Hume Cronyn Movies
Canadian-born actor Hume Cronyn was the son of a well-known Ontario politician. At his father's insistence, young Cronyn studied law at McGill University, but had by then already decided he wanted to be an actor; he made his stage bow with the Montreal Repertory Company at 19, while still a student. After taking classes at the American Academy of Dramatic Arts and working with regional companies in Washington, DC and Virginia, Cronyn made it to Broadway in 1934. His first important role was as the imbibing, jingle-writing hero of Three Men on a Horse, directed and co-written by George Abbott. He remained with Abbott to work in Room Service and Boy Meets Girl - not only establishing himself as a versatile stage actor but also gleaning a lifelong appreciation of strict artistic discipline from the authoritarian Mr. Abbott. Cronyn went from one taskmaster to another when he made his film debut in Alfred Hitchcock's Shadow of a Doubt. The 32-year-old Cronyn quietly stole several scenes in the film as a fiftyish mystery-novel fanatic. Cronyn would remain beholden to Hitchcock for the rest of his career: He acted in Hitchcock's Lifeboat (1944) and worked several times thereafter on the director's TV series; he adapted the stage play Rope and the novel Under Capricorn for Hitchcock's filmizations; and he sprang to the late director's defense when a dubious biography of Hitchcock was published in the mid-1980s. Though well-versed in Shakespeare and Moliere on stage, Cronyn was often limited to unpleasant, weasely and sometimes sadistic characters in films; one of his nastiest portrayals was as the Hitleresque prison guard Munsey in Brute Force (1947). A somewhat less hissable Cronyn appeared in The Green Years (1946), wherein he portrayed the father of his real-life wife Jessica Tandy, who was in fact two years older than he. Cronyn had married Tandy in 1942, a union that was to last until the actress' death in 1994. They worked together often on stage (The Fourposter, The Gin Game) and in films (Batteries Not Included), and delighted in giving joint interviews where they'd confound and misdirect the interviewer. Their daughter, Tandy Cronyn, matured into a fine actress in her own right. Seemingly indefatigable despite health problems and the loss of one eye, Cronyn remained gloriously active in films, television and stage into the 1990s, encapsulating many of his experiences in his breezy autobiography A Terrible Liar. ~ Hal Erickson, All Movie Guide- 1949
Bejabbers! Sure an' some heathen has gone and stolen the Blarney Stone. Yes, Top O' the Morning is set in Ireland, or at least Hollywood's idea of Ireland. American detective Bing Crosby arrives on the Auld Sod to investigate the theft of the Stone, while the local constabulary, represented by Barry Fitzgerald (his third teaming with Crosby) and Hume Cronyn, assist Bing in his inquiries. Cronyn turns out to be the heavy of the piece, but Crosby is too busy romancing leading colleen Ann Blyth to concern himself. The "faith 'n' begorrah" business is spread a bit too thick in Top O' the Morning, but not as thick as Barry Fitzgerald's near-impenetrable brogue. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Barry Fitzgerald, (more)
- 1948
In this funny tale of deception and romantic fireworks, a rather prissy New England school marm finally gets a chance to achieve her dream and become a commercial artist when she is hired to illustrate the beloved "Uncle Bump's" latest children's book. She adores Bump's earlier works and is anxious to meet this gentle fellow in New York. Imagine her shock to discover that Bump is actually a boozy, cynical, young man who despises all children. Appalled, she decides to expose him as a fraud. The author's publisher nearly goes bazinga when he thinks of all the money to be lost and so tells the teacher a whopper about how the writer became bitter after his wife died and left him with a troublesome son. This melts the teacher's heart and she decides to help out. But first she wants to speak to the boy. In desperation, the publisher pays a tough, wiseacre urchin to impersonate the nonexistent son. This tough little cookie helps to bring the two opponents closer and love blooms until she learns the truth. Broken-hearted and angry, the teacher returns to New England to marry an old beau. Fortunately, the cagey orphan, who has come to love them both, has a few aces up his sleeve and insures that the two are reunited. A happy family is born and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Van Johnson, June Allyson, (more)
