Rob Cowan Movies

Jon Avnet's thriller Righteous Kill stars Al Pacino and Robert De Niro as a pair of Big Apple police officers investigating a series of murders committed by a serial killer. Carla Gugino co-stars as a crime-scene investigator who has romantic ties to De Niro. 50 Cent, Donnie Wahlberg, Brian Dennehy, and John Leguizamo co-star. ~ Perry Seibert, All Movie Guide

An in-name-only, direct-to-video sequel to 1995's blockbuster thriller The Net, The Net 2.0 begins with a new character - a stunning computer tech named Hope Cassidy (North Shore'sNikki DeLoach) - who travels to Istanbul, where she plans to take a new job. Yet Hope soon finds herself pursued by dozens of unsavory characters and underhanded types, who threaten to "erase" her identity by wielding the power of the internet's dark side. Helmed by Charles Winkler (the son of The Net's director, Irwin Winkler), The Net 2.0 co-stars Keegan Connor Tracy and Demet Akbag. ~ Nathan Southern, All Movie Guide

Make-believe murder becomes all too real in this high-tech tale of terror. Jake Cummings (Jensen Ackles) is a stressed-out college student and computer technician who gets an unusual birthday present from one of his best friends -- an interactive video game called "The Pathway," which allows players to take part even when they aren't at their monitors. However, the nightmarish visions of the game begin haunting Jake's dreams and then taking over his waking hours as the violence of "The Pathway" stops being play and starts becoming reality. Has the game become possessed by malevolent spirits? And how can it be stopped? Devour also stars Dominique Swain and Shannyn Sossamon. ~ Mark Deming, All Movie Guide

A Cinderella story turns into a nightmare when a former waitress' perfect marriage gives way to adultery and physical abuse in this combination of domestic drama and revenge thriller. Motherless young woman Slim (Jennifer Lopez) works in a San Francisco diner with her best friend, Ginny (Juliette Lewis). After almost succumbing to the slick flirtation of an insincere customer (Noah Wyle), she is rescued by another dashing diner named Mitch (Bill Campbell). A few years later, the now happily married couple seem to have it all -- a perfect house, a precocious daughter (Tessa Allen), and a comfortable life. Then, Slim discovers that Mitch is actually a lothario who has been sleeping with other women behind her back. When she protests, he slaps her around and uses daughter Gracie as leverage to keep her in line. Slim enlists the help of her friends to escape with her child, though Mitch attacks and very nearly kills her in the process. Going on the lam, Slim adopts a series of new identities, wigs, and residences to avoid the goons Mitch has sent to retrieve her. Along the way, she receives help from Joe (Dan Futterman), a friend and old flame from college. Ultimately, Mitch and his unexpected allies so terrify Slim that she must turn the tables and transform herself from hunted to hunter. In doing so, she receives some surprise assistance of her own -- from Jupiter (Fred Ward), the rich father who abandoned her mother years ago. Although the soundtrack to Enough features the music of star J. Lo, the title song was written especially for the film by Magnolia tunesmith Aimee Mann. ~ Brian J. Dillard, All Movie Guide

New York architect Amy Benic (Mira Sorvino) meets blind masseur Virgil Adamson (Val Kilmer) and falls in love. As she learns his lifelong blindness may be curable through experimental surgery, she convinces him to undergo the operation. Virgil then learns vision may not quite be what he expected. At First Sight is directed by Irwin Winkler and also stars Bruce Davison, Nathan Lane, and Kelly McGillis. At First Sight is a romance adapted by writer Steve Levitt based upon the story To See and Not See from noted writer Dr. Oliver Sacks' collection, An Anthropologist on Mars. Dr. Sacks' work is also the basis for the Penny Marshall film Awakenings, starring Robert De Niro and Robin Williams and the opera The Man Who Mistook His Wife For a Hat by Michael Morris with music by Michael Nyman. In his original story, Dr. Sacks tells of receiving a call in October 1991 from a retired minister in the Midwest. His daughter was about to marry a fifty-year old man, Virgil, who had been blind since early childhood. He had thick cataracts and been diagnosed with retinitis pigmentosa, a disease which slowly eats away the retinas. As he could still make the distinction between light and dark, it was found he was misdiagnosed and simple cataract extraction could possibly restore his sight. While surgery was a success, Virgil, like his cinematic counterpart, found he would have to learn to use his vision much like an infant would, even though he was adept at relating to the world through touch. In his A New Theory of Vision, written in 1709, George Berkeley concluded there was no necessary connection between a tactile world and a sight world; a connection between them could be established only on the basis of experience. This same story was also adapted into the play Molly Sweeney by Brian Friel. ~ Ron Wells, All Movie Guide

