Caro Jones Movies

Alien invaders descend upon a peaceful desert community and take over the minds and bodies of the residents. Now only a brave photographer can save them. ~ Sandra Brennan, Rovi

Dead Poets Society and Die Hard bash heads in this action drama set in a Northeastern prep school. The film opens as a crazed Central American terrorist, Luis Cali (Andrew Divoff), goes on a shooting spree, attempting to gain his drug baron father's release from extradition to the United States. The following sequence introduces some malcontented rich kids from the prep school --Joey Trotta (Wil Wheaton), the son of a New Jersey mob leader; Billy Tepper (Sean Astin), a reprobate who has been to four boarding schools in as many years; Snuffy Bradbury (Keith Coogan), whose rich banker father is the chairman of the Republican Party; Ricardo Montoya (George Perez), the son of a big-shot lawyer; and Hank Giles (T.E. Russell), whose father is the head of the House Armed Services Committee. The boys disregard their studies and spend their waking hours giving Dean Parker (Louis Gossett Jr.) a hard time. The two storylines collide when Luis, with a group of terrorist goons, make their way across the U.S. border and invade the boarding school, planning to take hostage the son of his father's judge. But the authorities have already removed the boy from danger, so Luis and the terrorists decide to hold the entire student body hostage until their demands are met. Working with the FBI and the special government forces, the rebellious groups of boys have to devise a plan to short-circuit the hostage situation. ~ Paul Brenner, Rovi

Legendary low-budget mogul Roger Corman made a somewhat inauspicious return to the director's chair for the first time in nearly twenty years (unless one counts his uncredited participation in "pickup" shoots for several New World Pictures productions) for this quaint sci-fi/horror outing, based on the popular novel by Brian Aldiss. Opening in the year 2031, the story begins with scientist Joseph Buchanan (John Hurt) working on a top-secret military project that creates a rift in time in space, hurtling him and his ultra-high-tech hotrod backwards through time to the early 19th century. Buchanan manages to adapt quite well to his new surroundings, particularly after making the acquaintance of fellow scientist Baron Frankenstein (Raul Julia). Curiously, the Baron is presented here as an authentic historical figure, and his monster-making efforts the basis for the famed book by Mary Shelley (Bridget Fonda), which was a work of fiction. After ruminating about his situation with Mary and her future husband Percy Shelley (late INXS frontman Michael Hutchence) at the villa of mad poet Lord Byron (Jason Patric), Buchanan is approached by the Baron to help construct a mate for his intelligent but homicidal creature (Nick Brimble). Unfortunately, things do not go according to plan, leading to an ironic denouement that finds Buchanan pondering the apocalyptic results of his life's work. The film boasts solid production values and some beautiful location photography (most of the film was shot in Italy); however, the classy look and high-profile casting can't disguise the overall feel of an early New World outing, albeit with a much larger budget. The script, adapted by Corman and writer F.X. Feeney, eliminates many of the novel's intellectual twists and turns; much of the remaining dialogue comes off as merely pretentious. ~ Cavett Binion, Rovi

A college student clashes with his co-ed roommate, then falls for her in this romantic comedy. Sheltered freshman Chris Wooden (Patrick Dempsey) arrives at his university ready to hone his writing skills. His hard-partying roommate, however, proves to be a distraction. Alex Page (Helen Slater) -- short for Alexandra -- has been placed on a guys' floor by mistake, and the aspiring actress/good-time girl drives Chris crazy. Eventually, as both students hone their respective crafts and spend more time together, they become friends and finally lovers. But Alex's freewheeling ways put a kink in things; Chris is an old-fashioned guy, and he wants a plain-vanilla girlfriend. Things come to a head when a random biker Alex promised to marry shows up looking to rearrange Chris' face. Happy Together is one of the few feature credits of Mel Damski, who has directed countless TV movies since the late '70s. Astute viewers will notice a pre-Thelma and Louise Brad Pitt in a small role. ~ Brian J. Dillard, Rovi

Young, ambitious high school students Darcy Elliot (Molly Ringwald) and Stan Bobrucz (Randal Batinkoff) have a hitch thrown into their plans to attend college and pursue professional careers when they discover that Darcy is pregnant. Deciding against abortion or adoption, the couple decides to carry the child to term and to try to raise it themselves; however they are unprepared for the myriad of decisions and responsibilities that they are forced to deal with. ~ Iotis Erlewine, Rovi

In this horror film, an evil magician creates a wax display of famous monsters and murderers and invites a group of unsuspecting young college students to view the collection. However, when the kids are trapped in the deadly displays, one-by-one they soon discover that the wax models are more than they appear to be. ~ Iotis Erlewine, Rovi

A San Francisco narcotics officer goes undercover to South America in an attempt to bust a drug lord and his operation. Of course, the assignment involves her ability to participate in a certain breast-altering operation to smuggle the goods into the States, though her brassiere size may be too large for her to pull off her candidacy. ~ Kristie Hassen, Rovi

