Roger M. Rothstein Movies

When young Chuck Murdock (Joshua Zuehlke) visits a nuclear missile site, he learns that one bomb would destroy the earth in less time than it would take a piece of silverware to drop from his hand to the floor. This information sends the sensitive boy into existential angst. Wondering why anybody should do anything when the world can be destroyed so quickly, and hoping to raise consciousness about nuclear weapons, Chuck quits his Little League team. He gains a little bit of local press. One of those stories is read by NBA star "Amazing Grace" Smith (Alex English), who is so moved by the boy's story that he too quits playing his sport. This produces a great deal of national press, as well as a handful of stars from other sports that decide to join the ranks of Amazing Grace and Chuck. Some powers that be in the sports world, as well as the government, do not look kindly upon these "strikes" and set about to end the movement. Amazing Grace and Chuck came near the end of a cycle of nuclear anxiety films that included Testament, The Day After, and Threads. ~ Perry Seibert, All Movie Guide

This small-town romance may be trying to ride the coattails of the Big Chill that also featured Kevin Kline. Kline plays Henry here, and when the film opens he and his love Gussie Sawyer (Sissy Spacek, wife of director Jack Fisk), are sitting together planning the future they will have. She will be a flight attendant and he will get a college degree. Yet when they part, so does their destiny. By a quirk of fate, Gussie starts taking photos for an in-flight magazine and ends up an ace photographer while Henry has stayed in their small town to run the newspaper after his dad died. When Gussie comes back for a vacation 15 years later the two old sweethearts find that the embers that burned so low over the last many years are heating up again. No one in the town is unaware of what is going on, and Gussie is in for a lecture from her dad while Henry hears it like it is from his wife. But will that change the course of their relationship? ~ Eleanor Mannikka, All Movie Guide

John Travolta and Olivia Newton-John attempt to rekindle the box office sparks of Grease with this screwball fantasy comedy. The tale begins during a golf match in heaven among four angels --Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight)-- who have been in charge of heaven for the last twenty-five years. But their game is interrupted by God (voice of Gene Hackman), who has now returned to the office and doesn't like what he sees down on earth. God wants to order up another flood and start all over again, but the angels persuade God to reconsider, reasoning that if a typical earth man can reform, it would prove that all mankind is capable of it. God agrees to the scheme and the typical man selected is Zack Melon (John Travolta) a failed inventor who, threatened by loan sharks, decides to hold up a bank. Zack points his gun at bank teller Debbie Wylder (Olivia Newton-John) and she gives him all of the money. But when Zack peers into the sack after the robbery, he sees that Debbie has substituted bank deposit slips for the cash and realizes that she has kept the money for herself. Zack tracks her down to reclaim his stolen money and the two fall in love. ~ Paul Brenner, All Movie Guide

Playwright Neil Simon made one of his periodic forays into serious themes with the drama The Gingerbread Lady, and while this screen adaptation adds a bit more wit to the proceedings, it remains a change of pace from his usual breezy comedies. Georgia (Marsha Mason) is a successful actress who has just spent 90 days in a rehab clinic in an effort to beat her addiction to alcohol. A number of crises are waiting for Georgia upon her return; her teenage daughter Polly (Kristy McNichol), whom she neglected as a child, wants to move back in, though they still have a ways to go in repairing their relationship. And her ex-husband David (David Dukes), a writer, has just penned a new drama that he wants her to star in -- a fictionalized version of their often-combative marriage. Georgia also has to tend to her best friends, bitter socialite Toby (Joan Hackett) and Jimmy (James Coco), a gay actor who drowns his sorrows in food. Only When I Laugh garnered Oscar nominations for Mason, Coco, and Hackett, while the latter won a Golden Globe for her performance. ~ Mark Deming, All Movie Guide

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, All Movie Guide

As penned by Neil Simon, this satire of movie mysteries is set in motion when several prominent detectives are invited to the mansion of the reclusive Lionel Twain (Truman Capote). In Ten Little Indians fashion, the gathered sleuths are locked into the forbidding mansion, and subject to various death-dealing devices. While struggling for their lives, the vainglorious gumshoes continue to try to one-up one another. Each character is broadly based on a famous literary detective: Sidney Wang (Peter Sellers) is an aphorism-spouting Charlie Chan clone: Dick and Dora Charleston (David Niven and Maggie Smith) are patterned on the protagonists of the Thin Man flicks; Milo Perrier (James Coco), a Hercule Poirot takeoff, stalks through the proceedings declaring "I'm a Belgie, not a Frenchie!"; Sam Diamond (Peter Falk) is Raymond Chandler's Philip Marlowe and Dashiell Hammett's Sam Spade rolled in one; and Jessica Marbles (Elsa Lanchester) is a dottier variation of Agatha Christie's Miss Marple. Best bit: a "conversation" between blind butler Jamessir Bensonmum (Alec Guinness) and deaf-mute maid Yetta (Nancy Walker). The fade-out gag of Sherlock Holmes and Dr. Watson showing up late for Lionel Twain's party was edited from the theatrical version of Murder by Death, but was restored for TV. The film marked the big-screen directorial debut of Robert Moore, who'd previously directed several of Neil Simon's Broadway productions. Moore went on to direct another Simon spoof, The Cheap Detective (1978), before his untimely death. ~ Hal Erickson, All Movie Guide