Victoria Abril Movies
One of Europe's most popular and respected actresses, Victoria Abril has made her mark in more than 60 films produced in France, Italy, and her native Spain. First introduced to American audiences through the work of Spanish director Pedro Almodóvar, who directed her in the controversial Atame! (Tie Me Up! Tie Me Down!, 1990), the sensual, brown-eyed actress has gained a Stateside cult following, but remains thoroughly European in her choice of films and the roles she plays.Abril first earned wide recognition in Spain as a 14-year-old model on the popular television shows Uno, dos, tres, responda otra vez and 625 lineas. Born Victoria Merida Rojas in Malaga on July 4, 1959, she began studying as a ballet dancer at the age of seven, but following her celebrated turn on TV, segued into acting in the mid-'70s. Abril made her major screen debut in Vincente Aranda's Cambio de Sexo, a 1976 drama that cast her as an effeminate young man who undergoes a sex change. That same year, the actress made her first English-language film, Robin and Marian, in which she played the relatively minor role of a Spanish queen. She went on to do prolific work for the rest of the 1970s and throughout the 1980s, and in 1990 had her first collaboration with Almodóvar, for whom she starred as a drug-addicted porn actress taken hostage by an obsessive fan (Antonio Banderas) in Atame!. The film was a success in Spain -- where Abril earned a Goya Best Actress nomination for her performance -- and proved to be a controversial sensation in the States, where its plot outraged certain feminist groups. Abril collaborated with Almodóvar on two more films, Tacones Lejanos (1991) -- in which she played the estranged daughter of an actress (Marisa Paredes), and Kika (1993) -- in which she had a supporting role as an over-the-top tabloid TV program hostess.
Abril scored particular critical acclaim as a darkly amorous landlady in Vincente Aranda's Amantes (1991), winning a Best Actress Prize at the Berlin International Film Festival for her performance. Further acclaim came her way with Nadie Hablara de Nosotras Cuando Hayamos Muerto (1995), for which her portrayal of an alcoholic prostitute earned her a Goya and a Best Actress award at the San Sebastian Film Festival. A starring role in the French romantic comedy Gazon Maudit (1995), which cast her as a housewife torn between her unfaithful husband and a butch female truck driver, further increased Abril's popularity. She continued to star in films that emphasized her playful, flamboyant sexuality, maintaining her reputation as one of Europe's most colorful and vibrant performers. ~ Rebecca Flint Marx, Rovi
- 1999
- NR
In this sly comedy of manners, Anne (Victoria Abril) is a free-spirited single mother whose three children were all fathered by different men, none of whom are currently in contact with Anne and none of whom know that Anne bore their offspring. Anne's son Victor (Pierre-Jean Cherit) has started asking his mother questions about who his father is and where he's gone; Anne, however, isn't sure just what to tell him, or any of his siblings, about their Dads without things becoming embarrassing. However, when Anne takes the kids on a vacation to Mexico, she realizes she'd better come up with an explanation and quick, since all three of her former beaux happen to be staying at the same resort where Anne and her brood are registered. Mon père, ma mère, mes frères et mes soeurs was the first directorial credit for actress Charlotte de Turckheim, who also appears in the film as Jeanne. ~ Mark Deming, Rovi
- Starring:
- Victoria Abril, Charlotte de Turckheim, (more)
A slacker finds himself dealing with girl trouble he never knew existed in this offbeat comedy set in Iceland. Hlynur (Hilmir Snær Gudnason) is a 28-year-old layabout who lives with his mother, Berglind (Hanna María Karlsdóttir), in a run-down section of Reykjavík. Though he doesn't have a job, Hlynur makes enough off the dole to spend his evenings drinking beer, and has a girlfriend, Hofi (Thrúdur Vilhjálmdóttir), who regards his lack of ambition with a mildly annoyed tolerance. Berglind decides to take in a boarder, Lola Milagros (Victoria Abril), a lovely young woman from Spain who gives dance lessons. Hlynur is instantly captivated with Lola and begins making a play for her, even though she's an open and unapologetic lesbian. In the midst of a drunken New Year's Eve party, Hlynur wears down Lola's resistance, and the two ring in the new year having sex. Lola soon discovers she's pregnant, but Hlynur is startled to learn that Lola and Berglind are now lovers and they intend to raise the child together -- meaning he's not only competing with his mother for the same woman, but that his child will be brought up as his sibling. As if this weren't enough, Hlynur soon learns that Hofi is also carrying his child. 101 Reykjavík was the debut feature from writer/director Baltasar Kormákur, and received an enthusiastic reception at the 2000 Locarno Film Festival. ~ Mark Deming, Rovi
- Starring:
- Victoria Abril, Hilmir Snær Gudnason, (more)
