Rosalie Crutchley Movies

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. ~ Judd Blaise, All Movie Guide

Husband and wife producers Richard Goodwin and Christine Edzard return to the same milieu as in their epic version of Little Dorrit in The Fool. This slight story stars Derek Jacobi as Mr. Frederick, a theatrical clerk in the London of 1857, who concocts a monetary scam to bilk the rich. In order to carry off this deception, Mr. Frederick passes himself off as the well-heeled Sir John. But problems arise after he is recognized by some theater people, and he begins to take his false identity a bit too seriously. ~ Paul Brenner, All Movie Guide

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Death of a Ghost. Each year, the friends of a deceased painter gather to unveil one of his final 12 paintings. It is during one of these annual unveilings that the lights suddenly go out--and when they go back on again, a rather unpleasant young artist named Dacre (Patrick Bailey) turns up murdered. Before long, Dacre's own painting begin mysteriously vanishing. Campion has a pretty good idea who is the killer and thief, but Inspector Oakes (Andrew Burt) is not so easily persuaded--at least, not until murder rears its ugly head yet again. In America, "eath of a Ghost" was telecast November 9 and 16, 1989, as part of the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

Beryl Markham: Shadow on the Sun was a two-part TV movie originally telecast in May of 1988. Stefanie Powers is right in her element as the real-life Beryl Markham, an Englishwoman living in Kenya with her family. Bucking the male-dominated Kenyan social structure, Beryl becomes the first woman in Africa to train horses on a professional level. And in 1936, she thrills the world by being the first aviatrix to fly from England to the US across the Atlantic. With four hours to fill, the film is obligated to trace Beryl's love life, which (according to the script) was not always as rewarding as her public accomplishments. Inasmuch as Beryl was a contemporary (and friendly rival) of author Karen Blixen--better known as Isaak Dinesen--Beryl Markham: Shadow on the Sun contrives to include several characters introduced in Out of Africa. ~ Hal Erickson, All Movie Guide

Based on the autobiographical novel by Nicholas Gage, Eleni traces Gage's search for the truth behind the execution of his Greek mother Eleni. John Malkovich plays Gage (herein referred to only as Nick), a New York Times journalist assigned to cover a border war in Albania. Intimately familiar with his beat--it's where he grew up--Nick periodically flashes back to his childhood, and his memories of his late mother Eleni (Kate Nelligan). Not at all concerned with politics, Eleni goes to extreme lengths to shelter her children from the ravages of civil unrest. For attempting to smuggle her kids out of the country, Eleni is arrested and executed. Back in the present, Nick manages to locate local politico Katis (Oliver Cotton), the man who signed Eleni's death warrant. He wangles his way into Katis' confidence, then prepares to kill the man--but he's in for a surprise, and something of an epiphany. ~ Hal Erickson, All Movie Guide

The Keep is an ambitious visual feast from director Michael Mann, whose previous effort was the moody, stylish Thief, and who would soon produce the quintessential pastel-colored '80s TV series Miami Vice. Adapted from the novel by F. Paul Wilson and set in German-occupied Romania of 1943, the film introduces the invaders to the dark presence lurking within the walls of an ancient fortress in the Carpathian Alps -- a presence which doesn't take well to unwanted guests. When soldiers under the command of Captain Woermann (Jurgen Prochnow) begin to die horribly, he receives the unwanted assistance of Nazi Major Kampffer (Gabriel Byrne), who immediately assumes command and forcibly enlists the aid of the local expert on ancient languages, the Jewish Doctor Theodore Cuza (Ian McKellen), in the translation of the cryptic writings left near a murdered soldier's body. When Cuza comes face-to-face with the Keep's ancient resident -- an ethereal creature which gains strength by draining the life-force from its enemies -- he forms a pact with the creature in the hope that it will escape and destroy Hitler's armies. When a mysterious stranger (Scott Glenn) arrives at the nearby village and befriends Cuza's daughter Eva (Alberta Watson), he reveals the true nature of the beast within the Keep, as well as his intent to destroy it before Cuza can release it -- a task which, if failed, will spell doom for all mankind. The film's fever-dream-logic casts a hypnotic spell -- ably assisted by Tangerine Dream's pulsating, ethereal music (including electronic variations on a theme by Thomas Tallis) -- with a story that seems to play by the Keep's own eerie supernatural rules. ~ Cavett Binion, All Movie Guide

