Hugh Wheeler Movies

This performance of Leonard Bernstein's musical Candide features stage performers Michael Slattery and Robert Orth, and Nancy Allen Lundy in the starring roles. ~ Cammila Collar, Rovi

Sweeney Todd, the Demon Barber of Fleet Street is a videotaped staging of Stephen Sondheim and Hugh Wheeler's 1979 Broadway musical. This winner of nine Tony awards was based on Christopher Bond's adaptation of the venerable Victorian melodrama of the same name. The eponymous Mr. Todd (George Hearn), an ill-tempered London barber, pursues the grisly sideline of slashing his enemies' throats, grinding up their bodies, and selling the results in meat pies! This is material for a musical? Yes, and it's terrific. The production is at its best when Angela Lansbury, as Todd's looney mistress, belts forth one of the score's 26 songs. When first offered on the Showtime cable service in 1983, Sweeney Todd, the Demon Barber of Fleet Street carried home a shelf-full of ACE awards. ~ Hal Erickson, Rovi

Beginning its several incarnations as an Ingmar Bergman film named Smiles of a Summer Night, the story was adapted by composer/lyricist Stephen Sondheim into a successful Broadway musical directed by Harold Prince. This film, also directed by Prince, is adapted from the stage musical. In the movie, in the early 1900s, a group of friends bound together by complicated romantic entanglements, have come together for an elegant dinner at a country estate. The men present are the current, previous, or prospective lovers of the beautiful actress, Desiree (Elizabeth Taylor), and the other women are all united by their jealousy of her. Sadly, Desiree herself wants to simplify things and settle down -- she envies the wives. The adapted score later won an Oscar. The musical's well-known songs include Every Day a Little Death, A Weekend in the Country, and You Must Meet My Wife. The most famous song from the musical, Send in the Clowns, is sung here by Elizabeth Taylor. ~ Clarke Fountain, Rovi

Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles. Fosse uses the decadent and vulgar cabaret as a mirror image of German society sliding toward the Nazis, and this intertwining of entertainment with social history marked a new step forward for the movie musical. Michael York plays a British writer who comes to Berlin in the early 1930s in hopes of becoming a teacher. He makes the acquaintance of flamboyant American entertainer Sally Bowles, played by Liza Minnelli. Sally works at the Kit Kat Klub, a George Grosz-like Berlin cabaret where each night the smirking, androgynous Master of Ceremonies (Joel Grey) introduces a jazz-driven "girlie show" to his debauched audience. Virtually all the film's musical numbers are staged within the confines of the Kit Kat Klub, and each song comments on the plot and on Germany's "progression" from hedonism to Hitlerism. Most of the Broadway score by John Kander and Fred Ebb was retained, with the welcome addition of "The Money Song." Although it lost Best Picture to The Godfather, Cabaret won eight Oscars, including awards to Minnelli, Grey, and Fosse. A heavily expurgated 88-minute version of Cabaret has been prepared for commercial TV presentations, regarded by many as dramatically inferior to the full cut. ~ Hal Erickson, Rovi

Based on a novel by Harry Kressing, Something for Everyone must hold some sort of record for having the largest number of unsympathetic characters within a single film. Mercenary layabout Michael York talks himself into a footman's job at the estate of dissipated countess Angela Lansbury. In his efforts to advance himself socially and monetarily, York stops at nothing--including murder. He is eventually roasted on his own spit, courtesy of Lansbury's gross, ugly daughter Jane Carr. Guiding the debauched destinies of the characters is none other than Broadway luminary Harold Prince. The film has also been released as The Rook and Black Flowers for the Bride. ~ Hal Erickson, Rovi