Linda Taylor Movies

There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide

This largely autobiographical story written and directed by Michael Landon stars Timothy Patrick Murphy as Gene Orowitz (Landon's real name was Eugene Orowitz), a frail teenager with a talent for throwing the javelin and a close relationship to his father Sam (Eli Wallach), the manager of a movie theater. Sam's real love in life is writing fiction, and he pounds the keys of his typewriter well into the night as he tries to finish a major opus. One day when Gene sees Samson and Delilah (1949) at the theater where his father works, he becomes certain that whatever strength he has is due to his long hair and he refuses to cut his hair, even though long hair turns the school principal apoplectic and has to be disguised when Gene is at a sports meet. Gene's life is not a bed of roses, yet when he is dumped by his girlfriend Bonnie for Robert (Alan Hayes), an arrogant football player who has bullied him whenever the chance arose, his good friend Cathy (Hallie Todd) stays by his side. Later, he has his own revenge with Robert by connecting with a right to the jaw, shocking everyone, perhaps even himself. Gene has been working out to get ready for a big school meet and is a bit stronger in his javelin-tossing arm. As the day of the big meet approaches, life changes dramatically for him -- and the movie's climax, though it appears contrived, actually happened to Landon in real life. Landon also plays a small role in the film as a movie star visiting his hometown -- and in some ways, he was "Sam's son" because he himself took to writing -- including the script for this movie, in fact. ~ Eleanor Mannikka, All Movie Guide

Channel One was a New York-based comedy group which presented short satirical sketches concerning television. What set this group apart was that they performed in front of genuine TV cameras, while the audience watched on TV monitors strategically placed throughout the theater. Many of the best, and most censurable, Channel One sketches were assembled by the group's mentor Ken Shapiro and released to theaters as the feature-length The Groove Tube. Shapiro himself stars in several of the sketches, most notably as "Koko the Clown," a kiddie-show host whose idea of "Make Believe Land" consists of smoking a joint and reading passages from Fanny Hill. Most of the Channel One players will be unfamiliar to audiences of the 1990s, save for Richard Belzer and Chevy Chase, the latter offering a most unusual rendition of "I'm Looking Over a Four Leaf Clover." The Groove Tube was originally rated X, thanks to such bits as "Safety Sam," wherein the audience is offered cheerful anti-VD advice by a talking penis. ~ Hal Erickson, All Movie Guide