While most people are familiar only with the Lon Chaney Sr. and Charles Laughton versions of Victor Hugo's The Hunchback of Notre Dame, this 1982 TV adaptation was the fourteenth filmization of the Hugo novel. Anthony Hopkins, barely recognizable under mounds of disfiguring body makeup, plays Quasimodo, the deformed 15th-century bellringer of Notre Dame cathedral in Paris. Leslie-Anne Down plays Esmerelda, the gypsy girl who wins Quasimodo's unswerving loyalty when she offers him water after he is publicly flogged. And Derek Jacobi plays Dom Claude Frollo, the hypocritically pious archdeacon of Notre Dame, who'll do anything to claim Esmerelda for himself. Produced by Norman Rosemont, The Hunchback of Notre Dame originally aired February 4, 1982, as a Hallmark Hall of Fame presentation. ~ Hal Erickson, All Movie Guide

Strange as it seems, the 1977 adaptation of Charles Dickens' novel Hard Times was the first full-scale adaptation of this work ever seen on British television. Set (of course!) during the Industrial Revolution, the multiplotted story line was held together by the travails of Louisa Gradgrind (Jacqueline Tong), a former circus employee who was adopted by a stern businessman and whisked off to a bleak industrial village called Coketown. With four-hour-long episodes at its disposal, this TV version managed to retain most of the characters and incidents of the Dickens original, and also kept sight of the author's indictment of the iniquitous social conditions which determined the behavior and the destinies of the main figures. Produced by Granada Television, Hard Times later aired in America via PBS. The 1994 BBC TV version, sometimes also referred to as a "miniseries," was actually intended to be seen in a single showing. ~ Hal Erickson, All Movie Guide

This handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the prophet Mohammed -- who, in accordance with the tenants of Islam, is never seen or heard (any physical depiction of the prophet is considered a heinous sin within the faith). In Mecca in the 7th century, Mohammed is visited by a vision of the Angel Gabriel, who urges him to lead the people of Mecca to cast aside the 300 idols of Kaaba and instead worship the one true God. Speaking out against the corrupt political and military leaders who rule Mecca, Mohammed and his followers struggle to worship God as they see fit, which eventually leads them into exile in Medina. However, one day God gives Mohammed a message to return to Mecca and take up arms against their oppressors -- while recruiting as many followers as they can along the way. With the help of his uncle, a brave warrior named Hamza (Anthony Quinn), Mohammed and his followers return to Mecca to liberate the city in the name of God. The Message (originally screened in the U.S. as Mohammed, Messenger of God) proved to be highly controversial during its production and initial release. Unfounded rumors had it that Mohammed would not only be depicted in the film, but that he was to be played by Charlton Heston or Peter O'Toole. This resulted in angry protests by Muslim extremists, until director Moustapha Akkad hired a staff of respected Islamic clerics as technical advisors. The advisors butted heads with Akkad, and they quit the production, which led the Moroccan government to withdraw their permission to film in their country. In time, Akkad ended up shooting on location in Libya under the sponsorship of Muammar Qaddafi, which presented a whole new set of political and practical problems for the filmmakers. Finally, when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved without explosion or injuries, though the film's American box office prospects never recovered from the unfortunate controversy. The Message was shot in two versions, one in English and one in Arabic (entitled Al-Ris-Alah), with different actors taking over some of the roles due to language requirements. ~ Mark Deming, All Movie Guide

Director Ken Russell made a number of biographical films of composers' lives including The Music Lovers, (about Tchaikovsky) and Lisztomania. Russell embellished the other films with certain characteristic flourishes, which include a focus on the composers' sexual obsessions, poetically telling anachronisms, and scenes which show Richard Wagner in a bad light. The story of Mahler is recounted in a much less complex and flamboyant manner and is a relatively reverent study of the life and work of Austrian composer Gustav Mahler, here played by Robert Powell. The film tackles the touchy dilemma of Mahler's Jewishness in the anti-Semitic atmosphere of 19th-century Vienna. He converts to Christianity, which has no effect on his brilliant musical output but which eats away at his physical and mental well-being. Gustav Mahler (1860-1911) was a conductor and composer of the late Romantic era and specialized in huge symphonic works. Though his works were performed widely during his lifetime, they were less and less-often played until Leonard Bernstein's active campaign on their behalf brought him renewed recognition as a composer of the first rank, every bit the peer of Brahms or Stravinsky. ~ Clarke Fountain, All Movie Guide

In this mundane, droll horror spoof, British comedian Frankie Howerd plays a washed-up actor who tries to cash in on his newly-discovered ties to the outrageously wealthy Henderson family. His efforts are stymied by the greed of stern patriarch Ray Milland, whose equally-avaricious offspring go to great lengths to bump off the hapless hero, abetted by a convenient household nest of venomous snakes. The producers conceived this film as a star vehicle for Howerd, but it didn't exactly propel him to super-stardom. Though competently filmed, this project is hampered by a lazy pace and unimaginative murder setpieces, leaving viewers with a horror-comedy featuring scarcely a scare or a snicker. ~ Cavett Binion, All Movie Guide