Jon Kilik Movies

The sometimes rocky relationship between art and politics in America in the 1930s -- as well as the gulf between the wealthy and the struggling -- sets the stage for Tim Robbins' ambitious comedy-drama Cradle Will Rock. Pulling together a variety of threads from actual events, Robbins examines the lives and ambitions of a variety of creative mavericks and figures of power. Orson Welles (Angus Macfadyen) and John Houseman (Cary Elwes) are working with Marc Bliztstein (Hank Azaria) to stage the latter's leftist musical "The Cradle Will Rock" for the WPA-funded Federal Theater Project. After Congress cuts funding for the embattled Federal Theater over the perceived leftist slant of their presentations, the project is canceled on the day of its premier. Welles and his cast respond by marching 21 blocks from the theater where the show was to open to another venue where, in deference to Actors Equity regulations, they perform the entire show from the audience. A member of Welles' cast, Aldo Silvano (John Turturro), is a dedicated actor from Italy who is trying to resolve his attitudes about his family, who loyally support Mussolini, to Silvano's disgust. Meanwhile, El Duce's former mistress, Margherita Sarfatti (Susan Sarandon), is consorting with industrial tycoon Gray Mathers (Philip Baker Hall) -- whose wife, Contesse LaGrange (Vanessa Redgrave) is a friend and supporter of Welles' project. Elsewhere, Nelson Rockefeller (John Cusack) has hired expatriot Mexican artist Diego Rivera (Ruben Blades) to create a mural for his projected Rockefeller Center, but the two are soon locking horns over their different views on art, politics and the work at hand. And a ventriloquist fallen on hard times, Tommy Crickshaw (Bill Murray), finds himself trying to teach both comedy and speaking without lip movements to a pair of would-be performers at a WPA-backed vaudeville house. William Randolph Hearst (John Carpenter), Marion Davies (Gretchen Mol), Frida Kahlo (Corina Katt), and Olive Stanton (Emily Watson) are also woven into the tapestry of this historical epic, which premiered at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

Denzel Washington and writer-director Spike Lee team for the third time with this contemporary basketball drama focusing on a promising athlete, the son of a convict-father. Jake Shuttlesworth (Denzel Washington) has been in prison for six years when tough prison-warden Wyatt (Ned Beatty) tells him that he's getting a temporary parole with the promise of a commuted sentence. However, there's a trade-off -- Jake must talk his son, Jesus Shuttlesworth (NBA star Ray Allen of the Milwaukee Bucks), the top-ranked high-school basketball player in the country, into signing with the governor's alma mater, Big State. A flashback makes it clear that Jesus' mother (Lonette McKee was accidentally killed by Jake during a violent family fight. After Jake went to prison, the resentful Jesus was left alone to raise his sister Mary (Zelda Harris). Now several colleges are offering Jesus scholarships, and montages satirize the manner in which young athletes are wooed by educators and coaches across the country. However, Jake will soon be back behind bars if he can't get Jesus to sign with Big State within the week. Meanwhile, the greed of other family members begins to surface. John Turturro is seen in a cameo as Coach Billy Sunday, and several real-life coaches can also be spotted in this movie. Music by Aaron Copland (1900-1990) with songs by Public Enemy. ~ Bhob Stewart, Rovi

Spike Lee directed this comedy-drama about a woman who falls into a career in phone sex. An African-American woman (Theresa Randle) who aspires to a career as an actress endures a number of dispiriting jobs (handing out leaflets and working as a coat check girl) before reaching the end of her rope at an audition with Q.T. (Quentin Tarantino), a sleazy movie director. Q.T. claims that he wants to offer her a role in his next film -- but since the role requires nudity, she will have to show him her breasts first. After firing her agent, the actress is strapped for cash and is offered a job enacting sexual fantasies for men over the phone. Dubbed "Girl 6" by her employers, the actress is treated with respect by her boss (Jennifer Lewis) and is well-liked by her co-workers. However, she has a hard time emotionally distancing herself from her work, and she finds herself becoming infatuated with Bob (Peter Berg), one of her regular callers, going so far as to set up a meeting with him. As she deals in other people's fantasies for a living, Girl 6 begins retreating into her own world of make-believe, where she can be a sexy screen siren or a butt-kicking blaxploitation star. Meanwhile, her former fiancé (Isaiah Washington), who scrapes by as a shoplifter, desperately wants her to give him another chance, and her next door neighbor, a baseball card collector named Jimmy (Spike Lee), keeps pestering her that she ought to be doing something more positive with her life. Girl 6's supporting cast includes Madonna as one of Girl 6's supervisors, John Turturro as her agent, and Debi Mazar as one of the other phone-sex girls; the film also features an original song score by Prince. ~ Mark Deming, Rovi