Two of Spain's biggest female stars headline this offbeat comedy about the battle of wills between good and evil. Heaven is not getting its fair share of business for the afterlife, so Lola (Victoria Abril), an angel who sings in a nightclub located beyond the pearly gates, is sent to Earth to drum up business by her boss, Marina (Fanny Ardant). Her first prospect is Manny (Demián Bichir), a prizefighter with an injury that could take his life at any time. As Lola tries to claim Manny's soul for the Lord, the wicked Jack Davenport (Gael García Bernal) believes that the Devil deserves the boxer's soul, and he sends one of Hell's waitresses, Carmen (Penélope Cruz), to seal the deal. On Earth, Lola takes the form of Manny's former love and urges him to mend fences with his mother, while seductive Carmen tries to persuade Manny to return to the ring, knowing that another fight would mean his death. While Lola and Carmen wage war over Manny's soul, they maintain their cover by working at a grocery store, where they both learn a few lessons about the pitfalls of earthly capitalism. Meanwhile, Manny is dealing with financial problems of his own -- he owes money to the city's corrupt police commissioner (Emilio Gutiérrez Caba), who is using his strong-arm men to "persuade" Manny to pay up. Released in Europe as Sin Noticias de Dios (which translates as No News From God), Don't Tempt Me was a box-office success in Spain when it was released in late 2001, though it wouldn't reach American theaters until 2003. ~ Mark Deming, Rovi
- Starring:
- Victoria Abril, Penélope Cruz, (more)
- 2002
Directed by Marcello Cesena, Mari del Sud (Our Tropical Island) follows a dysfunctional family whose idea of concealing their bankruptcy from friends and family is hiding in the basement of their palatial home while they're presumed to be vacationing. The basement is a disgusting place to live; rat-infested and stocked only with pickled vegetables, trips to the supermarket and attempts to counter their meddling neighbors become full-scale commando operations. As the situation snowballs, the family is unwittingly pushed into a catharsis which will bring them together in a way they hadn't thought possible. ~ Tracie Cooper, Rovi
- Starring:
- Diego Abatantuono, Giulia Steigerwalt, (more)
A con man finds himself up against an adversary he hasn't the strength to challenge in this crime drama from Spain. Ernesto (Ernesto Alterio) is a man who grew up learning the easier way to get out of trouble was to lie, and over the years, he's built a career out of his gift for twisting the truth as a con man. Teaming up with two experienced grifters, Manco (Manuel Alexandre) and Federico (Federico Luppi), Ernesto is able to pull off a major scam involving the Spanish Army that scores the three a major payday. This should put Ernesto and his partners on Easy Street, but things begin to go sour when Ernesto is reunited with a former girlfriend, Pilar (Victoria Abril). Ernesto is a soft touch for anything that Pilar might suggest, and when she plots a big con for him and his partners, he offers no objections. However, when Manco dies under hazy circumstances and Ernesto's childhood pal Gipsy (Alejandro Casaseca) conveniently appears wanting to take his place, Ernesto begins to suspect that he may be the one being scammed. ~ Mark Deming, Rovi
- 2004
This way-offbeat comedy from Gallic director Jeanne Labrune concerns two young French women, best friends Léa and Jacinthe. While Jacinthe develops a fixation with the moths that begin to cluster in frightening quantities throughout her apartment, Léa finds herself drawn to a dim-witted fellow employed by a local supermarket, then impulsively decides to follow him home via train. When Léa mysteriously disappears during the days that follow, Jacinthe naturally grows concerned about her friend and decides to investigate. ~ Nathan Southern, Rovi
- Starring:
- Victoria Abril, Jean-Pierre Darroussin, (more)
- 2005
Writer-director Vincente Aranda adapted his sweeping historical saga Tirante el Blanco (AKA The White Knight, 2006) from the bestselling European novel by Joanot Martorell. Casper Zafer (La Femme Musketeer) plays the titular soldier, Tirante. Ordered by the Emperor of Byzantium to free Constantinople from the autocratic rule of the Turks, Tirante and his men - who exude the strength and great fighting spirit of the Almogavars - succeed triumphantly - virtually sweeping the Turks aside, and ignoring the fact that the number of warriors in the opposition far exceeds their own count. In the process, Tirante also succeeds in deflowering the illustrious virgin Carmesina, heiress to the empire. The only lingering problem is that Tirante doesn't hail from noble stock. ~ Nathan Southern, Rovi
- Starring:
- Casper Zafer, Esther Nubiola, (more)
Director Antonio Banderas's reflective sophomore drama follows nascent poet Miguelito (Alberto Amarilla) and his best friends, Paco (Félix Gómez) and Babirusa (Raúl Arévalo), as they confront their pasts and ponder their futures while coming of age in 1970s-era southern Spain. Based on the novel by author Antonio Soler, the story centers largely on Miguelito's relationship with the beautiful Luli (María Ruiz) and his struggle to move beyond his youthful indiscretions. ~ Jason Buchanan, Rovi
- Starring:
- Alberto Amarilla, María Ruiz, (more)
- 2008
With this high-concept, all-star French comedy (it features at least sixteen Gallic marquee names including Michel Blanc and Josiane Balasko), director Jean-Michel Ribes sets out to skewer the pretentiousness of the European art world. It's just a typical, ordinary day at a French art museum, but the cast of characters on display here finds the terrain anything but easy to navigate; they include a mother who literally becomes an art exhibit when her body is coated in plastic and put on display, a minister shocked to his core by artistic displays of sexual organs, a curator suffering from acute botanophobia, a stowaway who hides out in the principal art room, and many other idiosyncratic misfits. ~ Nathan Southern, Rovi
- Starring:
- Michel Blanc, Simon Abkarian, (more)
This tense and brutal, Spanish-language crime thriller from Mexico concerns four female bank robbers (Pilar Lopez de Ayala, Ariadna Gil, Victoria Abril and Elena Anaya) whose latest heist puts them in a head-to-head clash with the local mob in Mexico City. ~ Nathan Southern, Rovi
- Starring:
- Victoria Abril, Ariadna Gil, (more)
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