Andrew Cruickshank Movies

The acclaimed Tony Palmer helmed this 1984 biopic on 19th and early 20th century Italian composer Giacomo Puccini, here portrayed by Robert Stephens. Palmer opts to focus not on the whole gestalt of Puccini's life, but on a devastating scandal that transpired in 1909, when Giacomo's wife, Elvira Puccini, accused maid Doria Manfredi of bedding her husband. The unfounded allegations prompted a massive lawsuit from the maid's family, and nearly toppled Giacomo's illustrious career. Judith Howarth co-stars. ~ Nathan Southern, All Movie Guide

Originally a nine-hour British miniseries, this film on the last four decades in the life of Richard Wagner may have taken its long-winded cue from the lengthy operas of the famous 19th-century German composer and musical theorist -- the Ring des Nibelungen is 14-15 hours in itself, divided into four separate operas. This biographical film begins when Wagner is first recognized for his work, yet in that same year, 1848, he was forced out of his homeland for his radical politics (he supported the unification of separate kingdoms under one Germany) and settled in Zurich for awhile. Focusing on character traits that are well-known and would not endear him to anyone, the film details his bigotry (a confirmed anti-Semitic), his insensitivity, and his obsession with money -- he went after the bottom line even if it meant losing friendships or ruining his marriage. Although Wagner is known for his music theory and the contribution he made to opera during his lifetime, very little attention is given to his actual works in this film. Venerable British thespians (Laurence Olivier, John Gielgud, Ralph Richardson, Vanessa Redgrave, Joan Plowright, and Richard Burton as Wagner) light up the cast but not always with the same brightness. In the final analysis, the slow-paced story is simply too long in the telling, and even the visually sumptuous costumes and production design cannot make up for a slow script, uneven acting, and problems in direction. The film version runs 300 minutes. ~ Eleanor Mannikka, All Movie Guide

The lives and loves of a trio of airline hostesses is the whole story in this piece of fluff from MGM. Each of these perky women have cute and cuddly romances from an assortment of wealthy men as they offer coffee or tea on a flight from New York to Paris. Dolores Hart is searching for a rich sugar-daddy and thinks she's found one in a well-to-do baron (Karl Boehm). Lois Nettleton, on the other hand, opts for hooking a multi-millionaire Texan (Karl Malden). Pamela Tiffin, unluckier than the other two, finally flies starry-eyed for handsome pilot Hugh O'Brien. ~ Paul Brenner, All Movie Guide

This was the last film for British director Wendy Toye whose special interests were always comedies and fantasies. In this light farce, the talented Kenneth More is Lt. Commander Bodger, a man with a penchant for honesty in moments when silence is much more diplomatic. Bodger offends the Navy higher-ups, and so he is first sent to work in Dartmouth, training cadets. That does not really keep him out of trouble and so the Navy, in desperation, sends him to work as a liaison officer with the American Sixth Fleet in the Mediterranean. Unfortunately, Bodger goes with three aides that are just like him, and they create havoc -- made much worse when a revolution begins in one of the nearby countries. The British foursome get inadvertently mixed up in the events, never really knowing exactly what they are doing until the dust settles. ~ Eleanor Mannikka, All Movie Guide

When French playwright Pierre Corneille wrote El Cid, a fanciful version of the life of 11th-century Spanish hero Rodrigo Diaz de Bivar, aka "El Cid", an attempt was made to honor the "classic unities" and to compress the whole story into a single day! Be assured that the 1961 film version of El Cid is more faithful to the actual chronology. Charlton Heston adds one more character to his gallery of historical portrayals as El Cid, the disgraced Spanish knight who rids his country of its Moorish conquerors. The triumphs of El Cid's military life are not matched by his private affairs; he is betrayed by his bride Chimene (Sophia Loren) and is made a political pawn by the avaricious Spanish landowners. El Cid has a climax unique in the annals of movie epics: the final assault against the landgrabbers is led by a dead hero. El Cid established the short but generally profitable reign of producer Samuel Bronston as the King of the Epics; his imprint on the film is much stronger than that of director Anthony Mann. ~ Hal Erickson, All Movie Guide

In this British comedy, an amiable demolitions expert finds himself entangled with a band of criminals masquerading as doctors. In this guise, the thieves attempt to build a tunnel between the hospital and the bank next door. The expert successfully blows open the vault, and the criminals escape with their loot, leaving the hapless safecracker to take the rap. Five years pass before he is released from prison. The man has learned his lesson and tries to reform by taking a job in a small resort. More trouble ensues when he sees the most prominent citizen in town cheating his neighbors by selling bogus shares in the future of the town. To stop him the ex-safecracker enlists the aid of his old gang who begin masquerading as American soldiers offering to build a missile base in the town. Naturally the avaricious businessman desires a piece of the pie and so buys back all of the land he had sold. Using his special talent, the hero blows up the villain's land. Fortunately, the real American army gets involved by offering to rebuild the destroyed town on the land, causing the townsfolk to cheer the former con-man on as the police haul him back to prison. ~ Sandra Brennan, All Movie Guide

