Eileen Crowe Movies

This romance is set in scenic Ireland. Conflict ensues when a new grocer comes to town and falls in love with the daughter of his competitor. ~ Sandra Brennan, Rovi

This well-acted drama about an Irishman just released from jail is filled with rich characterization. The story is adapted from a stage play by Walter Macken who also plays the role of the ex-convict Paddo in this screen version. Direction is by J. Fielder Cook. Once Paddo returns home after being sentenced to five years for killing a man, his old friends try to put him back in their niche of local hero but Paddo will have none of it. He is disillusioned and changed. His son Willie (Arthur Kennedy) walks with a limp that keeps him too self-conscious to assert himself as he would like with the young woman of his dreams. While other people come in and out of Paddo's life, from his taciturn friend the trapper to the local tinker, it is Paddo's son Willie suffering from his own disability who makes the difference in his father's life. ~ Eleanor Mannikka, Rovi

To make the Rising of the Moon, American filmmaker John Ford returned to his Irish roots. An obscure and highly personal film for Ford, it is comprised of three episodes--each offering insight into Irish culture and values. All are introduced by Tyrone Power. In "The Majesty of the Law," a police officer is assigned to arrest an Irish curmudgeon who hit the neighbor who sold him a lousy batch of homemade whiskey. But this is no ordinary arrest as the old man is a traditionalist who loathes the new directions his beloved Eire is going. Out of respect, the cop eschews his car and walks to his cottage. The two have a conversation and the old man mourns the loss of the old ways and expresses his frustration over the encroachment of modern amenities that are destroying the Irish heritage. The sympathetic cop offers to free him if the old man will pay a small fine, but though the codger has more than enough to pay it, he refuses on principal. Even when the man who filed the charges offers to pay the fine, the coot refuses to give in and stoically heads off to serve his time. As he walks with the officer to the jail, the whole town comes out to honor the old man. Set at a train station "A Minute's Wait" offers a humorous look at Irish conceptions of time as train's brief scheduled stop to pick up some lobsters for an important dinner stretches out into a long, leisurely pause. The final vignette, "1921" features members of Dublin's Abbey Theatre and tells the story of how they engineer an elaborate rescue of an Irish patriot from prison. ~ Sandra Brennan, Rovi

Returning to the Ireland of his birth, director John Ford fashions a irresistable valentine to the "Auld Sod" in The Quiet Man. Irish-American boxer John Wayne, recovering from the trauma of having accidentally killed a man in the ring, arrives in the Irish village where he was born. Hoping to bury his past and settle down to a life of tranquility, Wayne has purchased the home of his birth from wealthy local widow Mildred Natwick, a transaction that has incurred the wrath of pugnacious squire Victor McLaglen, who coveted the property for himself. By and by, Wayne falls in love with McLaglen's beautiful, high-spirited sister Maureen O'Hara. Her insistence that Wayne conduct his courtship in a proper Irish manner-with puckish matchmaker Barry Fitzgerald along for the ride as "chaperone"--is but one obstacle to their future happiness: the other is McLaglen, who spitefully refuses to give his consent to his sister's marriage, or to honor the tradition of paying a dowry to Wayne. Wayne could care less about dowries, but the tradition-bound Maureen refuses to consummate her marriage until McLaglen pays up. Under any other circumstances, Wayne would have punched out the bullying McLaglen long ago, but ever since his tragedy in the ring he has been reluctant to fight. Local priest Ward Bond conspires with several locals to trick McLaglen into paying his due. They intimate that widow Natwick, for whom McLaglen carries a torch, will marry the old brute if he'll give his consent to the marriage and fork over the dowry. But McLaglen finds he's been tricked and the situation remains at a standoff, with the frustrated Wayne locked out of his wife's bedroom. When Maureen accuses him of being a coward and walks out on him, our hero can stand no more. He marches Maureen to McLaglen's home, indicating that he plans to whale the tar out of both brother and sister. As a huge and appreciative crowd gathers the cornered McLaglen truculently tosses the money in Wayne's direction. Big John hands the bills to Maureen, just as she knew he would, and she ceremoniously destroys the money, just as he knew je would. Having proven their love for each other, there is nothing left for Wayne and Maureen to do but head home and perform their nuptual duties. But first there's the matter of giving McLaglen the thrashing he deserves....and it is this spectacular donnybrook, which covers several acres of land and at least two "pit stops" so that the combatants can quench their thirst, which convinces Natwick that the defeated McLaglen is truly worthy of her love (her logic is on a par with everyone else's in the film!) Though it tends to perpetuate the myth that all true Irishmen live only to fight, drink and make love, The Quiet Man is grand and glorious fun, enacted with gusto by a largely Hibernian cast and directed with loving care by a master of his craft. Written by Frank Nugent and graced with a lilting musical score by Victor Young, the film won Oscars for Archie Stout's Technicolor photography and for John Ford's direction-a real coup for "poverty row" Republic Pictures. If you haven't already luxuriated in this wonderful film, be sure to catch in on the tube next St. Patrick's Day. ~ Hal Erickson, Rovi

The misery caused by a long-term feud between two Irish families provides the framework in this drama based on a book by Daphne du Maurier. The saga begins in 1840 as the father of the Donovan clan rebels against the Brodrick family, the owners of the copper mine located on what was formerly Donovan land. In the ensuing conflict, the mine is destroyed and the eldest Brodrick son is killed. His younger brother then becomes the clan leader. He cares not a fig for mining; instead he would rather spend his time wooing a beautiful local girl whom he marries. They have four children and when the brother dies, his eldest son succeeds him. The new patriarch and his mother are terribly greedy and eager to take control of the mine. His mother is distraught when her son suddenly rejects her. The unwanted woman goes to London where she soon gets involved with gambling and drugs to ease her broken heart. One day, her son travels to the city and runs into her. To ease his aching conscience he asks her to return home. Just as she gets there, the eldest son is killed by another Donovan during a labor dispute. She then has one Donovan arrested. An aging servant manages to talk the bereaved mother into dropping the charges so that the feud may finally end. She does. ~ Sandra Brennan, Rovi