Rope, Alfred Hitchcock's first color film, was adapted from Patrick Hamilton's stage play Rope's End by no less than Hume Cronyn. Loosely inspired by the Leopold-Loeb case, the plot concerns two implicitly homosexual college chums, played by Farley Granger and John Dall. Their heads filled with Nietzchean philosophy by their kindly professor James Stewart, Granger and Dall kill a third friend just for the thrill of it. The boys hide the body in an antique chest in the middle of their posh apartment, then perversely arrange to hold a dinner party around the chest, inviting the victim's family, friends and fiancee (Joan Chandler), as well as their intellectual role-model Stewart. As the guests wander obliviously around the sealed chest, the killers make snippy, veiled comments about their deed--never going so far as to reveal the existence of the body nor their involvement in the murder. As all the guests file out, however, professor Stewart begins to suspect that something is amiss. In Rope, Hitchcock attempted the daunting technical challenge of filming the entire picture in one long, seemingly uninterrupted take. Actually, there are several edits in the movie: since a reel of film was divided into two ten-minute minireels back in 1948, the internal reel-breaks are "fudged" by having a dark object briefly obscure the camera lens, sustaining the illusion that no editing has taken place. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, John Dall, (more)
Burt Lancaster had one of his first starring roles in this hard-hitting prison drama. Capt. Munsey (Hume Cronyn) is a cruel, corrupt prison guard who has his own less-than-ethical ways of dealing with inmates, enough so that Joe Collins (Lancaster) -- the toughest inmate in the cell block -- has decided to break out. Collins tries to persuade Gallagher (Charles Bickford), the unofficial leader of the inmates and editor of the prison newspaper, to join him, but Gallagher thinks Collins' plan won't work. However, Collins does have the support of his cellmates, most of whom, like himself, wandered into a life of crime thanks to love and good intentions. Tom Lister (Whit Bissell) was an accountant who altered the books so he could buy his wife a mink coat. Soldier (Howard Duff) fell in love with an Italian girl during World War II and took the rap for her when she murdered her father. Collins pulled a bank job to raise money to pay for an operation that could possibly get his girl out of a wheelchair. And Spencer (John Hoyt) made the mistake of getting involved with a female con artist. After Munsey drives Tom to suicide and prevents Gallagher from obtaining parole, Gallagher joins up with Collins and his men in the escape attempt. Director Jules Dassin would next direct the influential noir drama The Naked City; six years later, he would move to Europe after political blacklisting prevented him from continuing to work in the United States. ~ Mark Deming, All Movie Guide
- Starring:
- Burt Lancaster, Hume Cronyn, (more)
- 1947
Filmed not long after the actual events, The Beginning or the End is a sober, intelligent account of the development and deployment of the Atom Bomb. Step by step, the film details the progress of The Manhattan Project, from its inception in the early stages of the war through the dawn of the Atomic Age over the city of Hiroshima on August 6, 1945. Brian Donlevy stars as Brigadier General Leslie Groves, assigned by President Roosevelt (Godfrey Tearle) to act as military supervisor of the top-secret project at Oak Ridge, Tennessee. After a grueling trial-and-error period, the first atomic bomb is tested before an assemblage of scientists and military personnel-even though there's the disturbing possibility that the explosion may cause a chain reaction that will wipe out all mankind. Woven into the proceedings is an unnecessary but innocuous romance between idealistic young scientist Matt Cochran (Tom Drake) and his new bride Anne (Beverly Tyler), who cannot understand why she and her husband are forced to live in isolation with scores of other scientists and their families because Matt, like his associates, has been sworn to total secrecy. Though the Cochrans are fictional, many real-life participants in the Manhattan Project are depicted herein, including J. Robert Oppenheimer (played by Hume Cronyn), Enrico Fermi (Joseph Calleia), Albert Einstein (Ludwig Stossel) and Col. Paul Tibbetts (Barry Nelson), pilot of the bomb-bearing Enola Gay. Refreshingly free of propagandizing, Beginning or the End would make an excellent companion feature to Fat Man and Little Boy (1990), a highly politicized retelling of the same events. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Anderson, Brian Donlevy, (more)
