Michelle Guish Movies

An overweight man leaves his fiancée on their wedding day, only to realize years later that she's the one and only woman of his dreams in a romantic comedy that reunites Big Nothing co-stars Simon Pegg and David Schwimmer, this time with Schimmer in the director's chair. It's not easy to win back a woman after leaving her at the altar, but when an out-of-shape man finally realizes just what a mistake he's made, he vows to run a high-profile marathon in order to convince his ex-fiancée that the rich and handsome man she's about to marry isn't the guy for her. ~ Jason Buchanan, All Movie Guide

An obsessive French perfumer with a highly developed olfactory sense and an all-consuming drive to capture the essence of love eventually resorts to murder in his unrepentant quest to find the key ingredient for his recipe in director Tom Tykwer's adaptation of author Patrick Suskind's best-selling 1985 novel. Born in a fetid fish market and raised in a dilapidated orphanage, Jean-Baptiste Grenouille (Ben Whishaw) toiled his childhood away in a rank tannery run by the thuggish Grimal (Sam Douglas). Subsequently obsessed by smell, Grenouille's keen olfactory sense becomes so finely tuned that it eventually overpowers such human qualities as love and compassion. Though he has indeed discovered the unmistakable scent of a woman, Grenouille finds it impossible to connect with the fairer sex on any sort of meaningful level. Roaming the streets of Paris late one night, Grenouille catches the scent of a young girl selling plums and impulsively strangles her, later sniffing her nude corpse in a twisted attempt to preserve the distinctive scent in his memory. After persuading legendary perfumer Giuseppe Baldini (Dustin Hoffman) to take him on as an apprentice, Grenouille travels to the town of Grasse in Southern France in order to learn the art of enfleurage at a firm run by the highly respected Mme. Arnulfi (Corinna Harfouch). It is there that Grenouille becomes dangerously drawn to the vestal aroma of the young and beautiful Laura (Rachel Hurd-Wood), the daughter of widower merchant Antione Richis (Alan Rickman). Soon driven to madness by such a pure scent, the spellbound Grenouille continues to claim the lives of the numerous young girls in a tragic attempt to bottle the impossibly elusive smell of virginal womanhood. ~ Jason Buchanan, All Movie Guide

The lives of a great artist, a corrupted holy man, and a beautiful woman cross paths at a crucial moment in history in this epic-scale historical drama from director Milos Forman. Near the end of the 18th century, Francisco Goya (Stellan Skarsgård) is a gifted but controversial artist whose provocative and often satirical work has earned the enmity of the Spanish government as well as the Catholic Church, who hold tremendous power as the Inquisition rages. Surprisingly, Brother Lorenzo (Javier Bardem), a monk involved in the Inquisition, has hired Goya to paint a portrait of himself, and to prove to the Inquisitor General (Michel Lonsdale) he's not in cahoots with the renegade artist, Lorenzo targets Inés (Natalie Portman), one of Goya's favorite models, as a possible heretic. Under torture from Lorenzo, Inés signs a false confession, and her wealthy and powerful father, Tomás Bilbatúa (José Luis Gómez), offers Lorenzo a taste of his own medicine by brow-beating him into signing a document confessing that his mother was an ape. Lorenzo flees Spain as his reputation lies in tatters, and Goya earns greater infamy as he paints a wildly unflattering portrait of Queen María Luisa (Blanca Portillo) under commission from her husband, King Carlos IV (Randy Quaid), but Inés remains in prison thanks to her coerced confession. Fifteen years later, Lorenzo has become a follower of the Enlightenment, and returns to Spain as Napoleon's forces storm the nation and the Inquisition finally collapses; Lorenzo attempts to liberate Inés from prison, but a shocking discovery awaits him. ~ Mark Deming, All Movie Guide

A woman struggles to come to terms with the potentially dangerous legacy of her late father in this drama based on the award-winning stage play by David Auburn. Catherine (Gwyneth Paltrow) is a woman in her late twenties who is strongly devoted to her father, Robert (Anthony Hopkins), a brilliant and well-known mathematician. While Robert's skill in the world of numbers still appears to be strong, his grip on reality begins to slip away, and as Robert descends into madness, Catherine begins to wonder if she may have inherited her father's mental illness along with his mathematical genius. After Robert's passing, Catherine is confronted by Hal (Jake Gyllenhaal), a gifted but zealous student of Robert's who wants to look through the late man's notes in hopes of finding his last great work. While Catherine is hesitant to look too deeply into her father's work for fear of what it might suggest about her own future, she allows Hal to do so, and when one notebook reveals a mathematical proof of potentially historic proportions, it sets off shock waves in more ways than one. Proof also stars Hope Davis as Catherine's well-meaning but shallow sister, who doubts Catherine's ability to take care of herself. Paltrow had previously played Catherine to stellar reviews during the original play's run in London's West End. ~ Mark Deming, All Movie Guide

