and heads for the Caribbean. He takes refuge in a crumbling castle, which is haunted by the ghost of pirate Black Jack Savage (Stoney Jackson), who has been roaming the castle halls for 300 years. Black Jack convinces Tarberry that if they team up to help rather than hurt people, both their souls will be saved. The pilot for 100 Lives of Black Jack Savage was first telecast March 31, 1991; the series itself debuted on April 5. ~ Hal Erickson, All Movie Guide

"In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories." With this pithy but all-inclusive prologue, thus began each hour-long episode of Law & Order, American network television's longest-running police drama.

This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.

The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The original cast included, on the side of "Law," chubby, hard-boiled veteran detective Sgt. Max Greevey (George Dzundza) and his younger, more athletic partner, Mike Logan (Chris Noth). Their supervisor was Captain Donald Cragen, played by Dann Florek. Once the detectives had completed their share of the work, the scene changed to the "Order" team of District Attorney Adam Schiff (played by Steven Hill), who appeared in all but the pilot episode, and a brace of intense, dedicated assistant DAs, the Caucasian Ben Stone (Michael Moriarty) and African-American Paul Robinette (Richard Brooks). The program's first season had several distinctions: In keeping with network's promise of delivering TV's top "action series," the scenes in which Greevey and Logan track down the perp are top-heavy with noise and violence (generally implied, but not always so), vertigo-inducing handheld camerawork and punchy background music. Also, individual scenes run a bit longer than the later short-and-sweet vignettes that would become the series' stylistic trademark. And unlike the relatively dispassionate detectives seen in later seasons, Greevey and Logan tend to become emotionally involved in their work; similarly, lawyers Stone and Robinette seem to take every legal setback personally, much more so than their successors in the series' subsequent years, although DA Schiff exhibits as much calm, stoic integrity in his first appearance as he would in his last, a decade later. Even in its earliest episodes, however, the emphasis is on the story rather than personalities: All we learn of the regulars' private lives is revealed in fragmentary fashion, and only when it bears some relevance.

Fans of the latter-day Law & Order will notice that the first season lacks the gender balance of the series' later years -- or, put more bluntly, the series was pretty much an "all boys' club." Although dozens of prominent actresses appeared in supporting roles, there were no regular female characters, a fact that tended to weaken the series' ratings in its formative seasons. Still, it would not be until the fourth season began in 1993 that any distaff characters would be added to the weekly lineup. One element of the series was established early on and would remain in place forever afterward: Most of the stories on Law & Order were "ripped from today's headlines," often with only the names changed to protect the innocent (?). In season one alone, the series offers fictionalizations of the Bernard Goetz subway shootings, the Menendez killings, the Central Park "Preppie Murder," the "Mayflower Madam," the Tawana Brawley imbroglio, and the Steinberg child-murder case. So close did the last-named episode come to the actual facts that the series' producers were compelled to include a disclaimer at the beginning of several episodes, assuring viewers that, although the story was inspired by real happenings, the script itself was otherwise purely a work of fiction. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide

Unspeakable Acts is the all-too-true story of a 1984 Dade County (Florida) sexual abuse case. Frank and Ilana Fuster (Gregory Sierra and Bess Meyer), who operate an upper-class day care center in a Florida suburb, are accused of committing appalling acts upon their young charges. The prosecution's case hinges on the testimony of one emotionally scarred child. Jill Clayburgh and Brad Davis play Lauri and Joseph Braga, the husband-and-wife child development specialists who must convince the abused youngster to testify without causing additional damage. ~ Hal Erickson, All Movie Guide

Premiering on NBC in 1989 and continuing for five seasons, Quantum Leap gained a cult following for its ability to balance the qualities of science fiction with the hour-long television drama format. Each episode features a different adventure as Sam Beckett (Scott Bakula) leaps through time, into different bodies, hoping to someday leap home. Along the way, Sam rights wrongs of the past with help from his hologram companion, Al (Dean Stockwell). In Quantum Leap: Pilot - 1956 viewers are able to see where it all began. Despite the fact that it isn't ready to be tested, Sam chooses to try out the accelerator and leaps into the body of a test pilot with little of his memory intact. After saving the pilot's family, Sam leaps, but rather than leaping back into the accelerator, he finds himself inhabiting the body of a minor league baseball player in 1968 with the task of winning the last game of the season. ~ Matthew Tobey, All Movie Guide

This crime drama is based on the true story of Billy Isaacs who with his brothers killed a family of six. The story unfolds from Billy's perspective and follows their exploits after they escape from a Maryland prison and embark upon the 13-day joyride from hell. During the journey, the boys go on an unparalleled spree of robbery and cold-blooded murder. They made it through 12 states before they were finally stopped. ~ Sandra Brennan, All Movie Guide