- 1946
The Secret Heart is a psychological drama starring June Allyson as a disturbed teenager obsessed with the memory of her dead father and unable to embrace her stepmother. Following the suicide of her father, Penny Addams (Allyson) begins to behave strangely, even locking herself in her room and playing the piano in his memory. Greatly worried, Penny's brother, Chase (Robert Sterling), and stepmother, Lee (Claudette Colbert), consult a psychiatrist, Dr. Rossiger (Lionel Barrymore), who suggests that Penny be returned to the family's country home. Since the site is where the suicide took place, Rossiger believes that confronting the scene will force the young woman to mentally face the reality of her father's death. Once there, however, Penny becomes disenchanted with her father's memory -- which causes her to become even more despondent than ever. Eventually, Penny tries to kill herself in the same manner of her father, but she fails, and the healing process proceeds for all concerned. This dark tale, offbeat for its time, was narrated by Hume Cronyn. ~ Karl Williams, All Movie Guide
- Starring:
- Claudette Colbert, June Allyson, (more)
- 1946
A quickie post-WWII marriage becomes complicated in this romantic comedy, the second film pairing of Robert Walker and June Allyson. Swept off her feet in one whirlwind night by dashing U.S. Navy man John (Walker), the young, attractive Mary (Allyson) agrees to a fast, ill-considered wedding. John ships out immediately afterward, with no time for a honeymoon or even a consummation of the marriage. Much to Mary's chagrin, John is quickly discharged from the service for medical reasons and returns home. The transition to domestic bliss is an uneasy one for Mary and John, who are essentially strangers. Each becomes the object of affection for others. Mary fends off the unwelcome advances of her boss Freddie (Hume Cronyn), who wants to break up her fragile relationship so he can ask for her hand. At the same time, the innocent John is slow to realize that a war refugee neighbor who lives in their apartment building is interested in more than a platonic friendship. The Sailor Takes a Wife (1945) costarred popular comic actors Eddie "Rochester" Anderson and Joe De Rita, better known as "Curly Joe" of The Three Stooges. ~ Karl Williams, All Movie Guide
- Starring:
- Robert Walker, June Allyson, (more)
- 1946
- NR
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James M. Cain's novel received its first authorized screen treatment in this MGM production. Drifter Frank Chambers (John Garfield) takes a job at a roadhouse run by slovenly but likeable Nick Smith (Cecil Kellaway). Nick's sexy young wife Cora (Lana Turner) takes an immediate liking to Frank, but he senses that she's trouble and he keeps his distance--for a while, anyway. Inevitably succumbing to Cora's tawdry charms, Frank enters into her scheme to murder Nick and claim the old boy's insurance money. Not long after committing the foul deed, Frank and Cora are arrested. Thanks to the conniving of slimy attorney Arthur Keats (Hume Cronyn), the illicit lovers are able to beat the murder rap--but, as the film's title symbolically indicates, they eventually pay for their misdeeds in an unexpected manner. Fans of the James M. Cain original--not to mention Cain himself--were aghast at the changes made in the novel by screenwriters Harry Ruskin and Niven Busch; many of the alterations were made to conform with censorship standards of the era, while others simply existed to massage the egos of the stars. Even so, the 1946 version of The Postman Always Rings Twice is infinitely more satisfying than the no-holds-barred 1981 remake, directed by Bob Rafelson with Jack Nicholson and Jessica Lange. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, John Garfield, (more)
- 1946
