Rosalie Crutchley Movies

Screenwriter T.E.B. Clarke, the writer of such fifties British comedies as The Lavender Hill Mob and Passport to Pimlico, dips his pen into a more stately inkwell in this stilted adaptation of Charles Dickens' classic novel A Tale of Two Cities. Dirk Bogarde takes the lead role of worn-down, drunken lawyer Sydney Carton, who finally wakes up from his stupor during the French Revolution to make the ultimate sacrifice for Lucie Manette (Dorothy Tutin), the love of his life. Also on hand are the evil tyrant Marquis St. Evermonde (Christopher Lee), the treacherous informer Barsad (Donald Pleasence), and the fanatical Madame Defarge (Rosalie Crutchley), who denounces Lucie and her husband Charles Darnay (Athene Seyler) to the tribunal. ~ Paul Brenner, All Movie Guide

In "The Norwood Builder," an episode of The Adventures of Sherlock Holmes (an excellent adaptation of the Sherlock Holmes mysteries, written by Sir Arthur Conan Doyle and produced in Britain for Granada), Sherlock Holmes (Jeremy Brett) reprises his excellent portrayal of the famed detective aided by his companion Dr. Watson (David Burke). In this episode, Holmes aids John Hector McFarland (Matthew Solon) who is accused of the murder of rich, eccentric Jonas Oldacre (Jonathan Adams) and helps him clear his name. This historically accurate series recreates the adventures of Conan Doyle's Victorian detective with impeccable faithfulness to the original story, sometimes to the extent of recreating the illustrations which accompanied the original story publication in Strand magazine during the late 19th century. Thirteen of the Holmes short stories were adapted in this series, which was followed by the sequels The Return of Sherlock Holmes and The Casebook of Sherlock Holmes, as well as several feature-length TV movie adaptations. ~ Linda Rasmussen, All Movie Guide

By 1964, it was possible for a major studio to make a film touching upon the Spanish Civil War without having to answer to some senate investigating committee or other. Based on Emeric Pressburger's novel A Mouse on Sunday, Behold a Pale Horse stars Gregory Peck as a war veteran who continues waging a one-man offensive years after hostilities have officially ceased. Exiled to France, Peck is lured back to Spain by vengeful police captain Anthony Quinn. Priest Omar Sharif advises Peck that he's being tricked, but Peck is determined to return to Spain to bid farewell to his dying mother Mildred Dunnock. Halfway through, the film bogs down into ponderous preachifying and moralizing, but overall the film is worth a glance. In 1966, Behold a Pale Horse was scheduled to be telecast on a major American network, but was cancelled at the last minute, reportedly at the behest of the Spanish government. ~ Hal Erickson, All Movie Guide

Adapted from the 1932 comic novel by Stella Gibbons, this version of Cold Comfort Farm stars Sarah Badel as Flora Post, a precocious 19-year-old whose parents were lost to the Spanish plague. Left with only 100 pounds a year for survival, Flora writes to several relatives in hopes of finding one that will take her in and offer her the stockings-and-furs lifestyle to which she has become accustomed. Eventually, she is invited to Cold Comfort farm where, as an aspiring author, Flora comes into contact with a group of individuals quirky enough to provide inspiration for years to come. The cast includes Alastair Sim and Brian Blessed, and the story itself was adapted again in John Schlesinger's 1995 film starring Kate Beckinsale. ~ Tracie Cooper, All Movie Guide

Former Miss Norway Julie Ege stars in this low-budget variation on One Million Years B.C., playing a scantily-clad cave girl who becomes the object of a fierce battle between the contenders for the throne of the tribe's recently-deceased chieftain. The last of the prehistoric adventure films from England's Hammer Studios, this cheap potboiler discards the usual stop-motion or oversized-iguana dinosaurs -- a concept which may be more (pre)historically accurate but is clearly nothing more than a budgetary consideration for the producers. What's left plotwise is little more than the entire grunting, slobbering male cast trying to get into sexy Ege's sabertooth-skin skivvies and brutalizing each other for the privilege (though most of the sex and violence was excised by the distributors to secure a PG rating). The vibrant cinematography is a plus, but there is very little action, and Ege is no Raquel Welch. ~ Cavett Binion, All Movie Guide

