Joan Crosby Movies

If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, All Movie Guide

Screenwriters Ted Tally and Alvin Sargent adapted the novel by Glenn Savan into this intelligent comedy-drama about a May-December romance where the woman is the senior partner. James Spader is Max Baron, a 27-year-old St. Louis advertising executive who has completely shut himself off from the world in the two years since the auto accident death of his wife. When he meets free-spirited, 43-year-old burger joint waitress Nora Baker (Susan Sarandon), his attraction to the earthy, outspoken woman is immediate and overpowering. The difference in age isn't their only obstacle happiness: Nora's into Marilyn Monroe, drinking beer, and lives in Dogtown, the city's low-rent district, while Max is cultured, sophisticated, and wealthy. Despite their differences, Max and Nora are alike in their suffering and in their deep need for connection, but their charged relationship is put to the emotional test when it becomes clear that Max is hiding his affair with Nora from his upper middle-class, Jewish social circle. White Palace co-stars Renée Taylor, Eileen Brennan, Kathy Bates, Jason Alexander, and Corey Parker. ~ Karl Williams, All Movie Guide

Faye Dunaway portrays the Argentinian title character in this four-hour TV biopic. The story traces Evita's rise to power from humble origins; she establishes herself as a radio and film actress, then meets and marries powerful politico Juan Peron (played by James Farentino, a last minute replacement for Robert Mitchum). Peron's iron-fisted rule of Argentina allows Evita to become a political power in her own right. At first she is widely beloved as a "woman of the people", but gradually many of her followers are disillusioned by her use -- and misuse -- of her authority and her influence over Peron. After Evita dies, she is all but canonized by the Faithful, and it becomes more difficult than ever to separate fact from legend. Evita Peron was clearly produced to capitalize on the Broadway musical hit Evita, though the script takes great pains not to copy its theatrical inspiration. ~ Hal Erickson, All Movie Guide

Robert Stevenson, Walt Disney Productions' house director, cobbled together his 19th family film for the organization with this slapstick sequel to the Disney comedy The Shaggy Dog (produced 17 years after the fact). Dean Jones plays Wilby Daniels, a lawyer running against the villainous John Slade (Keenan Wynn) for district attorney. His campaign is cast into doubt when he comes upon an ancient ring that transforms him into a fat sheepdog. But the campaign progresses on a level playing field when the unscrupulous Slade finds himself also turned into a canine -- a disgruntled bulldog. Another sequel, The Return of the Shaggy Dog, followed. ~ Paul Brenner, All Movie Guide

Elaine Heilveil guest stars as Karen Overstreet, a female paramedic trainee with a hostile attitude who feels she must continually prove her worth to her all-male colleagues. On the job, it is Roy (Kevin Tighe) who ends up needing emergency medical attention after trying to save an invalid from a fire. Elsewhere, an attempted suicide changes his mind a shade too late, and the paramedics struggle to revive the victim of a pulmonary embolism, and a freeway construction crew accidentally imperils an elderly couple. ~ Hal Erickson, All Movie Guide

Planet Earth was the second of three look-alike attempts by Star Trek maven Gene Roddenberry to launch a futuristic TV series for the 1970s (the first was 1973's Genesis II, and the third was 1975's Strange New World). John Saxon stars as Dylan Hunt, who awakens from suspended animation in the year 2133. The "big war" has come and gone; one of the few surviving pockets of 20th-century civilization is the city of PAX. This 2-hour pilot film details Hunt's adventures in this Brave New World when he is captured and enslaved by a society run by women. He is rescued by the scientists of PAX, presumably as a means of getting Roddenberry's series off the ground. But except for this film, first aired April 23, 1974, Planet Earth never got into orbit. ~ Hal Erickson, All Movie Guide

An unsubtle but effective TV-movie satire of the "Miss America" syndrome, Great American Beauty Contest stars Joanna Cameron as a fire-breathing feminist who enters the contest of the title. She plans to win the crown, then utterly destroy the contest by delivering a scathing attack on exploitation and sexism instead of an acceptance speech. A subplot concerns contest judge Louis Jourdan, who uses his position to extract sexual favors from the more desperate contestants. Eleanor Parker, the girls' chaperone, gives Jourdan his comeuppance in the film's most satisfying sequence. We won't spoil the twist ending, but we will note that one of the contestants is played by Farrah Fawcett, whose specialty is an endearingly ridiculous belly dance. ~ Hal Erickson, All Movie Guide