This TV drama series, produced and scripted by Irwin Winkler and Rob Cowan, is adapted from their feature film, The Net (1995), a thriller with Sandra Bullock as reclusive Venice, California computer expert Angela Bennett, whose life is threatened. Brooke Langton (Melrose Place) portrays Angela Bennett in this new interpretation. During the debut TV series episode, Angela is puzzled by a cryptic computer message on her screen and goes out jogging. On her return, she discovers her bank account closed, her credit cards canceled, and her identity wiped and switched. Files show that she has been given the name Elizabeth, and state secrets are now stored on her hard disk -- which explains why the feds capture her at gunpoint. A stranger, Trelawney (Joseph Bottoms), engineers her release, but his true program is a kill file. After navigating to the info he wants, he intends to delete Angela right out of existence. Her only hope is Sorcerer (voice of Tim Curry), a helpful but anonymous voice from cyberspace. Filmed in Vancouver, B.C., the series premiered July 19, 1998 on the USA Network. ~ Bhob Stewart, All Movie Guide

Irwin Winkler's paranoid thriller focuses on a high-tech nightmare, as a computer programmer finds herself on the run from an unknown enemy dedicated to ruining her life by digital means. Sandra Bullock stars as Angela Bennett, a programmer who unwittingly comes into possession of software that allows access to secret government information. At first, she thinks little of it, heading off to Mexico on vacation. However, thanks to a series of odd events that culminates with the death of a close friend, Angela starts to suspect she may be in danger. This fear is confirmed when she returns to America to find that her identity has been erased, with police computers showing her as a wanted criminal. She soon realizes that a group of evil conspirators are after the program, and she sets out to clear her name and keep the program from falling into the wrong hands. The central concept later inspired a cable TV series. ~ Judd Blaise, All Movie Guide

Gregg Champion, the son of dance stars Marge and Gower Champion, made his feature film directorial debut with this sitcom-influenced cop comedy. Dabney Coleman stars as Burt Simpson, a police detective one week short of retirement, who is told he has a rare blood disease called Wechsler's Curtain and that he will be dead within two weeks. Before receiving the dire news, Burt was the kind of guy who made it a point to be cautious when in pursuit of criminals. He also was unable to tell his wife (Teri Garr) that he loved her. But now that he has only two weeks to live, Burt undergoes a complete personality reversal -- much to the shock of his partner Ernie Dills (Matt Frewer). Burt throws his well-known caution to the wind and volunteers for double-duty in the city's most dangerous neighborhood to take on the notorious psychotic Carl Stark (Xander Berkeley). The reason for this sudden turnaround? Burt figures that if he is killed in the line of duty, his son can go to Harvard on the $320,000 worth of department insurance, rather than die after retirement and collect a paltry $22,000 on his regular insurance policy. Paradoxically, Burt finds that comedy is easy but dying is hard. ~ Paul Brenner, All Movie Guide

Tom Cruise juggles Martini shakers and ice cubes as the materialistic Brian Flanagan, a bartender who drops out of school to search for the perfect "rich chick" who will bankroll him into luxury. Brian meets up with bar veteran Doug Couglin (Bryan Brown) and they put together a dance-duo bar-tending act, taking five minutes to a mix a drink as they dance and toss gin bottles behind the bar to cutting-edge rock music circa 1988. The patrons, instead of demanding the booze, are dazzled by their antics and cheer them on. As a result, the bartenders become wildly popular -- in particular, Brian, who finds the bar babes falling all over each other to hop into the sack with him. As a result of their bar-tending success, they get hired to tend bar at a swanky disco, but there Brian and Doug have a falling out, and Brian takes off for Jamaica. There he meets vacationing New York City waitress Jordan Mooney (Elisabeth Shue) and the two fall in love. But then Brian meets rich New York fashion executive Bonnie (Lisa Banes) who wants to take Brian back to Manhattan with her to become her drink-mixing stud. When Jordan sees this, the love affair is put on hold. But not for long, as pangs of consciousness begin to filter through Brian's drunken haze. ~ Paul Brenner, All Movie Guide

Three Men and a Baby is an Americanized remake of the 1985 French comedy hit Three Men and a Cradle. Tom Selleck, Ted Danson and Steve Guttenberg play three upwardly mobile New York bachelors who share an apartment. Their even-keel lifestyle is thrown out of whack when a young woman leaves a baby on their doorstep, suspecting that film director Danson is the father. The balance of the film is devoted to milking as much humor as possible out of the situation of three urbane young men trying to play nursemaid with nary a clue of what they're doing (at one point, a desperate Selleck offers Guttenberg a thousand dollars if Guttenberg will change a diaper). A subplot involving drug dealers is thrown in to sustain audience interest after our trio of heroes become accustomed to a baby around the apartment. "Urban legend" aficionados please note: That cardboard cutout of Ted Danson briefly glimpsed in one scene of Three Men and a Baby is not the ghost of a little boy who died in the bachelors' apartment before filming started. ~ Hal Erickson, All Movie Guide