Kathy Cronkite Movies
This Americanized remake of Lina Wertmuller's The Seduction of Mimi offered audiences the novelty of seeing Richard Pryor performing three different roles in the same film. Which Way Is Up? tells the tale of Leroy Jones (Pryor), a poor orange picker who gets fired from his job when he accidentally joins a worker's union during a demonstration. He is forced to travel to Los Angeles and abandon his family, which includes his wife, Annie Mae (Margaret Avery), and his perpetually randy father, Rufus (also Pryor). While there, he falls in love with labor organizer Vanetta (Lonette McKee), but is soon rehired by his former employers when they realize he is easily manipulated. Back home, Leroy discovers his new managerial role alienates him from his former friends as he tries to divide his time between Annie Mae and Vanetta. When he discovers Annie Mae has been impregnated by the Reverend Lennox Thomas (Pryor's 3rd role) during his absence, Leroy sets his sights on seducing Lennox's wife. The resulting film had ambition to spare, but was generally panned as an inferior remake by the critics and failed to find a mass audience. However, Which Way Is Up? gained a second lease on life via cable and home video and has become a cult favorite with Pryor's fans. ~ Donald Guarisco, All Movie Guide
- Starring:
- Richard Pryor, Lonette McKee, (more)
A trenchant satire of "trash TV," Network seems to grow only more relevant with each passing year. Howard Beale (Peter Finch), the dean of newscasters at the United Broadcasting System, is put out to pasture because he "skews old." Network executive Max Schumacher (William Holden), Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. Network head Frank Hackett (Robert Duvall) is all for kicking Beale out then and there, but when it looks as though the UBS is going to have its greatest ratings ever on the night of Beale's self-destruction, ambitious programming exec Diana Christensen (Faye Dunaway) talks Hackett into treating that fateful final telecast as a special event. Naturally, Beale doesn't go through with it -- but he does begin rambling about the horrible state of the world in general and television in particular. He concludes his tirade by admonishing his viewers to "Go to the window and shout as loud as you can: 'I'm mad as hell and I'm not going to take it anymore!'" With that, Howard Beale becomes the hottest TV personality in America, and Diana becomes the network's fair-haired girl. She draws up plans to treat the nightly news broadcast as garish entertainment (complete with a psychic), all built around the rants of Beale, billed as "The Mad Prophet of the Airwaves." Network won Oscars for Paddy Chayefsky's screenplay as well as for three of four acting categories -- Dunaway for Best Actress, Peter Finch for Best Actor (in the only posthumous Oscar yet awarded), and Beatrice Straight for Best Supporting Actress, in one of the shortest-screen-time performances ever to win an Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Dunaway, William Holden, (more)
- 1975
Assigned to escort visiting poet Madeline Bennett (Laura Campbell) during her visit to Boatwright University, John-Boy (Richard Thomas) ends up falling in love with her--and despite the fact that she is several years older, he seriously considers dropping out of college in order to marry her. And in another matter of the heart, John (Ralph Waite) and Olivia (Michael Learned) plan to celebrate their 20th anniversary by holding the "real wedding" they feel they never had. 1930s film favorite and future Titanic costar Gloria Stuart appears as a saleswoman; and keep an eye out for Kathy Cronkite, daughter of CBS news anchor Walter Cronkite. ~ Hal Erickson, All Movie Guide
- 1974
- PG
After Billy Jack belatedly became a box-office smash two years after its original release and The Born Losers, the biker film in which Tom Laughlin created the Billy Jack character, had enjoyed a highly successful re-release, Tom Laughlin brought everyone's favorite martial arts hero turned Native American mystic back to the screen for a third go-round in The Trial of Billy Jack. As Billy Jack (Tom Laughlin) awaits trial for murder, Jean Roberts (Delores Taylor) continues to operate her "Freedom School" on an Indian reservation, where the student-operated television station comes under fire for airing a series of hard-hitting political exposes (just how an alternative school run by threadbare hippies obtained cameras, broadcasting equipment and an FCC license is not explained here). The attempts to silence the student journalists and run Billy Jack out of town lead to a deadly confrontation between the kids and the National Guard. Tom Laughlin wrote and directed The Trial of Billy Jack, though on-screen credit is given to his son, Frank Laughlin; similarly, Laughlin also directed the first two films under the name T.C. Frank. ~ Mark Deming, All Movie Guide
- Starring:
- Tom Laughlin, Delores Taylor, (more)
- 1974
John-Boy (Richard Thomas) is elated when a big-city publisher offers to assemble his short stories into a book. But elation turns to despair when John-Boy learns that he has been bamboozled by a "vanity" press and is expected to pay his own publication costs--and this after a public celebration has been arranged in his honor. Meanwhile, budding musician Jason (Jon Walmsley) prepares to make his professional debut with bandleader Bobby Bigelow (Mayf Nutter in his first series appearance). Featured in the guest cast is Kathy Cronkite, the daughter of CBS news anchor Walter Cronkite. ~ Hal Erickson, All Movie Guide