Based on the autobiographical novel by Nicholas Gage, Eleni traces Gage's search for the truth behind the execution of his Greek mother Eleni. John Malkovich plays Gage (herein referred to only as Nick), a New York Times journalist assigned to cover a border war in Albania. Intimately familiar with his beat--it's where he grew up--Nick periodically flashes back to his childhood, and his memories of his late mother Eleni (Kate Nelligan). Not at all concerned with politics, Eleni goes to extreme lengths to shelter her children from the ravages of civil unrest. For attempting to smuggle her kids out of the country, Eleni is arrested and executed. Back in the present, Nick manages to locate local politico Katis (Oliver Cotton), the man who signed Eleni's death warrant. He wangles his way into Katis' confidence, then prepares to kill the man--but he's in for a surprise, and something of an epiphany. ~ Hal Erickson, All Movie Guide

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. ~ Judd Blaise, All Movie Guide

Strange as it seems, the 1977 adaptation of Charles Dickens' novel Hard Times was the first full-scale adaptation of this work ever seen on British television. Set (of course!) during the Industrial Revolution, the multiplotted story line was held together by the travails of Louisa Gradgrind (Jacqueline Tong), a former circus employee who was adopted by a stern businessman and whisked off to a bleak industrial village called Coketown. With four-hour-long episodes at its disposal, this TV version managed to retain most of the characters and incidents of the Dickens original, and also kept sight of the author's indictment of the iniquitous social conditions which determined the behavior and the destinies of the main figures. Produced by Granada Television, Hard Times later aired in America via PBS. The 1994 BBC TV version, sometimes also referred to as a "miniseries," was actually intended to be seen in a single showing. ~ Hal Erickson, All Movie Guide

Little Dorrit was intended as the cinematic equivalent to the mammoth, eight hour Royal Shakespeare Company's staging of Dickens' Nicholas Nickelby. The film was released to theatres in two parts, each running approximately three hours. The first part, subtitled "Nobody's Fault," introduced us to the seamstress title character (Sarah Pickering), who chooses to live in debtor's prison with her father (Alec Guinness). Good samaritan Derek Jacobi endeavors to help both father and daughter. The second part, also known as "Little Dorrit's Story," details Dorrit's escape from penury to lasting happiness. Eschewing the usual 19th century-style British music often heard in Dickensian adaptations, director Christine Edzard creatively-and effectively--opts for the strains of Giuseppe Verdi. Edzard's eye for period detail is also deserving of unbounded praise. Unfortunately, Part Two of Little Dorrit spends nearly half of its running time recapping Part One, utilizing much of the same footage. For those familiar with "Nobody's Fault," "Little Dorrit's Story" is more a redundancy than a continuation. Still, taken together, parts one and two all fully deserving of the enthusiastic critical commentary that greeted them upon their original release-not to mention the multiple Academy Award nominations bestowed upon the project and its participants. ~ Hal Erickson, All Movie Guide

While ethnic humor was pretty much avoided by Hollywood in the politically touchy 1950s, Great Britain continued to turn out comedies relying upon accents and gentle stereotypes for laughs. Make Me an Offer stars Peter Finch as a stylish antique dealer who covets a precious vase. Among the many people with whom Finch comes in contact is a Jewish antique specialist (Meier Tzelnicker) who offers the star (and the viewers) several amusing glimpses at the ins and outs of his trade. Based on a novel by Wolf Mankowitz, Make Me an Offer wasn't given much theatrical play in the US, though it showed up with some regularity on TV. In the 1960s, the film became a precious commodity in the rush by local television stations to load up on color product--even second-rate Eastmancolor. ~ Hal Erickson, All Movie Guide