Keith Addis Movies

Conceived along the lines of Showtime's Masters of Horror, NBC's Fear Itself was a dramatic anthology consisting of 13 separate hour-long films, each one a spinetingling exercise in psychological and physiological terror. The series boasted the combined efforts of some of show business' top horror writers and directors: talents like John Landis, Ronny Yu (the "Chucky" films), Darren Lynn Bousman (the "Saw" series), Dan Knauf (Supernatural), Mary Harron (American Psycho), Breck Eisner, Brad Anderson, Jon Gangemi, Steve Niles, and Fear Itself's creator Mick Garris. Similarly, the guest stars were drawn from the ranks of the sci-fi/fantasy realm, among them Lost's Cynthia Watros, Heroes' Eric Roberts and Star Trek: Enterprise's John Billingsley. Though not as explicit as Masters of Horror, the NBC series still succeeded admirably in raising the collective goose pimples of its fans. Fear Itself first aired on June 5, 2008. ~ Hal Erickson, Rovi

A man who makes a horrifying discovery about the founding fathers of America must protect his family from the murderous loyalist determined to safeguard the volatile secret at all costs in director Peter Medak's adaptation of a short story by author Bentley Little. Soon after his grandfather's funeral, Mike (Johnathon Schaech) unearths an artifact that paints the first president of the United States in a troubling new light. According to Mike's discovery, George Washington was a ravenous cannibal, and his flesh-eating legacy lives on to this very day. Now, as a loyal band of Washingtonians is determined to ensure that they remain well fed, and their secret never gets out. Of course, the best way to do this is by consuming Mike and his family, but this is one feast that the Washingtonians are going to have to fight for. ~ Jason Buchanan, Rovi

A small Texas town is terrorized by an unidentified monstrous force in this installment of Showtime's Masters of Horror series adapted from an Ambrose Bierce story by writer Richard Christian Matheson, and directed by Tobe Hooper (Texas Chainsaw Massacre). Sheriff Kevin Reddle (Sean Patrick Flanery) may have had a tragic past, but these days he's just looking to find a little peace by starting a family in a quiet Texas town. Any hope for restfulness is soon obliterated, however, when a terrifying entity begins turning brother against brother and parent against child, and an apocalyptic fight for the survival of the human race gets off to a gruesome start. Ted Raimi and Marisa Coughlan co-star. ~ Jason Buchanan, Rovi

Filmmakers Chris Bradley and Kyle LaBrache co-directed this film that exists somewhere between an improvisational mockumentary and an actual documentary. Starring Jeff Goldblum as himself, the film follows the actor's attempts to put on a production of The Music Man in the titular town. The play really happened, but how much is real and how much is just deadpan comedy remains for the audience to discern. Goldblum's friends Illeanna Douglas and Ed Begley Jr. co-star as themselves. ~ Matthew Tobey, Rovi

Actor-turned-director and producer Griffin Dunne (Practical Magic, Addicted to Love) teams up with scenarist Dirk Wittenborn for the slice-of-life ensemble drama Fierce People. As summer encroaches, 16-year-old Manhattanite Finn Earl (Anton Yelchin) would love nothing more than to trek off to South America and spend the year's sun-drenched months near the equator, embarking on thrilling adventures with his estranged archaeologist father, whom he's never met. Alas, the bonds of family rein in tight when Finn's booze- and coke-addled mother, the masseuse Liz (Diane Lane), cries out for help -- and, in the process, unwittingly gets Finn arrested. In a dramatic attempt to reverse circumstances and sort out the complications in both of their lives, Liz insists on taking custody of Finn for the summer. Both, she insists, will live in the home of one of her former massage clients, the aging billionaire Ogden C. Osborne (Donald Sutherland) -- with whom she may be amorously involved. Though Finn agrees begrudgingly at first, in time he finds the environment welcoming -- as he develops a crush on Ogden's gorgeous granddaughter (Kristen Stewart) and befriends Ogden's grandson. But when an unforeseen and shocking act of violence erupts, it estranges Finn and Liz from their posh surroundings and provides a sobering, harrowing reminder of the socioeconomic differences between the Earls and their new friends. ~ Nathan Southern, Rovi

