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Jean Thuillier Movies

1960  
 
Talented actress and writer Simone Signoret carries this drama about an emotionally deteriorating woman, Roberta, who tries everything she can to win back the affection and interest of her husband, Milan (Reginald Kernan). Milan is a moody race-car driver who is now retired, living with Roberta, married for ten years, and intent on writing his memoirs. Too much togetherness has the couple sniping at each other, so when an attractive young woman joins them for awhile, Roberta eventually sees her as a chance to improve her marriage. Already declining in heavy bouts with the bottle, Roberta thinks that the young woman could awaken her husband's interest in intimacy -- and therefore in Roberta herself. As might be expected, this convoluted and risky plan backfires in the worst possible way. ~ Eleanor Mannikka, Rovi

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Starring:
Simone SignoretAlexandra Stewart, (more)
 
1960  
 
In his final film, Jean Cocteau brilliantly evokes memories of his past triumphs, Blood of a Poet (1930) and Orpheus (1949). Cocteau casts himself as an aging poet who knows he is dying (as indeed he was); his greatest desire is to be reborn so that he can qualify for celestial immortality. The stellar cast includes such French film favorites as Jean-Pierre Léaud, Jean Marais, and François Perier, along with Hollywood's Yul Brynner and such Cocteau friends and admirers as Pablo Picasso, singer Charles Aznavour, and bullfighter Luis Miguel Dominguen. Given the influence Cocteau's influence over the French New Wave directors of the 1950s and 1960s, it is altogether appropriate that the producer of Testament of Orpheus was François Truffaut. ~ Hal Erickson, Rovi

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Starring:
Jean CocteauYul Brynner, (more)
 
1957  
 
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The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau, as Florence Carala, gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them. Malle and his cinematographer Henri Decae make extensive use of Paris at night, giving the film the feel of claustrophobia and desperation reminiscent of the classic noir films. The excellent score by Miles Davis adds to the entire effect of this mystery thriller. ~ Linda Rasmussen, Rovi

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Starring:
Jeanne MoreauMaurice Ronet, (more)
 
1956  
 
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In a genre crowded with quality films, director Robert Bresson's POW drama has become legendary, in part because it strips down the experience of a man desperate to escape to the essentials. That's in keeping with the approach Bresson took with all of his films. The filmmaker, who spent a year in a German prison camp during World War II, based this story on the experiences of Andre Devigny, a French Resistance fighter sent in 1943 to the infamous prison in Lyons, where 7,000 of the 10,000 prisoners housed there died either by natural means or by execution. Lt. Fontaine (Francois Leterrier) is certain that execution awaits him, and he almost immediately begins planning his escape, using homemade tools and an ingenuity for detecting the few weaknesses in the prison's structure and routine. For a time, he goes it alone, then takes on a partner, but only reluctantly. Fontaine does get some help from a couple of prisoners allowed to stroll in the exercise yard, but for the most part he is a figure in isolation. For Bresson, the process of escape is all, and in simplifying his narrative he ratchets up the tension, creating a film story of survival that many feel is without peer. ~ Tom Wiener, Rovi

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Starring:
Francois LeterrierRoland Monod, (more)