The Green Years was an important rung in the career of child actor Dean Stockwell. He stars as a morose young Irish lad, raised by ultra-strict Scottish relatives of his late mother. He is drawn out of his shell by roguish great-grandfather Charles Coburn. In time, Stockwell grows up to be Tom Drake, and Coburn is still around to keep things lively. Adapted from a best-selling novel by A.J. Cronin, The Green Years is entertaining on several unexpected levels, from the thick Scots and Irish brogues of the largely American cast, to the odd pairing of husband and wife actors Hume Cronyn (age 35) and Jessica Tandy (age 37), here playing father and daughter. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Coburn, Tom Drake, (more)
The presence of William Powell as legendary showman Flo Ziegfeld at the beginning of Ziegfeld Follies might lead an impressionable viewer from thinking that this 1946 film is a Technicolor sequel to the 1936 Oscar-winning The Great Ziegfeld. Not so: this is more in the line of an all-star revue, much like such early talkies as Hollywood Revue of 1929 and Paramount on Parade. We meet a grayed, immaculately garbed Ziegfeld in Paradise (his daily diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive. Evidently Ziegfeld's shade has something of a celestial conduit to Metro-Goldwyn-Mayer studios, since his "dream" show is populated almost exclusively by MGM stars. Vincente Minnelli is given sole directorial credit at the beginning of the film, though many of the individual "acts" were helmed by other hands. The Bunin puppets offer a tableau depicting anxious theatregoers piling into a Broadway theatre, as well as caricatures of Ziegfeld's greatest stars. The opening number, "Meet the Ladies", spotlights a whip-wielding (!) Lucille Ball, a bevy of chorus girls dressed as panthers, and, briefly, Margaret O'Brien. Kathryn Grayson and "The Ziegfeld Girls" perform "There's Beauty Everywhere." Victor Moore and Edward Arnold show up in an impressionistically staged adaptation of the comedy chestnut "Pay the Two Dollars". Fred Astaire and Lucille Bremer (a teaming which evidently held high hopes for MGM) dance to the tune of "This Heart is Mine." "Number Please" features Keenan Wynn in an appallingly unfunny rendition of an old comedy sketch (performed far better as "Alexander 2222" in Abbott and Costello's Who Done It?) Lena Horne, strategically placed in the film at a juncture that could be edited out in certain racist communities, sings "Love". Red Skelton stars in the film's comedy highlight, "When Television Comes"-which is actually Skelton's classic "Guzzler's Gin" routine (this sequence was filmed late in 1944, just before Red's entry into the armed services). Astaire and Bremer return for a lively rendition of "Limehouse Blues". Judy Garland, lampooning every Hollywood glamour queen known to man, stops the show with "The Interview". Even better is the the historical one-time-only teaming of Fred Astaire and Gene Kelly in "The Babbitt and the Bromide". The excellence of these sequence compensate for the mediocrity of "The Sweepstakes Ticket", wherein Fanny Brice screams her way through a dull comedy sketch with Hume Cronyn (originally removed from the US prints of Ziegfeld Follies, this sequence was restored for television). Excised from the final release print (pared down to 110 minutes, from a monumental 273 minutes!) was Judy Garland's rendition of "Liza", a duet featuring Garland and Mickey Rooney, and a "Baby Snooks" sketch featuring Fanny Brice, Hanley Stafford and B. S. Pully. A troubled and attenuated production, Ziegfeld Follies proved worth the effort when the film rang up a $2 million profit. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Lucille Ball, (more)
- 1945
The 1922 silent comedy Don't Write Letters was updated to the war years and remade as A Letter for Evie. Marsha Hunt is the title character, a girl who does her patriotic bit by sending affectionate letters to a soldier overseas. The soldier (Hume Cronyn) comes to visit on leave, accompanied by his best friend (John Carroll). Evie wants to be loyal to her pen-pal, but the pen-pal's pal is so doggone cute. Letter for Evie represents one of the earliest feature film assignments for Jules Dassin, who would eventually contribute such notable films as Rififi and Never on Sunday. ~ Hal Erickson, All Movie Guide
- Starring:
