Lindsay Crouse Movies

This biographical sports drama is the true story of an Olympic runner whose life ended tragically short. Jared Leto stars as Steve Prefontaine, a teen who develops a running talent despite unorthodox physical traits such as a short stature and legs of different lengths. "Pre" is still sufficiently impressive enough on the track field to be recruited by Bill Bowerman (R. Lee Ermey), an Oregon college coach who creates homemade running shoes in his garage. His arrogant attitude vexes even his girlfriend (Amy Locane), but Pre's athletic skills prove to be the real deal, as he wins an NCAA championship and qualifies for the 1972 Olympics. Prior to his event, however, a terrorist attack in Munich leaves several athletes dead, and a shaken Pre doesn't medal. Back home, Bowerman turns his shoe-making enterprise into the global sneaker giant Nike, while Pre chafes under the poverty enforced by Olympic rules. He becomes an outspoken advocate for amateur athletes and tries to organize an exhibition, which leads to criticism by the press. Before he can compete, however, Pre is killed in a car wreck. Prefontaine (1997) was one of two motion pictures made about the runner at the same time; the other was Without Limits (1998). ~ Karl Williams, All Movie Guide

A woman serving on the jury of an anti-Mafia trial must protect herself and her young son from a psychopathic gangster in this thriller. Demi Moore stars as Annie Laird, a single mother and artist who readily agrees to do her civic duty on the jury in the trial of a major organized crime figure. She quickly comes to regret this decision when a mysterious and eccentric Mafia associate known as The Teacher (Alec Baldwin) threatens to kidnap her son and harm her friends unless she promises to vote not guilty. Fearing for their lives, she plays along, but unfortunately the Teacher shows no sign of backing away from his plans, having become personally obsessed with Annie. Unwilling to trust the authorities, Annie instead develops a plan to save her child by taking on the Teacher and the mob. Adapting a novel by George Dawes Green, the screenplay was written by Ted Tally (The Silence of the Lambs). ~ Judd Blaise, All Movie Guide

The compilation film If These Walls Could Talk consists of three short films that each deal with the controversial issue of abortion. Although each of the stories is set in a different decade, the unifying element (aside from the subject matter) is that all three transpire in the same house. The first story stars Demi Moore as the widow of a soldier killer in combat. She becomes pregnant and does not feel it would be morally appropriate to have the baby. Because it is the '50s, she must attempt to secure an illegal abortion. The second story, set in the '70s, stars Sissy Spacek as a mother of a struggling family. Having successfully raised four children on a meager income, Spacek's character must now decide if she should seek an abortion after finding out she is expecting a fifth. The final story takes place in the '90s. Anne Heche portrays a grad student who crosses protestors' picket lines in order to consult a doctor (Cher) about having an abortion. The first two parts, "1952" and "1974," were directed by Nancy Savoca, and the last part, "1996," was helmed by Cher, in her directorial debut. If These Walls Could Talk aired originally on HBO. ~ Perry Seibert, All Movie Guide

A mentally challenged girl who was assaulted by a group of prep-school boys commits suicide, and investigating detectives Sipowicz (Dennis Franz) and Simone (Jimmy Smits) demand justice. The precinct house is "invaded" by an escaped mental patient (Raphael Sbarge) who has trouble communicating an important message to the detective who had him committed. Still working undercover, Diane (Kim Delaney) witnesses the violence beneath the smooth veneer of handsome hoodlum Jimmy Liery (Christopher Meloni). Gina Colon (Lourdes Benedicto) takes over the troublesome Geri's duties. And Simone takes notice of new detective Kirkendall (Andrea Thompson). ~ Hal Erickson, All Movie Guide

Three divorced fathers, played by Paul Reiser, Matthew Modine, and Randy Quaid, experience the joys and hardships of their former marriages, their relationships with their kids, and getting back into the dating scene in this whimsical comedy. Dave (Modine) is diligently playing the field, while Vic (Quaid) is enraged over his ex-wife's spending problem and Donny (Reiser) is struggling with the love he still feels for his ex and his own feelings of rejection. However, what develops over the weekend changes each man's life forever. Vic goes on a nightmare date with a neurotic woman (Janeane Garofalo), Dave loses control of his female interests when they all show up at the house simultaneously, and Donny finds himself literally out on a limb in order to communicate with his teenage daughter. Though it deals with serious subject matter, Bye Bye Love is a lighthearted look at modern American divorce and the often humorous ways in which people adjust to a new life. ~ Don Kaye, All Movie Guide

Directed by Linda Yellen, this made-for-cable movie originally aired on the Showtime network and featured a star-studded cast including Dudley Moore, Liza Minelli, and James Belushi. The plot centers around several fraternity and sorority graduates who have decided to regroup at their alma mater. Nick (Belushi), a determined but gloomy reporter, attends on the sole hope of finding some good gossip. His highest hope lies within the career ties of his ex-lover Winnie (JoBeth Williams), who now serves as publicist to rising politician Rebecca Ferguson Stone (Patricia Wetig). Fellow alumni Charlie (Ben Gazzara) is returning for equally dishonest reasons--he's hoping to convince his ex Francie (Gena Rowlands) to pay off his gambling debts. Francie, however, has found herself more interested in bonding with a single mom/housekeeper (Ally Sheedy). All of their lives take a turn for the unexpected when the big man on campus mysteriously dies. ~ Tracie Cooper, All Movie Guide