Based on Richard Price's grim best-seller, and directed by Spike Lee from a screenplay co-written with Price, Clockers takes the structure of a police procedural to build a chilling portrait of despair, hope, and the unanswered problem of black-on-black crime in an urban housing project. The film's haunting themes are vividly visualized during the opening credits, which run over police photos of dead young black men, shot and sprawled on sidewalks, in streets, and hanging over fences. Strike (Mekhi Phifer) is a 19-year-old African-American "clocker" -- the lowest link on the drug dealing chain -- who hangs around park benches and street corners selling small amounts of druges at all hours of the day. Strike drinks chocolate milk to soothe an ulcer and plays with model trains in his apartment, dreaming of a way out of his dead-end life. Drug kingpin Rodney (Delroy Lindo) asks Strike to kill another clocker, Darryl, for skimming money, saying that this will be Strike's ticket to a higher post in Rodney's organization. Darryl is indeed shot, and suspicion immediately falls on Strike, but a weary cop named Rocco Klein (Harvey Keitel) thinks there's more to the case. ~ Don Kaye, Rovi

Spike Lee and his siblings Cinque Lee and Joie Lee co-wrote this nostalgic but unglamorized look at a family growing up in Brooklyn in the 1970s, inspired by their own childhood. Woody Carmichael (Delroy Lindo) is a jazz musician whose career is in a slump; he once made a good living as a session musician, but he has moved away from it to devote himself to more serious music, a choice that has not worked out well from a financial standpoint. His wife Carolyn (Alfre Woodard) works as a school teacher to keep food on the table. The Carmichaels have five children, a bright and introspective daughter named Troy (Zelda Harris) and four sons with a habit of causing trouble, and they all share an apartment in a brownstone in Brooklyn. Crooklyn follows the Carmichaels as the kids learn the funny and painful lessons of growing up, Mom and Dad balance their love for each other against the financial and personal difficulties of the creative life, and they all try to get along with the often eccentric neighbors on their block. Crooklyn's soundtrack is enlivened by classic 70s R&B hits, including selections by Sly and the Family Stone, The Jackson Five, Curtis Mayfield, The Staple Singers, and The Chambers Brothers. ~ Mark Deming, Rovi

After his wife dies, Max Fish (Jeff Goldblum) trades in his directing career for the life of a New Jersey bookstore owner. As Max struggles to overcome his drinking problem, his moody son Ed (Rory Cochrane) tries out a drug scene of his own, and the two try to work out their changing father-and-son relationship. ~ Iotis Erlewine, Rovi

Spike Lee defines "jungle fever" as sexual attraction between members of two races. In his film Jungle Fever, he examines the repercussions of an interracial affair upon two very distinct communities. Wesley Snipes is Flipper, a happily married and successful architect, and Annabella Sciorra is Angie, an office temp. When she starts working in Flipper's Manhattan office, one day they look at each other and are soon having sex over a blueprint-strewn desk. Their liaison causes an explosion on both homefronts. Flipper's family consists of his father Doctor Purify (Ossie Davis), a former preacher; his mother Lucinda (Ruby Dee); his violent, crackhead brother Gator (Samuel L. Jackson); and his wife Drew (Lonette McKee), whom he loves, despite his sexual attraction to Angie. Angie's family is a typical Italian-American household from Bensonhurst. She's engaged to Paulie Carbonne (John Turturro), who works in a deli owned by his father Lou (Anthony Quinn). When the two families find out about Flipper and Angie's affair, their shock leads to recriminations and racial animosity. ~ Paul Brenner, Rovi

Director Spike Lee dives head-first into a maelstrom of racial and social ills, using as his springboard the hottest day of the year on one block in Brooklyn, NY. Three businesses dominate the block: a storefront radio station, where a smooth-talkin' deejay (Samuel L. Jackson) spins the platters that matter; a convenience store owned by a Korean couple; and Sal's Famous Pizzeria, the only white-operated business in the neighborhood. Sal (Danny Aiello) serves up slices with his two sons, genial Vito (Richard Edson) and angry, racist Pino (John Turturro). Sal has one black employee, Mookie (Spike Lee), who wants to "get paid" but lacks ambition. His sister Jade (Joie Lee, Spike's sister), who has a greater sense of purpose and a "real" job, wants Mookie to start dealing with his responsibilities, most notably his son with girlfriend Tina (Rosie Perez). Two of Mookie's best friends are Radio Raheem (Bill Nunn), a monolith of a man who rarely speaks, preferring to blast Public Enemy's rap song Fight The Power on his massive boom box; and Buggin' Out (Giancarlo Esposito), nicknamed for his coke-bottle glasses and habit of losing his cool. When Buggin' Out notes that Sal's "Wall of Fame," a photo gallery of famous Italian-Americans, includes no people of color, he eventually demands a neighborhood boycott, on a day when tensions are already running high, that incurs tragic consequences. ~ Mark Deming, Rovi

This drama is based on a play by Mones and is set within a grim New York neighborhood where a new kid comes to the neighborhood. Unlike the street-wise and life-toughened gang members around him, the youth is a sensitive poet who teaches the kids about the meaning and beauty of life. ~ Sandra Brennan, Rovi