Diana Pokorny Movies

Author Cornelia Funke's best-selling children's novel comes to vivid life on the big screen with this family-friendly tale about a bookbinder whose storytelling skills possess the curious power to transport the characters he speaks about into the real world. When a nefarious villain from a bedtime story that the father is currently reading to his daughter emerges to kidnap the stunned storyteller, it's up to the young girl and her adventurous friends -- both real and imaginary -- to bring dad back home and close the book on the dreaded fiend once and for all. ~ Jason Buchanan, All Movie Guide

Directed by Walter Salles Jr., this remake of Hideo Nakata's supernatural psychological drama Honogurai Mizuno Soko Kara revolves around the plight of a single mother (Jennifer Connelly) whose messy divorce and subsequent battle for the custody of her five-year-old daughter is taking a heavy toll on her emotional well-being. Ultimately, the mother and daughter are able to relocate to an apartment, which, despite its excessively dilapidated interior, seems to be an adequate location for beginning a new life. Before long, however, what appears to be the spirit of a young girl begins to haunt them. No stranger to mental illness, the wary young woman brushes the visions aside as part of the inherent stress of making the transition from housewife to working, single mom. As time goes by and the apparent haunting does not subside, the apartment's new residents are forced to examine the history of its former tenants. Dark Water also features performances from John C. Reilly, Tim Roth, and Dougray Scott. ~ Tracie Cooper, All Movie Guide

Diane Keaton directed and starred in this comedy/drama about a family brought together by potential tragedy. In her mid-40s, Eve (Meg Ryan) minds her house, runs a business organizing parties and events for others, and looks after her father (Walter Matthau), an alcoholic former writer who has grown argumentative and increasingly difficult to handle. Eve's sisters -- Georgia (Keaton), who is a few years older and the editor of a successful fashion magazine, and Maddy (Lisa Kudrow), a few years younger and a working actress with a spot on a soap opera -- have also had to deal with Dad, but only by long distance when he makes one of his frequent telephone calls. Dad now doesn't have long to live, and the siblings must pull together and make peace with their father and each other. Sisters Nora Ephron and Delia Ephron adapted the screenplay from Delia's novel; the supporting cast includes Adam Arkin, Cloris Leachman, and Mary Steenburgen. ~ Mark Deming, All Movie Guide

Nicholas Hytner (The Crucible) directed this Wendy Wasserstein screenplay, adapted from Stephen McCauley's novel, about the romantic mismatch of a gay man and a young pregnant woman. When literary agent Sidney Miller (Alan Alda) and his wife Constance (Allison Janney) have a dinner party, Constance's social-worker stepsister Nina Borowski (Jennifer Aniston) attends without her lawyer boyfriend Vince McBride (John Pankow). Also present are gay schoolteacher George Hanson (Paul Rudd) and his lover, Dr. Robert Joley (Tim Daly). George learns from Nina that he's being dumped by Robert, a scene ensues, and Nina then invites George to stay in the spare room of her Brooklyn apartment. Nina still has sex with boyfriend Vince, but during late-night talks, she begins to bond with her gay roommate. Nina and George take dance lessons at the local senior citizen's community center, and Gershwin's "You Were Meant for Me" sets the tone for romance as the two become soul mates. Unfortunately, shortly after their love blooms, Nina learns she's pregnant by Vince, who is no longer the object of her affections. Instead of telling the unwanted Vince right away, Nina asks George to join her in raising the child. George stays on, but in the months that follow, he also begins to see men again. Robert takes him along to a Connecticut conference where drama critic Rodney Fraser (Nigel Hawthorne) has Paul James (Amo Gulinello) in tow. George and Paul have an instant attraction, and this prompts everyone involved to reassess their emotional commitments. ~ Bhob Stewart, All Movie Guide

When Arthur Miller's play The Crucible was first staged in 1953, it was widely acclaimed as a metaphor for the recklessness of Joseph McCarthy and his spurious crusade against communism. In its 1996 screen adaptation (scripted by Miller), the tone has been adjusted somewhat and plays as a warning against the dangers of political and religious extremism of all kinds. After a group of young women is accused of witchcraft in the Puritan community of Salem, Mass. in 1692, Abigail Williams (Winona Ryder) is held in suspicion of practicing magic. Abigail in turn levels charges against John Proctor (Daniel Day-Lewis) and his wife Elizabeth (Joan Allen). Abigail has a private grudge against the Proctors; while working as their servant, she had an affair with John, and when John ended the relationship and returned to his wife, Abigail was fired. Now the Reverend Parris (Bruce Davison) is hearing accusations and counter-accusations of misdeeds from all sides of the community in the wake of Abigail's charges, so he brings in Judge Danforth (Paul Scofield) to determine who is guilty or innocent. However, given the moral climate of the time, it seems someone has to be found guilty of witchcraft, even though firm evidence of wrongdoing is becoming hard to come by. This was the second screen version of The Crucible, though it was the first one in English; the previous version, filmed in France in 1956, starred Simone Signoret and Yves Montand. ~ Mark Deming, All Movie Guide

Harvard University graduate Alek Keshishian directed this tale about a homeless man who teaches some snotty Harvard students a thing or two about real life. Monty (Brendan Fraser) is a self-absorbed graduate student who is obsessed with finishing his thesis on government so that he can satisfy his demanding teacher, Professor Pitkannan (Gore Vidal). When Monty loses his precious thesis in the basement of the library's heating plant, it is found by a homeless man living there, Simon (Joe Pesci). Simon agrees to return the thesis one page at a time in return for certain favors. The relationship with the bearded vagabond changes Monty's view of life, and it also affects his housemates, who include Everett (Patrick Dempsey), a wisecracking radio host; Courtney (Moira Kelly), who is immature and sex-obsessed; and the studious nerd Jeff (Josh Hamilton). Simon becomes something of a father figure to Monty, argues history with Professor Pitkannan, and provides an earthy balance to the overly academic viewpoint of the students. ~ Michael Betzold, All Movie Guide

Paul Schrader's brilliant study of another alienated urban denizen skirting the borderline of madness stars Willem Dafoe as John Le Tour, a rich, upscale drug dealer for Manhattan professionals -- "White drugs for white people," as he puts it. John is a recovering addict and for him it's the perfect job, as he can relate completely with the self-absorbed eccentrics he services. But when his boss Ann (Susan Sarandon) tells John that she is planning to abandon the drug business for herbal cosmetics, John's life is thrown into disarray. With no future plans, he sees black clouds heading his way. Coincidentally, he runs into Marianne (Dana Delany), an old girlfriend and former addict who has returned to New York to be with her dying mother. John sees Marianne as his redemption and starts to pursue her, but she doesn't want to be reminded of her past. When the murder of an Upper West Side woman involved in a drug transaction has the police scouring the town for suspects, John thinks they are following him, and the strain upon his life and his hopes for the future become harder and harder to bear. ~ Paul Brenner, All Movie Guide