A young female doctor is found murdered. While seeking out evidence, the detectives come across the woman's diary. The book paints a sordid picture indeed, suggesting that the woman's death may have been the outgrowth of a romantic triangle involving her fiancé, Danny Garrett (Frederick Weller), and Garrett's domineering psychiatrist, Diane Meade (Lindsay Crouse). ~ Hal Erickson, All Movie Guide

Based on actual events, this drama centers on an abused wife who stands accused of murdering her husband. With no one else to help her, she desperately begs her alcoholic brother, a lawyer who has fallen on hard times, to represent her in court. ~ Sandra Brennan, All Movie Guide

The Desperate Hours directed by Michael Cimino, is an attempt to remake the Humphrey Bogart classic of the same name with indifferent results. Bosworth (Mickey Rourke), a brutal criminal on the run with his partners, takes over a house occupied by an unhappily married couple Nora (Mimi Rogers) and Tim (Anthony Hopkins) and their young son and daughter. Bosworth has escaped from jail with the help of his defense attorney Nancy Breyers (Kelly Lynch). The film focuses on the interactions of the family and Bosworth as he plans his escape to Mexico. Cimino wastes little time in developing the characters or explaining the implausible premise that Bosworth would chose an occupied house and hold an innocent family captive when the logical choice would be to lay low and wait for his chance to escape. Both Hopkins and Rourke, usually excellent actors, give wildly over-the-top performances, aided by the lurid, over-written dialogue of the screenplay and the badly paced, ill-conceived direction by Cimino, which instead of creating tension and suspense, simply confuses the already muddled and incomprehensible plot. The Desperate Hours is a pale example of the original with little to recommend it. ~ Linda Rasmussen, All Movie Guide

Adapted by Whitley Strieber from his book about his alleged contacts with aliens, Communion dramatizes a story all the more compelling for the author's insistence that it is true, complemented by Christopher Walken's enigmatic performance as Strieber. The film begins in October 1985, as Strieber is living in New York City with his wife Anne (Lindsay Crouse) and son Andrew (Joel Carlson). He is hunting for new book ideas without making much headway. He spends his days pacing around his apartment, thinking out loud or videotaping himself as he improvises bits of dialogue. It is soon decided that a vacation is in order, so, with their friends Alex (Andreas Katsulas) and Sara (Terri Hanauer), the Striebers head for their cabin in Upstate New York. In the middle of the night, an illumination descends on the cabin and surrounding forest, causing Strieber to wake up abruptly. In the semi-darkness of the cabin, he is able to make out a long face with narrow, tear-shaped eyes quietly observing him from a corner of the room. The next morning, he has forgotten -- or been made to forget -- the whole experience. He even shrugs off Alex's and Sarah's concern about "seeing lights" outside their bedroom window, claiming to have slept through the event. Back in New York, it becomes evident to Strieber and his family that something unusual did happen. He begins to have powerful hallucinations, and, after an inconclusive medical examination, he is encouraged by his wife to seek professional help from psychiatrist Janet Duffy (Frances Sternhagen). During hypnotic regression therapy, Strieber's lifelong contact with the "visitors" is brought to light, as well as the details of his more recent encounters. Still unable to accept these revelations, he returns to the cabin alone and finally communicates with the visitors, discovering that, although they are unable to reveal their true identity, their purpose may be to act as agents of personal transformation for himself and for others. An interesting and uneven film, Communion is bolstered considerably by Christopher Walken, whose role in the film, though appropriate for the subject matter, quickly transforms into a thesis on his own eccentricities as an actor. ~ Anthony Reed, All Movie Guide

A video review of the WWII career of Adolph Eichmann, with rare footage and interviews. ~ All Movie Guide

In his directorial debut, Pulitzer Prize-winning playwright David Mamet creates a stylish cinematic puzzle of games within games, as con men are joined by a psychologist in creating the perfect caper. Dr. Margaret Ford (Lindsay Crouse), the writer of psychological self-help books, meets Mike (Joe Mantegna) as she attempts to help a patient who owes heavy gambling debts. When she herself is the victim of a con, she becomes intrigued by the psychological drama of the con game and joins in a complicated scam involving a suitcase of cash. Mamet directs his extremely complicated plot with skill and complete control until it is impossible to tell who is the con and who is the victim. The suspense builds to an amazing surprise ending which is both reasonable and believable but completely unpredictable. Crouse and Mantegna are outstanding as are all the supporting performances. Mamet and his cinematographer Juan Ruiz-Anchia create a visually stunning, compelling film that does justice to Mamet's superbly written screenplay ~ Linda Rasmussen, All Movie Guide