William Roberts Movies

Barret Oliver stars as robot boy Daryl (Data Analyzing Robot Youth Lifeform). The film begins with an intense chase through hairpin mountain roads as a helicopter chases after a racing automobile and the driver of the car shoves a young boy out of the door. The child is rescued and is adopted by Joyce (Mary Beth Hurt) and Andy (Michael McKean) Richardson, a well-meaning, childless couple. It is only after the Richardsons have adopted Daryl and find that the child can't stop hitting home runs that they realize their adopted son is, in fact, a robot. The Richardsons decide to take Daryl back home -- home being a top security research facility where scientists Dr. Jeffrey Stewart (Josef Sommer) and Ellen Lamb (Kathryn Walker) have "given birth" to the boy robot. Once at the research facility, the Richardsons realize that government forces are determined to destroy Daryl and anyone who knows about him. ~ Paul Brenner, Rovi

An orphan grows up to become an Old West legend as the story of the Lone Ranger comes to the big screen in this western saga featuring Christopher Lloyd and Jason Robards. Orphaned as a young boy, John Reid struck up a lifelong friendship with a loyal Indian boy named Tonto. Years later, Reid has become a lawyer and returned to the west in order to ensure that vicious murderers such as the Cavendish gang are brought to justice. Having previously murdered Reid's parents, the Cavendish gang proves that they still rule this lawless land when they launch an ambush that leaves the lawyer serious wounded and his Texas Ranger brother dead. Nursed back to health by his old friend Tonto, Reid dons a mask and sets out to pursue justice anonymously atop his faithful horse Silver. His timing couldn't be better, either, because the Cavendish gang is about to carry out their most ambitious misdeed to date by kidnapping President Ulysses S. Grant (Robards). Upon learning that the president has been abducted by the most violent gang in the Wild West, the Lone Ranger sets out to settle an old score while rescuing the man who will steer the fate of a nation. ~ Jason Buchanan, Rovi

Kirk Douglas produced, directed, and starred in this cynical western concerning Howard Nightingale (Kirk Douglas) a United States marshal who uses the pursuit of an outlaw to further his political career. Nightingale organizes a posse to track down Jack Strawhorn (Bruce Dern), a notorious bank robber. But Strawhorn turns the tables on Nightingale, kidnapping him and holding him hostage. He then demands that the posse pay $40,000 for Nightingale's safe return. In order to raise the money to free Nightingale, the posse must become bank robbers themselves. Meanwhile, Nightingale tries to insinuate himself with Strawhorn and cut a deal for his freedom. ~ Paul Brenner, Rovi

In what was billed as "The First East-Meets-West Western," Toshiro Mifune plays Kuroda, a samurai warrior who accompanies a Japanese diplomat to the United States. The diplomat has brought with him a golden, jewel-encrusted sword to present as a token of good will to the president, but as they travel by train through the west, they're ambushed by a pair of outlaws, Gauche (Alain Delon) and Link (Charles Bronson). Gauche and Link steal the sword, but Link leans the hard way about his partner's trustworthiness when Gauche double-crosses him and makes off with the booty. Since both Kuroda and Link have a grudge against Gauche, they warily join forces to track him down and return the sword to its rightful owner. Along the way, they have to deal with cultural conflict, Indian attacks, and encounters with beautiful women (played by Capucine and Ursula Andress). Given its cast and theme, Red Sun was predictably enough a major box-office success in Europe and Japan, but it passed through with little notice in the United States. ~ Mark Deming, Rovi

This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, Rovi

The lives and loves of a trio of airline hostesses is the whole story in this piece of fluff from MGM. Each of these perky women have cute and cuddly romances from an assortment of wealthy men as they offer coffee or tea on a flight from New York to Paris. Dolores Hart is searching for a rich sugar-daddy and thinks she's found one in a well-to-do baron (Karl Boehm). Lois Nettleton, on the other hand, opts for hooking a multi-millionaire Texan (Karl Malden). Pamela Tiffin, unluckier than the other two, finally flies starry-eyed for handsome pilot Hugh O'Brien. ~ Paul Brenner, Rovi

Japanese filmmaker Akira Kurosawa's The Seven Samurai (1954) is westernized as The Magnificent Seven. Yul Brynner plays Chris, a mercenary hired to protect a Mexican farming village from its annual invasion by bandit Calvera (Eli Wallach). As Elmer Bernstein's unforgettable theme music (later immortalized as the "Marlboro Man" leitmotif) blasts away in the background, Chris rounds up six fellow soldiers of fortune to help him form a united front against the bandits. The remaining "magnificent six" are played by Charles Bronson, Steve McQueen, Horst Buchholz, Robert Vaughn, James Coburn, and (the one that everybody forgets) Brad Dexter. Though jam-packed with action, William Roberts's screenplay pauses long enough to flesh out each of its characters, allowing the audience to pick their own favorites. The Magnificent Seven was followed by three sequels, not to mention dozens of imitations. ~ Hal Erickson, Rovi

The Sheepman was touted as a comedy by some of MGM's publicity people. It really isn't, but this western does have its lighthearted moments. Glenn Ford stars as a hard-bitten sheep farmer, running up against the opposition of cattle ranchers. Shirley MacLaine is a no-nonsense frontier girl who becomes the bone of contention between Ford and cattle baron Leslie Nielsen. Ford is able to get a leg-up in the community by humiliating Nielsen's top gun (Mickey Shaughnessy) in public. The range war comes to an end when Ford and Nielsen go one-to-one. Because The Sheepman didn't do well in its initial engagements, MGM reissued the picture under the more aggressive title The Stranger With a Gun. ~ Hal Erickson, Rovi

After a fruitful 15-year association, Greer Garson and MGM parted company with Her Twelve Men. The William Roberts-Laura Z. Hobson screenplay was adapted from Louise Baker's autobiographical novel Miss Baker's Dozen, the title of which pointed out the fact (which the film's title does not) that there are thirteen men in the story. Ms. Garson plays widow Jan Stewart, who after several years of marriage decides to create a new life for herself as a teacher at an exclusive boys' school. It takes her some time to win over her 13 troublesome students, but win them over she does. A more formidable task is to convince stodgy professor Joe Hargrave (Robert Ryan) that her teaching methods are viable; also doubtful of Jan's capability is Richard Y. Oliver (Barry Sullivan), the oil-rich father of her most contentious student (Tim Considine). Featured as another of the parents is Frances Bergen, the real-life wife of ventriloquist Edgar Bergen and the mother of Murphy Brown star Candice Bergen. ~ Hal Erickson, Rovi

In this musical comedy, a young woman inherits a race horse. She wants to race it but encounters difficulty with its trainer who wants to be able to buy the horse for himself. To do so, he makes sure the horse keeps losing races. The woman refuses to sell it. Later, race track con artists try to scam her. The trainer comes to her aide, and soon they fall in love. ~ Sandra Brennan, Rovi