Based on author Helen Fielding's sequel to Bridget Jones's Diary, Bridget Jones: The Edge of Reason picks up four weeks after the original film left off, with Bridget (Renée Zellweger) emotionally satisfied at long last with Mark Darcy (Colin Firth), her barrister boyfriend. Stability in Bridget's life, however, quickly becomes a contradiction in terms. Though Mark is openly supportive of Bridget's eccentricities -- and there are many -- she is nonetheless threatened by Mark's young, nubile intern, not to mention irked at finding out that he is, among other less desirable qualities in her eyes, a conservative voter. Complicating issues further is the reentrance of her ex-lover, Daniel Cleaver (Hugh Grant), whom Jones, perhaps mistakenly, thought she had finally gotten over. Before long, the situation escalates into another series of embarrassing circumstances for Bridget, who is faced once again with a crippling feeling of self-doubt and has only her diary and friends to combat it. ~ Tracie Cooper, All Movie Guide

A woman edging into middle age finally finds the love of a lifetime; too bad she can't convince her best friends it's for real in this lively romantic comedy. Kate (Andie MacDowell), Molly (Anna Chancellor), and Janine (Imelda Staunton) are three close friends in their early forties who have been sharing a long run of bad luck in the field of romance. While all three are successful in their careers -- Kate has been named headmistress of an upscale private school, Molly is a doctor, and Janine's a police detective -- they've been striking out in the dating scene, and they get together on a regular basis to compare notes and drown their sorrows in cocktails and chocolate. One day, while attending the funeral of a colleague, Kate makes the acquaintance of Jed (Kenny Doughty), a good-looking man who remembers Kate as one of his teachers when he attended the school years ago. Despite the decade-and-a-half gap in their ages, there's a strong mutual attraction between Kate and Jed, and before the day is over the two are enjoying an affair. Molly and Janine are at once amused and appalled at Kate for dating a younger man, and while she tells them it's a short-lived fling that means little to either party, neither Kate nor Jed wants to walk away from their relationship; before long Kate and Jed decide they've fallen in love and plan to get married. The harder Molly and Janine try to convince Kate that she's making a mistake, the more Kate is determined to tie the knot with Jed, and eventually Molly and Janine decide to take drastic measures -- Molly hatches a plan to seduce Jed, while Janine captures their tryst on videotape. ~ Mark Deming, All Movie Guide

A fish-out-of-water comedy in the vein of 1997's oft-imitated The Full Monty, Greenfingers takes as its inspiration the true story of a group of British criminals who bettered themselves through the delicate art of gardening. Croupier's Clive Owen plays Colin Briggs, a taciturn inmate doing time for murder. When it's suggested he transfer to a minimum-security prison, Colin is reluctant; at the idyllic Edgefield compound, he's slow to warm to his gregarious, botanically inclined roomie Fergus (Waking Ned Devine's David Kelly). When the warden forces Colin and his prison mates to cultivate the prison's grounds, however, the men decide it's a fate better than mopping the lavatory, and begin to take pride in their work. Their stellar efforts attract the attention of haughty celebrity gardener Georgina Woodhouse (Helen Mirren), who arranges furlough work for the men. Colin becomes particularly fervent with his bulbs and seeds, not to mention his affection for Georgina's daughter Primrose (Natasha Little). When he's offered the chance to go straight, Colin is torn between the freedom of the outside world and the comforts of his lockup flowerbed. Greenfingers made its North American premiere at the 2000 Toronto International Film Festival before making the U.S. festival rounds. ~ Michael Hastings, All Movie Guide