This remake of the Alfred Hitchcock thriller does not have his flair for suspense, but director Ralph Thomas keeps the action moving, offers some comic highlights, and the story itself carries the 90-minute running time. Richard Hannay (Kenneth More) is at a vaudeville show when a shot rings out and some commotion forces him to protect a young woman by bringing her home. His protection fails after she is stabbed by an assailant who escapes. She dies -- but not before she tells Richard there is a secret organization run by a man in Scotland, trying to smuggle some important plans out of the country. He must stop them, and as soon as she mentions 39 steps, she expires. Richard has only two days to find the head of the organization, get the plans, and foil this espionage attempt. Along the way to Scotland he is literally hooked up with an attractive schoolmarm after they are handcuffed together, and his misadventures continue with her in tow. ~ Eleanor Mannikka, All Movie Guide

Based on the Rumer Godden novel An Episode of Sparrows, Innocent Sinners stars June Archer and Christopher Hey as the title characters. Neglected by her mother, contentious little Lovejoy (Archer) runs off to an abandoned London building, where with the help of several street urchins she begins to build a tiny garden as a home-away-from-home. Misunderstood by the film's adult authority figures, Lovejoy is carted off to a charity home, from which she is rescued by her new friends, including street-smart Tip (Hey). Among the few sympathetic grownups in the film are David Kossoff and Barbara Mullen as a pair of likeable restauranteurs, and Flora Robson and Catherine Lacey as the standard golden-hearted old crones. ~ Hal Erickson, All Movie Guide

A fine upstanding wife finds it difficult to keep her sordid past as a criminal a secret from her husband and neighbors. The trouble begins when someone robs a neighbor. As the wife suddenly vanishes thereafter, the police immediately label her the prime suspect. Meanwhile, her husband searches the city in hopes of proving her innocent. ~ Sandra Brennan, All Movie Guide

Laurence Olivier was the director, co-screenwriter (with Alan Dent), and star of this robust adaptation of Shakespeare's drama, which, as Bruce Eder has written, "was the final, crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences." Olivier begins his Richard III with Edward IV (Cedric Hardwicke) being crowned king. In the background of the celebration, Richard (Laurence Olivier) jealously views the proceedings and begins to pick off those obstructing his pathway to the throne. Eventually, Richard becomes king and, after proceeding with a succession of intrigues and duplicities, he finds his kingdom in dire peril, set upon by Henry Tudor (Stanley Baker) and mustering a final defense for his realm at the Battle of Bosworth. ~ Paul Brenner, All Movie Guide

The life of the founder of modern Methodism is dramatized in John Wesley. Originally intended for church assembly showings, the film stars Leonard Sachs in the title role. The screenplay charts the Methodist Movement from its inception in 18th century England to the present day. Produced by the Radio and Film Commission of the Methodist church, the film was financed by the contributions of some 500 churches. Unfortunately, the budget didn't allow for a professional cast, thus many potentially worthwhile scenes are laid low by amateurish acting. On the other hand, the film is quite slick and accomplished on a technical level, thanks to the first-rate cinematography of Hone Glendenning and the assured direction of Norman Walker. ~ Hal Erickson, All Movie Guide

The Reluctant Widow in this muted British comedy is young 19th-century governess Elinor, played by Jean Kent. Inadvertently inheriting a vast estate, Elinor is bedeviled by both British turncoats and French espionage agents, who hide out in the mansion while preparing to steal Lord Wellington's battle plans for Waterloo. One of the British traitors is played by Julian Dallas, who as "Scott Forbes" would later star on TV's Jim Bowie. For reasons unknown, the film was heavily re-edited and restructured before its general release, making certain portions of the storyline incomprehensible. Through it all, however, Jean Kent maintains her dignity and charm as she quietly outwits the many villains. ~ Hal Erickson, All Movie Guide

Eileen Herlie, a German girl of Jewish heritage, is in love with Norman Wooland, but at her family's insistence marries Basil Sydney. Wooland's reaction is swift and decisive: he commits suicide. Years later, Hitler comes to power. Once more, Herlie's fate is in the hands of others. This time, however, she makes up her own mind as to what her future holds in store. An unpleasant, relentlessly unhappy tale, brilliantly acted by a top-drawer cast. ~ Hal Erickson, All Movie Guide