Alixe Gordin

Composer Richard Parker (Kevin Kline) and his wife Priscilla (Mary Elizabeth Mastrantonio) live an ordinary suburban life until they meet their new neighbors Eddy (Kevin Spacey) and Kay (Rebecca Miller). The two couples become friends until some mate-swapping is suggested by the men. The plot takes a nasty turn, however, when Richard sleeps with Kay -- who turns up, the next morning, bludgeoned to death with a baseball bat. Soon, Richard is charged with the crime and must prove his innocence. ~ Linda Rasmussen, All Movie Guide

Two brothers kidnap a boozy gangster and try to hold him for ransom in this psychological thriller. Harold (Albert Finney) is lured from a saloon by Treat (Matthew Modine) to their squalid tenement. He and his reclusive and agoraphobic brother, Phillip (Kevin Anderson), have no idea Harold is a mobster, only that he looks prosperous. Harold is reminded of his impoverished youth when he sees how the brothers live, and he offers to help the aspiring young thugs. ~ Dan Pavlides, All Movie Guide

This film is a somewhat contrived pairing of two divorcees who are giving it a second go. They're up against considerable odds, however, because the children of each are not too pleased with their new "parent." Jeff Bridges stars as the husband and Alice Krige plays his second wife. ~ All Movie Guide

The year is 1947. Aspiring southern author Stingo (Peter MacNichol) heads to New York to seek his fortune. Moving into a dingy Brooklyn boarding house, Stingo strikes up a friendship with research chemist Nathan Landau (Kevin Kline) and Nathan's girlfriend, Polish refugee Sophie Zawistowska (Oscar-winner Meryl Streep). There is something unsettling about the relationship; Nathan is subject to violent mood swings, while Sophie seems to be harboring a horrible secret. Stingo soons learns that both Nathan and Sophie are strangers to truth; the audience is likewise led down several garden paths by a series of sepia-toned flashbacks, depicting Sophie's ordeal in a wartime concentration camp. The scene in which we discover the facts behind Sophie's "choice" is a gut-wrenching one; it might have been even more powerful had not the film taken so long to get there. It is betraying nothing to reveal that the character of Stingo is the alter ego of William Styron, upon whose best-selling novel the film was based. The film is rated R, due in great part to a disposable scene wherein Stingo tries to put the make on a "liberated" female intellectual. ~ Hal Erickson, All Movie Guide

A navy jet piloted by Captain Dale Heath (Efrem Zimbalist Jr.) and carrying a junior officer (Troy Donahue), making a quick hop across country on leave, has already taken off when Heath realizes that both his radio and his navigation equipment have malfunctioned. They might be on the right course, but he can't tell if they're at the right altitude -- 500 feet too high or too low would put him in the path of a plane headed in the opposite direction -- and he can't get through to ground control to get a fix or to request clearance to a new course, or to send out a mayday call. Heath is quietly terrified at the prospect of what may happen, not just for the obvious reason but also because he's experienced this situation once before and saved himself at the cost of the other plane and its pilot. Meanwhile, flying in the opposite direction on the same course is a commercial airliner piloted by Dana Andrews and carrying a full load of passengers, each with their own worries. Much of the first 85 minutes of this thriller is devoted to the passengers and crew of the airliner struggling with their personal problems, never knowing the danger they're in, while Heath (and the audience) grow increasingly tense trying to solve his problem and prevent a tragedy. In the end, his best efforts are to no avail, and he faces the choice of saving his plane and dooming the airliner, or sacrificing himself and his passengers. ~ Bruce Eder, All Movie Guide

Lauren Bacall more or less plays herself in The Fan. Cast as famous Broadway musical comedy star Sally Ross (with an astonishing lack of temperament!), Bacall finds herself the unwilling love object of psychotic fan Douglas Breen (Michael Biehn). As security around Ross tightens, Breen vows that if he can't have Ross, no one else can. James Garner and Maureen Stapleton are underused as, respectively, Bacall's ex-husband and mother-hen secretary. Based on a good novel by Bob Randall, The Fan comes off as a slightly more expensive "stalker of the week" TV movie. Still, the film proved grimly prescient in the light of John Lennon's assassination (which occurred after the film was completed, but before its release) and the ongoing dilemma of current Broadway stars (even the lesser lights) who are forced to hire bodyguards to protect them from worshipful wackos. ~ Hal Erickson, All Movie Guide

On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides. ~ Bruce Eder, All Movie Guide