David M. Thompson Movies

Last Resort opens as Tanya (Dina Korzun), a young Russian traveling to England with her son Artiom (Artiom Strelnikov), is questioned at a British airport's passport control. Tanya tells the official she is visiting England on a vacation, but then switches her story and says that her English fiancé is meeting her, and finally, out of desperation, asks for political asylum. She and Artiom are duly packed off to an immigrants' center in a grim coastal town, where they are given a small apartment and informed that their application for asylum will take over a year to process. After Tanya's fiancé dumps her over the phone, she gradually befriends Alfie (Paddy Considine), who runs an arcade. Alfie wins the trust of Tanya and her street-smart son, and soon Tanya must decide how far she wants to carry her relationship with this new friend. Last Resort was screened at the 2000 Edinburgh International Film Festival. ~ Rebecca Flint Marx, Rovi

After from escaping the clutches of his cruel master and making his way to a remote country railway station, a performing dog in Victorian England becomes a mascot for the local orphanage in this family friendly tale starring George Cole and Thomas Sangster. When the lonely but lovable pooch wanders on to a railway station on day, station porter Bob takes an immediate shine to the dog and names him Jim. Henry (Sangster) is a sad young boy from the local orphanage who longs for the train that will spirit him back to the long lost comforts of home. Though he never had anything to fight for in the past, Henry suddenly finds cause to stand up for himself and his fellow orphans when a malevolent businessman threatens to close the orphanage and steal their dog. To make matters worse, it seems that there's an assassin who's hatched a deadly plot to do away with the Queen. ~ Jason Buchanan, Rovi

A group of outsiders and misfits find each other -- with mixed results -- in this comic drama. Romeo (Andrew Shim) and Gavin (Ben Marshall) are neighbors in a working-class neighborhood in Nottingham. Romeo is a short, stocky, but tough black kid who's about 13; he lives with his no-nonsense mother Carol (Ladene Hall) and older sister Ladine (Vicky McClure) after the departure of abusive husband and father Joe (Frank Harper). Gavin is the same age, but he is taller, thinner, and walks with a bit of a limp; he's an only child who lives with his overprotective mom (Julia Ford) and weak-willed father (James Higgins). The boys make friends with a strange local character named Morell (Paddy Considine), who helps them in a fight with other boys and has an eye for Ladine. After Gavin plays a prank on Morell, he flies into a rage and cuts all ties with Gavin. When Romeo, however, finds that Morell has nowhere to stay, he offers him a room in his house, partly for friendship and partly in hopes it will keep his father away. The more Romeo hangs out with Morell, the less he sees his old friend Gavin (who is recuperating from surgery on his leg), but when Ladine loses interest in Morell, he becomes increasingly unstable until finally he finally erupts in violence. Bob Hoskins makes a cameo appearance as Gavin's tutor, while director Shane Meadows plays a fish and chips salesman. ~ Mark Deming, Rovi

The members of a British working-class family see their lives starting to come apart as the Nation prepares to celebrate Guy Fawkes Day (named for an anarchist who tried to blow up Parliament) in Michael Winterbottom's drama Wonderland. Eileen (Kika Markham) and Bill (Jack Shepherd) are a married couple with four grown children. Bill has lost his job and is drifting through life, unsure of what to do. He's also having sexual problems with Eileen, who is being driven insane by their noisy neighbors. Neither Bill nor Eileen have seen their son Darren (Enzo Cilenti) for a long time, and his birthday is a heartbreaking experience for them. (Darren, on the other hand, would prefer to celebrate his birthday by spending the night in a hotel with his girlfriend rather than seeing his parents.) Bill and Eileen also have three daughters, Nadia (Gina McKee), Debbie (Shirley Henderson) and Molly (Molly Parker). Nadia works in a cafe and has trouble meeting men; she's signed up with a dating agency, but has yet to meet anyone she likes. Debbie is suddenly a single mother after separating from her drunken lout of a husband. Debbie drowns her sorrows in a series of meaningless one-night-stands, while her husband flies into uncontrollable rages and their son is left with no one to turn to on either side. And while Molly's story seems happy on the surface -- she's soon to give birth to her first child and her husband has done well in kitchen sales -- she's suddenly thrown into instability when she finds her husband has quit his job, without telling her, to follow his dream of becoming a chef. Wonderland received enthusiastic reviews for its ensemble cast when shown at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

