Olivia Stewart Movies

At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein. ~ Bhob Stewart, All Movie Guide

A young boy comes of age in rural Georgia during the 1940s in Terence Davies' challenging, visually powerful drama. Acclaimed for his nostalgic, beautifully photographed reflections on England's past (The Long Day Closes, Distant Voices, Still Lives), Davies looks beyond his home country to America with this adaptation of a novel by John Kennedy Toole, author of A Confederacy of Dunces. The film is told through the eyes of David (Jacob Tierney), a teenage boy struggling to deal with life in a troubled family. He reflects on his youthful experiences of his father (Denis Leary), an abusive, impoverished worker who disappeared during World War II after enlisting in the army. David is left to care for his increasingly unstable mother (Diana Scarwid) with the help of his Aunt Mae (Gena Rowlands), a lively big band singer. With David's recollections making up the loose plot, The Neon Bible stresses memorably intense images over narrative momentum, with cinematographer Michael Coulter creating sharp, painterly compositions. Some viewers will likely be frustrated by the slow pace and elliptical style, though others may be transfixed by the often stunning photography and poetic approach. ~ Judd Blaise, All Movie Guide

This romantic comedy concerns Kate Swallow (Carole Bouquet), who works in a French department store to help support her husband Alec (Jonathan Pryce), an egocentric novelist who insists on peace and quiet when he writes. Kate has literary aspirations herself, but Alec complains that the clacking of the keys on her laptop is too much of a distraction for him (he prefers to write longhand). Alec's editor Vanni Corso (Christopher Walken) has high hopes for his next book, which needs to sell well if his company is to pull itself out of the red. While Vanni is interested in Alec's novel, he also becomes interested in Alec's wife, and Kate becomes quite taken with Vanni as well. In time she leaves Alex to pursue a relationship with Vanni and work on her own book. Kate's novel turns out to do quite well indeed, but there's trouble in paradise when Vanni tells her he's not so sure her second novel is going to go anywhere. Business Affair was loosely based on the real-life literary and romantic travails of author Barbara Skelton. ~ Mark Deming, All Movie Guide

A wealthy, upper-class British widow marries a much younger Italian man with disastrous results in this turn-of-the-century costume drama based on the E.M. Forster novel. After marrying into a wealthy family and then losing her husband, middle-aged Lilia Herriton (Helen Mirren) suffers under the disapproving yoke of her haughty mother-in-law (Barbara Jefford). At the suggestion of family friend Caroline Abbott (Helena Bonham Carter), Lilia leaves her young daughter and in-laws for a holiday in Italy, where she falls in love with the penniless but handsome Gino Carella (Giovanni Guidelli). When she announces her plans to marry Gino, the family dispatches her brother-in-law, Philip (Rupert Graves), to prevent the union. But the alternately caddish and thoughtful Philip fails in his mission. Gino proves to be as charming to other women as he is to his wife, but he's genuinely bereaved when she dies in childbirth. Soon, Philip and his high-strung sister, Harriet (Judy Davis), arrive in Tuscany in an attempt to spirit away Lilia's son. But the principled Caroline turns up, determined to stop them, setting the stage for unexpected realizations and unforeseeable tragedy. Where Angels Fear to Tread reunites Bonham Carter and Graves, who co-starred in the previous E.M. Forster adaptation, A Room With a View. Each actor also starred in other Forster films: Bonham Carter in Howards End and Graves in Maurice. ~ Brian J. Dillard, All Movie Guide

Down on their luck, stranded out on the moors of England, the "Three D's" are a trio of circus performers (a bear trainer and his wife plus the bear) who have attracted the unwelcome attention of a policeman, to whom they appear to be altogether shady characters. Not only that, but after a quarrel, Denise takes off and the bear dies. Don, the remaining member of the trio, attempts to cope with his losses by joining up with a circus, partnered with an attractive widow in a new act. His new trick involves walking up a ladder of razor-sharp swords. Just as everyone is getting settled, the aforementioned policeman shows up, accusing Don of having murdered Denise. After proving him wrong about that, Don is almost back to normal when Denise herself shows up, and everything becomes much more complicated. ~ Clarke Fountain, All Movie Guide