Borrowing a chapter from the John Hughes school of teen comedy, this likeable caper was a box office success. Patrick Dempsey stars as Ronald Miller, a high school nerd about to enter his senior year, who longs for acceptance as one of the "cool kids." His next-door neighbor Cindy Mancini (Amanda Peterson) is a cheerleader and one of the most popular girls in school, but she doesn't even know that Ronald exists. When she ruins an expensive outfit of her mother's, Ronald offers the $1,000 needed to replace it, if she will pretend to date him for one month. Although skeptical about Ronald's plan, Cindy agrees, and her "new boyfriend" turns out to be right about what he thinks dating Cindy will do for him -- he becomes accepted by the school's snobs because of his association with one of their own. At least, for a while. Originally titled "Boy Rents Girl," Can't Buy Me Love (1987) was the first production launched by former studio executive Thom Mount after leaving his high-profile post. His company went on to produce weightier material such as Bull Durham (1988), The Indian Runner (1991), and Natural Born Killers (1994). ~ Karl Williams, Rovi

This sequel to the 1984 surprise hit The Karate Kid reunites Ralph Macchio as high-schooler Danny and Noriyuki "Pat" Morita as Danny's martial-arts mentor, Miyagi. Picking up where the first film left off, The Karate Kid Part II finds Danny and Miyagi making an emergency trip to Okinawa, where Miyagi's father is dying. Here they revisit Miyagi's childhood sweetheart (Nobu McCarthy), who, Miyagi believes, had been wheedled into an arranged marriage with loose-cannon karate expert Sato (Danny Kamekona). Little does Miyagi realize that the woman is still single; Sato is still around as well, however, and intent on resuming the fight with his old nemesis. Morita agrees; meanwhile, Danny is challenged by Kamekona's pugnacious nephew (Yuji Okumoto). ~ Hal Erickson, Rovi

Jaclyn Smith trades the flimsy costumes of Charlie's Angels for the pink pillbox hat and white gloves of the former First Lady of the Land in the made-for-TV Jacqueline Bouvier Kennedy. The daughter of socialites "Black Jack" Bouvier (Rod Taylor) and Janet Lee (Claudette Nevins), Jackie spends her early adulthood at the posh Newport estate of a cousin, Louis Auchincloss (Donald Moffat). In 1953, 24-year-old Jackie marries Senator John F. Kennedy (James Franciscus), himself a child of privilege. The film follows the King and Queen of "Camelot" through Kennedy's 1960 election as President, the tragedy of Jackie's highly publicized miscarriage in the summer of 1963, and the JFK assassination in the fall of that year. All things considered, Jaclyn Smith does a pretty creditable job capturing the "public" Jackie Kennedy, even if the "private" Jackie remains as elusive as she was in real life. (Sidebar: Though "Camelot" is heard on the soundtrack, the real Jackie Kennedy would later note that it was not her husband's favorite song, never mind the legend-weavers in the Kennedy camp). Jacqueline Bouvier Kennedy was first broadcast October 14, 1981. ~ Hal Erickson, Rovi

With George C. Scott and Marlon Brando heading the cast, The Formula should have been far better than it is. Adapted by Steve Shagan from his own best-selling novel, the film is predicated on the concept that a formula for synthetic fuel had been developed by the Nazis during WW II. In the intervening 35 years since the war's end, the formula has disappeared and several people connected with it have died under mysterious circumstances. Also during this period, oil magnate Adam Steiffel (Marlon Brando) had commiserated with one of the decedents. Police officer Barney Caine (George C. Scott), a friend of the dead man, hopes to solve the mystery, and in so doing gets mixed up in a wide-ranging conspiracy to manipulate worldwide fuel prices. Reportedly, The Formula underwent a great deal of editing-room surgery before its release. If so, the editors certainly erred in retaining so many of the film's interminable "steadicam" sequences. ~ Hal Erickson, Rovi

Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. ~ Hal Erickson, Rovi

This short-lived situation comedy ran for only a short time on ABC - from mid-September 1974 through early January 1975 - but is noteworthy for two reasons: first, because it starred a young Jodie Foster, who had already enjoyed several years of celebrity at that time; and second, because it constituted a televised spinoff of the enormously popular big screen comedy Paper Moon (1973), directed by Peter Bogdanovich and starring Ryan O'Neal and Tatum O'Neal. Christopher Connelly starred as Moses "Moze" Pray, a con artist cum Bible salesman traveling across Kansas during the years of the great depression, with his 11-year-old daughter Addie (Foster) in tow. Perpetually strapped for cash, the two spent their days trying every con they could think of to earn a buck, meanwhile staying just this far ahead of the law. The series, like the movie, presented characters first seen in the novel Addie Pray by Joe David Brown. ~ Nathan Southern, Rovi