A loser looking for work is asked to become a hired killer in this dark comedy. Frank (Mark Addy)'s life is going nowhere when his mother throws him out of the house. Frank ends up sharing a house with his friend Kenny (Charlie Creed-Miles), who lives with his alcoholic grandfather and disabled brother. Frank is shooting the breeze with Kenny one day and mentions he was once in the service as a Special Air Services officer. Kenny, very impressed, offers Frank some work -- he'd like him to kill Donut (Alan Atherall), a low-level crook responsible for his brother's injury, along with Donut's girlfriend Jackie (Samantha Morton). Frank is taken aback but eventually agrees, and he shows up at Donut's place to discover that he's not in. Jackie, however, lets Frank inside, and Frank and Jackie get to know each other a bit as he waits for his target to show up -- and wonders if he really has the nerve to kill someone. The Last Yellow was screened at the 1999 Edinburgh Film Festival. ~ Mark Deming, Rovi

Continuing cinema's fascination with bringing the stories of handicaps and the mentally challenged to the big screen (Rain Man, My Left Foot, Shine, etc.), here comes a low-budget film about the unlikely love story of people brought together by fate, as well as 120 hours of community service. As a frustrated artist who can't build himself a flying machine, Richard (Kenneth Branagh) eventually finds himself in trouble with the law. As punishment for his eccentric behavior, he accepts community service in the company of Jane (Helena Bonham Carter), a strong-willed woman suffering from the neuromuscular disorder called ALS (otherwise known as Lou Gehrig's disease). As the two learn from each other, Jane turns to Richard with the biggest favor of all, helping her lose her virginity. What ensues is a romance/friendship that changes their lives forever. ~ Arthur Borman, Rovi

A sort of mannered, British version of The Odd Couple (1970), this drama won four of the seven major BAFTA Awards for which it was nominated. Albert Finney stars as Reggie Cunningham-Jarvis, a former Royal Air Force squadron leader who is utterly debilitated by the death of his wife, allowing his estate to decay. At the suggestion of a social worker, Reggie is paired with Roy Southgate (Tom Courtenay), a retired milkman, orderly homebody, and fellow recent widower. Roy moves in and begins caring for Reggie's manor, and an unlikely friendship between the two men develops, although Reggie treats Roy more as a servant than a roommate. Their relationship becomes tested, however, with the arrival of Lizzie Franks (Joanna Lumley), a shop owner hoping to seduce Reggie for his riches. ~ Karl Williams, Rovi

Simon Beaufoy, of The Full Monty, scripted this British romantic comedy-drama. Like The Full Monty, this is also set among the working class of Sheffield, England. With his pal Steve (James Thornton) and others, Ray (Pete Postlethwaite) paints electrical pylons across the Yorkshire countryside, and that work separates him from his wife. When young Australian hitchhiker Gerry (Rachel Griffiths) wants to join the paint crew, Ray signs her up. Despite the age gap, it's not long before they're a twosome. Gerry moves in with Ray, and at one point, they both run about nude in an abandoned nuclear power plant. When Gerry decides to seduce Steve, triangular tensions escalate. The BBC's Sam Miller made his feature directorial debut with this film, shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

In this debut feature film from young British writer-director Shane Meadows, an unemployed ex-boxer, Alan Darcy (Bob Hoskins), borrows money from a gangster to set up a boxing club in his small, gritty English city. Darcy narrates the story from his diary notes. Boxing saved him from a wasted youth, and Darcy promotes the idea to the town fathers as a gang-prevention strategy. The town's economy is in shambles and the young men have nothing to look forward to. Darcy gives them a reason to live and a dream, converting their violent energy to sport and fostering a sense of camaraderie and sportsmanship. First he wins them over by playing soccer with them, then he lures them into his lessons on boxing. He drives them hard to prepare them for their first match, against boxers from a rival local team. Darcy has the team poised to win when one of his best fighter's parents threatens to pull him from the match. ~ Michael Betzold, Rovi

