Gerard J. Wilson Movies

A self-centered womanizer makes a wager that he will be able to propose to three women in a three month time and have each one accept in this romantic Philadelphia-set comedy. His three victims are an icy concert pianist, an innocent blonde receptionist for the Philadelphia Eagles, and a rich, horny hausfrau. The fellow plans to prove his success by videotaping each proposal. Sure enough he succeeds, but things quickly sour when the ladies find out that he's duped them. They then team up to get revenge and teach him a thing or two about real love. ~ Sandra Brennan, All Movie Guide

In this made-for-TV movie, a wedding photographer learns the secrets of marriage while working at several ceremonies. ~ John Bush, All Movie Guide

Intended as the pilot for the proposed weekly series "Peter Benchley's Mystery of the Deep," the made-for-TV Hunters of the Reef bears traces of such best-selling Peter Benchley novels as Jaws and The Deep. Much of the action is devoted to a race between two salvage-boat captains -- one poor, one rich -- to recover the valuables in a ship wrecked off the Florida coast. Needless to say, the waters surrounding the wreck are infested with sharks; it is perhaps also unnecessary to observe that among the "scavengers" is a gorgeous marine biologist (Mary Louise Weller) who happens to be a knockout in a diving suit. Filmed on-location in Key West, FL, Hunters of the Reef originally surfaced as part of NBC's prime-time schedule on May 20, 1978. ~ Hal Erickson, All Movie Guide

This low-budget, Atlanta-lensed blend of horror and "blaxploitation" elements is basically a Ten Little Indians variant with a touch of voodoo thrown in for spice. The plot involves members of a family who are gathering at the decrepit estate of a legendary voodoo priestess for the reading of her will; the potential heirs are systematically murdered by the woman's butler (Jean Durand), who practices a diabolical form of voodoo himself. The cast is whittled down to two survivors (Victor French and Janee Michelle) before the killer's plan is undone. A justly forgotten relic of '70s horror-exploitation, this boring film was directed by television producer Ron Honthaner, who should have stuck with Gunsmoke. ~ Cavett Binion, All Movie Guide

Farewell to Arms is the second film version of Ernest Hemingway's World War One novel--and also the last film produced by David O. Selznick (Gone with the Wind). Rock Hudson plays an American serving in the Italian Army during the "War to End All Wars". Jennifer Jones is his lover, a Red cross nurse. They have a torrid affair, which results in Jones' pregnancy. As the months pass, Hudson and Jones lose contact with one another, and Jones believes that Hudson has forgotten her. But a battle-weary Hudson finally makes it to Switzerland, where Jones is hospitalized. The baby is stillborn, and Jones dies shortly afterward, murmuring that her death is "a dirty trick." Filmed on a simpler scale in 1932 (with Gary Cooper and Helen Hayes starring), A Farewell to Arms was blown all out of proportion to "epic" stature for the 1957 remake--so much so that its original director, John Huston, quit the film in disgust. Still, the basic love story is touchingly enacted by Rock Hudson and Jennifer Jones. ~ Hal Erickson, All Movie Guide

In Portrait of Jennie, Joseph Cotten plays an artist, Eben Adams, who is unable to bring any true feeling to his work. While painting in Central Park one morning, Eben makes the acquaintance of a schoolgirl named Jennie (Jennifer Jones), who prattles on about things that happened years ago. Intrigued at her thorough knowledge of the past, Eben is about to converse with her further, but Jennie has vanished. Over the next few months, Eben meets Jennie again and again -- and each time she seems to have aged by several years. He paints her portrait, which turns out to be more full of expression and emotion than anything he's previously done. His curiosity peaked by Jennie's enigmatic nature, Eben uncovers evidence that he has been conversing -- and falling in love -- with the ghost of a girl who died years earlier in a hurricane. On the eve of the hurricane's anniversary, Eben rushes to meet Jennie at the site where she was supposedly killed. As a new storm rages, Jennie vanishes for good, but not before declaring that the love she and Eben have shared will live forever. Rescued from the storm, Eben convinces himself that Jennie was a mere figment of his imagination. Then he notices that he stills clutches her scarf in his hand. He looks at his portrait of Jennie (the only Technicolor shot in this otherwise black-and-white film) and understands what she meant when she said that their love would endure throughout eternity; it will do so through Cotten's art, both the portrait at hand and all future portraits. Based on the novel by Robert Nathan, Portrait of Jennie is one of the most beautifully assembled fantasies ever presented onscreen. Producer David O. Selznick's unerring eye for "rightness" enabled him to select the perfect stars, supporting cast (Lillian Gish, Ethel Barrymore, David Wayne, Cecil Kellaway, et al.), director, cinematographer (Joseph August), and composer (Dimitri Tiomkin, who based his themes on the works of Debussy), and blend everything into one ideally balanced package. ~ Hal Erickson, All Movie Guide