Definitely a series for the post-9/11 generation, ABC's Threat Matrix detailed the exploits of an elite task-force unit of the Homeland Security division. Headed by John Kilmer (Jamie Denton), the unit, comprised of the cream of the FBI, CIA, and NSA, was dedicated to stopping terrorism before it started, using the multitude of threats and warnings received on a 24/7 basis by the White House as their guide. Kilmer's multicultural, multiethnic team included his ex-wife Frankie Ellroy Killmer (Kelly Rutherford), as well as Tim Serrano (Kurt Caceres), Lia Larkins (Melora Walters), Jelani (Mahershalalhashbaz Ali), Mo (Anthony Azizi), and Holly (Shoshannah Stern). Created by Daniel Voll, Threat Matrix debuted September 18, 2003. ~ Hal Erickson, Rovi

Just how far should one man go to stay ahead of his competition? Milo Hoffmann (Ryan Phillippe) is a young and gifted computer software designer who with his close friend Teddy is about to launch a high-tech start-up firm based on Milo's inventive ideas in convergence, in which he's helping to create new ways for different forms of digital technology to work in harmony. However, before Milo and Teddy can get their company off the ground, Milo receives a very tempting offer from Gary Winston (Tim Robbins), a trailblazing genius in the digital world who has turned his company N.U.R.V. (which stands for "Never Underestimate Radical Vision") into one of the richest and most powerful computer firms on Earth. While Milo is sympathetic to Teddy's beliefs that computer technology should belong to the people and that open source software is the most promising future lies, Winston has long been Milo's role model in design and research, and Milo feels Winston's offer is too good to pass up. Milo and his girlfriend Alice Poulson (Claire Forlani) move out to Silicon Valley, and at first Milo thrives on the challenges of his new position, and develops a close working relationship with fellow designer Lisa Calighan (Rachael Leigh Cook). But Milo underestimates the ruthlessness of the leading-edge software industry, and he soon learns there's a sinister undercurrent to Winston's drive to stay on top. Antitrust earned rising star Ryan Phillippe his first million-dollar paycheck after well-regarded roles in 54 and Cruel Intentions. ~ Mark Deming, Rovi

An action drama centering on the media circus, 15 Minutes focuses on a New York homicide detective named Eddie Flemming (Robert De Niro), a famous figure known for his heroic on-the-job manner. A tabloid news anchor (Kelsey Grammer) attempts to get the scoop on Flemming's latest beat when a pair of Eastern European criminals (Karel Roden and Oleg Taktarov) find a way to manipulate the media by filming their exploits, which they believe they can sell to bloodthirsty journalists and make themselves rich. In the wake of a double murder, Flemming teams up with Jordy Warsaw (Edward Burns), an arson investigator assigned to help locate the murderous pair. Meanwhile, Flemming must contend with his news reporter girlfriend Nicolette (Melina Kanakaredes) as he and Jordy find themselves enveloped in a lurid series of events that threatens to jeopardize their safety. Kim Cattrall, Avery Brooks, and Vera Farmiga are also featured in the cast. ~ Jason Clark, Rovi

A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, Rovi

In this update of James Whale's classic The Bride of Frankenstein, pop star Sting furthers his burgeoning film career by portraying cinema's signature mad scientist. Disgusted by his dim-witted and ugly original creation (Clancy Brown), Dr. Frankenstein sets out to animate an improved version. Though lovely on the outside, Eva (Jennifer Beals) begins her new life as little more than an animal. With the help of his trusty housekeeper (Geraldine Page), however, Frankenstein soon grooms the beautiful zombie into a reasonable facsimile of an upper-class debutante. He's unprepared, however, when his ward displays a mind -- and sexual urges -- of her own. Meanwhile, the good doctor's discarded original creation assumes the name of Viktor and takes to the road. Befriended by an enterprising dwarf named Rinaldo (David Rappaport), Viktor becomes a circus performer but continues to pine after his bride. Connected to her psychically, he soon makes his way back to the scene of their mutual creation. There, he finds the girl embroiled in a love triangle between a callow suitor (Cary Elwes) and Frankenstein himself. In addition to its iconic '80s leads, The Bride boasts a famous supporting cast that includes gay memoirist Quentin Crisp and '60s model Veruschka. ~ Brian J. Dillard, Rovi

"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind?

Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. ~ Lucia Bozzola, Rovi