Along a dark country road in Cumberland, England, a ghoulish woman in white steps from the shadows to confront a foot traveler, Walter Hartright (Andrew Lincoln), bound for Limmeridge House three miles off. She asks senseless questions: "You don't suspect me of wrong, do you, Sir? Why do you suspect me of wrong?" Hartright assures her he suspects her of no wrong, but she gibbers on. When a carriage happens by, the woman dissolves into the darkness and Hartright accepts the offer of a ride the rest of the way to Limmeridge House, a mansion where eccentric esquire Frederick Fairlie (Ian Richardson) has arranged for Hartright to tutor his nieces -- half-sisters Marian and Laura Fairlie -- in the art of drawing. Soon, Hartright falls in love with Laura, a wealthy heiress. Strangely, she is the near mirror image of the woman in white. Laura, in turn, falls in love with him. Marian, who wants only the best for Laura, approves of the romance. Unfortunately, Hartright loses his job when falsely accused of bad conduct. Before he leaves Limmeridge House, he warns Laura that she and her sister are in grave danger. Deeply disappointed in him, Laura ignores his caveat and fulfills a pledge to marry Sir Percival Gylde (James Wilby). He seems amiable and even invites Marian to live with him and Laura after the wedding. But when Laura returns from the honeymoon, she is melancholy and morose, hardly speaking a word to Marian. Glyde and a sinister visitor named Count Fosco (Simon Callow) are the reasons. Apparently, they are plotting to seize her inheritance using the tidiest of stratagems: murder. Meanwhile, dark secrets unravel involving Glyde's family background and the mysterious woman in white, and Hartright returns in an attempt to save the sisters and exorcise the evil possessing Limmeridge House. ~ Mike Cummings, Rovi

Five criminals with varying degrees of experience are brought together and torn apart by a major robbery in this hard-edged British drama. Ray (Robert Carlyle) was once a leftist political activist whose ideals were dashed by England's increasing political conservatism, while his close friend Dave (Ray Winstone) is an East End hard man with a long history in crime. Ray and Dave plan a heist that they expect will leave them set for life: the robbery of a major London security firm. Ray and Dave's new associates are Ray's one-time cellmate Stevie (Steven Waddington); Jason (Damon Albarn), whose uncle is veteran mobster Sonny (Peter Vaughn); and Julian (Philip Davis), an unstable young criminal with more ambition than experience. After the break-in, the gang discovers that their haul was far less than expected, which leads to infighting among the thieves over who should get how much, with violence and betrayal as the inevitable result. Face marked the screen debut for Damon Albarn, already well-known in England as the lead singer for the successful rock band Blur. ~ Mark Deming, Rovi

The wife of a British army officer falls in love with an African American G.I. in this made-for-cable World War II drama. When her unfaithful husband (Ciaran Hinds) goes off to war, small-town homemaker Maggie Leyland (Kerry Fox) spends her time caring for her young son (Rory Jennings) and helping with the war effort. She's therefore present at a dance the locals throw for a newly arrived platoon of black soldiers from the United States. Despite Maggie's prim and proper demeanor, an unlikely friendship develops between her and Travis Holloway (Courtney B. Vance), a private who works as an army cook and dreams of actually fighting in the trenches for his country. Although the townspeople give the black G.I.'s a pleasant reception, the American brass frets about fraternization between their African-American soldiers and the local lasses. The white soldiers stationed nearby bitterly resent the competition, causing trouble for both participants in any interracial romance. Nonetheless, as the friendship between Travis and Maggie deepens, they're unable to suppress their feelings for one another. Into this clandestine relationship steps Maggie's husband, who returns unexpectedly and promptly accuses Travis of rape when he discovers the couple making love. Based on true events, The Affair was filmed by House of Cards director Paul Seed for HBO. Malcolm X's Leland Gantt co-stars as one of Travis' fellow soldiers who also pays dearly for a romance with a British woman. ~ Brian J. Dillard, Rovi