Rosalie Crutchley Movies

Dale Wasserman's long-running Broadway smash comes to the screen in this musical based on Miguel de Cervantes' classic satire Don Quixote de la Mancha. Cervantes (Peter O'Toole) is arrested and put in prison by the soldiers of the Spanish Inquisition after staging a comic performance which mocked the Spanish government. Cervantes' fellow inmates are eager to divvy up his belongings, but the author is desperate to save a manuscript of his latest work; in order to win the prisoners over, he stages, with their assistance, his latest comedy about the delusional knight Don Quixote (O'Toole). Don Quixote, with the help of his loyal manservant Sancho Panza (James Coco), is determined to battle evil, though he most often finds himself combating windmills. Don Quixote encounters the beautiful virgin Dulcinea -- personified by a jailed prostitute, Aldonza (Sophia Loren) -- and is certain he has found the love of his life. However, tragedy befalls Don Quixote when a band of savages rape Dulcinea as he sleeps, and he must decide where his greatest loyalty lies when his niece Antonia (Julie Gregg) arrives, asking Quixote to please return home to his family. In a move which was widely criticized at the time of the film's release, Peter O'Toole's singing voice was dubbed for most of his musical numbers, while Sophia Loren did all of her own vocal tracks. ~ Mark Deming, All Movie Guide

In this English film, a group of orphans visiting the home of a wealthy, retired singer (Shelley Winters) discover that the woman is hiding a disturbing secret. ~ Iotis Erlewine, All Movie Guide

This romantic drama concerns two star-crossed lovers who are half-brother and sister to each other. Catherine (Anna Calder-Marshall) is the daughter of the lord of the manor who falls for the brooding stable boy Heathcliff (Timothy Dalton). When Heathcliff leaves to seek his fortune, he returns to find Catherine has married the local magistrate Edgar (Ian Ogilvy). The story is told by the beautiful blonde servant girl Nellie (Judy Cornwell), who narrates at the beginning to set the stage for the picture. Hindley (Julian Glover) is Catherine's older brother who tries to take over the house and land after the death of their father (Harry Andrews). When his own wife and child dies, a drunken Hindley gambles away the family holdings to the opportunistic Heathcliffe. Filmed in England, the scenery is spectacular but this version lacks the foreboding, shadowy drama of the 1939 original starring Merle Oberon and Laurence Olivier. ~ Dan Pavlides, All Movie Guide

This ambitious four-part adaptation of Dostoevsky's 19th century novel The Possessed was originally telecast in Britain in 1970. A savage attack on the Russian radical movement of the 1870s, the story was set in a peaceful bourgeois village terrorized by a roving gang of revolutionists. The head of the gang, the grotesquely caricatured Peter Verkhovensky (David Collings), was based on real-life rebel Sergei Nechayev, who thought nothing of selling out friends and family alike for the good of "the cause." The actual protagonist of the piece was not, however, the insanely nihilistic Verkhovensky, but the mild-mannered, aristocratic Stavrogin (Keith Bell), whose phlegmatic personality may well have been a smokescreen for a revolutionary spirit of uncommon fervence. Though intended as a burlesque of those who would topple the Czarist regime, the novel curiously reemerged as a paragon of "rebellious idealism" (in the words of critic Irving Howe) to the radical youths of the 1960s and 1970s. Reedited as a six-parter, The Possessed was seen in America as a component of PBS' Masterpiece Theatre beginning May 2, 1971. ~ Hal Erickson, All Movie Guide

Originally written as the second episode of The Prisoner, "Checkmate" was then slated to be shown as episode #11. Instead, it was telecast out of chronological order as the 10th episode on December 3, 1967. One of the series' most fondly remembered installments ---and the one that posted the highest ratings when first broadcast in England --- this exercise in surrealism takes place on a giant chess board, wherein all the "pieces" are people. One of the participants is Number Six, who cannot determine if the other players are making moves of their own free will, or if they are being manipulated by a unseen force. Crucial players in this bizarre game are an icy psychiatrist (Patricia Jessel) and the (apparently) independently minded Queen (Rosalie Crutchley). As originally written by Gerald Kelsey), the script for "Checkmate" came up seven minutes short, compelling series star Patrick McGoohan to hastily compose an extra scene. The episode was restored to its proper Prisoner chronology when it was first shown in America on August 17, 1968. ~ Hal Erickson, All Movie Guide

When a beautiful model is found shot in her apartment, a famous television star is felt to be the murderer in a failed extortion plot. Although the investigation turns up a surprise ending, by the time most viewers get there they could not care less who did it. Singularly uninspired murder drama. ~ Tana Hobart, All Movie Guide

Filmed in Germany by American director John Huston, Freud is a sincerely felt but overly simplistic biopic of the pioneering psychotherapist. The brooding, introspective Montgomery Clift was a curious choice for the role of Sigmund Freud; at times he looks more off the beam than some of his patients (his comic-opera Viennese accent doesn't add to the credibility). The screenplay takes the shape of a detective mystery, attempting to link various crises in Freud's private and professional life with his theoretical conclusions, most often doing so within well-staged dream sequences. Less successful are the scenes with the poor unfortunates who come to Freud for help, notably an embarrassing sequence with a young man suffering from an Oedipus complex. Freud was at one point supposed to have been scripted by existentialist playwright Jean-Paul Sartre, who gave up after he realized that the subject would require a four- or five-hour film at the very least. ~ Hal Erickson, All Movie Guide