- Marsha Hunt, John Carroll, (more)
- 1944
- NR
Fred Zinnemann directed this World War II drama, considered one of the best anti-Nazi dramas produced by Hollywood during the war years. The story concerns seven prisoners in a Nazi concentration camp who manage to elude the guards and the Gestapo. The commandant, in a rage over their escape, nails crosses to seven trees, planning to crucify each of the prisoners as they are captured. Gradually six of the prisoners are discovered by the Gestapo and crucified. The one remaining escapee, George Heisler (Spencer Tracy), has become embittered and cynical after his years in the concentration camp. But as an assortment of friends and strangers help him elude the Gestapo, Heisler finally makes it to neutral Holland, his faith in mankind restored. Jessica Tandy had her first screen appearance as Liesel Roeder, the wife of Paul Roeder (Hume Cronyn, Tandy's real life husband), one of the friends who helps Heisler make his way to freedom. ~ Paul Brenner, All Movie Guide
- Starring:
- Spencer Tracy, Signe Hasso, (more)
Seeking a creative challenge after several years' worth of fairly elaborate melodramas, director Alfred Hitchcock stages all of the action in Lifeboat in one tiny boat, adrift in the North Atlantic. The boat holds eight survivors of a Nazi torpedo attack: sophisticated magazine writer/photographer Constance Porter (Tallulah Bankhead), Communist seaman John Kovac (John Hodiak), nurse Alice MacKenzie (Mary Anderson), mild-mannered radio-operator Stan (Hume Cronyn), seriously wounded Brooklynese stoker Gus Smith (William Bendix), insufferable-capitalist Charles Rittenhouse (Henry Hull), black-steward George Spencer (Canada Lee) and half-mad passenger Mrs. Higgins (Heather Angel), who carries the body of her dead baby. This adroitly calculated cross-section of humanity is reduced by one when Mrs. Higgins kills herself. After a day or so of floating aimlessly about, the castaways pick up another passenger, Willy (Walter Slezak), who is a survivor from the German U-boat. At first everyone assumes that Willy cannot speak English, but when the necessity arises he reveals himself to be conversant in several languages and highly intelligent; in fact, he was the U-boat's captain. As the only one on board with any sense of seamanship, Willy steers a course to his mother ship, while the others resign themselves to being prisoners of war. After it becomes necessary to amputate Gus's leg, Willy decides that the burly stoker is excess weight; while the others sleep, he tosses Gus overboard, watching dispassionately as the poor man drowns. When the rest of the passengers discover what he's done, all of them (with one significant exception) violently gang up on Gus, and once more, the lifeboat drifts about sans navigation. ~ Hal Erickson, All Movie Guide
- Starring:
- Tallulah Bankhead, William Bendix, (more)
- 1944
Produced by the same team responsible for MGM's Crime Does Not Pay short subjects, Main Street After Dark is an energetic crime melodrama with a topical wartime theme. The film's criminal element is a family of pickpockets, who've been fleecing visiting servicemen. The crooks are challenged by a civic clean-up committee, and are brought to justice by the time the film's allotted 57 minutes have run their course. Only MGM could produce a "B" picture with a star lineup including Edward Arnold, Hume Cronyn, Dan Duryea and Audrey Totter. Main Street After Dark also provided a good showcase for newcomer Gloria Grahame as the prettiest of the pickpockets. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Arnold, Selena Royle, (more)
Teresa Wright plays Charlie, a small-town high-schooler who enjoys a symbiotic relationship with her favorite uncle, also named Charlie (Joseph Cotten). When young Charlie "wills" that old Charlie pay a visit to her family, her wish comes true. Uncle Charlie is his usual charming self, but he seems a bit secretive and reserved at times. Too, his manner of speaking is curiously unsettling, especially when he brings up the subject of rich widows, whom he characterizes as "swine." When a pair of detectives (MacDonald Carey and Wallace Ford), posing as magazine writers, arrive in town and begin asking questions about Uncle Charlie, young Charlie's curiosity is aroused. Why, for example, has Uncle Charlie torn an article out of the evening newspaper? Rushing to the