After a long career playing good guys, Sean Connery gets to have some fun playing a crook for a change in the romantic crime thriller Entrapment -- and he even gets to break the law with the lovely Catherine Zeta-Jones. When a priceless Rembrandt painting is stolen from a New York skyscraper in a daring and technically sophisticated robbery, ace insurance investigator Virginia "Gin" Baker (Catherine Zeta-Jones) begins looking into the matter and is soon convinced it's the work of master art thief Robert "Mac" MacDougal (Sean Connery). Gin thinks the best way to get the goods on Mac (and perhaps recover the painting) is to work her way inside his operation, so she locates him in London and, posing as a fellow art thief, offers to work as his partner. While Mac is smart enough to not accept an offer like that from just anyone, most thieves don't look as good as Gin does in a leotard, and she soon proves an able assistant in a shakedown robbery where they pinch a rare Chinese mask from a British museum. After this success, Mac agrees to join forces with Gin for what is literally the heist of the millenium -- as Midnight rolls around in Kuala Lumpur on December 31, 1999, the security computers in a major multinational banking facility will be breached for a split second as the computers roll over to a new program for Y2K. Is that long enough for Gin and Mac to nab $8 billion in bank transfers? Is 14 days long enough to prepare for a robbery of this scale? And will Mac and Gin's professional relationship pave the way for some capers in the bedroom? In addition to playing the male lead, Sean Connery also co-produced this film; the supporting cast includes Ving Rhames and Maury Chaykin. ~ Mark Deming, All Movie Guide

William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a theatre whose doors are about to be closed by sadistic creditors, but he's got a nasty case of writer's block. Shakespeare hasn't written a hit in years. In fact, he hasn't written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose's solvency on Shakespeare's new comedy, "Romeo and Ethel, the Pirate's Daughter." The problem is, "Romeo" is safely "locked away" in Shakespeare's head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer -- scandalous for a woman of her breeding -- who especially admires Shakespeare's plays and, not incidentally, Bill himself. Alas, she's about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola's romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet. ~ Merle Bertrand, All Movie Guide

British actor Peter Howitt wrote and directed this British romantic comedy-drama with a "road not taken" premise recalling the 1921 play If by Lord Dunsany (1878-1957), Frank Capra's It's a Wonderful Life (1946), and O.Henry's short story Roads of Destiny (1909). Howitt's storyline branches in two directions: Helen (Gwyneth Paltrow) loses her job at a classy London PR firm, has a run-in with a purse-snatcher, and just misses catching her boyfriend Gerry (John Lynch) in bed with his former girlfriend Lydia (Jeanne Tripplehorn). But what if it were one of those days when everything goes right? As the sliding doors close while she stands on a subway platform in the London underground, Helen ponders the events in her alternate reality. The plot of Lord Dunsany's If also hinges on a future determined by catching or missing a train. Sliding Doors was shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

Jon Amiel directed this satire on mistaken-identity thrillers and the spy genre, scripted by Robert Farrar, Tim John, and Oliver Butcher from Farrar's unpublished novel, Watch That Man. In the female lead, Joanne Whalley returned to films after a three-year absence, choosing to do so with director Amiel. Farrar's Hitchcockian-style story focuses on naive Blockbuster Video clerk Wallace Ritchie (Bill Murray) who travels from Des Moines, Iowa, to London to celebrate his birthday with his wealthy younger brother, James (Peter Gallagher). When he turns up on the same night that James has plans to attend a high-profile client dinner party (that he hopes will bring him millions from a German investment firm), James needs to keep Wallace away during the evening, so he gives Wallace a ticket to the participatory Theater of Life. The theater game requires Wallace to assume a character and interact with actors portraying people in dramatic situations.

At the corner phone booth, the initial call should begin the evening of innocent fun. However, the phone instructions Wallace receives are actually intended for an assassin, part of a scheme to end the current UK regime and revive the Cold War. The real assassin gets the call from the Theater of Life. Blissfully unaware, Wallace walks without fear into a complex web of intrigue involving defense ministers, call girls, and Russian hitmen. For Wallace, all the world's a stage, and he's amazed at the skill of the actors, including beautiful enigmatic Lori (Joanne Whalley) -- while Wallace's pursuers are mystified by their adversary's fearlessness in the face of threats, torture and bullets. Farrar got the idea for this comedy from a chance remark at a party: "The inspiration came from a dinner party, when somebody told me about these strange live theater performances which were all the rage in England in the '80s. The idea was to telephone for instructions if you wanted to take part. My immediate reaction was, 'Wouldn't it be fabulous if somebody got the wrong number, and it all went hopelessly wrong?'" Filming took place in London's East End (Three Mills Studios), at a variety of London locations, and just outside London at the Elstree Film Studios. ~ Bhob Stewart, All Movie Guide