The Motion Picture Production Code was still in effect (albeit weakly) when Sons and Lovers was filmed in 1960, so don't expect a thoroughly frank and faithful adaptation of the D.H. Lawrence novel. Set in an English mining town, the film focuses on Paul Morel (Dean Stockwell), the sensitive son of a roughhewn, alcoholic miner (Trevor Howard) and his gentle, repressed wife (Wendy Hiller). Intent on becoming an artist, Paul is not above depending upon the financial kindnesses of the young women of the town. Many of the girls carry a torch for him, but his strong bonds to his mother leave him emotionally sapped. Freddie Francis's evocative, grimy industrial-town cinematography won him an Academy Award. Despite censorial restrictions, this admirably captures the essence of the dour Lawrence original. ~ Hal Erickson, All Movie Guide

Audrey Hepburn stars in The Nun's Story as Sister Luke, postulant of a Belgian order of nuns. Though frequently disillusioned in her efforts to spread good will -- at one point she is nearly killed by a mental patient (Colleen Dewhurst) -- Sister Luke perseveres. Sent as a nurse to the Belgian Congo, an assignment she'd been hoping for, Sister Luke is disappointed to learn that she will not be ministering to the natives but to European patients. Through the example of no-nonsense chief surgeon Peter Finch, the nun sheds her idealism and becomes a diligent worker -- so much so that she contracts tuberculosis. Upon the outbreak of World War II, Sister Luke tries to honor the edicts of her order and not take sides, but this becomes impossible when her father (Dean Jagger) is killed by the Nazis. Realizing that she cannot remain true to her vows, Sister Luke leaves the order and returns to "civilian" life. The Nun's Story ends with a long, silent sequence in which Sister Luke divests herself of her religious robes, dons street garb, and walks out to an uncertain future. There is no background music: director Fred Zinnemann decided that "triumphant" music would indicate that Sister Luke's decision was the right one, while "tragic" music would suggest that she is doing wrong. Rather than make an editorial comment, the director decided against music, allowing the audience members to fill in the blanks themselves. The Nun's Story is based on the book by Kathryn Hulme, whose depiction of convent life was a lot harsher and more judgmental than anything seen in the film. ~ Hal Erickson, All Movie Guide

Screenwriter T.E.B. Clarke, the writer of such fifties British comedies as The Lavender Hill Mob and Passport to Pimlico, dips his pen into a more stately inkwell in this stilted adaptation of Charles Dickens' classic novel A Tale of Two Cities. Dirk Bogarde takes the lead role of worn-down, drunken lawyer Sydney Carton, who finally wakes up from his stupor during the French Revolution to make the ultimate sacrifice for Lucie Manette (Dorothy Tutin), the love of his life. Also on hand are the evil tyrant Marquis St. Evermonde (Christopher Lee), the treacherous informer Barsad (Donald Pleasence), and the fanatical Madame Defarge (Rosalie Crutchley), who denounces Lucie and her husband Charles Darnay (Athene Seyler) to the tribunal. ~ Paul Brenner, All Movie Guide

London's colorful but rundown Soho district is the setting for this thinnish romantic comedy. John Gregson plays a Soho roadworker who has little hopes of finding happiness in life. Belinda Lee is a like-minded barmaid in a tiny pub. Gregson and Lee discover each other, and the "miracle" happens. The script was written by Emeric Pressburger, who apparently was so accustomed to "big" projects like The Red Shoes (47) that he couldn't scale himself down to the genuine emotions of normal people. Too, Miracle in Soho cries out for location filming, but the producers insisted upon lensing the story in the most unconvincing of studio sets. ~ Hal Erickson, All Movie Guide

Anna Neagle steps down from her expensive musical extravaganzas to play a recognizable human being in No Time for Tears. She plays the dedicated director of a busy children's hospital, battling red tape, family hassles and public indifference. A large and stellar cast appears in this episodic tale, dramatizing the triumphs and tragedies of pediatrics. An unfortunately predictable happy ending sends the filmgoers home without trauma. No Time for Tears came close to the end of Anna Neagle's starring career; she would appear in two more films, and produce two additional features, before returning to the stage. ~ Hal Erickson, All Movie Guide

Filmed on location in Europe, Flame and the Flesh is nothing more nor less than a vehicle for the glamorous Lana Turner. The plot finds Madeline (Ms. Turner) stranded in Italy with nary a lire to her name. But this doesn't bother her, because she's always depended upon the kindness of strangers--handsome, wealthy strangers. Madeline's present target is singer Nino (Carlos Thompson), who is engaged to Lisa (Pier Angeli). Throwing Lisa over, Nino weds Madeline, only to discover that she hasn't any intention of giving up her amorous lifestyle. Ultimately, Madeline comes to the realization that Nino is the only man in her life, but she seems to have a lot of fun sampling the alternatives. ~ Hal Erickson, All Movie Guide