library, Young Charlie locates the missing item: the headline screams WHO IS THE MERRY WIDOW MURDERER? As the horrified Charlie reads on, the conclusion is inescapable: her beloved Uncle Charlie is a mass murderer, preying upon wealthy old women. And what happens next? Thornton Wilder, Sally Benson, and Alma Reville (Mrs. Hitchcock) based their screenplay on a story by Gordon McDowell, who in turn was inspired by real-life "Merry Widow Murderer" Earle Leonard Nelson. The casting, from stars to bit players, is impeccable; the best of the batch is Hume Cronyn, making his film debut as a wimpy murder-mystery aficionado. Lensed on location in Santa Rosa, California, The Shadow of a Doubt wasAlfred Hitchcock's favorite film. ~ Hal Erickson, All Movie Guide
- Starring:
- Joseph Cotten, Teresa Wright, (more)
- 1943
The time is World War II. A group of disillusioned French soldiers are approached by Nazi troops and promised safe passage to their homeland. The Frenchmen willingly surrender, only to discover that their next destination is a German concentration camp located near a Gallic village. The anticipated escape attempt results in an uprising from the French villagers--hence the film's title, which refers to the emblem of the Free-French underground. Cross of Lorraine compensates for its Hollywood's-eye view of France (no more realistic than the Paris of the Ernst Lubitsch musicals) with some remarkably graphic sequences showing the extent of German brutality. The melting-pot cast includes Frenchman Jean-Pierre Aumont as a patriot, Hungarian Peter Lorre as a hateful Nazi, American Gene Kelly as a cynical victim of German torture, and Canadian Hume Cronyn as the traditionally rodent-like informer. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean-Pierre Aumont, Gene Kelly, (more)
- 1943
This Technicolor retelling of the Gaston Leroux "grand guignol" classic The Phantom of the Opera has a little more opera than phantom, but that's because the stars are soprano Susannah Foster and tenor Nelson Eddy. Claude Rains carries the acting honors on his shoulders, playing a pathetic orchestra violinist who worships aspiring opera-singer Foster from afar. The girl is unaware that Rains has secretly been financing her music lessons with instructor Leo Carrillo. When he runs out of money, Rains attempts to sell the concerto that he's been working on all his life. Mistakenly believing that his precious concerto has been stolen from him, Rains attacks and kills the music publisher he holds responsible. Terrified, the publisher's mistress throws a pan full of acid into Rains' face. Rains runs screaming into the night, and is not heard from for the next reel or so. Soon afterward, the Paris Opera house is plagued by a series of mysterious accidents. The managers are informed via letter that the "accidents" will continue if Foster is not immediately promoted to leading roles. Only after reigning diva Jane Farrar is drugged into incapacitation is Foster given her big break. Farrar accuses Foster's boyfriend, police inspector Nelson Eddy, of doping her in order to advance Foster's career. Farrar is later strangled, and Eddy is accused of the crime. The culprit is, of course, Rains, who now poses as the masked-and-caped "phantom". Maniacally determined that no one will impede Foster's success, Rains causes a huge chandelier to crash down on the opera audience when Foster fails to appear onstage (she'd been kept from performing by police-chief Edgar Barrier, who hoped in this manner to flush The Phantom out of hiding). A chase through the catacombs below the opera house ensues, with Rains holding Foster prisoner. When Rains briefly lets down his guard, the tremulous Foster removes his mask. It's "yecccch," all right, but nowhere near as frightening as the unmasking scene in the silent Lon Chaney version of Phantom of the Opera. The same can be said for the rest of this 1943 remake, though in fairness it appears as though the film wasn't really designed to scare anyone, but instead to serve as a suspense yarn with musical interludes. Hume Cronyn makes his second film appearance in Phantom in a microscopic role. The huge sets designed for this picture were hastily reused for the 1944 Universal melodrama The Climax, starring Boris Karloff and (again) Susannah Foster. ~ Hal Erickson, All Movie Guide
- Starring:
- Nelson Eddy, Susanna Foster, (more)
